


po ; rz Vine Y . y _ . ? 
; “ : , q 
v 7 = J .- + 
, . } 

; 4 ae ae 

y ’ ‘ , , eo 
e, 
é ¥ *- <“, 
hey et * 







HE METROPOLITAN MUSEUM 


he » 
t xf) 
* ¢ 
£ ; Pine. 
 . 


ATALOGUE OF 
RAINTINGS (oe 














OA TAL OGUE 
OF 
PAINTINGS 








t 


THE METROPOLITAN MUSEUM 
OF ART 


GATALOGUE OF 
PAINTINGS 


nb 
BRYSON BURROUGHS 


CURATOR 
DEPARTMENT OF PAINTINGS 


SEVENTH 
EDITION 


FIRST EDITION, COPYRIGHT, FEBRUARY, 1914 
SECOND EDITION, COPYRIGHT, FEBRUARY, 1916 
THIRD EDITION, COPYRIGHT, JUNE, 1917 
FOURTH EDITION, COPYRIGHT, MARCH, 1919 

FIFTH EDITION, COPYRIGHT, JUNE, 1920 
SIXTH EDITION, COPYRIGHT, FEBRUARY, 1922 
SEVENTH EDITION, COPYRIGHT, MARCH, 1924 

BY 
THE METROPOLITAN MUSEUM OF ART 


mb EUS 


BRELAGE 


N alphabetical arrangement by the names of artists, or by 
schools where the artists are unknown, is followed: in this 
book. In the attempt to solve the problem of number- 
ing a rapidly growing collection of paintings, the experi- 

ment has been made here of adapting the C. A. Cutter system, 
long in use in libraries. To use the catalogue it is not necessary to 
be familiar with the system of numbering, but for those who may 
be interested an explanation follows. It consists of a combination 
of letters and numbers, composed of the initial letter of the au- 
thor’s name followed by numbers that represent the succeeding 
letters of the same, so that additional entries can be inserted without 
disturbing the sequence of the letters of the numerals, By this 
system the number, instead of being an arbitrary tag affixed to the 
picture, has a logical connection with it and its place in the catalogue, 
and the usual finding list is done away with. The plan has the 
advantage of being thoroughly logical and flexible, and the com- 
pilers of this catalogue believe that it will be considered an improve- 
ment over the prevailing methods, at least for the Burp OS of this 
collection... 

The C. A. Cutter Two-Figure Author Table, which has been 
used in numbering this collection, calls for one letter for names be- 
ginning with a consonant (except S) and two for names beginning 
with vowels or S. Thus, Abr is Abbey and R28 is Rembrandt. 
When it is necessary to make a close classification an additional 
number is used. Thus, M61 is Millais, J. E.; M611 Miller, C. H.; 
M612 Miller, R. E.; M613 Millet, F. D.; M614 Millet, J. F. The 
number after the dash indicates the order of acquisition of works by 
an artist. Thus, R28-1 is the first painting by Rembrandt acquired 
by the Museum; R28-2 is the second; and soon. Works lent begin 
with 51 afterthedash. Thus, following the nine paintings by Stuart 
owned by the Museum come the Stuarts lent, which begin with 
Sto-51. To indicate that some doubt exists as to the attribution 
of a picture, the letter A is placed after the artist’s figure; for in- 


Vv 


PREG AGE 


stance, a picture attributed to Mabuse is M1A-1. To indicate 
that a picture is a copy after a work of the artist, the letter C is 
placed after the artist’s figure; thus, a copy after Pater is P27C-1. 
To indicate that a picture is the work of an unknown artist of a cer- 
tain school, a capital S is added. Thus, R28S-is School of Rem- 
brandt; Am3S is American School; the Italian School has been 
further subdivided to indicate particular sections of Italy; thus It5S 
is Italian School and It5S—F2 is Florentine, second picture acquired. 

The gallery number, given immediately below the number of the 
picture, shows its location at the time of the publication of the 
catalogue. When no gallery number 1s given, it indicates that the 
painting is not on exhibition. 

The information about each picture is arranged in four para- 
graphs: 

1. Biographical note of the artist. 

2. Title; biographical note if a portrait, or historical note if an 
event is depicted; description. The words right and left, when not 
otherwise stated, refer to the right and left of the spectator. Doubt- 
ful attributions and changes in attributions are noted; in the case 
of works lent to the Museum, the owner’s attribution has gener- 
ally been retained. 

3. The provenance of the painting. the most recent being stated 
first. 

4. Height and width of the picture, without frame, given in 
inches; material on which it is painted; when not painted in oil, then 
the medium, such as water color or pastel; the signature in capitals, 
small capitals, or small letters as the artist has written it; reference to 
the monthly BuLLetin of The Metropolitan Museum of Art if the 
picture has been described or illustrated therein; the fund through 
which it was purchased or the name of the donor if it is a gift ora 
bequest; the year of acquisition. 


vi 


TABLE OF CONTENTS 


Ee 
TABLE OF CONTENTS 

List OF ILLUSTRATIONS 

INTRODUCTION 

CATALOGUE . 

APPENDIX 


A. ARTISTS REPRESENTED, ARRANGED BY SCHOOLS . 


B. A List oF PoRTRAITS ARRANGED BY SUBJECTS 
C. CLASSIFICATION BY GALLERIES ~ . 


Vil 








oo) 





Ee VEIST OFFIELUSTRATIONS 


FACING 
PAGE 


VIRGIN AND CHILD ENTHRONED WITH SAINTS, by Raphael ‘Title 


Joan oF Arc, by Jules Bastien-Lepage . . . . . . 16 
THREE MIRACLES OF SAINT ZENOBIUS, by Botticelli . . 17 
Meter Or VENUS, by Francois Boucher - .=.. . . =: 48 
THE Harvesters, by Pieter Bruegel the Elder . . . . 49 
MEDITATION ON THE Passion, by Vittore Carpaccio . . 56 
THE AEGEAN SEA, by Frederic E. Church. . . . . ..” 57 
: PORTRAIT OF JOSEPH SHERBURNE, by John Singleton Copley ies 
THE SLEEP OF DIANA, by Jean Baptiste Camille Corot. . 73 
PietA, by ee ellite Gas hi fies. cus Sees ee lh BO 
THE ABDUCTION OF ResBecca, by Eugéne Delacroix. . . 81 
THE THINKER, by Thomas Eakins . . . . ae a TS 
ParaDIseE, by Giovanni di Piola aera tre Oe eae 113 
PORTRAIT OF.A WOMAN, by Frans.Hals ... . . +s Baetae 
THE Merry, Company, by branssHalsi i). (pee! 
Maroaret Wyatt, Lapy Lez, by Hans Holbein . . . 136 
RIORTHEASTER, by Winslow Homer . «3.70.2. 6 + 3 we 137 
Pesce AND PLenTy, by George [nness. . .  . svat? ou J4q 
Dovewiid AGOWwORD, by Edouard Manet. .° . : . 4 145 
HARP OF THE WINDS; A VIEW ON THE SEINE, by Homer D. 
eee MCE, rT ee I ee ae 76 
ADORATION OF THE KINGs, by Quentin Massys . . . . 197 


1X 


LIST OF ILLUSTRATIONS 


FACING 
PAGE 
BETROTHAL OF SAINT CATHERINE, by Hans Memling 184 
MADONNA AND CHILD ENTHRONED WITH ANGELS, by Pietro 
di Domenico da Montepulciano. 185 
PorTRAIT OF A MAN, by Rembrandt . 200 
Tue Noste Stay, by Rembrandt : 201 
OL_p WoMAN CuTTING HER Nal_s, by Rembrandt 208 
PORTRAIT OF THE ARTIST, by Rembrandt . ce ys 
MADAME CHARPENTIER AND HER CHILDREN, by Pierre 
Auguste Renoir . PET tp ny. 240 
Hon. HENRY FANE WITH HIS GUARDIANS, INIGO JONES AND 
CHARLES BLaiR, by Sir Joshua Reynolds 241 
WOLF AND Fox Hunt, by Peter Paul Rubens. 272 
Henry G. MARQUAND, by John S. Sargent 273 
Hoty Famity, by Andrea del Sarto Pegs sh Ss 304 
GEORGE WASHINGTON (GIBBS-CHANNING-AVERY PORTRAIT), 
by Gilbert Stuart 305 
THE GLORIFICATION OF FRANCESCO BARBARO, by Giovanni 
Battista Tiepolo ; 312 
SALTASH, by Joseph Mallord William Turner RPE alpen p<: 
James STUART, DUKE oF LENNox, by Anthony Van Dyck. 328 
Puitie IV oF Spain, by Velazquez . ao ae : 320 
YOouNG WOMAN WITH A WATER JuG, by Johannes Vermeer 336 
Mars AND VeNus UNITED By Love, by Paolo Veronese 337 
CuHRIsTtT APPEARING TO His MoTHER, by Roger van der 
Weyden te ee 368 
ARRANGEMENT IN FLESH COLOR AND BLACK; THEODORE 
Duret, by James A. McNeill Whistler 369 
FLOOR PLAN. 399 


INTRODUCTION 


HE beginning of the Museum’s collection of pictures 

dates from 1871 when 174 paintings of the seventeenth 

and eighteenth centuries became its property. These 

were bought the year previous in Europe by William 
T. Blodgett, a Trustee of the Museum, who held them until the 
Museum was able to make the purchase. One hundred of the 
number belonged to the Comte Cornet de Ways Ruart de Vanéch 
and were acquired in Brussels through Etienne Le Roy, the official 
expert of the Royal Museum of Belgium; fifteen others were ac- 
quired through M. Le Roy; and the remaining fifty-nine were pur- 
chased in Paris. Many excellent pictures were included in these 
collections: The Old Fiddler by van Ostade, Dutch Kermesse by 
Jan Steen, Drawing the Eel by S. Ruysdael, Hille Babbe by Frans 
Hals, three works by Tiepolo, and two by Guardi, to name only a 
few. A building at 681 Fifth Avenue was prepared for the exhibi- 
tion of this collection, and, as stated in the first catalogue, pub- 
lished in 1872, the results led the Trustees to believe that their in- 
stitution was permanently established upon a sure basis and would 
“become a most important agent in developing a taste and knowl- 
edge of art in this community.” 

The second great accretion of pictures, and the most important 
event in the history of the Department of Paintings, occurred in 
1888 when Henry G. Marquand gave fifty-three pictures which 
placed the collection immediately in a position of considerable prom- 
inence. The Van Dycks, the three by Hals, the Rembrandts, the 
Vermeer, the strange and beautiful work ascribed to Lucas van 
Leyden, the double portrait of the early Florentine school, the variant 
of Van Eyck’s Madonna of the Fountain, Saltash by Turner, these 
and the others of the donation fix the Marquand gift among the 
most notable benefactions ever made to public collections. The 
effect of the gift on the growth of the Museum and on the de- 
velopment of culture in America has been incalculable. In com- 
memoration of Mr. Marquand’s services and munificence, Gal- 


X1 


INTRODUCTION 


lery 11 at the head of the great staircase was set apart in 1911 
for the exhibition of distinguished paintings of any school, and was 
called by his name. Several of the pictures included in his gift 
‘are shown in the Marquand Gallery, but the quality of the works 
he gave, whether exhibited here or distributed in the other rooms, 
is the real reminder of his connoisseurship and generosity. 

Other gifts were received. Cornelius Vanderbilt gave the fresco 
of Saint Christopher by Pollaiuolo in 1880; Junius S: Morgan, the 
large portraits of the Hon. Henry Fane and his Guardians by 
Reynolds in 1887; and in the same year the Catharine Lorillard 
Wolfe Bequest, consisting of a collection of 148 modern paintings 
and a fund for its maintenance and increase, became the property of 
the Museum. Her collection included pictures of worth and out of 
the Wolfe Fund have been bought many of the best modern pictures 
now shown—Turner’s Whale Ship, Delacroix’s L’Enlévement de 
Rébecca, Corot’s Sleep of Diana, Renoir’s Charpentier Family, and 
Goya’s Bull Fight among the number. 

Some pictures given in these early days were works in pth 
favor at the moment, the popularity of which has not survived. 
Many of these are no longer on exhibition. They have performed 
their task in our genesis, however, giving pleasure to many for a 
number of years. Certain others, on the contrary, now numbered 
among the most precious, were not considered so highly at the time 
they were given. In this category are the two Hunting Scenes 
by Piero di Cosimo from Robert Gordon in 1875 and the Boy 
with a Sword and the Girl with a Parrot, both by Manet, which 
Erwin Davis (also the donor of the Jeanne d’Arc by Bastien-Lepage) 
had the boldness and foresight to give as early as 1880. 

The year 1893 marks the first participation of George A. Hearn 
in the growth of the collection. Thirteen years later he carried 
out the plan of a fund for the purchase of contemporary American 
paintings, increased since by the Arthur Hoppock Hearn Fund 
given by Mr. Hearn in memory of his son for the same purpose. 
With the advice and help of the donor, until his death in 1913, 
the income from these funds has already yielded sixty-four works, 
to which many more have been added by gift from Mr. Hearn. 
The collection of American art of today from this and other sources 
is the most complete branch of the collection and gives a wide rep- 
resentation of what is being done in our own country. 

In 1913 the important bequest from Benjamin Altman was re- 
ceived. The collection, remarkable for the wide range of interest 
it embraces and the prominence of its contents, includes fifty-one 
pictures. Among these are Dutch paintings of the seventeenth 
century, thirteen by Rembrandt among them, as well as examples 
by Vermeer, Hals, and others; a very remarkable group of primi- 


Xl 


INTRODUCTION 


tives, Memling, Botticelli, Mantegna, Antonello da Messina, Hol- 
bein being among the artists represented; and works by Velazquez, 
Giorgione, Titian, and Van Dyck. The collection according to the 
terms of the bequest must be exhibited as a whole; it has been tem- 
porarily installed in the five rooms to the right of the Marquand 
Gallery. 

In 1920 the Museum received as a bequest from William K. 
Vanderbilt a notable collection of sixteenth-, seventeenth-, and eigh- 
teenth-century paintings, which include important examples by Hol- 
bein, Boucher, Greuze, Gainsborough, Reynolds, Rembrandt, and 
other Dutch masters. 

In 1921 the collection of Michael Dreicer was received by bequest; 
in it were twenty-four paintings, the northern schools being well 
represented. One of these is of prime importance, Christ Appear- 
ing to His Mother by Roger van der Weyden, a shutter from the 
triptych given by Queen Isabella the Catholic to the Cathedral of 
Granada. 

At all stages in the history of the collection valuable aid has 
been given by those who have generously lent their pictures. Mr. 
Morgan, besides his gifts of Columbus by Sebastiano del Piombo, 
The Assumption of the Virgin by Benvenuto di Giovanni, The Argo- 
nauts by Pesellino, and many more, helped continually by lending 
works from his collection. With but few exceptions the pictures that 
he acquired after 1906 were shown in the Museum and many of them 
have never left its walls since their purchase by him. In 1916, his son, 
J. Pierpont Morgan, presented to the Museum the Virgin,and Child 
Enthroned with Saints by Raphael, the so-called Colonna Madonna, 
which had been on exhibition in the Museum since his father lent it 
in 1912. In the following year the Museum received as gifts from 
Mr. Morgan all the pictures lent from his father’s collection which 
were at that timeinthe Museum. This munificent gift consisted of 
works of various schools and included such masterpieces as the Visit 
to the Nursery by Metsu and the great Roger van der Weyden. 

By the will of Hugo Reisinger the Museum received in 1914 a 
fund for the purchase of modern German art. In 1915 Maria De 
Witt Jesup bequeathed seventy-one pictures from the collection of 
her husband, Morris K. Jesup, and a fund for the maintenance and 
increase of the collection. 

The regular buying of paintings began in 1905, after the receipt 
of the Rogers Fund, the first of the great bequests and gifts of 
money by which the Museum has been enriched. The Nativity 
by El Greco was the first painting bought out of this fund, which 
for four or five years was the single great source available for pur- 
chases without restrictions as regards schools. With the Hewitt 
Fund, 1908, and the Kennedy Fund, 1910, the possibilities were 


Xill 


INTRODUCTION 


largely increased, the latter in particular being utilized conspicu- 
ously for the benefit of the painting collection. Many of the 
important purchases of recent years—Wolf and Fox Hunt by 
Rubens, Mars and Venus by Veronese, Three Miracles of Saint 
Zenobius by Botticelli, Meditation on the Passion by Carpaccio, 
Four Saints by Correggio, and others—are due to the Kennedy 
Fund. The purchases out of the Leland gift, 1912, are the Mouth 
of the Scheldt by Van de Cappelle and the Miracle of the Loaves 
and Fishes by Tintoretto. 

While these funds are most frequently drawn upon for the pur- 
chase of paintings, the following are all available: Marquand Fund, 
1894; Dodge Fund, 1899; Curtis Fund, 1901; Amelia B. Lazarus 
Fund, 1906; Avery Memorial Fund, 1907; Smith Fund, 1911; and 
Egleston Fund, 1912. Of these the Smith Fund is absolutely un- 
restricted, the others must be used to purchase works of art, and 
the Curtis Fund, by the terms of the gift, must be used to purchase 
paintings by old masters and those of the early English school. 
The Marquand gift is employed to increase the Marquand collec- 
tion of old masters. 

BrYSON BURROUGHS 
Curator of Paintings 


CATALOGUE 
OF. 
PAINTINGS 


7 





CATALOGUE OF PAINTINGS 


Ke 


ABBEY, Edwin A. American; born 1852 at Philadelphia; died 


Abi-1 
Gallery 
13 


Abi-2 


1911 at London, England, where he had lived during the 
latter part of his life. Studied at the Pennsylvania 
Academy of the Fine Arts in Philadelphia, then entered 
the art department of Harper and Brothers in New York 
City. Illustrator and mural decorator. 


KING LEAR. (From Shakespeare’s play of King Lear, 
act I, scene 1.) In the center stands Cordelia, dressed in 
pale yellow, who extends her hand to the King of France 
who bends down to kiss it; the Princess turns to address 
her two older sisters, Goneril and Regan, who stand at the 
left, the one wearing a black cloak lined with red and 
the other a rich red robe. At the right, the aged King, 
in a white robe, is being led away by his attendants 
and is followed by his hound. The costumes are adapted 
from twelfth-century styles. 

Ex coll.: McCulloch. 

H.547in. W.127i1n. Canvas. Signed: E.:A. Abbey, 
1898. Bulletin, 1913, p. 146, ill. 

Gift of George A. Hearn, 1913. 


THE DIRGE OF THE THREE QUEENS. (From 
The Two Noble Kinsmen, perhaps by John Fletcher, 


_act I, scene 5.) A funeral procession with three coffins 


and mourners seen passing over a hilltop against the 
sunset sky. 

H.29in. W.45}41in. Pastel. Signed: E.A.Abbey 1895. 
Gift of Mrs. Edwin A. Abbey, 1918. 


ACHENBACH, Bunn xe: Ceanuan (Diisseldorf); born 1815 at 


Kassel; died 1910 at Diisseldorf. Pupil of Diisseldorf 
Academy under Schirmer and Schadow. Landscapes. 


3 


Ac4 —1 
Gallery 
18 


ACHENBACH — ALEXANDER 


SUNSET AFTER A STORM; COAST OF. SICILY. 
At the left is the sea; in the foreground are wreckage 
and men in a life-boat; at the right, behind a cliff, the 
sun is setting. 

H. 322 in. W. 423 in. Canvas. Signed: A. Achen- 
bach 1853. 

Bequest of Catharine Lorillard Wolfe, 1887. 


ACHENBACH, Oswald. German (Diisseldorf); born 1827 at 


Ac4I-!I 
Gallery 
18 


Diisseldorf; died there 1905. Pupil of his brother, 
Andreas Achenbach. Landscapes. 

NEAR NAPLES; MOONRISE. A_ roadway with 
peasants grouped about a stone fountain. 

H. 397 1n. W.562in. Canvas. Signed: Osw. Achenbach. 
Bequest of Catharine Lorillard Wolfe, 1887. 


AEKEN, HieRONyMus VAN. See Bosch, Hieronymus. 


ALEXANDER, Joun W. American; born 1856 at Allegheny, Pa.; 


Al2-1 
Gallery 
16 


Al2-2 
Gallery 
15 


Al2-3 
Gallery 
13 


died 1915 in New York City. Studied in Munich, Paris, 
and Florence. President of National Academy of Design 
from 1909. Portraits and mural decorations. 


WALT WHITMAN. (1819-1892; American poet.) 
Life-size, seated figure, seen to below the knees; he has 
long silvery white hair and beard; brownish background. 
H. 50in. W. 401in. Canvas. Signed: J. W. Alexander-89. 
Gift of Mrs. Jeremiah Milbank, 1801. 


STUDY IN BLACK AND GREEN. Life-size, seated 
figure of a young woman, seen to below the knees; 
she is fastening a red flower on her low-necked, black 
and green striped gown; a curtained window forms the 
background. 

H.50in. W. 40 in. Canvas. Signed: J. W. Alexander. 
Purchase, Hearn Fund, 1908. 


THE RING. Life-size figure of a young woman, 
seen to below the knees; she is seated on a couch with 
her back to a window and looks at a ring held in her 
right hand; she wears a greenish dress; a straw hat with 
pink roses lies on her lap. 

H. 482 in. W. 362 in. Canvas. Signed: John W. 
Alexander 1911. Bulletin, 1912, p. 135, ill. 

Gift of Mrs. Herbert S. Greims, in memory of Arthur 
Hoppock Hearn, 1912. 


4 


ALLEGRI —AMERICAN SCHOOL 


ALLEGRI, ANTonio. See Correggio. 


ALLSTON, WaAsHINGToN. American; born 1779 at Waccamaw, 


Al51-1 
Gallery 
16 


Al5 1-2 
Gallery 
16 


S. C.; died 1843 at Cambridgeport, Mass. Pupil of 
Benjamin West in London; studied also in Paris and 
Rome. Legendary and historical subjects. 


A SPANISH GIRL. Full-length figure of a young wo- 
man in a brownish red bodice, seated on a grassy knoll 
in the foreground; ruins and mountains form the back- 
ground. 

Hie 30 in. W..25 in.. Canvas. 

Gift of Lyman G. Bloomingdale, 1901. 


THE DELUGE. Wreckage and dead bodies are on 
the beach in the foreground; stormy surf beyond; heavy 
rain clouds. 

H. 48 in. W. 65% in. Canvas. Bulletin, 1909, p. 80. 
Gift of William M. Chase, 1909. 


AMERICAN SCHOOL. 


Am3S-1I 


Am3S-2 


Am3S-3 


MISS FOOTE. (1797?-1867; an actress who in 1831 
married Charles Stanhope, fourth Earl of Harrington.) 
Life-size, seated figure, seen almost to the knees; she 
wears a low-necked white dress of the style of the early 
nineteenth century. This portrait has been attributed 
to Lawrence. 

H. 30 in. W.25 in. Canvas. 

Bequest of Margaretta Jones, 1907. 


COLONEL MARINUS WILLETT. (1740-1830; of- 
ficer of New York Militia, 1775-78; Sheriff of New York, 
1784-92; Mayor of New York, 1807-8; President of the 
Electoral Coilege, 1824.) Full-length, life-size portrait; 


_ painted 1790-1800. He stands with the right arm ex- 


tended; landscape background. He wears the Continen- 
tal uniform—a dark blue coat, white waistcoat and 
breeches, black cocked hat. The sword presented by 
Congress is at his side, and on the left lapel of his coat 
is the Order of the Cincinnati consisting of a bald eagle 
suspended from a blue ribbon with white border, symbol- 
izing the union of France and America. 

H. 91¢ in. W.56in. Canvas. 

Bequest of George Willett van Nest, 1917. 


CHRISTOPHER COLLES. (1738-1821; American en- 
gineer; projector of the first waterworks system for New 


5 


AMERICAN SCHOOL — ANGELICO 


York.) Early nineteenth-century work. 
H. 303 in. W. 253 in. Canvas. 
Gift of Dr. Christopher J. Colles, 1917. 


AMES, Ezra. American; born 1768; died 1836. Portrait painter 


Am3I-51 


in‘Albany, New York. 


CATHERINE VAN SCHAICK. (1751-1830; wife of 
General Peter Gansevoort.) Seated figure seen to the 
waist; she wears a white ruffled cap and a black net 
scarf; her hands are folded in her lap. 

H. 29% in. W. 23% in. Canvas. 

Lent by Roland N. Moore in memory of Mrs. Abraham 
Lansing of Albany, 1919. 


AMES, JosepH. American; born 1816 at Roxbury, N. H.; died 


Am32-1 


1872 at New York City. 


JAMES TOPHAM BRADY. (1815-1869; a member 
of the New York bar.) Life-size bust in an oval; he 
has brown, curly hair, moustache, and goatee. 

H. 30 in. W. 25 in. Canvas. Signed: J. Ames. 1869. 
Bulletin, 1910, p. 175, ill. 

Gift of Francis Lynde Stetson, 1910. 


ANGELICO, Fra Giovanni; real name Guido (or Guidolino) di 


An4-! 
Gallery 
a4 


Pietro da Mugello; called also Giovanni da Fiesole, Beato 
Angelico, and II Beato. Italian (Florentine); born 1387 
at Vecchio in the province of Mugello; died 1455 near 
Rome. Entered the convent of San Domenico at Fiesole 
near Florence, and about 1436 went to the monastery of 
San Marco in Florence. Painted frescoes, altarpieces, 
and devotional pictures. 


THE CRUCIFIXION. In the center Christ is on the 
cross, at the base of which kneels Mary Magdalen between 
St. Dominic at the left and St. Thomas Aquinas at the 
right; beyond at the left stand the Virgin, a bishop (St. 
Augustine’), and a female saint (St. Monica?); at the 
right are St. John the Evangelist, St. Francis, and St. 
Elizabeth of Hungary. A palm tree is at each side of 
the cross. 

Ex. coll.: Marquis de Gouvello. 

H. 15% in. W. 212 in. Tempera. Transferred from 
wood to canvas. : 
Bequest of Benjamin Altman, 1913. 


6 


ANTONELLO DA MESSINA— ASCH 


ANTONELLO DA MESSINA, real name Antonello degli Antonii. 


An8giI-1 
Gallery 


37 


Italian (Venetian); born about 1430 presumably at Mes- 
sina; died 1479. In the early seventies he went to Venice 
and from that time his influence on the artists of that 
city is noticeable, as is also the effect of the Venetian 
painting on his work. He was the first Italian to use © 
consistently the method of painting with colors ground 
in oil. 

PORTRAIT OF A YOUNG MAN. Life-size head and 
part of shoulders of a smiling youth of about seventeen, 
seen three-quarters toward the left. He has reddish 
hair and wears a dark cap with a band hanging down upon 
the right shoulder. 

Ex coll.: A. Hoogendyck, Amsterdam; Henry Willet, 
London. 

H. 102 in. W. 82 in. Wood. 

Bequest of Benjamin Altman, 1913. 


APT, ULricH, THE ELDER. German; born at Augsburg, where 


Ap8-1 
Gallery 
34 


he appears to have been admitted to the painters’ guild 
in 1486; mentioned for the last time in 1532. 


PORTRAIT OF A MAN AND HIS WIFE. A double 
portrait with the figures seen to the waist; the man is” 
at the left and wears a black coat lined with brown fur, 
and a fur cap; the woman has a dark green, low-necked 
gown and a close-fitting white headdress; through a 
window back of the man is a view of a town with a 
winding river and distant mountains. Inscribed with 
their ages: 52 and 35. 

H. 1373 in. W. 24% in. Wood. Dated: 1512. Bul- 
letin, 1912, p. 150, ill. 

Purchase, Rogers Fund, 1912. 


ARETINO. See Spinello Aretino. 


ASCH, Pierer JANsz. vAN. Dutch; born 1603 at Delft; died there 


As2-1 


1678. Landscapes. 


LANDSCAPE WITH WATERFALL. Brown fore- 
ground with a waterfall and a rocky hillside at the left; 
near the center are two tall trees and in the BSE be- 
yond is a group of peasants. 

H.1541n. W.1321in. Wood. 

Purchase, 1871. 


AVED 


AVED, Jacques ANDRE JosEPH. French; born 1702 at Douai; 


Av3-1 
Gallery 
20 


died 1766 at Paris. Fellow-student and friend of 
Chardin. Portraits. 


PORTRAIT OF THE MARQUISE D’EON (?).  Life- 
size, seated figure, seen to the waist. A pleasant, homely- 
faced, old lady in a white silk dress embroidered with 
flowers in gay colors, lace ruffles and cap, and a black 
fichu. 

H. 32 in. W. 25% in. Canvas. Bulletin, 1923, p. 18. 
Gift of Edouard Jonas, 1922. 


B 


BACA-FLOR, Cartos. French-Peruvian; born 1869. Studied 


B12-1 

Wing F 

Gallery 
II 


in Paris; lives in Paris and New York City. 


J. PIERPONT MORGAN. (1837-1913; New York 
financier; elected a Trustee of The Metropolitan Museum 
of Art in 1888 and its President from 1904 until his death.) 
Life-size, standing figure, seen to below the knees; his 
clenched right hand rests on a table beside him and his 
left hand is in his trousers pocket; a red chair shows at 
the right. 

H.62in. W.59in. Canvas. Bulletin, 1913, p. 64, ill. 
Gift of J. Pierpont Morgan, 1910. 


BAIXERAS-VERDAGUER, DIonisI0. Spanish; born 1862 at 


B161-1 


BAKER, 


Bri7-1 


Barcelona; lives there. Pupil of Ecole des Beaux- 
Arts of Barcelona. 


BOATMEN AT BARCELONA. Three men seated 
in a rowboat. 

H. 59 in. W. 822 in. Canvas. Signed: D. BAIXE- 
RAS 1886. 

Gift of George I. Seney, 1886. 


Georce A. American; born 1821 at New York; died 
there 1880. Pupil of his father, a miniature painter; 
studied in Europe. 


JOHN F. KENSETT. (1818-1872; American landscape 
painter.) Life-size, seen almost to the waist; he has 
brown hair, moustache, and side whiskers. 

H. 27in. W.22in. Canvas. Signed: G. A. Baker 1875. 
Gift of several gentlemen, 1881. 


BAKKER-KORFF, ALEXANDER Huco. Dutch; born 1824 at 


The Hague; died 1882 at Leyden, where he had lived 
9 


Br7i-! 
Gallery 
18 


BAKKER-KORFF — BAROCCIO 


since 1856. Pupil of The Hague Academy under Cor- 
nelius Kruseman. Genre subjects, often satirical; 
known as the Dutch Meissonier. 


BRIC-A-BRAC. An old woman seated near a table 
in a room filled with objects of art. 

H. 73 in. W. 52in. Wood. Signed: A. H. Bakker- 
Korff—68. | ' 
Bequest of Catharine Lorillard Wolfe, 1887. 


BARBARELLI, Giorcio. See Giorgione. 


BARGUE, Cuarves. French; born at Paris; died there 1883. 


B23-1 


B23~-2 
Gallery 
18 


Pupil of Gérd6me. Also lithographer. 


A FOOTMAN SLEEPING. A man in a. dark blue 
livery is seated on a carved settee in a hallway. 
H. 132 in. W.10}in. Wood. Signed: C. BARGVE-71. 
Bequest of Stephen Whitney Phoenix, 1881. 


A BASHI BAZOUK. (A volunteer in the Turkish 
army.) A dark-skinned man is seated in a cave-like 
interior, smoking a hooka. 

H. 18,5; in. W. 13 1n. Canvas. Signed: BARGVE-75. 
Bequest of Catharine Lorillard Wolfe, 1887. 


BARKER, Tuomas; known as Barker of Bath. British (English); 


B24-1 


born 1769 near the village of Pontypool in Monmouth- 
shire; died 1847 at Bath. Began as a coach painter; 
then copied works of old Dutch and Flemish masters; later 
visited Rome. Landscapes and rural life. 


LANDSCAPE. At the left, a herd of asses is being 
driven by a girl; at the right are thick woods and a 


_ road on which are a wagon and several figures. For- 


merly attributed to Gainsborough. 
Ex coll.: Sir Francis Bolton. 

H. 56 in. W. 75% in. Canvas. 
Gift of Henry G. Marquand, 1890. 


BAROCCIO, Feperico. Italian (Umbrian); born 1528 (?) at 


B261-1 


Urbino; died there 1612. Pupil of Battista Franco; 
copied works of Titian at Pesaro and of Raphael at 
Rome; decorated parts of the Vatican. 


HOLY FAMILY. At the right, on the steps in the 
foreground, stand the young St. John, St. Elizabeth, 
and St. Zacharias; and at the left St. Joseph raises a 


IO 


BAROCCIO — BASSANO 


dark blue curtain; in the room beyond, the Madonna 


is rocking the cradle in which the Child lies asleep; 


a cat and kittens are on her red dress. 
H. 283 in. W. 24 in. Canvas. Bulletin, 1906, p. 72. 
Purchase, Rogers Fund, 1906. 


BARONZIO, GiovaANNi oF Rimini. Italian (School of the 


B262-1 
Gallery 


aye 


Marches); died before 1362. He combined the teaching 
of Giotto with the Byzantine tradition which existed in 
the Marches. 


SCENES FROM. HOLY SUBJECTS. Eight equal- 
sized panels in a vertical arrangement of two-panel 
width. Beginning at the upper left the subjects are as 
follows: 1. Coronation of the Virgin by Christ; 2. Four 
female figures of Saints and Martyrs; 3. Descent from 
the Cross; 4. Pieta; 5. Christ in Limbo; 6. Transfigura- 
tion; 7. The Last Supper; 8. The Last Judgment. 

H. 26 in. W. 143 in. Tempera on wood transferred to 
canvas. 

Purchase, Rogers Fund, 1909. 


BARTOLO DI FREDI; also known as Bartolommeo Manfredi. 


B28-1 
Gallery 
33 


Italian (Sienese); born 1330 at Siena; died there 1410. 
Follower of the brothers Lorenzetti. 


CRUCIFIXION. Christ is on the cross and winged 
angels are catching the blood from the wounds in His 
hands; the crucified thieves are also shown; soldiers 
and populace are grouped around the base of the cross; 
the fainting Virgin and the Marys are at theleft. Attrib- 
uted to Bartolo di Fredi by Bernhard Berenson; pre- 
viously attributed to Spinello Aretino. 

H.204in. W.383in. Temperaonwood. Bulletin, 1912, 
Dosti.) 

Purchase, Rogers Fund, 1911. 


BASSANO; real name Jacopo da Ponte. Italian (Venetian); 


B29-51 
Gallery 
29 


born 1510 at Bassano, in the Venetian State; died there 
1592. Pupil of his father, Francesco da Ponte, a fol- 
lower of Bellini; also worked with Bonifazio at Venice. 
His four sons assisted him. 


LAZARUS AND THE RICH MAN. A garden with the 
nude figure of Lazarus reclining on the ground at the left; 
a lady and two men are seated at a table and a boy stands 
in the center of the picture with two dogs near him. 

H. 573 in. W. 872.in. Canvas. 


Il 


BASSANO — BEAL 


Lent by Dan Fellows Platt, 1910. 


Copies of paintings by Bassano; see Teniers. T251-5 
and T251-6. 


BASTIEN-LEPAGE, JuLes. French: born 1848 at Damvillers; 


B292-1 
Gallery 
21 


B292-2 


died 1884 at Paris. Pupil of Cabanel; influenced by 
Courbet. Peasant subjects and portraits. 


JOAN OF ARC. (1412-1431; the Maid of Orleans, 
who was inspired to deliver France from the English; 
she led the French troops and assisted at the crown- 
ing of Charles VII at Rheims.) A young peasant girl 
stands in front of a tree in the garden of her home; 
behind her, at the left, her vision is indicated by vague 
figures of St. Michael in armor who holds a sword toward 
her, St. Catherine with hands clasped, and St. Margaret 
who is weeping. 

H. too in. W. 1102 in. Canvas. Signed: J. BASTIEN- 
LEPAGE, DAMVILLERS Meuse 1879. 

Gift of Erwin Davis, 18809. 


AN ANXIOUS MOMENT. An old peasant lighting 
his pipe in the wind. 

H. 172in. W. 8% in. Canvas. 

Mr. and Mrs. Isaac D. Fletcher Collection: 

Bequest of Isaac D. Fletcher, 1917. 


BAZZI, GIOVANNI ANTONIO. See Sodoma. 


BEAL, Girrorp. American; born 1879 in New York City; lives 


B36-1 
Gallery 
15 


B36-2 
Gallery 
15 


there. Pupil of Chase and F. V. Du Mond. Painter of 
marines, landscapes, and figures. 


MAYFAIR. Numerous people moving about in a park. 
where there are fountains and trees. 

H. 28 in. W.252in. Canvas. Signed: GirrorD BEAL 
13. Bulletin, 1914, p. 150; ill. p. 155. 

Purchase, Hearn Fund, 1914. 


THE ALBANY BOAT. There are people, mostly wo- 
men and children in light summer costumes, gathered on 
the roadway which leads down to the steamboat landing; 
a building and a clump of trees are at the left and tall 
trees at the right; between, one sees the great white Al- 
bany boat, the blue Hudson, and the green hills on the 
opposite shore; strong sunlight. 

H. 363 1n. W. 60zin. Canvas. Signed: GIFFORD BEAL. I5. 
Purchase, Hearn Fund, 1917. : 


I2 


Boao ANGELICO—BEECHEY 


BEATO ANGELICO. See Angelico. 


BEAUX, Cecit1A. American; contemporary; born in Philadelphia; 


B38-1 
Gallery 
15 


lives in New York City. Pupil of William Sartain in 
Philadelphia; Julian and Lazar schools in Paris. Portrait 
painter. 


A GIRL IN WHITE; ERNESTA. Full-length figure 
of a young woman, who is dressed in white and seated 
on a white sofa; before her is a table on which are a 
candlestick and a Chinese white porcelain jar on a teak- 
wood stand; back of her is a mirror. 

H. 712 in. W. 433 in. Canvas. Signed: Cecilia Beaux. 
Bulletin, 1915, p. 152, ill. 

Purchase, Arthur Hoppock Hearn Fund, 1915. 


BECKER, Cart Lupwic FRIEDRICH. German; born 1820 in 


B382-1 


Berlin; died there 1900. Pupil of Munich Academy. 
Genre and historical subjects. 


ADELHEID AND THE BISHOP OF BAMBERG. 
(A scene in Goethe’s play, Gétz von Berlichingen.) An 
interior with Adelheid and the Bishop of Bamberg play- 
ing chess; beyond are ladies and gentlemen, one of whom 
is playing a lute. 

H. 503 in. W.671in. Canvas. Signed: C. Becker. 
Gift of Mrs. Anna Woerishoffer, 1899. 


BEECHEY, Sir WILLIAM. British (English); born 1753 at Bur- 


B30-1 
Gallery 


24 


B39-2 
Gallery 


14 


ford, Oxfordshire; died 1839 at Hampstead, London. 
Pupil of the Royal Academy Schools in London. Portraits. 


H. R. H. THE DUKE OF YORK. (1763-1837; Fred- 
erick Augustus, second son of King George III.) Life- 
size, standing portrait, seen to the knees; his scarlet 
coat is elaborately trimmed with gold braid, and a 
black cloak, on which the star of the Order of the Garter 
is embroidered, hangs from his left shoulder; various 
orders are on his breast. 

Me Opn. W.5171n. Canvas. 

Gift of T. J. Blakeslee, 1895. 

PORTRAIT OF A LADY. Life-size figure, seen to be- 
low the knees; she is seated in a landscape and wears a 
white, short-waisted, low-necked gown and an orange scarf. 
Ex coll.: David H. King. 

H. 50 in. W. 40%; in. Canvas. 

Gift of George A. Hearn, 1905. 


13 


BEERSTRAATEN — BELLOWS 


BEERSTRAATEN, JAN ABRAHAMsz. Dutch; born 1622 at Am- 


B392-1 


sterdam; died there 1666. Landscapes. 


SNOW SCENE. A frozen river with skaters in the 
foreground; in the middle distance is a church. 

H. 363 in. W. 51% in. Canvas. Signed: F. Beerstraa- 
ten Pingit. Bulletin, 1911, p. 171. 

Purchase, Rogers Fund, 1911. 


BEHAM, BarTHEL. German; born 1502 at Nuremberg; died 


B393-1 


1540, probably in Italy. Follower of Diirer. Portraits. 
PORTRAIT OF A MAN. (Leonardt von Eck or Johann 


Gallery Mayr von Eck.) Seen to the waist with arms folded; he 


34 


wears a brilliant red cap, and a full white tunic shows 
above a loose grayish robe; dark background immediately ~ 
back of the head. 
H. 224 in. W. 147 in. Wood. 
Purchase, Kennedy Fund, 1912. 


BELLINI, Giovanni. Italian (Venetian); born at Venice about 


B4I-1 


1428; died there 1516. Pupil of his father, Jacopo 
Bellini; influenced by the school of Squarcione at Padua. 
Worked chiefly at Venice where, in 1479, he was ap- 
pointed to redecorate the Ducal Palace. 


MADONNA AND CHILD... Seated figure of the 


Gallery Madonna, seen to the knees; she wears a deep blue 


30 


mantle and the nude Child is held on her left knee; an 
orange-red curtain is back of the Madonna at the right 
and at the left a town and a range of distant mountains. 
Ex coll.: Georges Bauer, Florence. 

H. 354 in. W. 28,5, in. Wood. Signed: IOANNES 
BELLINVS. Bulletin, 1908, p. 180, ill. 

Purchase, Rogers Fund, 1908. 


ATTRIBUTED TO BELLINI. 


B41A-51. MADONNA AND CHILD. The Madonna in a red 


gown and a blue mantle stands behind a parapet on which 
the nude Child stands; He caresses her chin, but she turns 
away from Him. Green curtain background showing 
mountain landscapes at each side. 

H. 204 in. W. 1444 in. Wood. 

Lent by C. C. Stillman in memory of his father, James 
Stillman, 1921. 


BELLOWS, Georce W. American; born 1882 at Columbus, 


Ohio; lives in New York City. Pupil of Robert Henri. 
14 


BELLOWS — BENVENUTO DI GIOVANNI 


B4lI-!I 
Gallery 
12 


UP THE HUDSON. Riverside Park, New York, is 
in the foreground; railroad tracks and docks are at the 
river’s edge and the Jersey shore is in the distance. 
H.35¢in. W.4821in. Canvas. Signed: Geo. BELLows. 
Bulletin, 1911, p. 67, ill. 

Gift of Hugo Reisinger, 1911. 


BENJAMIN-CONSTANT, JEAN JosePH. French; born 1845 at 


B43I-1 


Paris; died there 1902. Pupil of Cabanel; influenced 
by Delacroix and Regnault. 


JUSTINIAN IN COUNCIL. (482?-565; Byzantine 
Emperor.) The emperor is seated on the throne; three 
councilors are seated at each side and in the foreground 
is a figure with his back to the spectator. 
H.148in. W.260in. Canvas. Signed: 1886 Benj-Con- 
stant. 

Gift of Godfrey Mannheimer, or 


BENOZZO GOZZOLI. See Gozzoli. 


BENSON, Frank W. American; born 1862 at Salem, Mass.; 


B44-1 
Gallery 


15 


lives in Boston. Pupil of the School of the Museum of 
Fine Arts, Boston, and of Julian Academy in Paris under 
Bouguereau and Lefebvre. 


PORTRAIT OF A LADY. Life-size, seated figure, 
seen to below the waist; she wears a low-necked black 
and green dress and a black hat with feathers; yellow 
autumn leaves form the background. 

H. 40745 in. W.32%1n. Canvas. Signed: F. W. Benson 
IQOI. : 


_ Purchase, Hearn Fund, 1906. 


BENVENUTO DI GIOVANNI; also known as Benvenuto da 


B442-1 


Gallery 


31 


Siena. Italian (Sienese); born 1436 at Siena; died 
after 1517. _Pupil of Vecchietta. : 


ASSUMPTION OF THE VIRGIN. The Avira in 
a white robe, is surrounded by red-winged cherubim 
and angels with musical instruments; at the right and 


left are prophets and apostles; in the foreground is the 


empty sarcophagus before which kneels St. Thomas, 
receiving the girdle; St. Francis kneels at the left, and: 
St. Anthony at the right.. Formerly in the Church of the 
Convent of Grancia, Province of Grosseto, Tuscany. 


15: 


BENVENUTO DI GIOVANNI — BEYEREN 


Ex coll.: Elia Volpi, Florence; Captain Pascale, Naples; 
Marchesa Medici, Florence. 

H. 1162 in. W. 86% in. Tempera on wood. Signed: 
OPVS . BENVENVTI . IOHANIS-. DES SENIS@ 
MCCCCLXXXXVIII . Bulletin, 1910, p. 240, ill. 

Gift of J. Pierpont Morgan, 1910. 


BERCHEM, CLAEs_ PIETERSZ.; occasionally signed Berghem. 


B45-1 


Dutch; born 1620 at Haarlem; died 1683 at Amster- 
dam. Pupil of his father, Pieter Claes. 


REST. A woman with a child in her arms is seated 
on the ground; a man stands at her side near a clump of 
tree trunks; sheep are beyond and a cow stands nearby. 
Ex coll.: Comte Cornet, Brussels. 

H. 1642 in. W. 133 in. Wood. Signed: Berchem. 
Purchase, 1871. 


BERNE-BELLECOUR, EtiENNE Prosper. French; born 1838 


B451-1 
Gallery 
17 


B45 1-2 
S. W. 
Stairway 


at Boulogne-sur-Mer; died 1910 at Paris. Pupil of 
Ecole des Beaux-Arts under Picot and Barrias. Mili- 
tary subjects and portraits. 


SOLDIER IN THE TRENCHES. He is sitting behind 
the earthworks with a rifle in hand. 

H. 64 in. W. 47/5 in. Water color. Signed: E. Berne 
Bellecour—73. 

Bequest of Catharine Lorillard Wolfe, 1887. 


THE INTENDED. A garden terrace with a young 
woman seated on a bench winding yarn which is held 
by an officer; an elderly lady and gentleman are seated 


at the right;the costumes are of the Empire period. 


H. 203 in. W. 32% in. Canvas. Signed: E. Berne- 
Bellecour. 1874. 
Bequest of Catharine Lorillard Wolfe, 1887. 


BETTO, BERNARDINO DI. See Pinturicchio. 


BEYEREN, ABRAHAM HENDRICKSZ. VAN. Dutch; born 1620 


B46-1 


or 1621 at The Hague; died after 1674 at Alkmaar. 
Perhaps a pupil of his brother-in-law, Pieter de Putter. 
Still life, marines, etc. 


STUDY OF FISH. 
H. 253 in. W.31%1in. Canvas. 
Purchase, 1871. 


16 


Biee@ieb! LORENZO-—BIERSTADT 


BICCI DI LORENZO. Italian (Florentine); born 1373 at Florence; 


B47-1 
Gallery 
33 


B47-2 
Gallery 
33 


died there 1452. Pupil of his father, Lorenzo di Bicci. 


Mpc; OF ST.) NICHOLAS: OF ‘BARI. - (St. 
Nicholas, Bishop of Myra in the fourth century, among 
other miracles is supposed to have supplied gold for 
three maidens who were too poor to marry.) Three 
young women and a man in a bedroom; outside the house, 
at the left, the Saint throws the gold through the win- 
dow grating and it falls upon the bed. 

Ex coll.: Madame D’Oliveira of Florence. 

H. 12 in. W. 224 1n. Tempera on wood. 

Gift of Frederic Coudert, 1888. 


ST. NICHOLAS RESUSCITATING THREE YOUTHS. 
(It is related that during a famine St. Nicholas discovered 
that a certain man had stolen children and butchered 
them for food; going to the barrels where the human re- 
mains had been salted down, he made the sign of the cross 
and the three boys became whole and were restored to 
their parents.) A courtyard with an open porch at the 
left where the three boys are rising from the barrels while 
St. Nicholas stands before them; the parents kneel in the 
foreground. This is a companion piece to the previous 
panel, both being parts of the predella of an altarpiece 
painted in 1433 for the Church of San Niccol6 at Parma. 
Ex coll.: Charles Butler, London. 


~H. 12,3, in. W. 22% in. Tempera on wood. Bulletin. 


1916, p. 237, ill. 
Gift of Francis Kleinberger, 1916. 


BIDA, ALEXANDER. French; born 1813 at Toulouse; died 1895. 


B472-1 
Siw 
Stairway 


Pupil of Delacroix; influenced by Decamps. Painted 
chiefly oriental life and scenery. 


MASSACRE OF THE MAMELUKES. The Mame- 
lukes, in elaborate robes, convened on a false pretext 
at the gate of the Old Palace at Cairo on May 1, 1811, 
are being shot by the Albanians from the roofs and 
windows of surrounding buildings. 

H. 374 in. W. 242 in. Water color. Signed: Bida. 
Bequest of Catharine Lorillard Wolfe, 1887. 


BIERSTADT, Atsert. American; born 1830 at Solingen, 


near Diisseldorf, Germany; died 1902 at New York City. 
Spent his youth at New Bedford, Mass.; pupil of Les- 


17 


B473-1 
N. E. 
Stairway 


B473-2 


BIERSTADT — BLACKBURN 


sing and Achenbach at Diisseldorf. Painted chiefly 
Western scenery. 


THE ROCKY MOUNTAINS. The picture, according 
to H. T. Tuckerman, shows the Windy River range of 
snow-capped mountains in Nebraska Territory (now the 
state of Wyoming). The principal peak is Mt. Lander 
(now called Fremont Pass); the lake in the middle dis- 
tance is the source of the Rio Colorado; the Indian en- - 
campment in the foreground belonged to the Shoshone 
tribe. Another authority asserts that the foreground rep- 
resents Chicago Lakes, Colorado, twelve miles from Idaho 
Springs. 

H. 734 in. W.12021n. Canvas. Signed: A. Bierstadt 
1863. Bulletin, 1907, p. 100. 

Purchase, Rogers Fund, 1907. 


MERCED RIVER; YOSEMITE VALLEY. - At the 
left, on the far side of the river, fantastic peaks rise 
sheer from the water into the clouds; on the bank in 
the foreground are groups of trees and on a rock over- 
hanging the river is a group of Indians; a canoe with 
figures is in midstream. 

H.36in. W.50in. Canvas. Signed: A. Bierstadt 1866. 
Bulletin, 1910, p. 46, ill. 

Gift of the sons of William Paton, 1911. 


BISSCHOP, CurisTorFEL. | Dutch; born 1828 at Leeuwarden; 


B54I-!I 
Gallery 
18 


died 1904 at his villa near The Hague. Pupil of Schmidt 
at Delft; Comte and Gleyre at Paris. Genre and por- 
traits. 


THE SUNBEAM. Interior with enclosed Dutch bed 
on which lies a mother who is watching a baby in a 
cradle. 

H. 332 in. W.4o0%in. Watercolor. Signed: Bisschop. 
Purchase, Wolfe Fund, 1895. : 


BLACKBURN, JosepH. American; born about 1700 in Con- 


Bs56-1 


necticut; died after 1765. Worked in Boston from 1750 
to 1765. Portrait painter. 


THOMAS DERING. (1720-1785; born in Boston, 
Mass., and was a merchant in Boston.) Head and shoul- 
ders; he wears a white wig, gray coat, and blue waistcoat. 
H. 223 in. W. 174 in. Pastel on canvas. } 
Gift of Sylvester Dering, 1916. 


18 


B56-2 
Gallery 
16 


B56-3 
Gallery 
10 


B56-51 


B56-52 


BLACKBURN 


MARY SYLVESTER DERING. (1725-1794; born on 
Shelter Island, N. Y.; married Thomas Dering in 1756.) 
Standing figure, seen to the knees; her left hand holds 
a straw hat and in the right is a shepherd’s crook; a lamb 
is beside her; she wears a dark green dress, pearls are 
about her neck and in her hair, and a brown scarf floats 
back of her and hangs over her left arm. 

H. 49% in. W. 40,8; in. Canvas. Signed: J. Blackburn 
Pinx. Bulletin, 1916, p. 132; ill. p. 133. 

Gift of Sylvester Dering, 1916. 


PramuAnGis SYLVESTER . CHEESBOROUGH. 
(Born 1719 at Southold, L. I., N. Y.; sister of Mrs. 
Thomas Dering and wife of David Cheesborough of 
Newport, R. I.) Standing figure, seen to the knees, 
with her left elbow resting on a parapet; she wears a 
blue-green dress with violet bows and there is white 
lace at the throat and elbows. 

H. 497 in. W. 404 in. Canvas. Signed: J. Blackburn 
Pinxit. 1754. 

Gift of Sylvester Dering, 1916. 


MARY BROWN GREENLEAF. (1728-1807; daughter 
of Judge Robert Brown; married William Greenleaf in 
1747.) Life-size, standing figure, seen to the knees; her 
left elbow rests on a balustrade and a landscape forms 
the background; she wears a low-necked pink dress 
trimmed with white lace and black ribbons. This and 
the following canvas have bullet holes which, accord- 
ing to tradition, were made during the Revolutionary 
War. 

H. 503°, in. W. 4oj,in. Canvas. Signed: J. Black- 
burn Pinxit, 1757. 

Lent by Richard C. Greenleaf, 1913. 


WILLIAM GREENLEAF. (1725-1803; youngest son 
of Rev. Daniel Greenleaf [see portrait by Copley]; Sheriff 
of Suffolk County, 1775 to 1780.) Life-size, standing fig- 


’ ure, seen to the knees; his right elbow rests on a table and 


the extended hand holds a letter addressed to Mr. William 
Greenleaf Mercht. Boston. He wears a white wig, 
ruffled white shirt, robin’s egg blue waistcoat, and fawn- 
colored coat and knee breeches; a draped dark green cur- 
tain forms the background. 

H. 503 in. W. 4o in. Canvas. Signed: J. Blackburn, 
Pinxit 1757. 

Lent by Richard C. Greenleaf, 1913. 


19 


B56-53 


BLACKBURN — BLARENBERGHE 


PRISCILLA BROWN GREENLEAF. (Daughter of 
Judge Robert Brown and wife of W. John Greenleaf.) 
Life-size, seated figure, seen to the knees; she wears a low- 
necked white satin dress trimmed with white lace, and a 
lavender scarf; her left arm rests on a balustrade; a tree 
trunk is at the left with sunset sky beyond. 

H. 354. in. W. 283 in. Canvas. Signed: J. Blackburn 
Pitixe,oh1756.- 

Lent by Richard C. Greenleaf, 1913. 


BLAKELOCK, RatpH ALBERT. American; born 1847 at New 


B58-1 
Gallery 
13 


B58-2 
Gallery 
13 


York City; died 1919 near New York City. Landscapes. 


INDIAN ENCAMPMENT. A plain with trees; in the 
foreground there are small figures of Indians and horses 
near a group of tents; a river is in the middle distance. 
H. 377’, in. W. 40% in. Canvas. Signed: Ralph Albert 
Blakelock. 

Gift of George A. Hearn, 1906. 


THE PIPE DANCE. Indians are dancing hand in 
hand on a river bank; in the background low hills and 
trees stand out against a golden sunset sky. | 
H. 48;°, in. W. 723°, in. Canvas. Signed: Ralph Al- 
bert Blakelock.- Bulletin, 1909, p. 53, ill. 

Gift of George A. Hearn, 1909. 


BLANCHARD, Jacques. French; born 1600 at Paris; died there 


B59-i 
Gallery 
iy 


1638. Pupil of his uncle, Jerome Nicholas Bollery; 
went to Lyons in 1620 and spent four years studying 
with and assisting Horace Le Blanc. 


VENUS AND ADONIS. A nude woman reclines on a 
rose and white drapery; beside her is a youth with a red 
drapery; both are cutting an inscription on a tree trunk. 
H. 47% in. W,. 694 in. Canvas. 

Gift of George A. Hearn, 1906. 


BLARENBERGHE, Henri JOSEPH VAN. French; born 1741 


Boi-1 
N. W. 
Stairway 


at Lille; died there 1826. Lived long in Paris and was 
attached to the court of Louis XVI; after the king’s 
death returned to Lille, opened an art school, and later 
became curator of the Art Gallery at Lille. 


FETE OF THE TUNNY FISHERS AT MARSEILLES. 
The boats in the harbor are filled with people; a fortress 


is on the shore at the left; windmills crown the distant 
hills. 


20 


BLARENBERGHE — BLUM 


H. 33 in. W. 48 in. Canvas. 
Purchase, 1871. 


BLASHFIELD, Epwin Howianp. American; born 1848 at New 


BorI-1 
Sel, 


York City; lives in New York City. Pupil of Bonnat 
in Paris. Mural decorations. 


CARRY ON. The figure of Liberty, holding high the 
American flag in her left hand and a drawn sword in her 


Stairway right, urges on two lines of soldiers to the attack. A 


screeching eagle flies behind her; strong light from fire in 
the background. | 

Preei3t2 in. W. 1007 in. Canvas. | Signed: Edwin 
Howland Blashfield, 1918. 

Purchase, Hearn Fund, 10918. 


BLES, HERRI Mert bE; also called Henricus Blesius and Civetta. 


B612A-1 
Gallery 


34 


Flemish; born about 1480 in Bouvignes or Dinant. Active 
second quarter of the sixteenth century. Influenced by 
Patinir, whose son he probably was. 


ATTRIBUTED TO HERRI MET DE BLEs. 


IMAGINARY LANDSCAPE. A_ wide expanse of 
country with buildings, trees, and numerous small figures 
and groups; in the center of the picture is a river which 
flows under a bridge in the foreground and in the distance 
empties into the sea near a precipitous mass of rock. 
Formerly attributed to Patinir. 

Ex. coll: Riabouchinsky. 

H. 264 in. W. 36% in. Wood. 

Purchase, Rogers Fund, 19106. 


BLOEMEN, PeEeTER vaAN. Flemish; born 1657 at Antwerp; 


B62-1 


BLUM, 


died there 1720. Traveled in Italy; was made director 
of Antwerp Academy in 1699. 


HORoto, TAKEN TO ,.WATER. Several men -are 
wading in a stream at the right; a white horse is being 
ridden into the water and other horses are at the left; 
in the background is a round building from which smoke 
arises. 

H. 163in. W.237in. Canvas. 

Purchase, 1871. 


Ropert F. American; born 1857 at Cincinnati, O.; 
died 1903 at New York City. Studied lithography; 
traveled in Europe and in Japan. Illustrator and 
mural decorator. 


21 


B621-1 


B621-2 


BLUM — BOGERT 


THE AMEYA. A street in Japan with an itinerant can- 
dy vendor (Ameya), dressed in blue; he is surrounded by 
Japanese women and children, who wear brightly colored 
kimonos; beyond is a jinrikisha with its bearer seated on 
the shaft; shops line the far side of the street. 

H. 272 in. W. 31.in. Canvas. Signed: Blum 

Gift of Estate of Alfred Corning Clark, 1904. 


STREET SCENE IN IKAO, JAPAN. A row of open 
shops; in the foreground is a woman with a baby on her 
back. 

H. 1o2 in. W. 122 in. Water color. Stamped: R. F. Blum. 
Gift of William J. Baer, 1904. 


BOCCACCINO, Boccaccio. Italian (Lombard); born about 1460 


B63-52 
Gallery 
30 


at Ferrara; died 1518 at Cremona. Influenced by Cima 
and Bramantino. 


MADONNA AND CHILD. Seated figure, seen to below 
the knees; she wears a red robe decorated with a gold 
band and jewel at the neck, and a dark blue cloak lined 
with yellow. She holds the Child in her lap; He has a 
narrow white drapery about Him and holds a little bird. 
Behind them is a green drapery which partly covers a win- | 
dow at the left looking on a landscape of hills and water. 
Ex coll.: Crespi, Milan. 

H. 32% in. W.242in. Wood. 

Lent by C. C. Stillman in memory of his father, James 
Stillman, 1921. 


BOGERT, Georce H. American; born 1864 at New York City; 


B632-1 
Gallery 
15 


B632-2 
Gallery 
13 


died 1923. Pupil of National Academy of Design, New 
York; Puvis de Chavannes, Aimé Morot, and Eugéne 
Boudin in Paris. Landscapes. 


CHALE CHURCH, ISLE OF WIGHT, ENGLAND. 
Fields of harvested grain are in the foreground; the 
church is in the middle distance and beyond is the sea 
with a line of chalk cliffs at the horizon. 

H. 28 in. W.36in. Canvas. Signed: George Bogert- 
CHALE. Bulletin, 1906, p. 56. 

Gift of George A. Hearn, 1906. 

OCTOBER MOONLIGHT. Trees and moon reflected 
in a river. 

H. 193 in. W. 303 in. Canvas. Signed: George Bo- 
gert, 1898. Bulletin, 1906, p. 56. 

Gift of George A. Hearn, 1906. 


22 


BOGGS — BONHEUR 


BOGGS, Frank M. American; born 1855 at Springfield, O.; 


B633-1 
Gallery 
13 


livesin Paris. Pupil of Ecole des Beaux-Arts and Géréme. 


ON THE THAMES. Several boats with sails up; in 
the background is the city; gray sky and water. 

H. 3853 in. W. 513 in. Canvas. Signed: Boccs Lon- 
DON 83. Bulletin, 1909, p. 54, ill. 

Purchase, Hearn Fund, 1909. 


BOHM, Max. American; born 1868 at Cleveland, Ohio; died 1923 


B634-1 
Gallery 
12 


at Provincetown, Mass. Pupil of Laurens, Guillemet, 
and Constant. Figure subjects and landscapes. 


NATURE AND IMAGINATION. Two figures are 
seated on the shore in the foreground, beside a smoking 
fire, while four others stand looking to the right at a man 
inaboat. Inthedistance are white sail-boats reflected in 
the water. 

H.251n. W.30in. Canvas. Signed: Max Bohm 1g19. 
Gift of Mrs. Mary B. Longyear, 1923. 


BOLDINI, Giovanni. Italian; born 1844 at Ferrara; lives in 


B636-1 
Gallery 
18 


B636-2 


Paris. Pupil of Florence Academy. Went to London 
to paint portraits; settled in Paris in 1872. Portraits 
and genre. 


GOSSIP. -In a room decorated in the Empire style sit 
three women in costumes of the period. 

H. 73/5 in. W. 9% in. Wood. Signed: Boldini—/73. 
Bequest of Catharine Lorillard Wolfe, 1887. 


THE DISPATCH BEARER. A French cavalryman, 
having pulled up his horse on the sidewalk in front of a 
porte-cochére, gives a letter to the porter who has stopped 
sweeping to receive it. | 

H. 163 in. W. 133 in. Wood. Signed: Boldini. 
Bequest of Mrs. Martha T. Fiske Collord, in memory of 
Josiah M. Fiske, 1908. 


BONDONE. See Giotto di Bondone. 
BONHEUR, Francois Aucuste. French; born 1824 at Bordeaux; 


B64-1 


died 1884 at Bellevue. Son and pupil of Raymond 
Bonheur and brother of Rosa Bonheur. 


WOODLAND AND CATTLE. A herd of cattle in 
the shade of a grove of old oak trees; a pool of water is 
in the middle distance where a white cow is prominent; 
the cowherd leans against the trunk of a tree at the right. 


23 


BONHEUR — BONINGTON 


H. 1044 in. W. 1573; in. Canvas. Signed: Auguste 
Bonheur. 
Gift of James Clinch Smith and sister, 1890. 


BONHEUR, Marie Rosa. French; born 1822 at Bordeaux; 


B64I-1 
S. W. 
Stairway 


B641-2 
Gallery 
18 


B641-3 
Gallery 
19 


died 1899 at her home, the Chateau-de-By. Pupil of her 
father, Raymond Bonheur. Founded the Paris Free 
School for Young Girls in 1858 and was long its di- 
rector. Painted chiefly animals. 


A LIMIER-BRIQUET HOUND. A brown and white 
dog with head and tail erect; landscape background. 

H. 144 in. W.181in. Canvas. Initialed: R. B. 
Bequest of Catharine Lorillard Wolfe, 1887. 


WEANING THE CALVES. A mountain pasture with 
five calves on one side of a fence and the cow on the 
other; other cows are coming down the hill on the right. 
H. 252in. W. 32 in. Canvas. Signed: Rosa Bon- 
heur—1870. 

Bequest of Catharine Lorillard Wolfe, 1887. 


THE HORSE FAIR. Heavy white and sorrel Perche- 
ron horses are being led or ridden bareback by men 
who wear blue blouses. 

H. 963 in. W. 199 74, in. Canvas. Signed: Rosa Bon- 
heur 1853-5. 

Gift of Cornelius Vanderbilt, 1887. 


BONI, MICHELE GIOVANNI. See Giambono. 


BONINGTON, RicHArpD Parkes. British (English); born 1801 


B643-1 
Gallery 
ea 


B643-2 
Gallery 
14 


at Arnold, near Nottingham; died 1828 at London. 
Pupil of Ecole des Beaux-Arts under Baron Gros. 
Made frequent journeys to London to study the works 
of Constable. Landscapes and genre. 


SEA COAST. The beach at low tide -with shallow 
water inside a sand-bar; groups of fishermen and women 
are at right and left. 

H. 162 in. W. 237 in. Canvas. 

Gift of Henry G. Marquand, 1888. 


COAST SCENE, NORMANDY. A beach on which 
men and women are selling and buying fish; to the 
right, in the shallow water, are two horses attached to a 
heavy wagon with a canvas cover; sail-boats are drawn 
up on the beach in the distance at the left. 


24 


B643-3 
Gallery 


24 


BONINGTON — BONVIN 


H. 32 in. W. 48 3°, in. Canvas. 
Gift of George A. Hearn, 1896. 


MANTES ON THE SEINE. The river with the 
towers of Mantes Cathedral in the distance; two peasants 
are seated in the foreground on a point of land. 

H. 15 in. W. 20% in. Canvas. Bulletin, 1915, p. 88. 
Bequest of Maria De Witt Jesup, from the collection of 
her husband, Morris K. Jesup, 1915. 


BONNAT, Léon. French; born 1833 at Bayonne; died 1922 in 


B644-1 
Gallery 
16 


B644-2 
Gallery 
17 


B644-3 
Gallery 
LF 
B644-4 
Gallery 
4 


Paris. Pupil of Federico de Madrazo in Madrid; Léon 
Cogniet in Paris. Lived several years in Italy; trav- 
eled in the Orient. Director of French Academy in 
Rome. Chiefly portraits. 


JOHN TAYLOR JOHNSTON. (1820-1893; first presi- 
dent of the Museum, 1870 to 1889.) Luife-size, seated 
figure, seen to below the knees. 

H. 544 in. W. 43 in. Canvas. Signed: L" Bonnat 
—1880. 

Gift of the Trustees, 1880. 


EGYPTIAN FELLAH WOMAN AND CHILD. Life- 
size, almost full-length figure of a woman, carrying a 
nude sleeping child on her shoulder; the Suez Canal is 
indicated in the background. 

H> 733 1n. W. 415 in. Canvas. Signed: L= Bonnat. 
Bequest of Catharine Lorillard Wolfe, 1887. 


ROMAN GIRL AT A FOUNTAIN. | 
H.67in. W.3941in. Canvas. Signed: L® Bonnat-75. 
Bequest of Catharine Lorillard Wolfe, 1887. 


HEBER R. BISHOP. (1840-1902; New York mer- 
chant, financier, and collector. He gave to the Museum 
his collection of jades.) Luife-size, seated figure, seen to 
the knees. 

H. 454 in. W. 284 1n. Canvas. Signed: L" Bonnat 
1904. 

Gift of the Executors of the Estate of Mary C. Bishop, 


1905. 


BONVICINO, ALEssANDRO. See Moretto da Brescia. 


BONVIN, Francois. French; born 1817; died 1888. 


B645-1 


A WOMAN READING. (Copy after the picture by 
Pieter de Hooch in the Munich Gallery.) 


25 


BONVIN — BOSCH 


H. 544 in. W.4;% in. Water color. 
Mr. and Mrs. Isaac D. Fletcher Collection. 
Bequest of Isaac D. Fletcher, 1917. 


BORRASSA, Luis (?). Spanish (Catalonian); worked 1390 to 1434. 


B647-1 


BOSCH, 


B65-1 
i, Gallery 
34 


ALTARPIECE DEDICATED TO SAINT ANDREW. 
Numerous panels with gold ground in an architectural 
setting. St. Andrew is seated in the center. In the 
panel above, the Madonna is enthroned with the Child 
on her lap; St. Catherine and Mary Magdalen are 
seated at her feet; two singing angels are at the right 
and at the left an angel is playing the harp. The upper 
left panel depicts the calling of St. Andrew; below, he 
is a witness to the wicked mother’s being killed by fire 
from heaven. In the lower right panel, the Saint wit- 
nesses a bishop being tempted by the devil in the form 
of a beautiful woman; above, St. Andrew is being bound 
to the cross. In the uprights separating the principal 
panels are eight small, single, full-length figures of holy 
men. The predella is divided into seven panels but the 
right-hand one is missing. The subjects beginning at 
the left are St. Andrew and the woman who prayed 
to Diana on behalf of her sister; the woman brings St. 
Andrew to her sister; St. Andrew drives away the demons 
in the form of dogs; the dead Christ, upheld by angels, 
stands in the tomb; St. Andrew raises the dead youth 
who has been strangled; and St. Andrew brings to life 
the four drowned men. 

H. 123}1n. W. 123%, in. (over all). Tempera on wood. 
Bulletin, 1907, p. 77, ill. 

Purchase, Rogers Fund, 1906. 


HigRONyMus; also known as Hieronymus van Aeken 


- and Heronimus Bos. Flemish; born about 1462 at Bois- 


le-Duc; died there in 1516. 


ADORATION OF THE KINGS. _ The Virgin, wearing a 
dark blue robe, is seated in a ruined courtyard and holds 
the nude Child on her lap; in the foreground at the right 
are the three kings bearing gifts while Joseph, wearing a 
green robe, kneels at the left; beyond, the ox and the ass 
are seen within a tower at the left, and at the right, two 
shepherds look through a window while one of them warms 
his hands at a fire within the court; four child angels hold 
a green canopy above the Virgin; landscape background 


26 


BOSCH — BOTTICELLI 


with Jerusalem at the left, a lake and castle at the right, 
and numerous figures in the middle distance. 

Ex coll.: Lippmann, Berlin. 

H. 28in. W.22}in. Wood. Bulletin, 1913, p. 130, ill. 
Purchase, Kennedy Fund, 1912. 


BOTH, JAN AND Anpriges. Dutch; Jan born about 1610 at 


B651-1 


Utrecht; died there 1652. Andries born about 1609; died 
at Venice, probably in 1650. Pupils of Abraham Bloe- 
mart at Utrecht; influenced by Claude Lorraine. Jan 
was a landscape painter; the brother, Andries, often 
added the figures. 


ITALIAN LANDSCAPE. A rocky road with a group 
of trees in the center of the picture and one large oak 
at the right; two horsemen-and several figures on foot 
are on a roadway at the left; hilly country beyond. 

Ex coll.: Comte Cornet, Brussels; Tardieu; Duc de 
Berry. 

H. 50}2 in. W. 633 in. Canvas. Signed: Both fc 
1640. 

Purchase, 1871. 


BOTTICELLI; real name Sandro Filipepi. Italian (Florentine); 


B652-1 
Gallery 
31 


born 1447 or a few years earlier, at Florence; died there 
1510. Apprenticed to a goldsmith, then studied painting 
with Fra Filippo Lippi and worked as assistant to Antonio 
and Piero Pollaiuolo. Called to Rome in 1481 by 
Pope Sixtus IV and executed frescoes in the Sistine 
Chapel. 


THREE MIRACLES OF SAINT ZENOBIUS.  (334- 
424; Zenobius was a wealthy Florentine who devoted 
his life to the Church and became bishop of Florence.) 
An open square in the city; at the left the Saint is stop- 
ped by a funeral procession and brings the body back 
to life. In the center the Saint, while on a journey, 
meets a party bringing relics of a martyr; the leader 
having fallen and been crushed to death is restored 
by the Saint. The story told at the right is in three 
scenes: St. Eugenius, while gravely ill, hears that a 
relative has died without receiving the last sacrament; 
St. Zenobius therefore takes blessed water and salt 
to the bedroom of St. Eugenius, who rises from his sick 
bed, crosses the square, and in the foreground is seen 
sprinkling the holy water over his relative, who revives. 


27 


B652-2 
Gallery 
37 


BOTTICELLI — BOTTICINI 


There are three other panels of this series; two are in the 
Mond Collection in London and one in the Dresden Gal- 
lery. These panels were probably intended to decorate 
a chest containing clerical vestments in some church 
dedicated to St. Zenobius. 

Ex coll.: Sir William Neville Abdy, London. 

H. 26% in. W. 59% in. Tempera on wood. Bulletin, 
III, p. 185, ill. 

Purchase, Kennedy Fund, rog1t. 


THE LAST COMMUNION OF SAINT JEROME, A 
cell built of reeds with the Saint’s bed, above which 
hang a crucifix, palms, and a cardinal’s hat; in the fore- 
ground St. Jerome, supported by two monks, kneels at 
the right and receives the last communion from a priest 
who wears a rose-colored chasuble and blue stole; two 
acolytes stand at the left holding candles. Painted for 
Francesco di Filippo Del Pugliese of Florence, who 
mentioned this picture in his will dated 28th February, 
1502-3. 

Ex coll.: Marchese Farinola; Gino Capponi, Palazzo 
Capponi, Florence. 

H. 133 in. W. 1042; in. Tempera on wood. Bulletin, 
1915, pp. 52, 72, 101, ill. 

Bequest of Benjamin Altman, 1913. 


BOTTICINI, Francesco. Italian (Florentine); born 1446 at 


B653-1 
Gallery 
30 


B653-1 
Gallery 
30 


Florence; died there 1497. Pupil of Neri di Bicci; 
influenced by Cosimo Rosselli, Verrocchio, and Botticelli. 


a. TOBIASAND THEANGEL. Three predella panels. 
Tobias, wearing a blue doublet and red stockings, kneels 
at the right near the seashore, and takes out the fish’s 
heart, liver, and gall; at the left stands the angel, who 
wears a yellow robe and red cloak lined with green; 
nearby is a white poodle; in the distance is the city 
of Florence; blue mountains follow the line of the sea- 
shore. 

H. 63 in. W. 16;°, in. Tempera on wood. 


b. THE MARRIAGE OF THE VIRGIN. Mary, ina 
red robe and blue cloak lined with green, stands at the 
right; opposite her is Joseph, who wears a blue robe and 
a yellow cloak lined with green; back of them is the high 
priest who stands in front of an altar; three women are at 
the right and at the left are the four disappointed suitors, 
one of whom raises his hand to strike Joseph and another 


28 


B653-1 
Gallery 
30 


BOTTICINI — BOUCHER 


breaks his staff; the background at each side consists of 
a colonnade with a view of distant hills. 
H. 67°, in. W. 162% in. Tempera on wood. 


c. THE BURIAL OF SAINT ZENOBIUS. The body 
lies on a red-covered stretcher and is being carried through 
a city street on the shoulders of four prelates who wear 
white robes, green cloaks, and white and gold mitres; two 
acolytes precede them and four citizens follow the bier;the 
Baptistery and Campanile of Florence are in the back- 
ground; in the immediate foreground is the dead tree 
which burst into leaf at the touch of the Saint’s body. 
Ex coll.: Lord Taunton. 

H. 63’, in. W. 1674 in. Temperaonwood. Bulletin, 
Pore hota, ill: 

Purchase, Leland Fund, 1913. 


BOUCHER, Francots. French; born 1703 at Paris; died there 


B66-1 
Gallery 
20 


B66-2 
Gallery 
20 


B66S-1 


1770. Pupil of his father, a designer of embroideries, and 
of Le Moine; traveled in Italy. Decorative subjects; 
designed Beauvais tapestries. 


PORTRAIT OF A LADY. Bust of a large-eyed, red- 
lipped young lady with powdered hair and blue ribbons, 
a low-cut white satin dress, and a blue shawl; gray back- 
ground. 

H.19in. W. 14% in. Canvas. 

Mr. and Mrs. Isaac D. Fletcher Collection. 

Bequest of Isaac D. Fletcher, 1917. 


TOILET OF VENUS. She is seated on a sofa fondling 
a white dove while three cupids arrange her hair and bring 
out strings of pearls. There are draperies of rose velvet 
and cloth of gold about her and blue silk curtains behind 
her, ornamental gold dishes and another dove at her feet. 
Engraved by Janinet, 1783. 

Ex coll.: Comte dela Beraudiére; Marquis de Calonne; de 
Boullogne; de Ménars. 


H. 422 in. W. 333 in. Canvas. Signed: F. Boucher ~ 


1751. Bulletin, 1920, p. 2609. 
Bequest of William K. Vanderbilt, 1920. 


SCHOOL OF BOUCHER. 


tHE RESCUE.OF ARION FROM THE WAVES. 
(The picture illustrates a legend according to which the 
Greek poet, Arion, while returning home from a musical 
contest in Sicily where he had been a victor, was ship- 


29 


BOUCHER — BOUGHTON 


wrecked; he was saved by dolphins who were attracted 
by his music.) Arion, with a red drapery about him, 
playing his lyre, is seated on the back of a dolphin; 
mermaids and mermen surround him; beyond at the 
left is the prow of a burning ship. 

H. 453 in. W. 52% in. Canvas. Signed: F. Boucher, 
but not supposed to be by this master. 

Gift of Léon Gauchez, 1875. 


BOUDIN, Eucéne. French; born 1824 at Honfleur; died 1898 


B661-1 


at Deauville. Pupil of Troyon. 
ON THE BEACH AT TROUVILLE. A sandy beach 


Gallery with people in costumes of the middle of the nineteenth 


20 


century; to the right is the sea with bathers and a bath- 
house on wheels drawn by a horse. 

H. io in. W.18in. Canvas. Signed: E Boudin—63. 
Bequest of Mrs. Amelia B. Lazarus, 1907. 


BOUGHTON, Georce H. British-American;: born 1833 in 


B662-1 
Gallery 
18 


B662-2 


B662-3 


England; died 1905 at London. Educated in Albany, 
N. Y.; lived in New York City till 1861, when he set- 
tled in London. 


A PURITAN GIRL.  Three-quarters-length figure 
standing in a field and holding wild flowers; her costume 
is that of New England in the early seventeenth century. 
H. 154% in. W.113in. Wood. Signed: G.H. Boughton. 
Bequest of Catharine Lorillard Wolfe, 1887. 


EDICT OF WILLIAM THE TESTY. (A situation 
from the Knickerbocker History of New Amsterdam 
by Washington Irving.) The burghers, grouped in 
an open square, are protesting by clouds of tobacco 
smoke against their Governor’s decree forbidding tobacco 
smoking. The Governor and his wife stand in the 
doorway of their house at the right. 

H. 223 in. W. 322 in. Canvas mounted on wood. 
Signed: G. H. Boughton. Bulletin, 1908, p. 199, ill. 
Bequest of Mrs. Martha T. Fiske Collord in memory 
of Josiah M. Fiske, 1908. 


THE TWO FAREWELLS; also called Autumn—De- 
parture of the Swallows. A stubbly field near the sea 
with two women; one, in mourning, is seated on a rock; 
the other, in a white dress, stands back of her and holds 
her hand. This picture is one of a series of three; the 
smaller side panels depict respectively Spring and Winter. 


30 


| 


BOUGHTON — BRAMANTINO 


Inscribed on the back: The Flight of the Birds, Summer 
is gone on Swallows Wings. Painted by Geo. H. Bough- 
ton, Grove Lodge, Palace Gardens Terrace, Kensing- 
ton, W. 

H. 483°; in. W. 60% in. Canvas. Signed: G. H. Boucu- 
TON 1872. 

Bequest of Maria De Witt Jesup, from the collection of 
her husband, Morris K. Jesup, 1915. 


BOUGUEREAU, WiLtiAm ApocpHe. French; born 1825 at 
La Rochelle; died there 1905. Pupil of Picot and 
Ecole des Beaux-Arts in Paris, where he lived the greater 
part of his life. 


B663-1 THE TWO SISTERS. A Brittany peasant girl is 
Gallery seated in an orchard and holds upon her lap a child 


18 who has a red apple in each hand. 
H. 51 in. W. 354°g in. Canvas. Signed: W. Boveve- 
REAV 1871. 


Bequest of Catharine Lorillard Wolfe, 1887. 


BOUTS, Dirk; known also as Dirk or Tierry van Haarlem and 
as Dierick de Louvain. Flemish; born about 1410 at 
Haarlem (?); died 1475 at Louvain. Influenced by Jan 
Van Eyck and by Roger van der Weyden. Appointed 
official portrait painter of the city of Louvain in 1464. 
Also painted religious subjects. 


B666-2 PORTRAIT OF A MAN. Head and shoulders of a 
Gallery middle-aged man with his fingers joined as if in prayer; 
37 he wears a high purple cap and a gray doublet fastened 
close at the neck, with an edge of the fur lining showing 
against a brown collar. 
H. 12 in. W. 84 in. Wood. 
Bequest of Benjamin Altman, 1913. 


BOYERMANS, Tueopor. Flemish; born 1620 at Antwerp; died 
there 1677. Pupil of Van Dyck, 


B70-1 CHRIST EXPIRING ON THE CROSS. The pele 
figure 1 is outlined against a dark, stormy sky. 
H. 433 in. W. 332 in. Wood. 
Purchase, 1871. 


BRAMANTINO; real name Bartolommeo Suardi. Italian (Milan- 
ese); born about 1450 to 1455 in the Milanese district; 
died about 1530. He is supposed to have been a pupil 
of Vincenzo Foppa and assistant to Bramante in Milan. 


31 


BRAMANTINO— BRETON 


B73-1-12 Twelve panels, each a single head, bust length; the 


B73-13 
Gallery 
30 


majority are in profile; the background of each consists 
of an archway from which hangs a swag of green foliage. 
These panels were originally part of a frieze in the Gon- 
zaga Palace of San Martino di Guznaja near Mantua and 
have generally been considered as the work of Braman- 
tino. 

Each: H. 18 in. W. 18 in. Tempera on wood. Bulletin, 
1905, p. 14, ll. 

Purchase, Rogers Fund, 1905. 


VIRGIN AND CHILD. An open courtyard with the 
Madonna seen to the knees back of a ledge on which the 
nude Child stands; the Madonna wears a red robe and 
a blue cloak lined with green; an apple is in her right 
hand, and a pot of red carnations is on the ledge in the 
immediate foreground at the right; in the background 
buildings close one side of the hollow square court while 
at the left is a hedge. 

Ex coll.: Gobeloff, Paris. 

H. 133 in. W. 1143; in. Tempera on wood. 

Purchase, Kennedy Fund, 1912. 


BRAMER, LeEonarp. Dutch; born 1595 at Delft; died there 


B731-1 


1074. Traveled in his youth in France and Italy. 


JUDGMENT OF SOLOMON. An open court with 
the king seated on a high throne at the right; before 
him a man prepares to divide the child between the two 
kneeling mothers; beyond are groups of people and two 
men stand in the immediate foreground at the right. 

H. 31% in. W. 40% in. Canvas. Signed: 1) Bramer, 
Gift of National Surety Company, 1911. 


BRETON, JuLes. French; born 1827 at Courriéres; died 1906 


B751-1 
Gallery 
18 


B751-2 
Gallery 
17 


at Paris. Pupil of Felix de Vigne at Ghent; Wappers at 
Antwerp; Ecole des Beaux-Arts at Paris under Drolling. 
PEASANT GIRL KNITTING. She is seated on the 
bent trunk of an apple tree. 

H. 222 in. W.183 in. Canvas. Signed: Jules Breton. 
Bequest of Catharine Lorillard Wolfe, 1887. 
RELIGIOUS PROCESSION IN BRITTANY. (A fes- 
tival such as here depicted is held once a year at Kergoat 
near Douarnenez and Quimper.) The public square of 
the village is crowded with women and children who 


32 


- 


BRETON — BRITISH SCHOOL 


carry lighted tapers; a procession of men, bareheaded 
and carrying lighted torches, emerges from the porch 
of the church at the right. 

H. 522 in. W.73in. Canvas. Signed: Jules Breton— 
1860. 

Bequest of Catharine Lorillard Wolfe, 1887. 


BRION, Gustave. French; born 1824 at Rothau; died 1877 at 


B77-1 
Gallery 
18 


Paris. Pupil of Gabriel Guérin at Strasburg. 


PeooRN FROM: THE? CHRISTENING. -A church 
porch with the christening party coming out and dis- 
tributing alms. 

H. 44% in. W. 632 in. Canvas. Signed: G. Brion 74. 
Bequest of Catharine Lorillard Wolfe, 1887. 


BieeishH SCHOOL. 
Br771S-1 THE MILLS. In the foreground is a stream which 


winds under several bridges; beyond are an old red build- 
ing and a level plain with windmills against the horizon; 
the general tone is a golden brown. Formerly attributed 
to Rembrandt and called at one time Canal in Holland. 
Probably British, end of eighteenth century. 

Ex coll.: Cartwright. 

fie 27i  W. 23 1n.. . Canvas, 

Gift of Henry G. Marquand, 1890. 


Br771S-4 PORTRAIT OF A MAN. Life-size figure, seen to the 


waist, standing at the right of a table and holding a 
portfolio; he wears a long curled white wig; a bookcase 
forms the background; there is a coat of arms in the 
upper left corner. 

Ex coll.: Gilmor. 

H. 38% in. W. 32% in. Canvas. Bulletin, 1900, p. 10. 
Gift of Mrs. Wheeler Smith, 1908. 


Bigg es 5) MARKY, QUEEN OF SCOTS, WITH HER SON, 


JAMES VI (Afterward James I of England). Known 
as the Duff-Ogilvie portrait. The Queen wears a dark 
dress with a white neck ruff and a gold chain; she is 
seen back of a red-covered table on which stands the 
child; he is dressed in a long dark robe embroidered in 
stripes, and his cap is similarly embroidered. 

H. 8g in. W.72in. Slate or black marble. 

Gift of J. Pierpont Morgan, 1917. 


Br771S-6 LADY JANE GREY (?). Half life-size, seen to the 


waist, full-front; she wears a black dress high at the neck 


33 


BRITISH SCHOOL — BROWN 


with a white ruff at neck and wrists, a black cap which 
shows her light brown hair, and a double string of pearls 
knotted about the neck and falling straight from the knot. 
In her hands she holds an undetermined leather article 
and there is a sapphire ring on her right forefinger; gray 
background. Probably sixteenth century. 

H. 122 in. W.9 in. Wood. 

Gift of J. Pierpont Morgan, 1917. 


BRONZINO; real name Agnolo di Cosimo di Mariano. Italian 


B78-1 
Gallery 
29 


(Florentine); born 1502 (?) at Monticelli, near Florence; 
died 1572 at Florence. Studied with Raffaellino del 
Garbo and later with Pontormo whom he assisted; in- 
fluenced by Michelangelo. Portraits and mural deco- 
rations. 


COSIMO DE’ MEDICI. (1519-1574; first grand duke 
of Tuscany.) Life-size, standing figure, seen to below 
the waist; he is dressed in armor; his right hand rests 
on his casque that lies on a table at the right. Inscribed 
on armor of his right elbow: C M. 

H. 383 in. W.27¢in. Wood. Bulletin, 1909, p. 69, ill. 
Purchase, Rogers Fund, 1909. 


BROWN, GeEorcE Lorinc. American; born 1814 at Boston; died 


B8I-1 


there 1889. Pupil of Washington Allston; of Isabey in 
Paris. Paintedin Antwerp, Florence, Rome, and London. 


VIEW AT AMALFI. The Bay of Salerno with fishing 
boats in the sunlight; a stony beach is in the foreground; 
white buildings are at the base of the cliffs that follow 
the curve of the shore at the right. 

H. 334 in. W. 532in. Canvas. Signed: G. L. Brown, 
Rome 1857. 

Gift of William Church Osborn, 1903. 


BROWN, JoHN Georce. American; born 1831 at Durham, Eng- 


B811-1 
Gallery 


13 


land; died 1913 1n New York City. Pupil of William 
B. Scott at Newcastle-on-Tyne in England; School of 
the Royal Academy at Edinburgh; National Academy of 
Design under Thomas S. Cummings at New York. Genre. 


MEDITATION. A Catskill farmer’s daughter is seated 
in a rocking-chair in a country kitchen. 

H. 30 in. W. 25 in. Canvas. Signed: J. G. Brown, 
N. A. 

Purchase, Hearn Fund, 1909. 


34 


B811-2 


BROWN — BRUEGEL 


THE MUSIC LESSON. A young woman in a ruffled 
gray silk dress seated on a green plush sofa is blowing on a 
flute which a young man seated on the arm of the sofa is 
fingering. There is a harp in front of them; the decora- 
tions of the room are red and green. 

H.24in. W.20in. Canvas. Signed: J.G. Brown, 1870. 
Gift of Colonel C. A. Fowler, 1921. 


BROWN, Joun Lewis. French; born 1829 at Bordeaux; died 


B812-1 
Gallery 
17 


1890 at Paris. Pupil of Roqueplan and of Belloc. 
Painted military and hunting scenes; also engraver. 


FOX HUNTERS. Open country with horsemen in 
scarlet and yellow jackets preceded by a pack of hounds. 
H. 52 in. W. 4% in. Wood. Signed: J. L. Brown. 1866. 
Bequest of Catharine Lorillard Wolfe, 1887. 


BROZIK, Vacstav von. Bohemian; born 1851 at Tremoschna, 


B821-1 


near Pilsen; died 1901 at Paris. Studied at the Acad- © 
emies of Prague, Dresden, and Munich under: Piloty 
and Munkacsy; went to Paris in 1876. 


GiitSTOPHER COLUMBUS-AT. THE COURT OF 
FERDINAND THE CATHOLIC AND ISABELLA OF 
CASTILE. A room in the palace is crowded with 
courtiers; the King and Queen of Spain are about to sign 
the contract with Columbus, April 17, 1492, which made 
possible his journey and the discovery of the New World. 
H.158t in. W.2254in. Canvas. Signed: Brozik 1884. 
Gift of Morris K. Jesup, 1886. 


BRUEGEL, JAN, THE ELDER; called Fluweelen or Velvet Bruegel. 


B83-1 
Gallery 
27 


B83-2 
Gallery 
27 


Flemish; born 1568 at Brussels; died 1625 at Antwerp. 
Son of Pieter Bruegel the Elder; the family name was 
sometimes signed Breughel. Pupil of Peter Goetkint at 
‘Antwerp, where he settled in 15096 after a visit to Italy. 
Landscapes. 


THE HILL. On a roadway which leads over a hill 
are a cart, horsemen, peasants, and cows; at the right 
is a valley with a stream and villages. 

Ex coll.: Comte Cornet, Brussels; Rothan. 

H. 7% in. W. 103 in. Copper. 

Purchase, 1871. 

THE WINDMILL. A mill is on a slight elevation at 
the left; small figures are in the foreground; in the dis- 
tance are formal woods and villages. 


35 


BRUEGEL 


Ex coll.: Comte Cornet, Brussels; Duc de Praslin. 
H. 73 in. W. 102 in. Copper. 
Purchase, 1871. 


BRUEGEL, JAN, THE YOUNGER. Flemish; born 1601 at Antwerp; 


B83 1-1 
Gallery 
27 


died after 1677. Pupil of his father, Jan the Elder. 


A FLEMISH VILLAGE. A townon the bank of a river; 
in the foreground at the right is a road with people; 
at the left the river, with trees on the far bank, extends 
to the horizon. 

H.o%in. W.122in. Wood. 

Purchase, 1871. 


BRUEGEL, Pieter, THE ELDER. Flemish; born 1525 at Breda; 


B832-1 
Gallery 
27 


died 1569 at Brussels. Pupil of his father-in-law, Pieter 
Coeck van Aelst. Influenced by the work of Hierony- 
mus Bosch. 


THE HARVESTERS. A group of peasants is eating 
under a tall pear tree; beyond in the grain field men are 
mowing and women binding sheaves; three women carry- 
ing sheaves on their heads go down a path cut in the grain, 
while a boy comes back with a heavy jug of water. A 
far-reaching landscape in the background with fields and 
trees, houses and people working about them, and the 
sea fading into the hazy distance. One of five pictures of 
the Months mentioned in 1659 in the inventory of Arch- 
duke Leopold William, who was Governor-General of 
the Netherlands. 

Ex coll.: P. J. Cels, Brussels; Jacques Doucet, Paris. 

H. 463 in. W. 634 1n. Wood. Signed: BRVEGEL LX V. 
Purchase, Rogers Fund, 1919. 


BRUEGEL, PIETER, THE YOUNGER; called Hell Bruegel. Flem- 


B833-1 
Gallery 
27 


ish; born 1564 at Antwerp; died there 1638. Pupil of 
his father, Pieter Bruegel the Elder, and of Gilles van 
Coninxloo. 


GAMBLERS QUARRELING. (Rixe de Jeu entre 
Paysans.) Peasants fighting out of doors after a game 
of cards; a flail and a pitchfork are being used by the two 
combatants while two other men and two women try to 
separate them; at theleft a man approaches over a bridge; 
in the background at the right peasants are dancing in a 
village street. This is the reproduction of one of the fa- 


36 


BRUEGEL — BUGIARDINI 


mous paintings by Pieter Bruegel the Elder which is 
known only by engravings and a number of copies. 

Ex coll.: Comte Cornet, Brussels. 

H. 2821n. W. 403 in. Wood. Signed: P. BREVGHEL. 
1610. 

Purchase, 1871. 


PRUGEo MASTER OF THE LEGEND OF SAINT URSULA. 


B834-1 
Gallery 
34 


BRUSH, 


B835-1 
Gallery 
13 


B835-2 
NoE. 
Stairway 


Flemish; late fifteenth century. A disciple of Memling 
who lived at Bruges between 1470 and 1490. So called 
from his series of pictures in the cloister of the Black 
Sisters at Bruges. 


MADONNA AND CHILD. The Madonna, seated, 
is seen to the knees against a gold niche; she prepares 
to suckle the nude Child. 

H. 224 in. W.133in. Wood. Bulletin, 1909, p. 154. 
Gift of J. Pierpont Morgan, 1917. 


GeorcE DE Forest. American; born 1855 at Shelby- 
ville, Tenn.; lives in New York City. Pupil of Géréme in 
Paris. 


IN THE GARDEN. Full-length figures of a mother 
and two children standing in a garden; the mother’s 
dress is reddish brown, and dark green drapery falls 
about the younger child, who is held in her left arm; the 
boy, who clings to her right arm, is dressed in olive-green. 
ea ne Wo in. > Canvas. Signed: George’ De 
Forest Brush 1906. Bulletin, 1907, p. 24, ill. 

Gift of George A. Hearn, 1906. 


HENRY GEORGE. (1839-1897; founder of the single 
tax party; author of Progress and Poverty.) Luife-size, 
full-length figure seated in an arm-chair; his legs are 
crossed, his left hand rests in his lap, and the right is on 
the arm of the chair; green carpet; brown wall with one 
picture. 

H. 64 in. W. 4542 in. Canvas. Signed: Geo. de Forest 
Brush 1893. Repainted 1903. Bulletin, 1914, p. 75, ill. 
Bequest of August Lewis, 1914. 


BUGIARDINI, GruLraAno. Italian (Florentine); born 1475 at 


Florence; died there 1554. Pupil of Piero di Cosimo; 
influenced by Perugino, Francia, and _ Franciabigio; 
was assistant to Albertinelli and in 1508 was employed 
by Michelangelo in the Sistine Chapel at Rome. 


oy 


B86-1 


BUGIARDINI — BUONAVENTURA 


VIRGIN AND CHILD WITH INFANT ST. JOHN. 
The Virgin is seated on a marble bench and holds on her 
knee the nude Child; the head and shoulders of the ador- 
ing infant St. John are in the foreground at the right. 
Ex coll.: Sandleford Priory, Newberry, England. 

H. 23 in. W. 185 in. Wood. 

Purchase, Rogers Fund, 1906. 


BUNCE, W. Gepney. American; born 1840 at Hartford, Conn.;_ 


B88-1 
Gallery 
12 


B88-2 
Gallery 
13 


B88-3 


died there 1916. Pupil of Cooper. Union Schools and 
William Hart in New York, Achenbach in Munich, and 
Clays in Antwerp. Painted chiefly Venetian scenes. 


MORNING VIEW IN VENICE. To the right, boats 
with sails; to the left, a buoy with signal shaft; low hori- 
zon and the sky reflected in the water. 

H. 354 in. W.5541n. Canvas. Signed: Gedney Bunce. | 
Purchase, Hearn Fund, 1907. 


EARLY MORNING; VENICE. Boats with orange 
sails are at the left near a point of land with trees; other 
boats are in the distance. 

H. 123 in. W. 164 in. Wood. Bulletin, 1909, p. 116, 
ill. 

Gift of George A. Hearn, 1909. 


STUDIO OF F. D. MILLET AT EAST BRIDGE- 
WATER, MASS. (See Millet.) A low building in 
the middle distance at the right is partly hidden by a 
maple with yellow foliage and by other trees. 

H. 132 in. W. 107g in. Wood. Signed: W. G. Bunce. 
Gift of the artist, 1912. 


BUNKER, Dennis M. American; born 1861 at New York City; 


B881-1 
Gallery 
12 


died 1890 at Boston. Pupil of National Academy of 
Design in New York; Hébert and Géréme in Paris. 


THE ARTIST’S WIFE. Life-size portrait, seen almost 
to the waist; she has light brown hair with a crown of 
leaves; blue-black gown. 

H, 2374: in. “W. 21th. eGanvas 

Gift of several gentlemen; 1893. 


BUONAVENTURA, Seena pi. Italian (Sienese). A follower of 


Duccio di Buoninsegna; active in the early years of the 
fourteenth century. In 1305-06 he made a painting for 
the Biccherna, or Treasury Office. 


38 


B882-1 


BUONAVENTURA — BUTINONE 
Mian AND) CHILD sENTHRONED, WITH 


Gallery SCENES FROM THE PASSION. Triptych with the 


33 


Virgin and Child in the center. She wears a red robe 
and a black mantle. The Child is in brown. Angels 
and saints are on either side of her throne; the saints 
being—at left, Paul (brown mantle over blue robe), 
John the Baptist (red cloak); at right, Peter (green and 
black), John the Evangelist (blue cloak over red robe). 
Below are half-length figures of Saints Nicholas, Francis, 
Dominic, and Catherine. On the left-hand shutter are 
three scenes, The Betrayal, The Scourging of Christ, The 
Carrying of the Cross. On the right-hand shutter, two 
scenes, The Crucifixion and The Pieta. The background 
is gold and the predominant colors are red and black. 
The compositions are borrowed from the altarpiece of 
the Cathedral of Siena finished by Duccio-in 1308. 

Ex coll.: A. E. Street, London. 

Center, H. 303 in. W. 163 in.; right, H. 303 in. W. 
8% in.; left, H. 3023 in. W. 83 in. Tempera on wood. 
Bulletin, 19109, p. 6, ill. 

Purchase, Rogers Fund, 1918. 


BURROUGHS, Bryson. American; born 1869. Pupil of Art 


Bo4-1 
Gallery 


15 


Students’ League and Luc Olivier Merson. 


CONSOLATION OF ARIADNE. Ariadne, in a black 
gown, and Bacchus are seated on rocks above a 
beach. In the background the followers of Bacchus dis- 
port themselves; the boat of Theseus sails away at the 
right. 

H.30in. W.36in. Canvas. Signed: BRYSON BUR- 
ROUGHS, 1915. 

Purchase, Hearn Fund, 1918. 


BUTINONE, BERNARDINO; real name Bernardino Jacopi. Italian 


Bo7-1 


(Lombard); born before 1436 at Treviglio; died after 
1507. Influenced by Mantegna and by Vincenzo Foppa, 
whose pupil he is supposed to have been; many of his 
works were done with Bernardino Zenale. 


SAINT JOHN THE EVANGELIST AND SAINT 
LAWRENCE. Full-length, standing figures. St. John, 
in a dark green tunic and red cloak, holds in his right 
hand a chalice and in his left an open book inscribed: 
IN PRICIPIO ERAT VERBVM ET VERBVM ERAT. At his 
feet an eagle stands on two books. St. Lawrence, in a 


#2) 


BUTINONE — BUTLER 


deacon’s vestment, consisting of a white alb and a dal- 
matic of cloth-of-gold, carries the palm branch of martyr- 
dom and the gridiron. The panel is apparently the 
right-hand shutter of a triptych. It has been ascribed 
to Macrino d’Alba, Defendente Ferrari, and others. 

Ex coll.: Blakeslee. 

H. 484 in. W. 193 in. Tempera on wood. Bulletin, 
1915, p. 152, ill. 

Purchase, Rogers Fund, 1915. 


BUTLER, Georce BERNARD. American; born 1838 at New York 


Bo7I-1 
Gallery 
160 


City; died 1907 at Croton Falls, N. Y. 


THE GRAY SHAWL. Life-size figure of a young 
woman, standing in front of a gray wall with her hands 
folded over a gray and red plaid shawl. 

Hy s84n? W392 inp ean vas. 

Gift of Henry P. Butler, 1913. 


40 


@ 


CABANEL, ALEXANDRE. French; born 1823 at Montpellier; 


GH-1 
Gallery 
17 


C11-2 
See's 
Stairway 


Cr1-3 


died 1889 at Paris. Pupil of Picot at Ecole des Beaux- 
Arts in Paris. Figure subjects. 


CATHARINE LORILLARD WOLFE. (Born 1828 
at New York City; died there 1887. She bequeathed to 
the Museum her collection of paintings with a fund for its 
maintenance and increase.) Life-size, nearly full-length, 
standing; she is dressed in white satin trimmed with fur. 
H. 673 in. W. 432 in. Canvas. Signed: ALEX. CABANEL-— 
1870. 

Bequest of Catharine Lorillard Wolfe, 1887. 


THESHULAMITE. Life-size figure of a woman, seated 
on a blue rug; she wears a diaphanous white drapery and 
an orange scarf; an inner court, with columns having 
Egyptian decorations, forms the background. 

H. 56; in. W. 423 in. Canvas. Signed: ALEx. 
CABANEL~-1875. 

Bequest of Catharine Lorillard Wolfe, 1887. 


BIRTH OF VENUS. Life-size, full-length, nude female 
figure, lying on the sea; five Loves hover above her. 
Cabanel painted this subject several times; the first 
version is in the Luxembourg Gallery in Paris; the 
Museum picture is a little smaller and was painted 
to Mr. Wolfe’s order; a still smaller replica is in the 
Gibson Collection of the Pennsylvania Academy of 
the Fine Arts, Philadelphia. 

H. a1? in. W. 71g in. Canvas. Signed: ALEx. 
CABANEL~1875. 

Gift of John Wolfe, 1893. 


CALIARI, Carto. Italian (Venetian); born 1570 at Venice; 


died there 1596. Pupil of his father, Paolo Cahiari 
(Veronese), and of Jacopo Bassano. 


4I 


C12-1 


CALIARI — CAMPIN 


ALLEGORICAL FIGURES. Two women, one seated 
on a stone bench with her back toward the spectator, 
the other holding a gold vase in her raised right hand 
and a silver one in her skirt. 

H. 402 in. W.301n. Canvas. Bulletin, 1906, p. 74. 
Gift of Louis R. Ehrich, 1906. 


CALIARI, PAoto. See Veronese. 


CALLCOTT, Str Aucustus WALL. British (English); born 1779 


C13-1 
Gallery 
14 


at Kensington, London; died there 1844. Pupil of 
Hoppner; visited Italy and was influenced by the work 
of Claude Lorraine. At first painted portraits; later only 
landscapes. 


LANDSCAPE. A country road leading past a group 
of low, thatched cottages; in the foreground two men lie 
across the footpath. 

H. 28 in. W.36in. Canvas. 

Gift of George A. Hearn, 1896. 


CAMERON, Davin Younc. British (English); born 1865. Pupil 


Ci4-1 
Gallery 
19 


of Glasgow Art School and Edinburgh School of Art. 
Etcher and painter of landscapes. 


SUNRISE ON BADENOCK HILLS. A river or lake 
in the foreground, with a mountain beyond, behind which 
the sun has set. 

H. 274 in. W. 4033; in. Canvas. Signed: D. Y. Cameron. 
Purchase, Harris Brisbane Dick Fund, 1917. 


CAMPIN, Rosert; called Maitre de Flémalle. Flemish; fifteenth 


Cr5 S-1 
Gallery 
34 


century. His name comes from the fact that one of 
his works, now at the Stddel Institute at Frankfort, 
was originally in the old Flemish Abbey of Flémalle; a 
contemporary of Jan Van Eyck, the founder of the 
school of Tournat. 


SCHOOL OF ROBERT CAMPIN. 


VIRGIN AND CHILD WITH ANGELS. The Virgin 
stands in the apse of a Gothic church and suckles the - 
Child; she wears a long white mantle over a blue tunic; 
on each side is an angel playing on a musical instrument. 
This composition is known as the Virgin of Salamanca; 
there are several replicas. 

From a Spanish collection. ~ 


42 


CAMPIN — CARLSEN 


H. 17% in. W. 133 in. Canvas, transferred from wood. 
Bulletin, 1906, p. 28. 
Purchase, Rogers Fund, 1906. 


CANALETTO; real name Antonio Canale. Italian (Venetian); 


C16-1 
Gallery 
29 


born 1697 at Venice; died there 1768. Pupil of his father, 
Bernardo Canale, a scene painter, and of Luca Carlevaris 
of Udine. Painted chiefly views of Venice. 


SCENE IN VENICE; THE PIAZZETTA. Entrance 
to the Grand Canal; in the foreground is the Piazzetta 
with groups of people, the column of St. Theodore, and 
a corner of the library of St. Mark; the Molo, Dogana, 
and Santa Maria della Salute are seen across the 
Grand Canal. 

Ex coll.: Sir George Donaldson, London. : 

H. 5131n. W. 51% in. Canvas. Bulletin, 1911, p. 13, ill. 
Purchase, Kennedy Fund, 1g1o. | 


CAPPELLE, JAN vAN De. Dutch; born 1624 or 1625 at Amster- 


Ci7-1 
Gallery 
26 


CARIAN 


Ci81A-1 
Gallery 


32 


dam; buried there 1679. Probably pupil of Simon de 
Vlieger. Marines. 


MOUTH OF THE SCHELDT. Calm water with 
numerous vessels; a galleon is in the middle distance 
and near it a rowboat filled with men. 

Ex coll.: Major E. H. Griffith; Labouchere. 

H. 27,°, in. W. 362 in. Wood. Signed: J V Cappel (le?). 
Bulletin, 1912, p. 76, ill. 

Purchase, Leland Fund, 1912. 


I; real name Giovanni de’ Busi. Italian (Venetian); 


born about 1485; died after 1547. He is supposed to have 
been a pupil of Palma Vecchio. ss ae 


ATTRIBUTED TO CARIANI. 


RAPE OF HELEN. Paris holds Helen in his arms 
carrying her toward the ship which is anchored at the 
right; his companions in armor are attacking the by- 
standers, some.of whom are moving away at the left; 
landscape background. 

H. 4475 in. W. 11142 in. Canvas. 

Purchase, Rogers Fund, 1912. 


CARLSEN, Emit. American; born 1853 at Copenhagen, Den- 


mark; came to the United States in 1872; lives in New 
43 


C1o-1 
Gallery 
12 


C19-2 
Gallery 
15 


CARLSEN — CASILEAR 


York City. Studied architecture at Danish Royal 
Academy; chiefly self-taught. Marines and still life. 


STILL LIFE. A grayish basket with a white cloth 
hanging over the edge; a fish lies in front of the basket 
and clams are at the right. , 
H.3471n. W. 3838;in. Canvas. Signed: Emil Carlsen. 
Gift of William A. Read, 1905. 


THE OPEN SEA. Blue, white-capped waves; wide 
expanse of cloudy sky. 

H. 47% in. W.57% in. Canvas. Signed: Emil Carlsen. 
1900. 

Gift of George A. Hearn, 1910. 


CARPACCIO, Vitrore. Italian (Venetian); born probably in 


@22-1 
Gallery 
30 


1455 at Venice or Istria; died shortly before 1527. 
Pupil of Lazzaro Bastiani; follower of Gentile Bellini. 


MEDITATION ON THE PASSION. The dead body 
of Christ reclines on a ruined marble throne of Renais- 
sance workmanship; at each side sits an emaciated, 
scantily clothed old man, perhaps St. Onuphrius, the 
one to the left being St. Jerome. Landscape background 
with animals; in the distance there is a town on the 
bank of a river at the foot of a cultivated hill. 

Ex coll.: Abdy, London. 

H. 272 in. W. 34$ 1n. Wood. Inscribed with a false 
signature: ANDREAS MANTINEA F. _ Bulletin, 1911, 
DAloG ale 

Purchase, Kennedy Fund, 1911. 


CASILEAR, Jonn W. American; born 1811 at New York City; 


C26-1 
Gallery 
16 


C26-2 
Gallery 
16 


_died 1893 at Saratoga, N. Y. Began life as a bank- 
note engraver; Spud th in Europe in 1840 and in 1857. 


Landscapes. 


DISTANT VIEW OF THE CATSKILES Ss Twa taree 
trees are at the left; cows wade in a stream in the 
foreground; meadows beyond and distant blue moun- 
tains. 

H. 303 in. W. 543%; in. Canvas. Initialed: J W C-o1. 
Gift of Mrs. Rebecca A. Goldsmith, 1897. 


LAKE GEORGE. Rocky shore and a clump of trees 
at the left; mountains in the distance. 
H. 20; in. W. 209% 1n. Canvas. Monogrammed: JWC 


57: 


44 


CASILEAR — CASSATT 


Bequest of Maria De Witt Jesup, from the collection of 
her husband, Morris K. Jesup, 1915. 


CASSATT, Mary. American; contemporary; born at Pittsburg, 


C27-1 
Gallery 
15 


29-2 
Gallery 
12 


a y—3 
Gallery 
12 


C27-4 
Gallery 
12 


C27-5 
Gallery 
12 


C27-6 


C27-7 


Pa.; lives in Paris. Pupil of Manet. 


MOTHER AND CHILD. Le Lever pe BésBé. A 
nude child is seated on the edge of a bed with the 
mother seated on a chair at the bedside drying the 
baby’s feet; green painted furniture. 

H. 363 in. W.29in. Canvas. Signed: Mary Cassatt. 
Bulletin, 1900, p. 54, ill. 

Purchase, Hearn Fund, 1909. 


THE CUP OF TEA. A lady wearing a pink dress and 
hat is seen in profile to the right seated in an upholstered 
blue armchair and holding a cup of tea. Behind her is a 
green stand with flowering bulbs. 

Ex coll.: James Stillman, Paris. 

H. 362 in. W. 25% in. Canvas. Signed: Mary Cassatt. 
Anonymous gift, 1922. 

PORTRAIT OF A YOUNG GIRL. A girl in a pink 
dress with black lace sleeves is seated in a meadow, biting 
a blade of grass which she holds in her left hand. 

Ex coll.: James Stillman, Paris. 

H. 29 in. W. 244 in. Canvas. Signed: Mary Cassatt. 
Anonymous gift, 1922. 

MOTHER PLAYING WITH CHILD. They are sitting 
on a lawn; the fair-haired child takes flowers out of her 
mother’s hand. 

Ex coll.: James Stillman, Paris. - 

H. 254 in. W. 314 1n. Pastel. Signed: Mary Cassatt. 
Anonymous gift, 1922. 

MOTHER FEEDING CHILD. A mother at a table 
holds up a glass of milk for the child in her lap. 

Ex coll.: James Stillman, Paris. 

H. 253 in. W. 32 in. Pastel. Signed: Mary Cassatt. 
Anonymous gift, 1922. 

WOMAN SEWING. A dark-haired woman dressed 
in blue is seated with her back to a window, sewing. 

Ex coll.: James Stillman, Paris. 

H. 312 1in. W. 232 1n. Canvas. Signed: Mary Cassatt. 
Anonymous gift, 1922. 

MEDITATION. A dark-haired woman in mauve dress 
is seated looking thoughtfully at the spectator. 


45 


Ca7-3 


C27-9 


C27-10 


C27-11 
Gallery 
12 


CASSATT — CATENA 


Ex coll.: James Stillman, Paris. 

H. 26}1n. W.224in. Canvas. Signed: Mary Cassatt. 
Anonymous gift, 1922. 

CHILD SEATED. A little girl in an orange dress and 
a large hat is seated in a green upholstered chair. 

Ex coll.: James Stillman, Paris. 

H. 283 in. W. 23% in. Pastel. Signed: Mary Cassatt. 
Anonymous gift, 1922. ; 

CHILD SEATED. A smiling child in a green and white 
coat and pink sunbonnet is seated facie three-quarters 
to\the left. 

Ex coll.: James Stillman, Paris. 

H. 234 in. W. 193 in. Pastel. Signed: Mary Cassatt. 
Anonymous gift, 1922. 

MOTHER AND CHILD. The head and shoulders of 
a mother with a nude baby standing in her lap. 

Ex coll.: James Stillman, Paris. 

H. 113 in. W. 192%1in. Pastel. Signed: Mary Cassatt. 
Anonymous gift, 1922. 

LADY AT THE TEA-TABLE. An elderly lady; seen, 
to the waist, wearing a dark blue dress and a lace scarf 
over her head, sits behind a tea-table on which is a set 
of blue and gold china. 

H. 29 in. W. 24 1n. Canvas. Signed: Mary Cassatt, 
1885. 

Gift of the artist, 1923. 


CATENA, Vincenzo. Venetian; active 1495-1531; born at Tre- 


C28-1 
Gallery 
30 


viso; died at Venice. A disciple of Giovanni Bellini; 
influenced by Carpaccio and Giorgione. 


THE CIRCUMCISION. Half-length figures; the Vir- 
gin in red robe, blue mantle, and white scarf holds the 
nude Child to the high priest, a long-bearded old man 
wearing an orange cloth about the head and a white em- 
broidered vestment that a clean-shaven man at the left 
holds back, disclosing its red lining. St. Joseph is back 
of the Christ Child, and at the right is a woman in green 
who has a scarf of silk, pink in the lights and lavender in 
the shadows, about the head and neck. The table cover 
in the center is gray. Landscape background. This is 
a copy of a painting perhaps by Giovanni Bellini, several 
versions of which exist—one in the National Gallery (No. 
1455) attributed to Giovanni Bellini but given to Catena 


46 


CAZIN, 


C3I-1 


C31+2 


C31-3 
Gallery 
19 


CATENA — CERMAK 


by Berenson. Another version was in the Orléans Gal- 
lery, and still another in the Leuchtenberg Collection; 
the whereabouts of the last two are not known. 

H. 26% in. W. 403 in. Wood. Inscribed: JOANNES 
BELLINVS, PM D X I. 

Gift of J. Pierpont Morgan, 1917. 


JEAN CuHarLes. French; born 1841 at Samer, Pas-de- 
Calais; died 1901 at Lavandou near Toulon. Pupil 
of Ecole des Arts Décoratifs under Lecog de Boisbaudran. 
In 1868 was appointed Director of the Ecole des Beaux- 
Arts at Tours and later Curator of the Museum in that 
city. Landscapes, usually with figures. 


LANDSCAPE. A stream is in the foreground and at the 
right a country road bordered by trees; there are masses of 
violet clouds and above the bushes at the left is a rainbow. 
hea ini W. 305 10. ; Canvas: signed: J,,C. CAZIN. 
Bulletin, 1911, p. ror, ill. 

Bequest of Robert G. Dun, 1911. 


A FORMER ROYAL HIGHWAY. At the right is a 
row of farm buildings with thatched roofs; a woman. 
stands in the road, and a wagon in the distance is disap- 
pearing between the two rows of thin trees. 

H. 413 in. W. 484 in. Canvas. Signed: J. C. CAZIN. 
Bequest of Maria De Witt Jesup, from the collection of 
her husband, Morris K. Jesup, 1915. 


FAUBOURG DE CHARENTON. Buildings by the 
river at dusk, with street lights beginning to show. 

H. 113 in. W. 16% in. Wood. Signed: J. C. CAZIN. 
Purchase, Harris Brisbane Dick Fund, 1917. 


CEREZO, Mateo. Spanish; born 1635 at Burgos; died 1675 (or 


C33-1 
Gallery 
28 


1685) at Madrid. Pupil of his father and of Juan Carrefio 
de Miranda. 


PORTRAIT OF CARDINAL CARLO DI MEDICI 
(1595-1666). Life-size, seated, seen to the waist; he wears 
a red robe beneath a white surplice and on his head is a 
red biretta. 

H. 283 in. W. 22% in. Canvas. 

Gift of Stanford White, 1906. 


CERMAK, JarostAv. Bohemian; born 1831 at Prague; died 


1878 at Paris. Pupil of Prague Academy; of Wappers 
and of Gallait in Belgium. 


47 


CERMAK — CHARDIN 


C331-1 THESLAVE. Life-size figure of an oriental woman, seen 
to the knees; she is standing against a red curtain and 
looks out of a window at the right; her left hand - 
rests upon a cross which hangs about her neck; 
she wears a black shawl over her head, a brown cloak, and 
a wide jeweled girdle. 

H. 573 in. W. 382 in. Canvas. Signed: Jaroslav Cer- 
mak Paris 1878. 
Bequest of Henry H. Cook, 1905. 


CEULEN. See Janssens van Ceulen. 


CEZANNE, Paut. French; born 1839 at Aix-en-Provence; died 
there 1906. Studied at the Académie Suisse in Paris. 
Early work influenced by Manet and the Impressionists. 


C332-1 .THE POORHOUSE ON [THE ieee gee 
Gallery pes PAuvres. A scene in southern France with wooded 
21 hills; on the nearest hillside at the left of the center 
is a group of buildings; brilliant sunlight. 
H. 25 in. W..321n. Canvas.” Signed] esteemanne: 
Bulletin, 1913, p. 108, ill. 
Purchase, Wolfe Fund, 1913. 


CHAPLIN, Cuarves. French; born 1825 at Les Andelys; 
died 1891 at Paris. Pupil of Drolling at the Ecole des 
Beaux-Arts in Paris. 


C36-1 HAIDEE. (The heroine of Byron’s Don Juan.) Life- 
Gallery size figure of a young woman, seen to the waist; a tam- 
18 bourine is held in her right hand. 
H. 40% in. W. 254 in. Canvas. Signed: Ch. Chaplin 
1873. | 
Bequest of Catharine Lorillard Wolfe, 1887. 


CHAPMAN, Cuartes S. American; born 1879. Pupil of Wil- 
liam M. Chase and W. Appleton Clark. 


C361-1 IN THE DEEP WOODS. A forest with rocks and huge 
Gallery trees, in winter; woodmen with a horse sledge are in the 
15 foreground. 
H. 60} in.. W. 36in. Canvas. Signed: Charles S. 
Chapman, 1917. . 


Purchase, Hearn Fund, 1917. 


CHARDIN, JEAN BaptisTE SIMEON. French; born 1699 at 
Paris; died there 1779. Pupil of Pierre Jacques Cazes 
and later of Noél Coypel. Painted still life, interiors, 
and portraits. 


48 


C37-1 
Gallery 
20 


C37-2 


GEASE, 


C38-1 
Gallery 
12 


C38-2 


C38-3 
_ Gallery 
15 


C38-4 
Gallery 
15 


CHARDIN — CHASE 


PREPARATIONS FOR A BREAKFAST. Les Ap- 
PRETS D’'UN DEJEUNER. On a stone shelf are a slice of 
meat on a pewter plate, a wine bottle, a silver mug, 
and part of a loaf of bread with a knife sticking in it. 
Ex coll.: Doucet, Paris. 

H. 265 in. W.22%in. Canvas. Bulletin, 1912, p. 229, ill. 
Purchase, Wolfe Fund, 1912. 


YOUNG WOMAN KNITTING. A young woman in 
a striped blue dress, a white apron checked with blue linés, 
a pink and white neckerchief, and a white cap sits by a 
table on which are a work-basket and a slice of bread. 
The authorities who attribute this picture to Chardin 
consider it a very early work. 

H. 367 in.. W. 283 in. Canvas. 

Mr. and Mrs. Isaac D. Fletcher Collection. 

Bequest of Isaac D. Fletcher, 1917. 


WiLtiAM M. American; born 1849 at Franklin, Ind.; 


lived chiefly in New York City, where he died 1916. Pupil 


of B. F. Hayes in Indianapolis; J. O. Eaton in New York; 
Wagner and Piloty in Munich. Portraits, still life, and 
landscapes. 7 


PORTRAIT OF A LADY IN BLACK. An interior 
with a life-size, full-length, standing figure; her left 
hand is on her hip and the right rests on a mahogany 
table near a pink rose. 

H. 74 in. W.36in. Canvas. Signed: Wm. M. Chase. 
Gift of Mrs. William M. Chase, 1891. 


CARMENCITA. Full-length figure, dancing with cas- 
tanets; black gown trimmed with yellow bands. 

H. 70 in. W. 40g in. Canvas. Signed: W. M. Chase. 
Gift of Sir William Van Horne, 1906. 


SEVENTEENTH-CENTURY LADY. About _half- 
life-size, full-length figure, standing in front of a closed 
curtain with her back toward the spectator; she wears 
a low-necked white satin gown. 

H. 364 in. W.24in. Canvas. Signed: Wm. M. Chase. 
Purchase, Hearn Fund, 1907. 


STILL LIFE. Three fish partly lying on a platter, 
on which is a red apple; two green peppers, a bright red 
bowl, and a tall copper vessel are on the dark green table. 
H. 403 in. W. 45 in. Canvas. Signed: Wm. M. Chase. 
Purchase, Hearn Fund, 1908. 


49 


CHASE-—-GHURGH 


C38-5 THE HALL AT SHINNECOCK. An interior with a 
Gallery lady (Mrs. Chase) seated on a sofa near a window at the 
12 right; she is sewing and wears a pink bodice and white 
skirt. 
H. 4of in. W.35 in. Canvas. Signed: Wm. M. Chase. 
Purchase, Lazarus Fund, 1917. 


C38-6 JAMES A. McNEILL WHISTLER. (American painter; 
Gallery see Whistler.) Under life-size, standing with left hand 
12 daintily resting on a delicate stick. His hair is black 
but for his noted white lock and he wears a black frock 
coat; brown background and floor. 
H. 742 in. W. 364 in. Canvas. Signed: To my friend 
Whistler Wm. M. CHASE London 1885.. 
Bequest of William H. Walker, 1918. 


CHAVET, Vicror. French; born 1822 at Aix; died 1906. Pupil 
of Revoil and Roqueplan. 


C30-1 IN FULL DRESS. Small figure of a lady in a white 
Gallery dress seated on a red sofa. 
18 H. 92 in. W. 7% in. Canvas. “Signed: Vetnaver 74, 
Bequest of Catharine Lorillard Wolfe, 1887. 


CHRISTOPHSEN, Pieter. See Cristus, Petrus. 


CHURCH, Freperic E. American; born 1826 at Hartford, 
Conn.; died 1900 at New York City. Pupil of Thomas 
Cole at Catskill, N. Y. Imaginary landscapes. 


C47-1 THE AEGEAN SEA. A high cliff is at the left with 
Gallery a temple built in the rock; a ruined temple is on the 
16 shore near the sea; in the middle distance is an island 
with ruined classic buildings and above it a double 
rainbow; in the distance at the right is an oriental city. 
The Parthenon, Golden Horn, and Rock Temple are . 
suggested. 
H. 544 in. W. 842 in. Canvas. Signed: F. E. 
CHURGH: 
Bequest of Mrs. William H. Osborn through William 
Church Osborn and Henry F. Osborn, 1902. 


C47-2. HEART OF THE ANDES. A stream flows from the 

Gallery mountains toward the foreground; at the right is a mass 

16 of trees and at the left, in a level spot surrounded by 

trees, is a grave with a cross; a mountain fills the middle 

distance and beyond at the left, range after range of 
snow-capped mountains rise against the sky. 


50 


C47-3 
Gallery 
10 


CHURCH — CIMA 


Hy 664 in. = W. 119% in. Canvas. Signed: 1859 F. E. 
CHURCH. Bulletin, 1909, p. 70. 
Bequest of Mrs. Margaret Dows, 1909. 


THE PARTHENON. This temple to the goddess 
Athena was erected at Athens about 450 B.C.; was used 
as a Christian church from the sixth to the fifteenth 
century, when it was captured by the Turks and by 
them turned into a mosque; and was partly destroyed in 
1687, when the Venetians bombarded the Akropolis and 
exploded a powder magazine which the Turks had stored 
there. The remains of the sculptures were removed 
early in the nineteenth century and are now in the 
British Museum, London. 

Peed sins Wi. (725 In. * Canvas. Signed: F E 
CHURCH 1871. Bulletin, 1915, p. 66, ill. 

Bequest of Maria De Witt Jesup, from the collection of 
her husband, Morris K. Jesup, 1915. 


CHURCH, Freperick S. American; born 1842 at Grand Rapids, 


C471-1 
Gallery 
13 


Mich.; lives in New York City. Studied at the Academy 
of Design in Chicago under Walter Shirlaw, and at the 
National Academy in New York City undef L. E. Wil- 
marth, 


MOONRISE. A nude woman with auburn hair is 
partly seen through rolling green waves; back of her, in 
the water, is a crescent. 

Ex coll.: William T. Evans. 

Pigeons ew 221in.: - Canvas, ‘oval. ‘Signed: F..S. 
CHURCH, N Y 1o902. 

Purchase, George A. Hearn Fund, 1913. 


CIMA, GIOVANNI BATTISTA; also known as II] Conegliano. Italian 


C49-1 
Gallery 


30 


(Venetian); born at Conegliano about 1460; died after 
1517. Settled in Venice; a pupil of Alvise Vivarini; 
strongly influenced by Giovanni Bellini. 


SAINT ROCH, SAINT ANTHONY, AND SAINT 
LUCY. Three full-length, standing figures; St. An- 
thony in brown with a blue cope, St. Roch in yellow 
tunic and blue hose with a brown cloak, St. Lucy in a 
green robe with a red’ cloak. Painted by an imitator of 
Cima. 

Ex coll.: Duke of Leuchtenberg, Munich. 

H. 503 in. W. 4874, in. Canvas. Bulletin, 1907, p. 172, ill. 


- Purchase, Rogers Fund, 1907. 


51 


CEATRIN=CLAYS 


CLAIRIN, Georces JuLtes Victor. French; born 1843 at 


C52-1 


Paris; lives there. Pupil of Ecole des Beaux-Arts under 
Picot and Pils. 


MOORISH SENTINEL. A Moor, wearing an orange- 
brown robe, a dark brown cloak, and a white turban, 
holds a long gun across his shoulders; he stands in front 
of a carved doorway, before which hangs a red rug; 
there is a glimpse beyond of people in an inner court. 

H. 273 in. W. 19% in. - Canvas. Signed: G. Clairin. 
Bequest of Stephen Whitney Phoenix, 1881. 


CLAUDE LORRAINE; real name Claude Gellée, also known as Le 


C57-1 
Gallery 
20 


C57A-1 
Gallery 
14 


CEAYS, 


C571-1 


Lorrain. French; born 1600 at the Chateau de Chamagne 
near Charmes; died 1682 at Rome. Pupil of Agostino 
Tassi in Rome; of Deruet at Nancy. Landscapes. 


DAVID AT THE CAVE OF ADULLAM. David and 
his followers, dressed in Roman togas and armor, stand at 
the entrance of the cave; to them comes the man who has 
risked his life in the enemy’s country, bearing the bowl 
of water for which David had sighed. At the left is a 
fanciful fortified town beside a wandering river. In the 
background, a wide and distant landscape. 

Ex coll.: Paul Mersch; de Clairefontaine. 

H. 452 in. W.76in. Canvas. Bulletiny 1622) p..127) 
Purchase, Kretschmar Fund, 1921. 


ATTRIBUTED TO CLAUDE LORRAINE. 


A SEAPORT. To the right is the corner of a building 
with two large columns; in the foreground men are 
fishing on the beach; at the left are the towers of a 
city and vessels at anchor near shore. 

H. 382 in. W. 4838; in. Canvas. 

Gift of George A. Hearn, 1905. 


Pau JEAN. Belgian; born 1819 at Bruges; died 1900 at 
Brussels. Pupil of Suisse and of Gudin in Paris; settled 
in Brussels in 1852. Marines. 


CELEBRATION OF .THE “BREEDONM SOF tiie 
PORT OF ANTWERP, 1863. At right and left are 
numerous large and small craft with flags flying; in the 
middle of the river is a white’float carrying a statue of 
Liberty holding a scroll inscribed Scheldt Vry; in the 
distance is the city of Antwerp with its cathedral tower 
silhouetted against sunlit clouds. 


pe 


CLAYS —COLE 


Powe, mi «~©W. 79 in. “Canvas. “Signed: P..J. Clays. 
Gift of the artist and of several gentlemen, 1881. 


COCK, Cesar De. Belgian; born 1823 at Ghent; died there 1904. 


C64-1 
Gallery 
18 


Pupil of the Academy of Ghent and of De Notre. Land- 
scapes. 


LANDSCAPE;SPRING. Through the center of the pic- 
ture flows a stream which reflects grassy banks and green 
trees; on the near shore a little boy is seated fishing. 

H. 343 in. W. 52%in. Canvas. Signed: Cesar De 
mock, 1878. 

Bequest of Catharine Lorillard Wolfe, 1887. 


COCK, XAVIER DE. Belgian; born 1818; died 1896 at Deurne, 


C641-1 


Belgium. 


CHILDREN CALLING TO THE COWS. 
H. 227 in. W.3251n. Canvas. 
Bequest of Eliza W. Howland, 1917. 


COFFIN, Witt1rAm A. American; born 1855 at Allegheny, Pa.; 


C65-1 


C65-2 


Gallery 


12 


lives at Jennerstown, Pa. Pupil of Bonnat in Paris. 
Landscapes. 

THE RAIN. A green hillside with scattered trees; 
storm clouds are at the left. 

H. 30in.. W. 40g in. Canvas. Signed: Wm. A. Coffin. 
Gift of several gentlemen, 1802. 

A DECEMBER NIGHT. 

H. 254 in. W.30in. Signed: Wm. A. Coffin. 
Purchase, Hearn Fund, 1919. 


COHEN, Lewis. American; born 1858 at London; died August 


C66-1 


4, 1915, at New York City. Pupil of Alphonse Legros, 
J. Watson Nicholl, and A. S. Cope. 


PUENTE SAN MARTIN, TOLEDO. The bridge ex- 
tends diagonally across the picture; the city in sunlight 
is shown on the farther bank and the foreground is in 
shadow. 

H. 28 in. W.364in. Canvas. Signed: Lewis Cohen. 
Gift of Stanley A. Cohen, 1918. 


COLE, Tuomas. American; born 1801 at Bolton le Moor, Eng- 


land; died 1848 near Catskill, N. Y. Settled in Ohio; 
studied in England, France, and Italy, but lived the 
greater part of his life in New York City. ; 


a2 


C672-1 


672-2 


C672-3 


C672-4 
Gallery 
16 


C672-5 


C672-6 


COLE 


IN THE CATSKILLS. Woods in the foreground, 
farm lands beyond, and a range of the Catskill Mountains 
in the distance. 

H. 39 in. W. 63 in. Canvas. Signed: Cole 1837. 
Gift, in memory of Jonathan Sturges, by his children, 
1895. 

VALLEY OF THE VAUCLUSE. In the middle dis- 
tance at the right are cliffs with an old castle; sunny 
foreground with broken rocks and a bent pine which 
overhangs the rushing water. 

H. 69 in. W. 49% in. Canvas. Signed: T. Cole Roma 1841. 
Gift of William E. Dodge, 1903. 


ROMAN AQUEDUCT. In the foreground is a mass 
of masonry with ruins of giant piers and vaulted roofs 
at the right; diagonally across the middle distance is a 
series of broken aqueduct arches; beyond, the Campagna 
stretches to the foothills of the Alban mountains, which 
are partly enveloped in mist. 

H. 142 in. W. 234 in. Canvas. Signed.on the back: 
T. Cole, Florence, 1832; inscribed: Presented to W. A. 
Adams by T. Cole 1834. 

Purchase, Rogers Fund, 1903.° 


THE TITAN’S GOBLET. A landscape of mountains 
and sunset sky forms the background for an enormous 
goblet symbolic of the Norse legend of the Tree of Life. 
The stem of the goblet is a massive tree trunk, the out- 
spread branches of which hold an ocean dotted with 
sails and surrounded by forests and plains in which appear 
Greek ruins and modern Italian buildings, typical of 
ancient and modern civilization. 

H. 193 in. W. 16% in. Canvas.” Signeds TpCole 1643. 
Gift of Mrs. Samuel P. Avery, 1904. 


OXBOW. (The picture shows the Connecticut River 
near Northampton.) In the foreground is a rocky hilltop 
with bare trees at the left and near the center an artist 
is sketching; in the middle distance at the right a plain . 
with a winding river stretches to the distant hills; storm 
clouds are at the left. 

H. 513 in. W. 76in. Canvas. Signed 1 olesto.e: 
Bulletin, 1908, p. 2209. 

Gift of Mrs. Russell Sage, 1908. 


THE MOUNTAIN FORD. An imaginary landscape 
with a gnarled tree at the right, a rocky ledge in the 


54 


COLE — COLMAN 


foreground where a rider on a white horse is fording a 
rushing river, and in the distance a steep crag. 

H. 283 in. W. 4o7g in. Canvas. Signed: T COLE 
1846. Bulletin, 1915, p. 64; ill. p. 60. 

Bequest of Maria De Witt Jesup, from the collection of 
her husband, Morris K. Jesup, 1915. 


COLLINS, ALFrep Q. American; born 1855 at Portland, Me.; 


C69-1 
Gallery 


I2 


C69-51 
Gallery 
12 


died 1903 at Cambridge, Mass. Pupil of Bonnat in 
Paris. 


THE ARTIST’S WIFE.  Life-size portrait, seen to 
the waist; she wears a sage-green low-necked dress; 
gray-green background. 

H.271in. W. 22745 in. Canvas. Bulletin, 1905, p. 10, ill. 
Gift of friends of the artist, 1905. 


JOE EVANS. (1857-1898; landscape painter.) He is 
seated, seen to the waist, and holds a drawing board in 
his lap. He has smooth brown hair and a reddish beard 
and moustache. 

fis27 in. © W: 223 in. Canvas. 

Lent by the Art Students’ League, 1923. 


COLMAN, SAMugEL. American; born 1832 at Portland, Me.; 


C7I-1 


C71-2 


died 1920 at New York City. Studied in Paris and 
Madrid. 


VENICE; MOONRISE. In the foreground are the 
waters of the Giudecca with shipping; above the line of 
buildings at the left rise the Campanile and the domes of 
Santa Maria della Salute; in the distance at the right are 
San Giorgio Maggiore and the entrance to the Grand 
Canal. The sunset glow blends with the full moon. 

H. 234 in. W. 30 in. Canvas. Signed: Samuel Colman 
1886. 

Gift of George I. Seney, 1888. 


SPANISH PEAKS; SOUTHERN. CALIFORNIA. 
Arid plains with a stream of water running through the 
center of the picture toward the right; in the middle 
distance are limestone rocks which appear like castle 
towers; in the distance the Spanish Peaks are seen 
against a late afternoon sky. 

H. 314. in. W. 724 in. Canvas. Signed: Samuel Col- 
man 1887. 

Gift of H. O. Havemeyer, 1893. 


55 


COMAN — CONINCK 


COMAN, CuHar.Lotte B. American; born 1833 at Waterville, 


C73-1 


N. Y.; lives in New York City. Pupil of James R. 
Brevoort in New York; Harry Thompson and Emile 
Vernier in Paris. Landscapes. 


CLEARING OFF. A broad expanse of rolling country 
with a narrow road winding toward the foreground at the 
left; the distant blue hills are partly hidden by rain clouds. 
H. 274 in. W. 36; in. Canvas. Signed: C. B. Coman. 
Gift of friends of the artist through Mrs. H. Butterworth, 
1912. 


COMTE, Pierre CHARLES. French; born 1823 at Lyons; died 


731-1 
S. W. 


1895 at Paris. Pupil of Delaroche, Horace Vernet, and 
Robert-Fleury. Genre. 


LADY AT HER TOILET. She wears a red dress in 
the sixteenth-century style, and is seated arranging 


Stairway jewels in her hair. 


H. 174 in. W. 13 in. Wood. Signed: P. C. Comre. 
Bequest of Catharine Lorillard Wolfe, 1887. 


CONANT, ALBAN JASPER. American; born 1821 at Chelsea, 


C74-1 


Vt.; died 1915 in New York City. Portraits. 


DR. JAMES McCOSH. (1811-1894; President of Prince- 
ton College, 1868-1888.) Life-size figure, seen to below the 
knees; he is seated in a red upholstered chair and holds a 
book on his lap; he has white hair and side whiskers. 

H. 485), in. W. 363 in. Canvas. Signed: A. J. Conant 1801. 
Gift of Mrs. William H. Bliss, 1g1o. 


CONDER, Cuartes. British (English); born 1868 in London; 


C75-1 


died there 1909. Pupil of Julian Academy in Paris. 


THE SPANISH PIAZZA. Painting for a fan. At the 
left, a woman is dancing and a man stands back of her; 
three women are at the right; in the center, above a 
classical building, is a cartouche with landscape. 

H. 5% in. W. 19% in. (size of mount). Silk. Signed: 
CONDER. Bulletin, 1912, p. 57, ill. 

Purchase, Rogers Fund, 1911. 


CONEGLIANO. See Cima. 
CONINCK, Pierre Louis JosepH DE. French; born 1828 at 


Meteren; died there 1910. Pupil of Cogniet at Ecole 
des Beaux-Arts in Paris. 


56 


CONINCK — CONSTABLE 


C76-1 ITALIAN CHILDREN AT A WELL. Life-size figures 
S. W. of two little girls; one holds a distaff, the other leans over 
Stairway the well-curb and plays with a lizard. 
H.59¢in. W.42tin. Canvas. Signed: P. de Coninck. 
Bequest of Catharine Lorillard Wolfe, 1887. 


CONRAD VON CREUZNACH. See Faber, Conrad. 


CONSTABLE, Joun. British (English); born 1776 at East Berg- 
holt; died 1837 at. London. Copied drawings of Girtin; 
studied at the Royal Academy Schools. Landscapes 
and portraits. 


C762-1 BRIDGE ON THE STOUR. An arched brick bridge, 
Gallery resting in part on an island, stretches across the middle 
14 distance and is reflected in the river; a rustic fence and 
shrubbery are in the foreground at the right and cattle 
are grazing beyond. 
Hi 258 in. -W. 322 1n.. Canvas. 
Gift of George A. Hearn, 1897. 


C762-2 MRS. PULHAM. | Life-size portrait of an elderly lady, 
Gallery seen to below the waist; she wears a black dress with 
14 the collar faced in blue and a black bonnet trimmed with 
_ blue. 
H. 293 in. W. 245% in. Canvas. 
Gift of George A. Hearn, 1906. 


C762-3 TOTTENHAM CHURCH. A wide expanse of green 
Gallery lawn with the church and its tower in the middle dis- 
24 tance. Constable lived in the Tottenham section of 
London from 1823 until his death. 
Hipsog ine WoriSfin. oCanvas.: Bulletin, 1915; p. 
88; ill. p. 93. 
Bequest of Maria De Witt Jesup, from the collection of 
her husband, Morris K. Jesup, 1915. 


C762-4 GLEBE FARM WITH A VIEW OF LANGHAM 
Gallery CHURCH. The farm is on the high bank of a brook 
24 at the right; beyond it a church tower and trees. Trees 
are on the opposite bank in the left foreground; heavy 
cumulous clouds and strong blue sky. A cow is drinking 
from the brook at the right. A picture of similar subject 
and composition is in the National Gallery at London 
(No. 1274). 
Hiv245 in. W. 31% in. Canvas. 
Mr. and Mrs. Isaac D. Fletcher Collection. 
Bequest of Isaac D. Fletcher, 1917. 


57 


CONSTANT — COPLEY 


CONSTANT. See Benjamin-Constant. 


COPLEY, JouHN SINGLETON. American; born 1737 at Boston; 


C709-1 


270-2 
Gallery 
16 


C79-3 
Gallery 
16 


C79-51 


died 1815 at London where he went in 1774. Chiefly 
self-taught. Portraits and historical subjects. ; 


MARY STORER GREEN. (Mary Storer was born in 
1736 or 1737 in Boston; married in 1757 Edward Green, 
1733-1790; married a second time in 1791 to Benjamin 
Hall.) Life-size, seen almost to the waist; she wears a 
low-necked blue dress with white lace and a pink rose 
is at her breast; three strings of pearls are about her 
neck. 

H. 23 in. W.1731n. Pastel. Signed: John S. Copley 
fec. 1765. Bulletin, 1908, p. 37, il. 

Purchase, Curtis Fund, 1908. 


MARY SHERBURNE BOWERS. (Mary Sherburne, 
born about 1739, was the daughter of Joseph Sherburne 
of Boston and married Jerathmel Bowers, whose home 
was in Rhode Island. The portrait came direct from the 
family.) Life-size figure seated on a bench in front of a 
tree; she wears a low-necked white satin dress with an 
over-dress of royal purple silk edged with gilt braid; a pink 
rose is at her breast, a string of pearls is about her neck, 
and pearls are twined in her hair; the left hand rests on the 
arm of the seat and the right holds a Blenheim spaniel 
that lies in her lap. 

H. 49% in. W. 392 in. Canvas. Bulletin, 1916, p. 21; ill. 
pe. 

Purchase, Rogers Fund, 1915. 


JOSEPH SHERBURNE. (Born 1710 at Portsmouth, the 
son of Mary Lovett and Judge Joseph Sherburne; a Bos- 
ton merchant.) Luife-size, seated figure, seen to the knees, 
turned three-quarters to the right, his right arm resting on 
a table and the left across the back of his chair. He wears 
a red waistcoat and brown brocade dressing gown. The 
velvet cap, curtain, and tablecloth are blue. 

H. 50 in. W. goin. Canvas. Bulletin, 1923, p. 208. 
Purchase, Lazarus Fund, 1923. 


REVEREND WILLIAM SMITH. (Of Weymouth, 
Mass.) Luife-size portrait of anold man, seen almost to the 
waist; he wears a white wig and black surplice. 

H. 233% in. W. 182 1n. Pastel. 

Lent by Richard C. Greenleaf, 1913. 


58 


CORNEILLE DE LYON — COROT 


CORNEILLE DE LYON (Craupe). French; died after 1576, 


C8-1 
Gallery 
D6, First 
Floor 


C8-2 
Gallery 
D6, First 
Floor 


influenced by the Franco-Flemish portraitists of the court 
of Francis I. 


PORTRAIT OF COURT JESTER.  Half-length figure 
of a dwarf in a black coat and hat holding a stick in his left 
hand. Green background. 

Hist in. W.4?in. Panel. 

Bequest of Michael Dreicer, 1921. 

HEAD OF A MAN. Head and shoulders of a man in a 
black cap and coat; he has a full red beard and moustache. 
Ex coll.: Yerkes; Horace Walpole, Strawberry Hill. 

H. 64 in. W.52in. Panel. 

Bequest of Michael Dreicer, 1921. 


COROT, JEAN Baptiste CAMILLE. French (Barbizon); born 1796 


Cori 
Gallery 
17 


C8 1-2 
Gallery 
17 


C81-3 
Gallery 
21 


at Paris; died 1875 at Ville d’Avray. Pupil of Michallon 
and of Bertin in Paris. Landscapes and figure subjects. 


- VILLE D’AVRAY. (Near Paris.) A pond seen through 


light foliage; in the foreground is a peasant woman, 
half kneeling; in the distance are several villas. 

Peete ine W. 314 in. ‘Canvas. Signed: COROT. 
Recorded in Robaut, No. 2003, under the title, L’Etang 
vu a travers la feuillée. 

Bequest of Catharine Lorillard Wolfe, 1887. 


THE SLEEP OF DIANA. A wooded hill at the left, 
a few tall trees at right, and water in the distance; in 
the foreground a partly nude female figure lies on the 
ground with a red drapery beneath her and two cupids 
holding a filmy drapery above her; the moon lights the 
distant river and hills. Painted in 1865 but retouched 
in 1868 and the date altered. 

Ex coll.: Prince Demidoff. 

H. 78 in. W. 53% in. Canvas. Signed: COROT 1868. 
Bulletin, 1900, p. 27, ill. Recorded in Robaut, No. 1633B. 
Purchase, Wolfe Fund, 1908. 


A RIVER SCENE. La RivigrE A LA Tour LOINTAINE. 
The river flows at the right; near the shore is a man in 
a small boat; in the foreground at the left two women 
and a child stand beside a tree; in the distance a square 
tower is silhouetted against the evening sky. 

H. 214 in. W. 30% in. Canvas. Signed: C. COROT. 
Bulletin, 1911, p. 98, ill. Recorded in Robaut, No. 1700. 
Bequest of Robert G. Dun, ror. 


"259 


C81-4 
Gallery 
21 


C81-5 
Gallery 
21 


C81-6 
Gallery 
21 


C81-7 


C81-8 
Gallery 
21 


COROT 


SOUVENIR OF NORMANDY. Marshy foreground 
where a woman, wearing a white hood, is gathering 
flowers; in the middle distance are two pollard willows 
and others are on the shore at the right; beyond is a 
group of red-roofed huts near which is a small boat with 
furled sail; the river is at the left. 

H. 167 in. W. 25746 in. Canvas. Signed: COROT. 
Recorded in Robaut, No. 1687, under the title L’Etang 
Picard. 

Bequest of Benjamin Altman, 1913. 


THE FERRYMAN. In the foreground at the right, a 
bark with the ferryman and two peasant women is being 
pushed off from the shore, where there is a large tree with 
sparse foliage; at the left is the river and in the dis- 
tance a village is seen on high ground. 

H. 26,2, in. W. 197% in. Canvas. Signed: COROT. 
Bulletin, 1914, p. 252, ill. Recorded in Robaut, No. 
1728, under the title, Passeur atterrissant avec deux 
paysannes dans sa barque. . 

Bequest of Benjamin Altman, 1913. 


A LANE THROUGH THE TREES. A woman and a 
child are in the foreground at the left and in the distance 
a woman is walking toward the opening between the two 
lines of trees; sunlight strikes through the branches; a 
river is at the right. 

H. 24 in. W.18in. Canvas. Signed: COROT. Bul- 
letin, 1914, p. 253, ill. Recorded in Robaut, No. 2103, 
under the title, Allée sous bois. 

Bequest of Benjamin Altman, 1913. 


EVENING ON THE RIVER. Trees are on the shore 
at the right and a single tree stands on a point of land 
at the left; near the center of the stream is a boat with a 
figure wearing a red cap. . 

H. 143 1n. W. 207% 1n. Canvas: Signeds)COKOT. 
Bequest of Maria De Witt Jesup, from the collection of 
her husband, Morris K. Jesup, 1915. 


VILLE D’AVRAY; WOODED BANKS OF THE POOL 
WITH A WOMAN GATHERING FAGOTS. The 
pool is seen between the leafy branches of the trees that 
border its near bank; the woman wears a blue blouse and 
a brown skirt. Buildings show on the wooded hills of 
the opposite bank. The same place is represented in 
C81-1 of the Wolfe Collection. This picture dates from 


60 


C81-9 
Gallery 
21 


C81-10 
Gallery 
21 


C81-11 
Gallery 
21 


CSt-12 
Gallery 
20 


COROT 


the period 1871-74. Robaut’s catalogue, No. 2097. 
Ex coll.: Henry Vever; Van Praet. 

Fie232 in. W.224in. Canvas. Signed: COROT. 
Mr. and Mrs. Isaac D. Fletcher Collection. 

Bequest of Isaac D. Fletcher, 1917. 


TWO MEN INA SKIFF. A narrow stream bordered 
with willows; the skiff is in the foreground; a church 
tower in the distance;‘a silvery gray color over all. 
Robaut’s catalogue, No. 2241. About 1872. 

Ex coll.: Emile Seitter; Tedesco. 

H. 16in. W.12%in. Canvas. Signed: COROT 

Mr. and Mrs. Isaac D. Fletcher Collection. 

Bequest of Isaac D. Fletcher, 1917. 


THE BOHEMIANS. A clump of trees occupies the 
center and left of the canvas; a single tree trunk at the 
right; between are two groups of figures—a bearded 
man pointing out a neighboring house to a young girl 
and a boy, and two women sitting in the shrubbery 
near their camp-fire, the glow of which begins to be 
evident in the evening light. The sun has-set, but some 
clouds still hold its last brilliance. Robaut’s catalogue, 


No. 2216. 
Ex coll.: M. Stumpf. 
Pelee W. 317:1n, . Canvas» Signed: COROT 1872. 


Mr. and Mrs. Isaac D. Fletcher Collection. 
Bequest of Isaac D. Fletcher, 1917. 


A WHEELWRIGHT’S YARD ON THE BANKS OF 
THESEINE. At the left two men work over a log under 
trees, another man goes off toward the river with a fishing 
pole; at the right the workshop and the end of a red brick 
house are seen. Recorded in Robaut, No. 1460. 


_ Ex coll.: Charles Lecesne. 


H. 184 in. W. 21¢ in. 
letin, 1921, p. 121. 
Bequest of Eloise Lawrence Breese Norrie, 1921. 


LAKE ALBANO FROM CASTEL GANDOLFO. On 
the crest of the curving bank of the lake a white town with 
church tower is shown against the sky. Recorded in 
Robaut, No. 160, painted 1826-27. 

Ex coll.: D. K. Kélékian. 
H. of in. W. 1544 in. 
COROT. 

Purchase, Wolfe Fund, 1922. 


61 


Canvas. Signed: Corot. Bul- 


Canvas. Stamped: VENTE 


CORREGGIO — COTMAN 


CORREGGIO; real name Antonio Allegri. Italian; born 1494 at 


C811-2 
Gallery 


29 


Correggio, a small town near Modena; died there 1534. 


FOUR SAINTS. Full-length, life-size figures, standing 
near a group of trees. At the left, St. Peter, with key and 
book, wears a blue robe and yellow mantle; St. Martha, 
dressed in green, has her foot on the head of a dragon; 
Mary Magdalen wears a yellow robe and red cloak 
and holds her jar of ointment; at the extreme right St. 
Leonard, in a monk’s brown habit, holds his prison 
fetters. An early work painted about 1515. Known as 
the Ashburton altarpiece. Painted at the order of 
Melchiorre Fassi for the Hospital of Santa Maria Miseri- 
cordia. 

Ex coll.: Ashburton, London; Hercolani, Bologna. 

H. 871 in. W. 632 in. Canvas. Bulletin, 1913, p. 26, ill. 
Purchase, Kennedy Fund, 1912. 


COSIMO. See Piero di Cosimo. 


COSIMO DI MARIANO, AnGcELo. See Bronzino. 


COSTA, Lorenzo. Italian (Ferrarese-Bolognese); born about 


C82-1 


1460 at Ferrara; died 1535 at Mantua. Supposed to 
have been a pupil of Cosimo Tura and of Francesco 
Cossa. 


THREE SAINTS.  Life-size, full-length figures; St. 
Francis in the center, at the right St. Ursula, and at the 
left St. Catherine. 

H. 85; in. W. 683 in. Tempera on wood. Signed: 
-L-COSTA-F. 

Gift of Rodman Wanamaker, 1907. 


COT, P. A. French; born 1837 at Bédarieux; died 1883. at Paris. 


C82 1-1 
Gallery 
18 


Pupil of Cabanel, Cogniet, and Bouguereau in Paris. 


THE STORM. A youth, with an animal’s skin about 
his loins, and a girl, in diaphanous white drapery, are 
running down a hill before a coming storm. 

H. 921 in. W. 613 in. Canvas. Signed: P-++-A-+COT, 
1880. 

Bequest of Catharine Lorillard Wolfe, 1887. 


COTMAN, Joun SELL. British (Norwich); born 1782 at Nor- 


wich; died 1842 at London. Studied architecture in 
London; also etching. Landscapes. 


62 


C822-1 
Gallery 


14 


C822-2 
Gallery 


14 


COURBET, GusTAveE. 


C83-1 
Gallery 
21 


C83-2 
Gallery 
21 


C33-3 
Gallery 
aI 


C83-4 
Gallery 
21 


COTMAN — COURBET 


ENGLISH VILLAGE. A country road with a row 


of thatched cottages at the right; low bushes at the 
lett. 

H. 15% in. W. 19% in. Canvas. 

Gift of George A. Hearn, 1906. 


WORCESTER CATHEDRAL. The river Severn is 
at the right; on the shore in the foreground at the 
left are a number of people; the cathedral and town are 
on the far bank; cloudy sky. 

Feez7euin. - W..357 ina) Canvas. 

Gift of George A. Hearn, 1912. 


French; born 1819 at Ornans; died 1877 
at La-Tour-de-Peiltz, near Vevey, Switzerland. Pupil 
of Steuben and of Hesse in Paris, where the greater part 
of his life was spent. 


COAST SCENE. A desolate beach with a fishing-boat 
with bedraggled sails lying among scattered boulders; 
choppy green sea at the left. 

H. 253in. W.321n. Canvas. Signed: Gustave Courbet. 
Gift of Mrs. Mary Goldenberg, 1899. 


SNOW SCENE. Erret bE NeEIcg. A mass of rocks is at 
the left and in the shadow a doe and a fawn; groups of 
trees with reddish leaves are lightly covered with snow; in 
the foreground at the right is a frozen pool. 

fe20 ikwaW. 247 in. Canvas; Signed: ,G, Courbet. 
Purchase, Rogers Fund, 1906. 


GUEYMARD IN THE ROLE OF ROBERT LE 
DIABLE. Gueymard, a famous tenor of the Paris 
Opera, in a red, gold-trimmed tunic over a suit of chain 
mail, sits on the corner of the table holding aloft a dice 
box. It is at the.moment in the first act when he sings, 
“Oui, lor est une chimére.”’” Two knights lean over the 
table to watch the throw; in the background at the right 
is the sinister figure of Bertram, his evil genius. 

H. 584 in. W. 42 in. Canvas. Signed: G. Courbet. 
Bulletin, 1910, p. 112, ill. 

Gift of Mrs. Elizabeth Milbank Anderson, 1919. 
LANDSCAPE. A quiet stream bordered by grassy 
banks and willow trees. 

Ex coll.: James Stillman, Paris. 
Feeaasin’ W.:282in:.. Canvas: 
Anonymous gift, 1922. 


63 


Signed: G Courbet. 


C83-5 
Gallery 
oe 


C83-6 
Gallery 
21 


C83-7 
Gallery 
20 


C83-51 
Gallery 
21 


C83-52 
Gallery 
23 


' COURBET — COUTURE 


POND IN THE VALLEY. A pond in the foreground 
reflects the brilliant green of surrounding trees and grassy 
banks. 

Ex coll.: James Stillman, Paris. 

H. 202 in. W.253 in. Canvas. Signed: G Courbet. 
Anonymous gift, 1922. 


BROOK OF THE BLACK WELL. At the foot of a 
steep cliff flows a brook. This was a favorite spot near 
Ornans which Courbet often painted. 

Ex coll.: James Stillman, Paris. 

H. 192 in. W. 237 in. Canvas. Signed: G Courbet. 
Anonymous gift, 1922. , 


THE SEA. A dark stormy sky and sea with a bare 
rocky shore; at the horizon is a small sail-boat. 

H. 20 in. W.24 in. Canvas. Signed: G Courbet. 
Gift of Dikran Khan Kélékian, 1922. 


WOMAN WITH A PARROT. Life-size, full-length, 
nude figure of a woman, lying on a couch with a green 
parrot resting on her raised left hand. 

H. 51445 in. W.77z1n. Canvas. Signed: 66—Gustave 
Courbet. 

Lent anonymously, 1909. 


LES DEMOISELLES DE VILLAGE. The three sisters 
of the artist are seen in a meadow; one of them gives a 
piece of cake to a peasant girl; their small black and white 
dog barks at two young heifers across a brook. 

H. 762 in. W. 1022 in. Canvas. Signed: G. Courbet. 
Lent by Mrs. Harry Payne Bingham, 1920. 


COUSE, E. Irvinc. American; born 1866. Pupil of National Acad- 


C83 1-1 


emy of Design in New York: Bouguereau and Robert- 
Fleury in Paris. 


THE PEACE PIPE. Three Indians, two almost nude, 
the other with a full feather headdress and blanket, are 
crouched about a little fire. The pipe is held by the nude 
man with his back to the spectator; brown woods in the 
background. 

H. 26in. W. 32 in. Canvas. Signed: E. |}. Couse. 
Gift of Mrs. Clara B. Obrig, in memory of her husband, 
Adolph Obrig, 1917. 


COUTURE, Tuomas. French; born 1815 at Senlis; died 18709 


at Villiers-le-Bel. Pupil of Gros and Delaroche in Paris. 
History and genre. 


64 


C832~1 
Gallery 
17 


COUTURE — CRANACH 


DAY DREAMS. A boy, about ten years of age, 
dressed in black velvet, lolls in an upholstered chair 
watching soap bubbles that he has just blown; at his 
right is a table with a glass of soapy water, books, a 
top, etc. A laurel wreath hangs on the wall above the 
boy’s head. 

Peesian, W. 382 in. Canvas. . Initialed:.T. C. 
Bequest of Catharine Lorillard Wolfe, 1887. 


COX, Kenyon. American; born 1856 at Warren, O.; died 1919 


C833-1 
Gallery 
12 


Ca33-2 
Gallery 
12, 


at New York City. Pupil of McMicken School in Cin- 
cinnati; Pennsylvania Academy of the Fine Arts in Phila- 
delphia; Ecole des Beaux-Arts in Paris under Géréme. 


AUGUSTUS SAINT-GAUDENS. (1848-1907; Amer- 
ican sculptor.) Life-size, seen to the waist; he is standing 
in his studio at work. The original portrait, painted 
in 1887, was burned in the sculptor’s studio at Windsor, 
Vt., in 1904; this replica was painted in 1908 from studies 
in the possession of the painter. 

H. 333 1n. W. 463 in. Canvas. Signed: KENYON 
COX——1908. 

Gift of friends of the sculptor through A. F. Jaccaci, 
1908. 


THE HARP PLAYER. An interior with a young 
woman in a red dress seated at a harp. 


_ Ex coll.: William Chase. 


H. 30in. W. 18in. Canvas. Signed: KENYON 
COX-1888. Bulletin, 1912, p. 102, ill. 
Purchase, Rogers Fund, 1912. 


COYPEL, Noét Nicoras. French; born 1692 at Paris; died there 


C83 4-1 


1734. Pupil of his father, Noél Coypel, and of his 


- mother, Francoise Perrin. 


VENUS WITH SEA NYMPHS AND AMOURS. 
Venus, seated upon a huge sea-shell, is upheld by sea 
gods, nymphs, and dolphins; above are cupids bearing 


_ flowers and zephyrs receiving two white doves that have 


been brought by Love in a golden chariot. 
H. 322 in. W. 262 in. Canvas. 
Gift of Mrs. Elizabeth W. Chapman, 1903. 


CRANACH, Lucas, THE ELDER; real name, Lucas Sunder. Ger- 


man (Saxon); born 1472 at Kronach, Bavaria; died 
1553 at Weimar. Pupil of his father; influenced by 


65 


C85-2 
Gallery 
34 


C85-3 
Gallery 
34 


C85S-1 
Gallery 


CRANACH 


Albrecht Diirer and probably by Griinewald. After 1508 
he used a small winged serpent as signature. Portraits, 
biblical and mythological subjects; was also an en- 
graver. 


PORTRAIT OF A MAN. (Probably an Electoral Duke 
of Saxony.) He is seen to below the waist; the left 
hand grasps the hilt of a sword or dagger and the right 
rests upon the pommel; he wears a black velvet biretta 
with jeweled plume and a black velvet doublet over a 
gathered white shirt with lace collar; scarlet background 
close to the head. 

Ex coll.: Count Wilczek. 

H. 253 in. W.172 in. Wood. Bulletin, 1908, p. 88, ill. 
Purchase, Rogers Fund, 1908. 


JUDITH WITH THE HEAD OF HOLOFERNES. 
(The Book of Judith, one of the apocryphal books of the 
Old Testament dating from the Maccabean period, about 
129 B. C., tells how Judith, in order to deliver her native 
city which was being besieged by the Assyrians, gained 
admission to the tent of the Assyrian general, Holofernes, 
and slew him in his drunken sleep.) Life-size figure of 
Judith, standing back of a table on which lies the 
head of Holofernes; she is elaborately dressed and 
holds a sword in her raised right hand. 

Ex coll.: Hoe. ; 

H. 354 in. W. 242 in. Wood. Signed with the winged 
serpent. Bulletin, rori, p. 124, ill. 

Purchase, Rogers Fund, 1911. 


SCHOOL OF CRANACH. 


PORTRAIT OF AWOMAN. _ Half-length, seated figure 
turned three-quarters to the left. She wears an em- 


D 6, First broidered and beaded cap and a number of long gold 


Floor 


chains around her neck. Her dress is dark with a high 
collar and long green cuffs. She wears several rings on 
both hands, which are folded in her lap. Red curtain 
background and a landscape seen through a window. 
Inscribed: AETATIS 26 ANNO 1548. 

H. 2123 in. W. 164 in. Panel. 

Bequest of Michael Dreicer, 1921. 


CRANACH, Lucas, THE YOUNGER. German; born 1515 at 


Wittenberg; died 1586 at Weimar. Pupil of his father, 
Lucas Cranach the Elder; influenced by Albrecht Ditrer. 


66 


C851A-1 


CRANE, 


C853-1 
Gallery 
13 


GRANACH-—-CREDI 


ATTRIBUTED TO CRANACH THE YOUNGER. 


MADONNA AND CHILD. Half-length figure of 
the Madonna, seated and suckling the nude Child; she 
wears a black bodice and a red mantle; two cherubs 
hold a black drapery which forms the background. 
Ries in.  W.135 in. Wood, 

Gift of Louis Ehrich, 1895. 


Bruce. American; born 1857 at New York City; lives 
there. Pupil of A. H. Wyant; also studied in Europe. 
Landscapes. 


AUTUMN UPLANDS. A group of trees on a hill- 
side at the right; in the foreground a pile of cut logs. 
H. 27 in. W. 41 in. Canvas. Signed: BRUCE CRANE. 


Bulletin, 1900, p. 115, ill. 


Gift of George A. Hearn, 1900. 


CREDI, Lorenzo pi. _ Italian (Florentine); born 1459 at Florence; 


C86-1 
Gallery 


30 


C86-51 
Gallery 
30 


died there 1537. Pupil of his father, Andrea di Credi, 
a goldsmith; assistant to Verrocchio. 


MADONNA ADORING THE CHILD. Full-length, 
kneeling figure of the Madonna, wearing a violet robe 
and a blue mantle lined with yellow; her hands are 
clasped and she looks down at the nude Child who lies 
on the ground with a roll pillow and a light blue cloth 
beneath Him; at the left an angel supports the nude 
infant St. John, who kneels in adoration. The corner 
of a wall is immediately back of the Madonna; beyond 
is a landscape with a winding river and distant blue 
hills. 

Circular; diameter 36 in. Tempera on wood. Bulletin, 
1909, p. 186, ill. 

Purchase, Rogers Fund, 1900. 


PORTRAIT OF A MAN. Head and shoulders of an 
elderly man turned slightly to the left; he wears a dark 
coat showing a line of white above the collar, and a black 
skull cap on his gray hair. He holds a book in both hands. 
Dark wall background with a window at the left showing 
a landscape with distant blue hills. 

Fi222 in.- W..152 in. Wood. 

Lent by C. C. Stillman in memory of his father, James 
Stillman, 1921. 


67 


| 


CRISPUS — CRIVEELI 


CRISTUS, Petrus; also known as Pieter Christophsen. Flemish; 


C861-1 
Gallery 


34 


born about 1400 at Baerle near Deynze; became a 
citizen of Bruges in 1444; died after 1472. Probably 
pupil of Jan Van Eyck. 


THE DEPOSITION FROM THE CROSS. The body 
of Christ lies upon a shroud on the ground; back of it 
the fainting Virgin is upheld by St. John; at the right 
Nicodemus holds the shroud with both hands; at the 
left Joseph of Arimathea supports the head of Christ 
and beyond is Mary Magdalen. In the immediate 
foreground are the emblems of the passion; landscape 
background with castles, villages, and distant blue hills. 
Formerly attributed to Jan Van Eyck. 

H. 1038; in. W. 14945 in. Wood. 

Gift of Henry G. Marquand, 1890. 


CRIVELLI, Caro. Italian (Venetian); born 1430(?) at Venice 


C862-1 


C862-2 


C862-3 
Gallery 


30 


(?); died after 1493. Influenced by the school of Padua. 


SAINT GEORGE. Full-length, standing figure of a 
youth in fantastic blue and yellow armor; his right hand 
rests on his hip and the left holds the red and white 
striped staff of his broken lance, a part of which is 
sticking in the head of a green dragon that is coiled on 
the ground at his feet; gold background. This and the 
following were part of the same altarpiece. 

Ex coll.: Louisa, Lady Ashburton; W. D. Bromley; 
Cardinal Fesch, Rome. 

H. 383 in. W. 133°5 in. Tempera on wood. Bulletin, 
1906, p. 28, ill. ; 
Purchase, Rogers Fund, 1905. 


SAINT DOMINIC. Full-length, standing figure in 
black cloak over a white gown; a lily branch is held in 
the right hand and a book with a red clasp in the other; 
gold background. 

H. 384 in. W. 127 in. Tempera on wood. Bulletin, 
1906, p. 28, ill. : 
Purchase, Rogers Fund, 1905. 


PIETA. Probably the center of the upper tier of an an- 
cona. Half-length figures; the dead Christ is supported 
in the tomb by the Virgin who is at the left with her arms 
about His neck; her cloak and hood are blue and her 
dress is lavender; at the right Mary Magdalen, in blue 
dress, crimson sleeves, and red cloak lined with green, 


68 


CRIVELLI — CROME 


holds His left arm; the head of St. John appears back 
of the Magdalen; gold patterned background with halos 
in relief. 

Ex coll.: R. Crawshay; Earl of Dudley; Lord Ward; 
Bisenzo, Rome. 

H.28in. W.252in. Tempera on wood, round top. 
Bulletin, 1913, p. 262, ill. 

Purchase, Kennedy Fund, 1913. 


CRIVELLI, Vitrorio. Italian (Venetian); latter part of the 


C863-1 


CROME, 


C88-1 
Gallery 


24 


CSs-2 
Gallery 
14 


C88-3 
Gallery 
14 


fifteenth century. Perhaps a brother of Carlo Crivelli, 
whom he is supposed to have assisted. 


MONK READING. Small-size half-length of a Fran- 
ciscan monk; an open book with red binding is in his 
left hand. Formerly ascribed to Niccolo da Foligno; 
the present attribution is that of Berenson. 

Ex coll.: Mme. D’Oliviera, Rome. 

H. 83 in. W.551in. Tempera on wood. 

Gift of Frederic Coudert, 1888. 


JouHNn; known as Old Crome. British (Norwich); born 
1768 at Norwich; died there 1821. Influenced by Hob- 
bema. Landscapes. 


HAUTBOIS COMMON. In the foreground is a grove 
of trees with a road along which advances a cart drawn 
by two horses; two asses are at the right; level country 
with trees in the middle distance; cottages to the right 
and cattle grazing to the left. The foreground is in deep 
shadow and the distance in sunlight. 

Ex coll.: Albert Levy; Ellison; Sherrington. 

H. 22 in. W. 35 in. Canvas (transferred from wood, 
1914). 

Gift of Henry G. Marquand, 1888. 

OLD HOUSES AT THORPE. A river’s edge with 
houses at the right; a barge and several small boats 
are moored at a landing close to the houses. At one 
time this picture was erroneously called The Landing. 
H. 244 in. W. 192 in. Canvas. 

Gift of George A. Hearn, 1906. 

LANDSCAPE. Woodlands with a large oak occupying 
the center of the picture; to the left a wagon laden with 
logs is being drawn by six horses, the driver walking at 
their side; cows are beneath the trees in the distance 
at the right. 


69 


C88-4 
Gallery 
24 


GCROME = CUY2 


H. 483 in. W.674 in. Canvas. 
Gift of George A. Hearn, 1909. 


A ROADWAY. A road with rising ground at the right, 
a stone fence at the left, and trees in the distance; in the 
foreground at the right stand a man and a woman. 

H. 163 in. W. 20% 1n. Canvas. Bulletin, 1915, p. 88. 
Bequest of Maria De Witt Jesup, from the collection of 
her husband, Morris K. Jesup, 1915. 


CROPSEY, Jasper F. American; born 1823 at Rossville, L. I., 


C88 1-1 
Gallery 
16 


N. Y.; died 1900 at Hastings-on-Hudson, N. Y. Pupil 
of National Academy of Design in New York City; trav- 
eled in Europe. At first an architect; later painted 
landscapes, chiefly Hudson River scenery. 


LANDSCAPE. Open country with rocks and cattle 
in the immediate foreground and trees at the left; farm 
lands and wooded hills beyond and a glimpse of a river 
in the distance; misty atmosphere. 

H. 334% in. W. 483 in. Canvas. Signed: J. F. Cropsey 1853. 
Bequest of Mrs. Sarah Ann Ludlum, 1877. 


CUSHING, Howarp Garpiner. American; born 1869 at New 


Co5-1 


Co5-51 
Gallery 
12 


York; died 1916. Pupil of J. P. Laurens, Benjamin- 
Constant, and Doucet. 


MRS. ETHEL CUSHING. 

H. 843 in. W. 423 in. Canvas. Signed: Howard G. 
Cushing. 

Purchase, Lazarus Fund, 1917. 


INTERIOR. ; 

H. 30 in. W. 25 in. Canvas. Signed: Howard G. 
Cushing, 1900. 

Lent by Mrs. Howard Gardiner Cushing, 1917. 


CUYP, AELBERT. Dutch; born 1620 at Dordrecht; died there 


Cg9-1 
Gallery 
II 


1691. Pupil of his father, Jacob Gerritz Cuyp. Chiefly 
cattle and landscapes. 


LANDSCAPE WITH CATTLE. A meadow with 
four cows lying down and four standing; a cowherd and 
a dog lie in the foreground; beyond is a river with houses 
on the far bank at the right; a town 1s dimly seen in the 
distance. H. de Groot, No. 211. 

H. 314 in. W. 423 in. Wood. Signed: A: Cuyp. 

Gift of Henry G. Marquand, 1890. 


70 


Cg9-2 
Gallery 
14 


Co9-3 
Gallery 
39 


Co9-4 
Gallery 
26 


CUY 


A WOMAN MILKING. In the center, near a group 
of trees, a woman who wears a red bodice is milking a 
cow; at her left a dog is seated near a brass can; two cows 
are lying down in the foreground at the right; at the 
left is a stream with cows wading in the middle distance. 
H. de Groot, No. 376. 

Ex coll.: Ricketts. 

H. 433 in. W.71% in. Canvas. Signed: A: Cuyp. 
Gift of George A. Hearn, 1906. 


YOUNG HERDSMEN WITH COWS. In the fore- 
ground is a field with several cows lying down and one 
standing; two herdsmen are talking with a woman whose 
back is toward the spectator; a broad river is in the valley 
at the left, and beyond is a wide expanse of rolling country 
with distant hills lost in the golden afternoon haze. 

Ex coll.: Rodolphe Kann, Paris. 

H. 444 in. W. 524 1n. Canvas. Signed: A: Ciiyp. 
Bequest of Benjamin Altman, 1913. 


VIEW ON THE MAAS. A sunset light over the still 
water on which ships ride at anchor; a rowboat full of men 
is about to land at the pier. At the right is the town of 
Dordrecht with its steep roofs and chimneys overtopped 
by the clock tower. 

Ex coll.: Nieuwenhuys. | 

H, 3023 in. W. 432 in. Canvas. Signed: A Cuyp. 
Bulletin, 1920, p. 268. 

Bequest of William K. Vanderbilt, 1920. 


71 


D 


DABO, Leon. American; born 1868 at Detroit, Mich: lives in 


Dii-1 


New York City. Studied in France and Italy. 


THE CLOUD. Big, moonlit clouds and gray water 
with sail-boats. 

H. 30in. W. 33% in. Canvas. Signed: LEON DABO; 
also monogrammed. 

Purchase, Rogers Fund, 1914. 


DAGNAN-BOUVERET, Pascat ApoLPH JEAN. French; born 


D13-1 
Gallery 
17 


1852 at Paris; lives there. Pupil of Géréme. 


THE MADONNA OF THE ROSE. Life-size, three- 
quarters-length, seated figure of the Madonna, holding 
the Child in her right arm; a supernatural light emanates 
from the Child’s head which is covered by a black shawl; 
on a table at the right is a vase with roses. 

H. 332.in. W. 27 in. Canvas, “Signed? PA) sac. 
NAN-B. Paris 1885. 

Purchase, Wolfe Fund, 1906. 


DAINGERFIELD, E.tiotr. American; born 1859 at Harper’s 


D14-1 
Gallery 
15 


D14-2 
Gallery 
13 


Ferry, Va.; lives in New York City. 


SLUMBERING FOG. (Painted from the top of the 
Blue Ridge Mountains in North Carolina.) Mountain 
peaks rise above the mist that fills the valleys; in the fore- 
ground is a bear. 

H. 293 in. W. 35g in. Canvas. Signed: Elliott Dain- 
gerfield. Bulletin, 1906, p. 58. 

Gift of George A. Hearn, 1906. 

CHRIST STILLING THE TEMPEST: Greenish 
waves with a rowboat at the left in which stands the 
figure of Christ wearing a white robe and a red mantle. 
A dove flies near the water and at the horizon is the red 
rim of the setting sun. 


72 


DAINGERFIELD — DAUBIGNY 


H.20in. W.24in. Canvas. Signed: Elliott Dainger- 
field. Bulletin, 1912, p. 135, ill. 
Purchase, Hearn Fund, 1912. 


DANA, WiLLiAM P. W. American; born 1833 at Boston; lives in 


Dio-1 


London. Pupil of Ecole des Beaux-Arts in Paris under 
Picot and Le Poitevin. 


HEARTSEASE. A little girl propped up in bed with 
loose pansies (heartsease) on the sheet. 

H. 373 in. W. 472 in. Canvas. Signed: W. P. W. DANA. 
Gift of S. Howland Russell, 1891. 


DANNAT, WituiiaAm T. American; born 1853 at New York City; 


D231 
Gallery 
12 


D23-2 


lives in Paris. Pupil of Munich Academy and of Mun- 
kacsy. 

A QUARTETTE. Four Spanish musicians in a room. 
At the left a large man, seated full-front on a wooden 
bench, is singing; a young woman, dressed in black 
with red bows, is seated on the same bench, playing 
the castanets; sitting beside her, with his back toward 
the spectator, is a man who plays the guitar; near a 
window in the background at the right stands a man 
singing and playing the mandolin. 

H. 942.in. W. 912 in. Canvas. Signed: W. T. Dan- 
NAT—/84. 

Gift of Mrs. William H. Dannat, 1886. 

THEODORE CHILD. (1855-1892; English writer 
who lived much in Paris, traveled in Russia and the 
East, and wrote on travel and art.) Life-size, bust 
portrait in profile. 

H. 194 in. W. 152 in. Canvas. Signed: W. T. Dan- 
NAT. 1880. 

Gift of Mrs. Theodore Haviland, 1893. 


DAUBIGNY, Cuarces Francois. French (Barbizon); born 


D26-1 
Gallery 
17 


1817 at Paris; died there 1878. Pupil of his father, the 
miniature painter, Edmé Francois Daubigny, and of 
Delaroche. Landscapes. 


ON@THE RIVER -OISE; “EVENING. : Cattle «are 
wading in the shallow water near the shore at the right; 
beyond is a boat with two figures and on the bank a wo- 
man is washing; there are figures beneath the trees at 
the left; sunset sky with pinkish clouds. 

H.15tin. W. 2735, in. Wood. Signed: Daubigny 1874. 
Bequest of Catharine Lorillard Wolfe, 1887. 


73 


D26-2 
Gallery 
17 


D26-3 
Gallery 


17 


D26-4 


D26-5 
Gallery 
21 


D26-6 


D26-7 


Gallery 
21 


DAUBIGNY 


ON THE SEINE; MORNING. At the left is a group of 
young trees and a woman is watching cows that wade in 
the shallow water; ducks are in the marshy foreground; 
on a hill in the middle distance is a village with a square 
church tower. 

H. 1532, in. W.27¢in. Wood. Signed: Daubigny 1871. 
Bequest of Catharine Lorillard Wolfe, 1887. 


BOATS ON SHORE. At the left is a sandy beach 
with fishing boats anchored in the shallow water. 

Ex coll.: Warren. 

H.133in. W.22%in. Wood. Signed: Daubigny. 1871. 
Purchase, Wolfe Fund, 1903. 


LANDSCAPE. A narrow stream which reflects the 
trees on its banks, the cottages beyond, and a woman 
in a blue dress who follows the footpath at the left; 
fresh Bred foliage. 

H. 253°, in. W. 18% in. Canvas. Signed: Daubigny. 
Bulletin, 1908, p. 200, ill. 

Bequest of Mrs. Martha T. Fiske Collord in memory of 
Josiah M. Fiske, 1908. 


EVENING. Farmhouses stand at the edge of a quiet 
stream and cattle are coming down a road to drink; 
the sunset sky, trees, and a low hill.are reflected in the 
water in the foreground. 

H. 22% in. W. 363 in. Canvas. Signed: C. Daubigny. 
Bulletin, 1911, p. 98, ill. 

Bequest of Robert G. Dun, Iog11. 


BANKS OF THE OISE. The river is in the foreground 
and flows off toward the right; on the far shore at the 
left a woman kneels washing clothes, and another woman, 
in blue skirt and white blouse, stands a little higher up 
on the bank; under the trees nearby is a rowboat; beyond 
is a village with gray-roofed cottages; light blue sky with 
pula clouds. 

H.1442in. W.262 in. Wood. Signed: Daubigny. 1863. 
Bequest of Benjamin Altman, 1913. 


LANDSCAPE WITH STORKS. Marshy foreground 
with two storks standing on a point of land; an empty 
boat is at the right; trees and shrubbery in full summer 
foliage form the background. 

H. 93 in. W. 1744 in. Wood. Signed: Daubigny 
1864. Bulletin, 1914, p. 253; ill. p. 255. 

Bequest of Benjamin Altman, 1913. 


74 


| 


D26-8 


D26-9 


DAUBIGNY — DAVID 


RIVERSIDE. The river is in the foreground; on the 
far shore cows are wading at the left and a woman is 
washing in the center; beyond are thick clumps of trees 
with a group of taller ones at the left. 

H. 13% in. W.22%in. Wood. Signed: Daubigny 1872. 
Bequest of Maria De Witt Jesup, from the collection of 
her husband, Morris K. Jesup, 1915. 


BANKS OF THE OISE; EARLY MORNING. The 
river, edged by shrubbery and a clump of trees, fills the 
foreground; ducks are on the water and a boat to the left; 
distant hills and luminous sky. 

H. 14 1n. W. 23 in. Wood. Signed: Daubigny 1875. 
Mr. and Mrs. Isaac D. Fletcher Collection. 

Bequest of Isaac D. Fletcher, 1917. 


DAUMIER, Honoré. French; born 1808 at Marseilles; died 


D261I-1 
Gallery 
20 


1879 at Valmondois. Studied lithography with Ramelet 
in Paris, in which city most of his life was spent. 
Painted chiefly satirical subjects. 


DON QUIXOTE. In the middle distance on the ridge 
of a hill are Don Quixote mounted on a white horse 
and Sancho Panza on his mule; they ride toward a dead 
horse which lies on the road in the foreground. 

H. 92 in. W. 183 in. Wood. Initialed: H. D. Bulletin, 
[010,1p..23, il. 

Purchase, Wolfe Fund, 1900. 


DAVID, GerarpD. Flemish; born about 1460 at Oudewater, Hol- 


D28-1 
Gallery 


34 


D28-2 
Gallery 
37 


land; died 1523 at Bruges. Was prominent as an illumina- 
tor and miniaturist as well as a painter of larger pictures. 


THE CRUCIFIXION. Christ on the cross is in the 
center; at the left the swooning Virgin is held by St. 
John; at the right Mary Magdalen kneels with clasped 
hands and behind her stands St. Jerome. Landscape 
background with a lion walking across the plains and 
beyond buildings which form a hollow square. 

H. 21 in. W. 157, in. Wood. 

Purchase, Rogers Fund, 1900. 


CHRIST TAKING LEAVE OF HIS MOTHER. 
Christ stands at the right, the Virgin and two other 
Marys at the left. The figures are shown about halt- 
length against a gold background. 

H. 64 in. W. 42 in. Wood; circular top. 

Bequest of Benjamin Altman, 1913. 


75 


| 


D28S-51 
Gallery 
34 


DAVID — DAVIES 


SCHOOL OF DAVID. 


MADONNA FEEDING THE CHILD. An interior with 
the Madonna at the left of a table; she holds the nude 
Child on her lap and prepares to feed Him with a spoon 
held above a bowl; in the background at the right is a 
window with a view of a farm-yard. This is one of 
several replicas; the one in the Traumann Collection in 
Madrid is probably the original by David. 

H. 154 in. W.122in. Wood. 

Lent by Robert W. de Forest, 1907. 


DAVID, Jacques Lours. French; born 1748 at Paris; died in 1825. 


D281-1 
Gallery 
20 


Pupil of Boucher and of Vien. Grand Prix de Rome, 1774; 
court painter to Napoleon I. Exiled to Brussels, 1816. 


MLLE. CHARLOTTE DU VAL D°OGNESSeshern 
seated, the figure in profile to left, the head full-face, look- 
ing out as though making a sketch of David while he was 
painting her; her drawing portfolio, held with her left 
hand, rests on her knees; in the right she holds a crayon. 
She is a blonde about twenty, wearing a short-sleeved, 
high-waisted white gown of the fashion of the Directoire 
(1795-1799) with a pink mbbon about her slim waist 
and a white kerchief about her neck. Her chair, uphol- 
stered in blue, is covered with a salmon-red shawl. The 
background is an austere gray wall with a window at the 
left. Through its panes, one of them cracked, one sees a 
high masonry embankment where a gentleman and lady 
lean on an iron railing; a plain high building beyond. The 
light on the lady all comes from the window, making a 
brilliant rim to her figure and a sort of halo about her 
fluffy yellow hair. 

Ex coll.: Colonel Harduin de Grosville. 

H. 634 in. W. 50% in. Canvas. 

Mr. and Mrs. Isaac D. Fletcher Collection. 

Bequest of Isaac D. Fletcher, 1917. 


DAVIES, ArtrHurR B. American; born 1862 at Utica, N. Y.; 


D282-1 
Gallery 
15 


lives in New York City. Pupil of Dwight Williams at 
Utica; studied in New York and in Chicago. 


DREAM. (The motive of the picture is a quotation 
from Meredith: “Huntress of things worth pursuit of 
souls; in our naming, dreams.’’) The nude figure of a 
young woman walking toward the left up a hill that rises 
from the sea, which appears at the right. 


76 


DAVIES — DAWANT 


H. 18 in. W. 30in. Canvas. Signed: A. B. Davies. 
_ Bulletin, 1900, p. 113, ill. 
Gift of George A. Hearn, 1909. 


D282-2. THE GIRDLE OF ARES. (Ares was the Greek god of 
Gallery war.) Against a background of mountains and evening 
15 sky appears a level line of struggling figures that fill the 
lower part of the picture from one side of the frame to the 
other. 
H. 263, in. W.4oin. Canvas. Signed: A. B. Davies. 
Bulletin, 1914, p. 76; ill. p. 70. 
Purchase, Hearn Fund, 1914. 


D282-51 THE REFLUENT SEASON. A slim nude rote of 
Gallery a woman, holding a yellow scarf, is walking to the right 
12 on a terrace; at the right are white columns; a low roll- 
ing landscape in the background. ° 
H. 18in. W.30in. Canvas. 
Lent by Edward W. Root, 19109. 


DAVIS, CHarLes H. American; born 1856 at Amesbury, Mass.; 
lives at Mystic, Conn. Pupil of Otto Grundmann and 
School of the Museum of Fine Arts, Boston; Boulanger 
and Lefebvre in Paris. Landscapes. 


D29-1 EVENING. A plain with a tall leafless oak at 
right of center and a winding brook in the foreground. 
The pene star shines in a cloudless greenish sky. 
H. 3835, in. W. 57% in. Canvas. Signed: Charles H. 
Davis 1886. 
Gift of George I. Seney, 1887. 


D29-2 AUGUST. A broad expanse of hilly green country 
Gallery with deep shadows from white and gray clouds. 
13 Meezoune | W..30im. Canvas. Signed: C, H, Davis: 
Bulletin, 19090, p. 114, ill. 
Gift of George A. Hearn, 1900. 


DAWANT, ALBERT Pierre. French; born about 1860 at Paris; 
lives there. Pupil of Jean Paul Laurens. 


D32-1 DEPARTURE OF EMIGRANTS FROM HAVRE. 
A steamship lies at the wharf and on the dock men, 
women, and children are huddled with their packages 
and bundles. 

H. 118 in. W. 161 in. (sight). Canvas. Signed: 1887 
‘A’ P DawanrT. 
Gift of Thomas Achelis, 1897. 


rips 


DEARTH — DERRANCE 


DEARTH, Henry Gotpen. American; born 1864 at Bristol, 


D34-1 
Gallery 
15 


R. ].; died 1918 at his home in New York City. _ Pupil of 
Ecole des Beaux-Arts, Hébert, and Aimé Morot in Paris. 


CORNELIA. A young girl, wearing a red coat and a 
straw hat trimmed with flowers, is seated with her hands 
crossed in her lap; against the white wall back of her 
hangs a Japanese print and on a table in front of it stands 
an Italian drug-pot; leather-bound books are on a stand 
at the right. 

H. 252 in. W. 31g in. Canvas. Signed: H. Dearth. 
Bulletin, 1915, p. 151, ill. 

Purchase, Hearn Fund, 1915. 


DECAMPS, ALEXANDRE GABRIEL. French; born 1803 at Paris; 


D35-1 ° 
Gallery 
17 


D35-2 


died 1860 at. Fontainebleau. Pupil of Abel de Pujol, 
David, and Ingres. 


THE NIGHT PATROL AT SMYRNA. A company of 
Turkish guards, with their officer mounted on a white 
horse, are dashing toward the left through a city street; 
the background consists of a plaster wall in brilliant 
sunlight with a Moorish balcony over which hangs a rug; 
down a narrow street at the left the blue sky is visible. 
Ex coll.: John Taylor Johnston. 

H. 29385 in. W. 363°, in. Canvas. Signed: DECAMPS. 
Bequest of Catharine Lorillard Wolfe, 1887. 


ITALIAN COURTYARD. Three children play with a 
small dog in the court; to the left a young girl watches 
from the steps; at the back, on a balcony over an arched 
doorway, a mother sits holding her child. 

H. 24 in. W. 19g in. Canvas. Signed: DECAMPS 18,2. 
Bequest of William H. Herriman, 1921. 


DEFRANCE, Leonarp. Belgian; born 1735 at Liége; died there 


D36-1 
N. W. 
Stairway 


1805. Pupil of Von Coclers; traveled in Italy; was 
the first professor of design in the Academy at Liége. 


THE ROPE DANCER. A young woman is balancing 
herself on a rope which is stretched from the rudely con- 
structed stage at the left to the foreground at the right; 
the audience is seated farther back at the right and in 
the background is a board fence. 

Ex coll.: Comte Cornet. 

H. 20 in. W. 283 in, Wood. Signed: L. Defrance de 
Liege. 

Purchase, 1871. 


78 


DEFREGGER — DESGOFFE 


DEFREGGER, Franz von. German (Bavarian); born 1835 
at Délsach, Tyrol; died 1921 at Munich. Pupil of Mu- 
nich Academy under Piloty. 


D362-1 GERMAN PEASANT GIRL. Life-size, almost to the 
Gallery waist; she wears a Bavarian Tyrol costume consisting of 
18 a striped brown blouse with red bodice and black kerchief. 
H.213 in. W. 16;', in. Wood. Signed: Defregger. 80. 

Bequest of Catharine Lorillard Wolfe, 1887. 


DELACROIX, EucEne. French; born 1798 at Charenton- 
Saint-Maurice; died 1863 at Paris. Pupil of Pierre 
Guérin in Paris; traveled in Spain and North Africa. 
Romantic and oriental subjects. 


D37-1 THE ABDUCTION OF REBECCA. L’ENLEVEMENT 
Gallery be RésBeccA. (For the incident see Sir Walter Scott’s 
17 novel, Ivanhoe, Chapter 31.) Rebecca has been carried 
from the burning castle of Front de Boeuf where she has 
been kept prisoner by Bois Guilbert. A retainer lifts 
her upon the horse ridden by one of his Saracen slaves; 
at the right the knight is arriving at a gallop from the 
burning castle, which is seen in the distance. 
H. 397 in. W. 327 in. Canvas. Signed: Eug. Dela- 
croix 1846. 
Purchase, Wolfe Fund, 1903. 
D37-2 THE GARDEN OF GEORGES SAND AT NOHANT. 
Gallery A stone bench under a hemlock tree in a small clearing, 
y around which runs a path ending in hollyhocks. 
Ex coll.: D. K. Kélékian; Chéramy. 
H.17Zin. W.212in. Canvas. Signed: Eg. Delacroix. 
Purchase, Wolfe Fund, 1922. 


DELORT, CuHartes Epouarp. French; born 1841 at Nimes; 
died 1895. Pupil of Gleyre and Géréme in Paris. 


D382-1 THE CASQUE. An interior with a man in fifteenth- 


ee century costume examining a steel casque; on the floor 
Stairway and on the table against which he leans are other pieces 
of armor. 
Heeitan W..144:in Canvas: Signed: CoDELORT: 
1872. 


Bequest of Catharine Lorillard Wolfe, 1887. 
DE NEUVILLE. See Neuville. 


DESGOFFE, Braise. French; born 1830 at Paris; died there 
1901. Pupil of Flandrin and Bouguereau. Still life. 


79 


D45-1 
S. W. 
Stairway 


D45-2 


DESGORRE——DETATELE 


OBJECTS OF ART. (The objects to be painted were 
selected by Miss Wolfe from the Louvre Collections.) 
An engraved rock crystal beaker, mounted in gold with 
brilliant enameling, and other objects are grouped 
on a table which is partly covered with red drapery. 

H. 282 in. W. 36g in. Canvas. Signed: Blaise Des- 
goffe—74. 

Bequest of Catharine Lorillard Wolfe, 1887. 

OBJECTS OF ART. A jeweled double cross, a crystal 
beaker, and other objects are on a table. 

H. 344 in. W. 26% in. Canvas. Signed: Blaise Des- 
goffe, 1880. 

Gift of Frau Rittmeister Koehler (Margaret Conover 
Schaus), 1887. 


DESSAR, Louis PauL. American; born 1867 at Indianapolis, 


D47-1 
Gallery 
13 


Ind.; lives in New York City. Pupil of National Acad- 
emy of Design in New York; Bouguereau, Robert-Fleury, 
and Ecole des Beaux-Arts in Paris. Landscapes. 


WOOD-CART.. A cart filled with stripped tree trunks 
is being drawn across a stony field by a yoke of oxen; 
autumn trees beyond. 

H. 28 in. W. 36in. Canvas. Signed: DEssaR. 1908. 
Bulletin, 1909, p. 115, ill. 

Gift of George A. Hearn, 1909. 


DETAILLE, Epouarp. French; born 1848 at Paris; died there 


D48-1 
Gallery 
13 


D48-2 
S. W. 
Stairway 


D48-3 
Gallery 
21 


1912. Pupil of Meissonier. Mailitary subjects. 


SKIRMISH BETWEEN COSSACKS AND THE 
IMPERIAL BODYGUARD, 1814. A squad of Na- 
poleon’s Imperial Guard is pursuing Cossacks along a 
wet road through a forest of bare trees. 

H. 392% in. W. 32% in. Canvas. Signed: EDOUARD- 
DETAILLE-1870. 

Bequest of Catharine Lorillard Wolfe, 1887. 


FRENCH CUIRASSIERS. Mounted on a_ heavy, 
dark bay mare, a cuirassier, fully equipped, stands at 
rest; a troop of cuirassiers is in the background. 

H. 132 in. W. 92 in. Water color. Signed: EDOU- 
ARD-DETAILLE-1872. 

Bequest of Catharine Lorillard Wolfe, 1887. 


THE DEFENCE OF CHAMPIGNY. (The incident 
depicts French foot soldiers and sappers commanded 
by General Faron, who stands in the center of the pic- 


So 


DETAILLE — DEWING 


ture; this division having taken Champigny, December 
2, 1870, is defending a chateau at the fork of two roads, 
against a return attack of the Saxon and Wiirttemberg 
divisions of the German army.) A wall, through which 
cannon are being fired, extends from the foreground at 
the left to the middle distance at the right, where there 
is a house which is being shelled by the enemy; in the 
immediate foreground soldiers are crouching near broken 
hotbeds and two officers stand before them; beyond, four 
officers question a peasant. 

H. 48in. W. 842 in. Canvas. Signed: Epouarp 
DETAILLE-1879. 

Gift of Henry Hilton, 1887. 


DEVEDEUX, Louis. French; born 1820 at Clermont-Ferrand; 


D4o-1 
Sa W, 


died 1875 at Paris. Pupil of Delaroche and Decamps. 


THE PRIDE OF THE HAREM. A man reclines on a 
divan on the edge of which a blonde young woman in a 


Stairway white dress is playing the mandolin; four young girls are 


strewing flowers; in the background a slave carries a tray. 
H. 32% in. W. 26}, in. Canvas. Signed: L. Devedeux. 
Bequest of Catharine Lorillard Wolfe, 1887. 


DEWEY, CuHartes MELvILLeE. American; born 1849 at Low- 


D51-1 
Gallery 
13 


ville, New York; lives in New York City. Pupil of 
Carolus-Duran in Paris. Landscapes. 


THE SUN SHOWER. A green landscape with a pool 
in the foreground; the sun is shining through the thin 
rain clouds. 

H. 363 in. W. 52% in. Canvas. Signed: Charles Mel- 
ville Dewey. 

Purchase, Hearn Fund, 1920. 


DEWING, Tuomas W. American; born 1851 at Boston; lives 


D511-1 
Gallery 
12 


D511-2 
Gallery 
12 


in New York City. Pupil of Julian Academy in Paris 
under Boulanger and Lefebvre. 


THE LETTER. Interior with a lady in a low-necked 
pinkish gown, seated before an open desk, which 1s at 
the left. 

H. 20 in. W.16in. Canvas. Signed: T. W. Dewing. 
Purchase, Rogers Fund, 1g!o. 


TOBIT AND THE ANGEL. The angel, in a golden 
garment, holding a gold harp, walks through a meadow 
dotted with white flowers; his great white wings spread 


81 


DEWING— DE WIT 


wide and his eyes fixed in an ecstatic gaze on the sky. 
At the right the youth follows him dragging a large fish 
and carrying his net over his shoulder. 

H. 24 in. W. 40 in. Canvas. Signed: T. W. Dewing, 1887. 
Gift of Edward D. Adams, 19109. 


DE WIT, Jacos. Dutch; born 1695 at Amsterdam; died there 


D512S-1 

Wing H 

Gallery 
18 


D512S-2 

Wing H 

Gallery 
18 


D512S-3 

Wing H 

Gallery 
18 


D512S-4 
Gallery 
8 


D512S-5 
Gallery 
8 


D512S-6 

Wing H 

Gallery 
18 


1754. Influenced by study of the works of Rubens and 
Van Dyck. Chiefly noted as a decorator who frequently 
used groups of children at play painted in monochrome 
simulating marble bas-reliefs. 


ScHOOL OF DE WIT. 


CHILDREN AT PLAY. Six nude children playing 
with birds and soap bubbles; one is winged and flying 
with a paper windmill. 

H. 933 in. W. 702 1in. Monochrome on canvas. 

Gift of Bradley Martin, 1895. 

HUSBANDRY. Six nude children gathering the har- 
vest; one plays she is Ceres; another has climbed a tree 
and throws the fruit down at one below who catches it 
in a basket. 


-H. 913 in. W.672in. Monochrome on canvas. 


Gift of Bradley Martin, 1895. 


LOVES FORGING A THUNDERBOLT. Five nude 
children working about a forge near a rocky cliff; one of 
them crouches in front holding thunderbolts in his hand. 
H. 93% in. W.70%1in. Monochrome on canvas. 

Gift of Bradley Martin, 1895. 


YOUNG FISHERS AT THE FOUNTAIN. Five 
nude children at a fountain; one has caught a fish, the 
others are getting water. 

H. 913 in. W.672 in. Monochrome on canvas. 

Gift of Bradley Martin, 1895. 


FORGING LOVE’S DART. Eight nude children, some 
of them winged, are busy around a forge near a rocky 
cliff. | 

H. 473 in. W.603in. Monochrome on canvas. 


‘Gift of Bradley Martin, 1895. 


THE BIRD’S NEST. Six nude children playing with a 
bird’s nest; in the foreground one of the boys holds back 
a dog to prevent it from reaching the nest that lies on 
the ground. 


82 


D512S-7 


Wing H 
Gallery 
18 


D512S-8 


Gallery 
9 


DIAZ DE LA PENA, Narciso VirciLio. 


D54-1 
Gallery 
17 


D54-2 
Gallery 
17 


D54-3 
Gallery 
b7E0! 


D54-4 
Gallery 
re 


D54-5 
Gallery 
21 


DE WIT— DIAZ DE LA PENA 


H. 833 in. W. 833 in. Monochrome on canvas. 
Gift of Bradley Martin, 1895. 


THE DANCE. Six nude children, three of them danc- 
ing and the others playing the fife, drum, and triangle. 
H. 834 in. W. 834 in. Monochrome on canvas. 

Gift of Bradley Martin, 1895. 


ADAM AND EVE IN THE GARDEN. Eve stands 
at the left and hands the apple to Adam, who is seated 
at the foot of the tree; the serpent is coiled in the branches 
above and a lion crouches at the left. 

H.94 in. W. 69; in. Monochrome on canvas. 

Gift of Bradley Martin, 1895. 


French (Barbizon); 
born 1807 at Bordeaux of Spanish parents; died 1876 
at Mentone. Apprenticed at fifteen to a china painter 
at Paris. Landscapes and figure subjects. 


THE HOLY FAMILY. The Virgin is seated under 
a tree; the Christ Child leans against her knee at the 
right and St. John on the other side. 

H. 123 in. W.93 in. Wood. Signed: N. Diaz-53. 
Bequest of Catharine Lorillard Wolfe, 1887. 


LANDSCAPE. An open field with a roadway and a 
figure; trees and hills in the distance. 

H. 93 in. W. 132 in. Wood. Signed: N. Diaz. 
Bequest of Catharine Lorillard Wolfe, 1887. 


STUDY OF TREES. Several large tree trunks spotted 
with sunlight; at the right a stooping figure wearing a 
red kerchief. 

H.14in. W.102in. Wood. Signed: N. Diaz. 
Bequest of Catharine Lorillard Wolfe, 1887. 


EDGE OF A FOREST. In the distance is a clearing 
where the sun is shining; from this a road leads into the 
heavy foliage in the foreground, and a bent figure is 
just entering the shady path. 

H.93 in. W.121n. Wood. Signed: N. Diaz. 

Bequest of Catharine Lorillard Wolfe, 1887. 


A CLEARING IN THE FOREST OF FONTAINE- 
BLEAU. A rocky hilltop with a footpath across the 
center; at the left is the trunk of an oak with one branch 
in leaf and the others broken off; beyond at right and 
left are trees in full summer foliage; blue sky with dark 
clouds at the zenith. 


83 


D54-6 


D54-7 


D54-8 
Gallery 
20 


D54-9 


DIAZ DE LA PENA— DIETRICH 


H. 147 in. W. 183 in. Wood. Signed: N. Diaz—72- 
Bulletin, 1914, p. 253, ill. 
Bequest of Benjamin Altman, 1913. 


CHILDREN AND LIZARD. A group of five children, 
wearing bright-colored garments, are watching a lizard; 
in the background at the right is a vine-covered pergola. 
H. 233in. W.297% in. Canvas. Signed: N. Diaz—1865. 
Bequest of Maria De Witt Jesup, from the collection of 
her husband, Morris K. Jesup, 1915. 


THE POOL. Between the small, marshy pool in the 
foreground and the woods in the distance is the figure of 
a woman crossing a field. 

H. 127% in. W. 1674; in. Wood. Signed: N. Diaz—73- 
Bequest of Maria De Witt Jesup, from the collection of 
her husband, Morris K. Jesup, 1915. 


A CLEARING IN THE FOREST; MARSHY FORE- 
GROUND. Brown foliage which opens out in the center 
of the canvas, showing clumps of trees in sunlight and 
blue and white sky. 

H, 122 in. W.17% in. Woods’ Signed: eoiacasa: 
Mr. and Mrs. Isaac D. Fletcher Collection. 

Bequest of Isaac D. Fletcher, 1917. 


WOODLAND POOL AND FIGURE. It is clearing 
off after a rain storm; the sunlight catches the tops of 
the brown trees and a sandy spot between rocks where a 
woman walks carrying a load on her back. The pool is 
back of her and a wide stretch of dark blue sky and sunlit 
clouds is shown above. ; 

H. 192 in. W. 26in. Canvas. Signed: N. Diaz 67. 
Mr. and Mrs. Isaac D. Fletcher Collection. 

Bequest of Isaac D. Fletcher, 1917. 


DIETRICH, CuristiAN WILHELM ERNST. German; born 1712 at 


Ds561-1 
N. W. 
Stairway 


Weimar; died 1774 at Dresden. Pupil of his father and 
of Alexander -Thiele. In 1746 became keeper of the 
Dresden Gallery. Imitated Dutch and French masters. 


SURPRISED; or INFIDELITY Founp Out. At the left 
aman and a woman are seated on the ground in the shade 
of a group of trees and a Love is near them; at the right 
stand several ladies and gentlemen who are preceded by 
Cupid, who bears a flaming torch. 

Ex coll.: Comte Cornet, Brussels; Tardieu; Pierard; 
Chaplin. 


84 


D561-2 


DIETRICH — DOU 


H. 282 in. W. 283% in. Canvas. Inscribed: Peint par 
C. E. Dietrich. 
Purchase, 1871. 


CHRIST HEALING THE SICK. Standing in the 
porch of the Temple, the Christ extends his arm toward 
a man who lies in the foreground; at the right are 
apostles and elders and at the left are the sick and 
maimed. 

H. 354 in. W. 417% in. Canvas. Signed: Dietricy 
pinxt 1742. 

Gift of William H. Webb, 1885. 


DOMINGO, Francisco. Spanish; born 1843 at Valencia; has 


D711-1 
Gallery 
18 


lived at Paris since 1878. Pupil of Royal Academies 
of San Carlos at Valencia and San Fernando at Madrid; 
studied in Rome. ; 


INTERIOR WITH FIGURES. A number of soldiers 
are playing cards and drinking. 

H. 67 in. W. 8,3; in. Wood. Signed: 1881-Domingo. 
Bequest of Catharine Lorillard Wolfe, 1887. 


DONOHO, Ruger. American; born 1857 at Churchill, Miss.; 


D715-1 


died 1916 in New York City. Pupil of Art Students’ 
League and R. Swain Gifford in New York; Julian 
Academy in Paris. Chiefly landscape painter. 


WINDFLOWERS. Masses of pink blossoms in the 
foreground; fields beyond with tree trunks and a stone 
wall in the middle distance. 

H. 30 in. W. 36in. Canvas. Signed: Ruger Donoho 
1912. , 
Purchase, Rogers Fund, 1917. 


DORE, Gustave. French; born 1833 at Strasburg; died 1883 


D73-1 
Se, WwW: 
Stairway 


‘at Paris. Chiefly illustrator. 


THE RETREAT FROM MOSCOW. A wagon load 
of Napoleon’s soldiers is followed by a squad of Russian 
cavalry; at the left are dead horses and an overturned 
army wagon; in the middle distance are Russian soldiers. 
H. 284 in. W. 372 in. Gouache in black and white on 
gray paper. Signed: Gve Doré 1865. 

Bequest of Catharine Lorillard Wolfe, 1887. 


DOU (or Dow), Gerarp. Dutch; born 1613 at Leyden; died 


there 1675. At first apprenticed to an engraver, in 1628 
85 


D741-1 
Gallery 
39 


DOU — DOUGHTY 


he entered the studio of Rembrandt, where he remained 
two years and was influenced Tes the master’s early 
manner. 


PORTRAIT OF THE ARTIST. The painter when 
about forty years of age; he is shown standing back of a 
window, holding his palette and brushes in his left hand, 
and with his right turning the leaves of a book which 
rests on the sill; a striped scarf hangs over the window 
ledge, partly covering a panel in low relief; a vase with a 
plant is at the left and at the right a vine and a bird-cage. 
Ex coll.: Say, Paris; Kalkbrenner, Paris; Chevalier 
Erard, Paris. 

H. 194 in. W.152 in. Wood. Signed: G. Dou. 
Bequest of Benjamin Altman, 1913. 


DOUGHERTY, PAUL. American; born 1877 at Brooklyn, N. Y.; 


D742-1 
Gallery 
15 


D742-2 


D742-3 


lives in New York City. Studied in Paris, London, 
Florence, Venice, and Munich. Marines. 


OCTOBER SEAS. _ Rocks are in the foreground and at 
the left; breakers beyond. 

H. 36% in. W. 484 in. Canvas. Signed: Paul Dough- 
erty-I9I10. 

Purchase, Hearn Fund, rot. 

SUN AND SHADOW, LAKE LOUISE. (A Canadian 
lake near the foot of the glacier-covered Mount Vic- 
toria.) Distant snow-capped mountains seen between 
two green mountain sides that slope down to the lake in 
the foreground. 

H. 133 in. W. 193 in. Water color. ‘Signed: Paul 
Dougherty. 

Purchase, Lazarus Fund, 1917. 

THE ROAD TO CAYEZ, PORTO RICO. Hilly, trop- 
ical country with the road partly hidden in a valley. 

H. 133 in. W. 193 in. Water color. Signed: Paul 
Dougherty. ; 
Purchase, Lazarus Fund, 1917. 


DOUGHTY, Tuomas. American; born 1793 at Philadelphia; 


D743-1 
Gallery 
16 


died 1856 in New York City. Landscapes. 

ON THE HUDSON. Rocks are in the foreground, trees 
and shrubbery at the right, the Hudson River is in the 
middle distance, and beyond are the hills near West Point. 
H. 142 in. W. 213 1n. Canvas. Signed: T. Doucnty. 
Gift of Samuel P. Avery, 1891. 


86 


DOUGHTY — DRUMMOND 


D743-2 A RIVER GLIMPSE. A wooded landscape with a path 
in the foreground and the Hudson River in the middle 
distance. 

Fic. 307.m. W.25 in. Canvas. Signed: T. Doucuty. 
Gift of Samuel P. Avery, 1895. 


D743-3 LANDSCAPE. A valley with a river at the right, and 
trees at the left; distant hills. 
H. 43¢ in. W. 62745 in. Canvas. Signed: T. Doughty. 
Gift of George F. Shelton and Mrs. F. H. Markoe, in 
memory of their father, Theodore B. Shelton, 1917. 


DROUAIS, Francois Hupert. French; born 1727 at Paris; 
died there 1775. Pupil of his father, Hubert Drouais; 
and of Carle van Loo, Natoire, and Boucher. Portraits. 


De3t-1 EMPEROR JOSEPH I] OF AUSTRIA. (1741-17903 
Gallery © son of Francis I and Maria Theresa; succeeded his father 
20 in 1765.) Life-size, full-length figure, standing near a gilt 
table with a marble top; he wears a scarlet velvet coat and 
knee breeches and a white silk waistcoat embroidered 
with gold; a brown and white terrier is in the foreground. 
Ex. coll.: Marquis de Foz, Portugal. 
H. 974 in. W. 694 in. Canvas. Signature indistinct. 
- Purchase, Rogers Fund, 1903. 
D831-2 MADAME FAVART. (1727-1772; a popular opera 
Gallery singer, later the wife of Charles-Simon Favart, dramatist.) 
20 She is shown three-quarters length, seated profile to right, 
looking at the spectator, and playing on a double-banked 
harpsichord. She has powdered hair and wears a low- 
cut blue dress trimmed with lace; blue ribbons around her 
neck and in her hair. Gray background. 
H. 314 in. W. 253°, in. Canvas. Signed: DROUAIS 
Pe bis 9757."": 
Mr. and Mrs. Isaac D. Fletcher Collection. 
Bequest of Isaac D. Fletcher, 1917. 


DRUMMOND, Samuet. British; born 1763 in London; died 
there 1844. Portrait and historical painter; curator of 
the Royal Academy schools in London. 


D84-1 ALEXANDER REA. (1782-1820; an actor.) The 
Wing H_ figure is seen to the waist with the head three-quarters 
Basement to the right; he wears a black velvet coat the collar of 

which is edged with fur, and a full white neck-cloth. 

H. 30 in. W. 247 in. Canvas. 

Bequest of Emil C. Bondy, 1915. 


87 


DU BOIS 


D85-1 
Gallery 
12 


DU" BOIS DUEZ 


, Guy PEne. American; born 1884 at Brooklyn. Pupil 
of Chase, Du Mond, and Henri. 


THE DOLL AND THE MONSTER. A disagreeably 
gross man in evening clothes stands looking at a yellow- 
haired girl in a white dress and a yellow sash. Blue back- 
ground. 

H.20in. W.15in. Canvas. Signed: Guy Péne du Bois 


IQ14. 


Gift of Mrs. Harry Payne Whitney, 1921. 


DUBOIS, 


D851-1 
pany We 
Stairway 


DUCCIO 


D851S-1 ° 
Gallery 
abe, 


PauL Evie. French; contemporary. Figure subjects 
and landscapes. 


AT THE CEMETERY OF EE VIETTA, ALGIERS. 
Seven life-size women enveloped in white robes are 
walking to the right, in front of a cemetery. In the 
immediate foreground are piles of oranges and a tray of 
bright-colored sweetmeats. The ground is an orange- 
red clay color. 

H. 90% in. W. 1184 in. Signed: Paul Elie Dubois 
ALGER 1922. 

Gift of George Blumenthal, 1922. 


DI BUONINSEGNA. Italian (Sienese); active 1279 to 
his death in 1319. Heir to the best traditions of Byzan- 
tine art. 


FOLLOWER OF DUCCIO. 


MADONNA AND CHILD; THE ANNUNCIATION; 
THE NATIVITY. The Madonna in a dark cloak 
trimmed with gold holds the Child, who wears a red drap- ~ 
ery; He holds a white rose and plays with His mother’s 
veil. Below at the left, the Virgin stands in a chamber 
and receives the message from a kneeling angel outside. 
Below at the right, the Madonna lies on the ground, 
Joseph sits beside her, behind in a cave the Child lies in a 
manger with the ox looking at Him and three angels 
singing. Inthe foreground are two shepherds with sheep 
andadog. Ornamented gold backgrounds. 

H.12in. W. 81 in. Wood. Bulletin, 1921, p. 28. 
Purchase, Marquand Fund, 1920. 


DUEZ, Ernest ANGE. French; born 1843 at Paris; died 1896 in 


the forest of St. Germain. Pupil of Pils. 
88 


D861-1 
Gallery 
18 


DUEZ— DUNLAP 


THE BOUQUET. Standing figure of a young lady in 
a dark blue walking dress, holding a bouquet and a 
shawl in her left hand. 

H. 122 in. W. 83 in. Water color. Signed: E. Duez. 
Bequest of Catharine Lorillard Wolfe, 1887. 


DUGHET, Gasparp; known as Gaspard Poussin. French; born 


D87-3 
Gallery 
14 


D87-4 


1613 at Rome, Italy, of French parents; died 1675 
at Rome. Pupil of Nicolas Poussin, whose name he 
adopted. Landscapes. 


LANDSCAPE WITH FIGURES. High trees are at 
the left and in front of them is a fountain with nude 
figures bathing in the marble pool; in the center of the 
foreground is a road where two partly nude men are 
throwing a stone at a hissing snake; clumps of trees 
and several buildings are in the middle distance with 
eee beyond. 

f36, ine W258! in. Canvas. 

Gift of Gtoree A. Hearn, 1906. 


LANDSCAPE. Wild country with groups Af trees on 
each side; mountains are in the distance and a stream 
falls in two cascades toward the foreground where there 
is a road with several mythological figures. 

Ex coll.: Knowles; Novar. 

H. 37¢ in. W. 603 in. Canvas. Bulletin, 1908, p. 
200. 

Purchase, Rogers Fund, 1908. 


DUNLAP, Witiiam. American; born 1766 at Perth Amboy, 


Do2-1 


Do2-2 


N. J.; died 1839 at New York City. Studied painting 
with Benjamin West in London; upon his return to New 
York went into business with his father and throughout 
his life alternated between painting, managing a theatre, 
and writing books. He is best known as the author of 
The History of the Arts of Design in the United States, 
published 1834. 

JOHN A. CONANT. (John Adams Conant of Brandon, 
Vt.; 1800-1886.) Life-size figure seen almost to the 
waist; he wears a high collar and white stock. 

H. 30g in. W.25 in. Wood. Signed: W. Dunlap 1829. 
Gift of John A. Church, 1913. 

MRS. JOHN A. CONANT. (Caroline D. Holton, wife 
of John A. Conant of Brandon, Vt.) Life-size figure seen 


89 


DUNLAP — DUPRE 


to the waist; her hair is parted in the middle and waved; 
she wears a low-necked dress edged with lace and a gold 
chain is about her neck and falls across her bodice. 

H. 30% in. W. 25 in. Wood. Signed indistinctly: Dunlap. 
Gift of John A. Church, 1913. 


DUPLESSIS, Joseru SILFREDE. French; born 1725 at Carpentras; 


Do21-1 
Gallery 
20 


DUPRE, 


Do22-1 
Gallery 
18 


Do22-2 
Gallery 
17 


DUPRE, 


Do23-1 


died 1802 at Versailles where he was Curator of the 
Museum. Pupil of Imbert and Subleyras. Chiefly 
portraits. 


BENJAMIN FRANKLIN. — (1706-1790; American 
philosopher, statesman, diplomat, and author.) Life- 
size, to the waist; he wears a red coat with brown fur 
collar. One of several replicas. 

H. 272 in. W. 224 in. Canvas, oval. Inscribed on 
back of canvas, possibly by the artist: Peint par 
Duplessis, pour obliger le Vicomte De Buissy. 

Gift of George A. Lucas, 1895. 


JuLes. French (Barbizon); born 1811 at Nantes; died 
1889 at L’Isle-Adam, near Paris. As a youth he was a 
decorator in a porcelain factory. Studied painting under 
Laugée and Pils in Paris. Landscapes. 


THE OLD OAK. The tree is at the right near a dark 
pool of water; beyond are meadow lands where two cows 
are grazing. 

H. 32 in. W. 253 in. Canvas. Signed: Jules Dupré. 
Bequest of Catharine Lorillard Wolfe, 1887. 


THE HAY WAGON. The wagon, with a woman and 
child seated on the hay, is being drawn over a sandy hill 
by a team of horses and a man is pushing the wagon; 
another man walks at the side of the team; stormy sky. 
Ex. coll.: W. T. Blodgett. 

H. 144 in. W. 18% in. Canvas. Signed: Jules Dupré. 
Bequest of Catharine Lorillard Wolfe, 1887. 


JuLien. French; born 1851 at Paris; died there 1910. 
Pupil of Pils, Laugée, and Lehmann. 


THE BALLOON. French peasants have stopped haying 
to look at a balloon floating in the sky; in the center 
stands a woman with a rake in her hands, and at the 
right is an old woman with a red kerchief on her head. 
H. 967 in. W. 782% in. Canvas. Signed: JULIEN 
DUPRE 1886. 

Gift of George I. Seney, 1887. 


gO 


DURAND 


DURAND, AsHer B. American; born 1796 at Jefferson Village, 


Do3-1 


Do3-2 


Do3-3 


Do3-4 
Gallery 
16 


Do3-5 


Do3-6 


N. J.; died there 1886. Self-taught. At first an en- 
graver but after 1835 devoted himself entirely to 
landscape painting. 


LANDSCAPE. A stream runs in the foreground with 
figures on the shore at the right and cattle grazing at 
the left; groups of trees beyond and mountains in the 
distance. 

H. 322 in. W. 47% in. Canvas. Signed: A. B. Durand 
1853. 

Bequest of Mrs. Sarah Ann Ludlum, 1877. 


JUDGMENT OF GOG. (Fulfilment of the prediction 
according to Ezekiel, xxx1x, 4.) The valley of Hamon- 
Gog, where the troops of Gog, the prince of Rosh, Mes- 
hech, and Thubal, are being overthrown. 

H. 60% in. W. 502% in. Canvas. 

Gift in memory of Jonathan Sturges by his children, 


1895. 
IN THE WOODS. A brook winds between birches. 
H. 60% in. W..48% in. Canvas. Signed: A. B. Durand, 


1855. 
Gift in memory of Jonathan Sturges by his children, 


1895. 


ARIADNE. (A copy after the large painting by Van- 
derlyn which is in the Pennsylvania Academy of the 


Fine Arts in Philadelphia. This copy was made by 


Durand before executing the etching.) Full-length, nude, 
lying on the ground with a white and red drapery beneath 
her; landscape and sea in the background. 

H. 173 in. “W. 19% in. Canvas. 

Gift of Samuel P. Avery, 1897. 


IMAGINARY LANDSCAPE. At the right are trees 
with high mountain peaks beyond; at the left is a valley 
with a winding river in the distance and a flock of sheep 
coming toward the foreground. 

H. 39% in. W. 61 in. Canvas. 

Gift of J. Pierpont Morgan, Iogr!. 


THE BEECHES. In the foreground at the left is a 
group of beeches; a road winds through the picture and 
in the middle distance are a flock of sheep and the shep- 
herd; a lake is beyond. 


Ol 


D93-7 
Gallery 
16 


DURER, 


Do3 1-1 
Gallery 
37 


Do3 1-2 
Gallery 
34 


DURAND—DURER 


H. 60% in. W. 483% in. Canvas. Signed: A B DU- 
RAND 1845. Bulletin, 1915, p. 64; ill. p. 65. 

Bequest of Maria De Witt Jesup, from the collection of 
her husband, Morris K. Jesup, 1915. 


SUMMER AFTERNOON. In the foreground at the 
left is a lake; on the far bank at the right are large trees 
beneath which cattle are grazing; two cows wade in the 
water. 

H. 224 in. W. 35 in. Canvas. Signed: A B Durand 
1865. Bulletin, 1915, p. 64; ill. p. 66. 

Bequest of Maria De Witt Jesup, from the collection of 
her husband, Morris K. Jesup, 1915. 


ALBRECHT. German; born 1471 at Nuremberg; died 
there 1528. He was apprenticed in 1486 to Michel 
Wolgemuth. Painted portraits and devotional pictures 
and is also noted as an engraver and etcher. 


MADONNA AND CHILD WITH SAINT ANNE. St. 
Anne, with fixed look, her head and chin covered with a 
white drapery, holds the sleeping Christ Child on her lap 
and rests her left hand on the Virgin’s shoulder; Mary, 
her head lower than St. Anne’s, with half-closed eyes and 
joined hands, adores the Child. Several similar com- 
positions by Diirer exist; Waagen mentions ten. An 
exact study for this St. Anne is in the Albertina at Vienna. 
In the middle of the nineteenth century this picture was 
the subject of discussions as to its authenticity; it is 
listed as by Direr in the monograph on this artist by 
Moritz Thausing, who reports the arguments. 

Ex coll.: Royal Gallery at Schleissheim; Joseph Otto 
Entres, Munich; Jean de Couriss, Odessa. 

H. 232 in. W. 1944 in. Wood. Monogrammed: AD 
1519. 

Bequest of Benjamin Altman, 1913. 


VIRGIN AND CHILD. The Virgin is blonde and 
rather fat; the nude Child crouches on her lap, holding 
her left thumb in His right hand. She leans over Him 
and lifts with her right hand the white cloth on which He 
sits. Her dress and shawl are both salmon colored; a 
white chemisette shows at her throat; brown back- 
ground with delicate yellow rays from the Virgin’s head. 
H. 11 in. W. 844 in. Wood. Signed: 1516 AD. 

Gift of J. Pierpont Morgan, 1917. 


Q2 


DE LCH SCHOOL— DYCK 


DUTCH SCHOOL; Seventeenth Century. 


Do5S-1 


A BURGOMASTER. Life-size figure, seen to the knees, 
seated at a table, writing; he has gray hair, beard, and 
moustache, and wears a narrow white ruff and a dark coat 
with leopard skin collar; his gloves are in his left hand. 
H. 423 in. W. 3038; in. Wood. 

Gift of Henry G. Marquand, 1888. 


DUVENECK, Frank. American; born 1848 in Covington, Ky.; 


Do5 1-1 
Gallery 
16 


died 1919 in Cincinnati, Ohio. Studied in Cincinnati 
and spent several years in Munich, where he studied under 
Dietz and was influenced by Leibl. Portraits and figure 
subjects. 


PORTRAIT OF AN OLD WOMAN. Half-length 
seated figure seen to the waist, her hands folded in her lap. 
She is an old peasant woman with many wrinkles and 
thin white hair; she wears a brown cloak over a gray shawl. 
H. 352 in. W.27in. Canvas. Signed: F Duveneck 
Munchen. 

Purchase, Morris K. Jesup Fund, 1923. 


DUVERGER, THEOPHILE EMMANUEL. French; born 1821 at 


Do52-1 
SEW 


Bordeaux; died 1901 (?). 


FEEDING THE BIRD. A kitchen with a little girl 
kneeling on the red tiled floor beside a large bird-cage; 


Stairway a woman is seated at the right, sewing. 


H. 122 in. W. 92% in. Wood. Signed: DUVERGER. 
Bequest of Catharine Lorillard Wolfe, 1887. 


DYCK, AnTHoNy VAN. See Van Dyck. 


93 


LE 


EAKINS, Tuomas. American; born 1844 at Philadelphia; died 


Ea5-1 
Gallery 
12 


Ea5—2 
Gallery 
12 


Ea5-3 
Gallery 
i2 


Fa 5-4 
Gallery 
12 


there 1916. Pupil of the Pennsylvania Academy of the 
Fine Arts; Ecole des Beaux-Arts in Paris under Géréme 
and Bonnat. 


THE CHESS PLAYERS. An interior with two men 
seated at a table; a third stands watching the game. 

H. 112 in. W. 162 in. . Wood. Inscribed: BENJAMINI 
EAKINS, FILIUS, PINXIT, 18706. 

Gift of the artist, 1881. 


PUSHING FOR RAIL. (The name given by sports- 
men to a method of hunting rail, a kind of water-bird, 
whereby the hunter is punted along the shallow waters 
of marshy streams and shoots the birds as they fly on 
being disturbed.) Three hunters, each with his boat- 
man, are in three boats which are hidden by weeds. 

H. 13 in. W. 30745 in. Canvas. Signed: EAKINS 74. 
Purchase, Arthur Hoppock Hearn Fund, 1916. 


THE WRITING MASTER. Portrait of the artist’s 
father, engrossing a parchment diploma on a table, the 
top of which shows at the lower edge of the canvas. He 
is a man of about seventy with bald forehead, thin white 
hair, and white chin beard; he has strong wrinkled hands, 
capable of sensitive and most delicate work. His coat 
is black and the background is dark. 

H. 30 in. W. 344 in. Canvas. Signed: EAKINS 82. 
Bulletin, 1917, p. 218, ill.; 1918, p. 25. 
Purchase, Kennedy Fund, 1917. 

THE THINKER. Life-size, full-length, standing figure 
of a nervous man of about forty. He is clean shaven, has 
black hair, and wears glasses. He stands three-quarters 
to right, with feet apart, head tipped somewhat for- 
ward, and his hands in his trousers pockets—the attitude 


04. 


Ea5-5 
Gallery 
aL 


EARLE, 


Ea7-1! 
Gallery 
16, . 


EAKINS — EKSERGIAN 


of one lost in thought. His black clothes fit him loosely; 
the background is light. 

H. 82in. W. 42 in. Canvas. Signed: Eakins 1900. 
Bulletin, 1917, p. 218, ill.; 1918, p. 25. 

Purchase, Kennedy Fund, 1917. 


PORTRAIT OF A LADY WITH A SETTER DOG. 
(The artist’s wife.) A lady in a light blue silk dress and 
red stockings is seated in a studio holding a Japanese 
picture book in her lap. On an oriental rug beside her 
chair lies a big setter dog. Both are looking at the 
spectator. 

H; 30 in. .W.231n. Canvas. -Bulletin, 1923, p. 281. 
Purchase, Fletcher Fund, 1923. 


RatpH. American; born 1751 in Worcester County, 
Mass.; died 1801 at Bolton, Conn. At first an itiner- 
ant portrait painter; after the War of the Revolution went 
to London, returning to the United States probably in 1786. 
Signed sometimes Earl but more frequently Earle. 


LADY WILLIAMS. Life-size, seated portrait, seen 
to below the knees; she is dressed in white and holds a 
baby girl on her lap; the child has a blue sash and blue 
ribbons on her cap; at the left is a mahogany table with 
an inkstand. 

H. 504 in. W.392in. Canvas. Signed: R Earl Pinxit 
1783(?). Bulletin, 1906, p. 83, ill. 

Purchase, Rogers Fund, 1906. 


EECKHOUT, GERBRANDT VAN DEN. Dutch; born 1621 at Amster- 


Fel-1 
Gallery 
14 


dam; died there 1674. Pupil and imitator of Rembrandt. 


DESTRUCTION OF SODOM AND GOMORRAH. 
Clouds of smoke rise to right and left; between are seen © 
the burning cities and panic-stricken people; in the fore- 
ground Lot is escaping accompanied by two angels and 
behind him are his wife and her attendants. 

H, 14in. W. 2075 in. Wood. 

Gift of George A. Hearn, 1906. 


EKSERGIAN, Carnic. Armenian; born 1859 at Constantinople; 


Ek7-1 


studied there and in Paris; lives in New York. 


ISAAC D. FLETCHER. (1844-1917.) Standing, three- 
quarters-length, full-face. Mr. Fletcher is shown at the 


~ age of seventy; he wears a black coat and tie. 


95 


EKSERGIAN — EMMET 


H. 4o in. W. 30 in. Canvas. Signed: C. Eksergian 1914. 
Mr. and Mrs. Isaac D. Fletcher Collection. 
Bequest of Isaac D. Fletcher, 1917. 


ELLIOTT, Cuartes L. American; born 1812 at Scipio, N. Y.; 


El5—1 


El5—2 


El5-3 


El5—4 


died 1868 at Albany, N. Y. Pupil of Trumbull and 
Quidor; spent the greater part of his life in New York 
City. Portraits. 


PORTRAIT OF THE ARTIST. Life-size, bust; he 
has dark hair, falling nearly to the shoulders, and a full 
beard. 

H. 30% in. W. 243 in. Canvas. 

Gift of Robert Hoe, 1888. 


M.B. BRADY. ( ? ~-1896; historical photographer.) 
Life-size, to the waist; he has dark hair and beard. 
Painted in 1857. 

H. 24 in. W.20in. Canvas. 

Gift of friends of Mr. Brady, 1896. 


CALEB GASPER. (1790-1877; of Marcellus, N. Y.) 
Life-size figure, seated in a red chair and seen to the 
waist; his hair is slightly gray. 

H. 33} in. W. 25 in.- Canvas, oval Signedse@ieL: 
Elliott 1852. 

Gift of Mrs. Henry Marquand, 1897. 


MRS. JAMES CLINTON GRISWOLD, (1830-1897; 
she was Laura Gasper, daughter of Caleb Gasper.) 
Life-size figure, seen to the knees; she is seated on a red 
drapery and dark trees form the background; she wears 
a thin white dress and her hair is parted and drawn 
back. 

H. 363 in. W. 29% in. Canvas. Signed: Elliott 1854. 
Gift of Mrs. Henry Marquand, 1897. 


ELTEN, KRUSEMAN VAN. See Kruseman. 


EMMET, Eten G. (Mrs. William Blanchard Rand.) Ameri- 


Em6-1 
Gallery 
12 


can; born 1876 in San Francisco; lives in New York 
City. Studied in New York and Paris. Portraits. 


AUGUSTUS SAINT-GAUDENS. (1848-1907; Amer- 
ican sculptor.) Life-size, seated, seen to below the 
knees; the face is in profile, the left elbow rests on the 
arm of the chair, and the raised left hand holds the eye- 
glasses. 


96 


Em6-2 
Gallery 
38 


Pavia | —KRNGEEBREGHTSEN 


Eiso.im. )W.30 In. Canvas. 
Purchase, Rogers Fund, 1904. 


BENJAMIN ALTMAN. (1840-1913; New York mer- 
chant, art collector, and philanthropist. He bequeathed 
his art collection to the Museum.) Life-size, full-length, 
seated figure. 

H. 447 In. W. 334 1n. Canvas. Signed: Ellen Emmet 
Rand, 1914. 

Gift of the Executors of the Estate of Benjamin Altman, 
1914. 


ENGELBRECHTSEN, Cornetis. Dutch; born 1468(?) at Ley- 


En3-1 
Gallery 
33 


En35-1 


En3S-2 


den; died there 1533. 


CRUCIFIXION. Christ is on the cross in the center 
of the picture with three angels, represented in blue 
monochrome, holding chalices to catch the blood from 
His wounds; at the right and left are the crucified thieves. 


* In the foreground at the left stand the Virgin in a black 


robe and St. Peter in a gray robe and green mantle; 
at the right stand St. John in red and St. Margaret in 
yellow with the dragon at her feet. In the immediate 
foreground the donors are kneeling at prie-dieux; the 
man, wearing a black fur-lined robe with red undersleeves, 
is at the left; the woman, attired in the garb of a nun, is 
on the opposite side. Landscape background with a 
river and blue hills in the distance. 

H. 244 in. W. 353°s in. Wood. 

Gift of Frederic Coudert, 1888. 


SCHOOL OF ENGELBRECHTSEN. 


ECCE HOMO. A city square with a raised platform 
at the left where Christ stands with hands bound and 
wearing the crown of thorns; in the foreground at the 
right are soldiers and other men. This and the following 
panel were originally part of the same altarpiece; on the 
back of each a single figure is painted in grisaille. 

H. 164 in. W.82in. Wood. 

Gift of Ferdinand Hermann, 1911. 


DESPOILMENT OF CHRIST. In the foreground a 
man is removing Christ’s cloak; at the left the Virgin 
is supported by St. John; landscape background with 
towers of a castle on a hill in the distance. 

H. 164 in. W. 821in. Wood. 

Gift of Ferdinand Hermann, 1911. 


97 


RSCALLIER=EYCK 


ESCALLIER, ELfonore. French; born at Poligny; died 1888 


EsI-1 
Ss. W. 
Stairway 


Es1-2 
S. W. 
Stairway 


in Paris. Pupil of Ziegler; she was a flower painter at 
the government porcelain factory at Sévres. 


A BASKET OF FLOWERS. In a basket and on the 
ground are pink roses and other cut flowers. 
H. 294 in. W. 233 in. Canvas. Signed: E. Escallier. 
Bequest of Catharine Lorillard Wolfe, 1887. 


CHRYSANTHEMUMS. Long. stalks of white and 
pink chrysanthemums in a dark blue vase are placed in 
front of a black and gold lacquered box; a red drapery 
is at the left; two birds peck the flower stems. 

H. 282 in. W. 234 in. Canvas. Signed: E. Escallier. 
Bequest of Catharine Lorillard Wolfe, 1887. 


ESCOSURA, Léon Y. Spanish; born 1834 at Oviedo; died 


EsriI-!I 


1901 at Toledo. Pupil of the Royal Museum at Madrid; 
Géréme in Paris. 


AUCTION SALE IN CLINTON HALL, NEW YORK 
CITY, 1876. A sale of bric-a-brac is being held. 

H. 22,5, in. W. 3131in. Canvas. Signed: Leon Y Es- 
cosura 1876. 

Gift of the artist, 1883. 


ETTY, Wiruiam. British (English); born 1787 at York; died 


Et7-1 
Gallery 
24 


there 1849. Pupil of the schools of the Royal Academy 
in London and of Sir Thomas Lawrence. 


THE THREE GRACES, A study ora ireesspans 
nude, standing female figures. 

H.224in. W.18%in. Cardboard. Bulletin, 1906, p. 65.- 
Purchase, Rogers Fund, 1906. f 


EYCK, JAN Van. See Van Eyck. 


98 


i 


FABER, CONRAD; known as Conrad von Creuznach, also as 
Master of the Holzhausen Portraits. German; born prob- 
ably at Creuznach. Worked at Frankfort from 1525 to 
1551, where he was the portrait painter of the patricians 
of the town. Usually signed C v C. 


Fi-1! PORTRAIT OF A MAN. (According to Friedlander 
Gallery this is a portrait of George von Rhein zum Mohren. 
34 The St. George on the dagger and the Moor on the ring 

gave the clue.) Standing figure, seen to the waist; the 
left hand, on which are two rings, holds the handle 
of a dagger which has a gold inlay showing St. George 
and the Dragon; he has a square-cut, brown beard; 
he wears a black cap over a yellow skull cap, a gathered 
white shirt with gilt collar, and a gold link chain which 
falls inside his coat. Landscape background with towns 
and vineyards carefully drawn and the Rhine beyond 
with distant hills crowned with castles. 
Ex coll.: G. E. Dering. 
H. 207 in. W. 1438 in. Wood. Bulletin, 1912, p. 136, ill. 
Purchase, Kennedy Fund, 1912. 


FAES, PETER VAN DER. See Lely. 


FALERO, Luis. Spanish; born 1851 at Granada; died 1896 at 
London. Studied in Paris. 


Fi8-1 TWIN STARS. Two female figures in diaphanous 
S.. W. black drapery cling to each other in mid air and point 
Stairway to two stars above them; dark blue night sky. 

H. 164 in. W. 84 in. Water color. Signed: FALERo. 

-Paris 1881. 

Bequest of Catharine Lorillard Wolfe, 1887. 


FANTIN-LATOUR, Icnace HENRI JEAN THEODORE. French; 
born 1836 at Grenoble; died 1904 at Buvé. Pupil of his 


99 


FANTIN-LATOUR—FIORENZO DI LORENZO 


father, Théodore Fantin la Tour, and of Lecoq de Bois- 


baudran. 
F21-1 PORTRAIT OF A LADY. Life-size, seated, seen to 
Gallery below the knees; she is dressed in black and wears tur- 
i quoise jewels. 


F21-2. AN ATELIER AT BATIGNOLLES. (Sketch for the 
picture in the Luxembourg Museum.) Manet at the 
easel is painting the portrait of the poet Astruc, sur- 
rounded by his friends, Monet, Renoir, Bazille, and 


FICHEL, BENJAMIN EUGENE. 


H. 393 in. W. 32 in. Canvas. Signed: Fantin. 
Bulletin, 1910, p. 123, ill. 
Purchase, Wolfe Fund, rgro. 


others. 


H. 113 in. W.153 in. Charcoal and oil paint on paper. 


Signed: Fantin. Bulletin, 19109, p. 138. 


Gift of Mrs. Helena M. Loewel in memory of Charles 


W. Kraushaar, 19109. 


there 1895. Pupil of Paul Delaroche. 


F44-1 A VIOLIN PLAYER. Standing figure of a man in a 
red coat. 

H. 844 in. W: 42 in. Wood. Signed: E. FICHEL. 

1971. 

Beate of Stephen Whitney Phoenix, 1881. ; 
F44-2, AWAITING AN AUDIENCE. The reception room 
S. W. of a palace with a cardinal and many courtiers in the 


Stairway costume of the end of the eighteenth century. 


H. 193 in. W. 312 in. . Wood: Signed ere 


1873. 
Bequest of Catharine Lorillard Wolfe, 1887. 


FIESOLE, Giovanni DA. See Angelico. 


FILIPEPI, Sanpro. See Botticelli. 


FIORENZO DI LORENZO. 


Fs1-! THE NATIVITY. The Child lies on the ground while 
Gallery the Virgin kneels at the right and St. Joseph at the left; 
31 immediately behind the group is a grotto within which 


100 


French; born 1826 at Paris; died 


Italian (Umbrian); born about the 
middle of the fifteenth century at Perugia; died after 
1521. Pupil of Mezzastris and Bonfigli; influenced by 
Benozzo Gozzoli, Antonio Pollaiuolo, and Verrocchio. 


FIORENZO DI LORENZO — FLAGG 


are the ox and the ass and above it are two small angels 
kneeling on a cloud and holding a scroll; landscape back- 
ground. 

H. 11g in. W. 263 in. Temperaon wood. Bulletin, 1907, 
p. 24, ill. ; 

Purchase, Rogers Fund, 1906. 


FIRMIN-GIRARD, Marie Frangois. French; born 1838 at 


F51I-I 


Poncin, Ain; lives in Paris. Pupil of Gleyre. 


A RAINY DAY IN PARIS. Two ladies are walking 
under an open umbrella near the book-stalls which line 
the quays beside the Seine. 

H. 94 in. W. 7% in. Wood. Signed: FIRMIN-GIR- 
ARD. 1870. 

Bequest of Thomas P. Salter, 1907. 


FITZ, RUTHERFORD BENJAMIN. American; born 1855 at New 


F57-1 


York City; died there 1891. Studied at the National 
Academy of Design in New York; also in Munich. 


MARIE. Life-size, almost to the waist; a yellow scarf 
is draped about her shoulders. 

H. 23 in. W. 1675 in. Canvas. Signed: Fitz. 

Gift of several gentlemen, 1802. 


FLAGG, CuarLes NoEL. American; born 1848 at Brooklyn, New 


F59-1 


York; died 1916 at Hartford, Conn. Pupil of L. Jacques- 
son de la Chevreuse in Paris. 


MARK TWAIN. (Samuel L. Clemens, 1835-1910; 
American author.) 

H. 40; in. W. 32% in. Canvas. Signed: Charles Noél 
Flagg 1890. 

Gift of Miss Ellen Earle Flagg, 1917. 


FLAGG, Montacue. American; born 1842 at Hartford, Conn.; 


F5oi-! 
Gallery 
12 


died 1915 in New York City. Pupil of Jacquesson de 
la Chevreuse in Paris; most of his professional life was 
spent in New York. 


PORTRAIT OF MY WIFE. The figure is seen to the 
waist; her hair is parted and drawn over the ears; she 
wears a simple black dress, slightly open at the throat. 
H. 267 in. W.22 in. Canvas. Signed: MONTAGUE 
FLAGG. 

Gift of Charles Noél Flagg, A. N. A., through his daugh- 
ter, Ellen Earle Flagg, 1917. 


IOI 


/ 


/ 


F5Q1-2 


FLAGG — FLEMISH SCHOOL 


CHARLES FOSTER. The figure is seated to the right 
and seen to the waist. He has reddish brown hair parted 
in the middle and moustache and imperial; his hands are 
clasped on his lap. 

H. 32 in. W.252 in. Canvas. Signed: Montague Flagg, 
1882. 

Gift of Charles Foster, 1919. 


FLEMISH SCHOOL. 


F162S-1 


Fl62S—5 
Gallery 


34 


F162S-6 
Gallery 
26 


Fl62S-7 


TEMPTATION OF SAINT ANTHONY. | Fantastic 
landscape with small figures. St. Anthony is reading at 
a desk; about him are witches, devils, and grotesque - 
animals. Previously attributed to Pieter Bruegel the 
Younger. Seventeenth-century work. 

H. 2274, in. W. 162 in. Wood. 

Gift of Edward Robinson, 1874. 


SCENES FROM THE LIFE OF A SAINT. At the 
left a youth stands in the choir of a partially finished 
church where there are three priests and several choir 
boys. In the background at the right, the same young 
man is in the street, distributing alms. Previously 
attributed to Herri met de Bles. Early sixteenth-century 
work. Related, according to Friedlander, to his Group 
A of the Antwerp Mannerists of 1520. 

H. 333° in. W.23in. Wood.. Bulletin, 1909, p. 25, ill. 
Purchase, Rogers Fund, 1908. 


PORTRAIT OF A MAN. (According to tradition this 
is a portrait of John Lilburne, the English political 
agitator; 1614 (?)-1657.) Life-size, seen to the waist; his 
dark brown hair falls over a broad, flat white linen collar. 
Seventeenth-century work. 

Ex coll.: Gilmor. 

H. 274 in. W. 214 in. Canvas. Bulletin, 1909, p. to. 
Gift of Mrs. Wheeler Smith, 1908. 


LIFE OF SAINT GODELIEVE. A polyptych. (Ac- 
cording to the legend, Godeliéve, a pious young maiden, 
became the wife of Bertolf, who lived at Ghisteles, 
Flanders, from 1067 to 1070; he soon tired of her and 
although she bore his maltreatment and that of her 
mother-in-law with Christian fortitude, he had her put 
to death. She was canonized in 1084. The name 
Godeliéve in Flemish means Love of God.) When open, 
the five panels illustrate her life. At the left she is 
playing with two young girls and her parents are in the 


102 


\v 


i*, 


x 


Fl62S-8 
_ VGallery 


34 


{Fl62S-9 


Fl62S—10 
Gallery 


34 


FLEMISH SCHOOL 


background; next she is giving alms; the central panel 
shows a feast being prepared by angels, the marriage 
ceremony, and her preparation for a religious life; in 
the right-hand panels she is being strangled by her 
husband’s hirelings and thrown intoa well. When closed, 
the doors show the donor and several saints. Painted to- 
ward end of fifteenth century. 

Ex coll.: Dollfus. 

H. 441n. Central panels: W.571in.; Wings each: 
W. 102in. Wood. Bulletin, 1912, p. 126, ill 

Purchase, Kennedy Fund, 1912. 


THE CAST SUPPER; THE FALLING: OF MANNA; 
MELCHIZEDEK AND ABRAHAM. A. triptych. 
The central panel depicts the Last Supper as taking 
place in a Flemish church. On the right is a landscape 
with Moses directing the gathering of the manna. At 
the left, Melchizedek is giving bread and wine to Abra- 
ham. On the outside of the wings are single figures of 
Adam and Eve. Previously attributed to Herri met de 
Bles. Antwerp Mannerist about 1520. Friedlander’s 
Group D. 

Center panel: H. 413 in. W. 28 in. Side panels each: 
H.413in. W.12in. (sight). Wood. Bulletin, 1909, p. 154. 
Gift of J. Pierpont Morgan, 1917. 


PORTRAIT OF A MAN IN WHITE FUR COAT 
AND CAP WITH FEATHER. An unfinished por- 
trait (only the under painting in brown and black being 
done) of a young man with slight moustache and beard; 
he wears a black hat with a feather and a fur coat over 
a tight-fitting doublet. 

H.7 in. W. 53 in. Wood. 

Gift of J. Pierpont Morgan, 1917. 


TRIPTYCH—MASS OF SAINT GREGORY; SAINT 
MICHAEL; SAINT JEROME. St. Gregory kneels at 
the altar with three priests in attendance; on the altar the 
figure of Christ holds his side in pain, and about him are 
the symbols of the passion. St. Michael in armor and a 
red cloak tramples on the devil; he holds an archbishop’s 
crosier in the right hand and the scales of judgment in 
the left. -Blue landscape background. St. Jerome in a 
red cloak holds the crosier and reaches down to the lion on 
his left, who holds up his paw with a thorn sticking in it. 
Landscape background. Late fifteenth-century work; 
school of Bruges. 


103 


i 


(7 | Fl62s—1t 
. { Gallery 


34 


, Fl62S-12 
/ Gallery 


D6, First 
Floor 


FLEMISH SCHOOL— FORTUNY 


Ex coll.: Ch. R. Ruhl, Cologne. | 

Center panel: H. 6; in. W.3in. Left panel: H. 6¢ in. 
W. 37 in. Right panel: H. 6¢in. W. 32in. Wood. 
Bequest of William H. Herriman, 1921. 

ADORATION OF THE MAGI. The Madonna is 
seated in the center holding the Child, who reaches for 
the gold vessel offered by the kneeling old king. To the 
left the negro king stands; at the right the third king is 
about to kneel. A landscape background in which the 
cavalcade of the kings is being unladen and given drink. 
Antwerp Mannerist about 1520. Friedlander places 
pictures in this style in his Group D. 

H. 273 in. W. 214 in. Wood. 

Bequest of Mrs. Helen L. Bullard, in memory of Harold 
C. Bullard, 1921. 


HEAD OF A LADY. Head and shoulders of a lady seen 
in alandscape. She is looking down; her cap is red and 
black and her dress red and gold brocade. 

H. 83 in. W. 62 in., round top. Panel. 

Bequest of Michael Dreicer, 1921. 


FLORIAN, Water. American; born 1878 at New York City; 


died there 1909. Pupil of Metropolitan Museum Art 
School under Twachtman and Herbert Morgan; Art 
Students’ League of New York; Julian and Colarossi 


‘Academies in Paris; studied in Spain and Holland. 


F66-1 
N. E. 
Stairway 


JOZEF ISRAELS. (Dutch painter; see Israels.) Life- 
size, seated figure, with palette and brushes held in his left 
hand; a characteristic pose, painted in Israel’s studio. 
H. 40 in. W. 30g in. Canvas. Signed: Walter Florian 
Holland—1903. 

Gift of Julian Florian, rort. 


FORTUNY, Mariano. Spanish ; born 1838 at Reus in Catalonia; 


F77-1 
Gallery 
18 


F77-2 
Gallery 
19 


died 1874 at Rome, Italy. Studied at the Academy of 
Barcelona; traveled in Morocco and the East. 


CAMELS REPOSING; TANGIERS. Four camels and 
their keeper; a wall forms the background. 

H. 73 in. W. 1475 in. Water color. Signed: Fortuny 
Tanger 1865. 

Bequest of Catharine Lorillard Wolfe, 1887. 


A SPANISH LADY. Life-size, standing figure, seen 
to the knees; the right hand holds the folds of her black 
silk dress; dark greenish background. 


104 


R773 


FORTUNY — FRANCIA 


H. 54in. W. 39% in. Canvas. Signed: M. Fortuny 
Roma 1865. 
Gift of Alfred Corning Clark, 18809. 


MOORS ON HORSEBACK. Three figures. 

H. 2in. W. 6in. Water color. Stamped: Fortuny 
within a circle. 

Bequest of Mrs. Martha T. Fiske Collord, in memory of 
Josiah M. Fiske, 1908. 


FOSTER, Ben. American; born 1852 at North Anson, Me.; 


F81-1 
Gallery 
15 


F81-2 
Gallery 
15 


lives in New York City. Pupil of Abbott H. Thayer in 
New York; Morot and Merson in Paris. Landscapes. 


IN THE CONNECTICUT HILLS. In the foreground 
a hillside with bare tree trunks; in the middle distance 
a cottage (the painter’s home) nearly hidden by trees; a 
hill forms the background. 

H. 41¢ in. W. 47% 1n. Canvas. Signed: Ben Foster. 
Bulletin, 1914, p. 151, ill. 

Purchase, Hearn Fund, 1914. 


LATE SUMMER MOONRISE. There are pastures 
divided by stone walls in a rolling country with a wood at 
the left and an orchard below. Hills beyond, over which 
the moon is painted emerging from a blue cloud-bank. 
Weeds in the foreground. 

H. 42% in. W. 483 in. Canvas. Signed: Ben Foster. 
Purchase, Arthur Hoppock Hearn Fund, 1917. 


FRANCAIS, Francois Louis. French; born 1814 at Plombiéres; 


F841-1 


died 1897 at Paris. Pupil of Gigoux and Corot. Land- 
scapes. 


GATHERING OLIVES. In the foreground is a tall 
tree from which a boy with a long pole is threshing olives; 
three girls are below at the left, gathering the fruit; 
in the distance are the heights and waterfalls of Tivoli. 
H.832in. W.52%in. Canvas. Signed: Frangais. 68. 
Gift of J. Montaignac, 1897. 


FRANCESCHINI, Batpassare. See Volterrano. 


FRANCIA; real name Francesco di Marco di Giacomo Raibolini; 


generally known as J] Francia. Italian (Bolognese); born 
about 1448 at Bologna; died there 1517. Apprenticed 
at first to a goldsmith, he was a successful die cutter, 
worker in niello, and engraver; in 1508 was Director of 


105 


FRANCIA — FRENCH SCHOOL 


the Mint. His painting was influenced by Lorenzo Costa, 
who worked in partnership with him. 


F844-1 FEDERIGO GONZAGA. (1500-1540; son of Gian 
Gallery Francesco Gonzaga, Marquis of Mantua, and Isabella 
37 d’Este; became Duke of ‘Mantua 1530 and ruler of 

Montferrat 1536.) Head and shoulders of a young boy 
who stands back of a window ledge and holds a dagger in 
his right hand; he has long brown hair and wears a black 
cap, a black doublet, and a jeweled chain with pearl pen- 
dant; landscape background. The portrait was painted 
for the boy’s mother and, according to the correspon- 
dence of Isabella d’Este with Francia, it was begun July 
29, 1510, and finished before August roth; it was painted 
at Bologna when the young prince visited his father in 
that city before going to Rome as a hostage to the Pope. 
Ex coll.: A. W. Leatham; Prince Jerome Bonaparte. 
H. 18,3; in. W.141n. Tempera on canvas, transferred 
from wood. 
Bequest of Benjamin Altman, 1913. 


F844-52 SAINT BARBARA. A round-faced young girl in a red 
Gallery gown and a blue cloak lined with green standing behind a 
30 parapet, holds the arrow of her martyrdom in her right 
hand, and in her left the tower with three windows sym- 
bolizing her faith. Landscape background. 
Ex coll.: Crespi, Milan. . 
H. 254 in. W.182 in. Wood. Signed: francia aurifex. 
Lent by C. C. Stillman in memory of his father, James 
Stillman, 1921. 


FRENCH SCHOOL. 


Fr88S-1 DUCHESSE DE MAZARIN. (1640-1699; Hortense 
Mancini, niece of Cardinal Mazarin, who inherited his 
wealth and titles.) A standing figure, seen to the knees; 
she wears an elaborate, low-necked dress of white satin em- 
broidered with yellow and a red cloak which she holds with 
both hands; in her hair are red and white feathers caught 
with pearls. At one time atrributed to Nicolaes Maes. 
H. 485%; in. W. 34% in. Canvas. 

Purchase, 1871. 
Fr88S-2 PORTRAIT OF FRANCIS I. (1494-1547; King of 
Gallery France.) Life-size figure, seen almost to the waist, head 


D6, First turned slightly to the left. He wears a richly embroid- 
Floor ered and slashed red doublet and dark cloak, and a flat 


106 


FRERE, 


F89-1 


F89-2 
Gallery 
18 


F89-3 
Gallery 
18 


FRERE, 


F891I-1 
Gallery 
18 


PrReNCch SCHOOUERIESEKE 


black cap with a white plume. He holds gloves in his 
right hand and a sword-hilt in his left. 

H. 19 in. W. 15; in. Panel. 

Bequest of Michael Dreicer, 1921. 


CHARLES THEODORE. French; born 1815 at Paris; 
died there 1888. Pupil of Cogniet and Roqueplan. 


DEPARTURE FROM JERUSALEM FOR JAFFA. 
At the right a group of camels; a city is in the distance. 
H. 113 in. W. 17} in. Wood. Signed: TH. FRERE. 
Bequest of Stephen Whitney Phoenix, 1881. 


CAIRO; EVENING. The bank of a narrow river with 
Egyptian women filling their water jars; at the left a 
drove of camels comes in single file across a bridge 
in the middle distance; tall palm trees, a mosque, and 
the city in the distance are pink in the sunset light. 

H. 292 in. W.434in. Canvas. Signed: TH. FRERE- 
AULZCAIRE, EGYPTE: 

Bequest of Catharine Lorillard Wolfe, 1887. 


JERUSALEM FROM THE ENVIRONS. In the fore- 
ground is an Arab encampment with tents, camels, and 
numerous figures; rolling hills are beyond with the city 
of Jerusalem in the distance. 

H.293 in. W.43in. Canvas. Signed: TH. FRERE- 
JERUSALEM TERRE SAINTE. 

Bequest of Catharine Lorillard Wolfe, 1887. 


PIERRE EDouarD. French; born 1819 at Paris; died 
1886 at Ecouen, where he had lived for forty years. 
Pupil of Delaroche and of the Ecole des Beaux-Arts. 


VISIT OF A SISTER OF CHARITY. A room in a 
cottage with a nun holding a child on her lap; the mother 
is kneeling and a little girl stands at the left. 
H. 20in. W. 16¢1n. Wood. Signed: P. Edouard Frére 1877. 
Bequest of Catharine Lorillard Wolfe, 1887. 


FRIESEKE, FREDERICK Cart. American; born 1874 at Owosso, 


Fo1-1 
Gallery 
12 


Mich.; lives in Paris. - Pupil of the Art Institute of Chi- 
cago; Benjamin-Constant, Laurens, and Whistler in Paris. 


THETOILET. Life-size figure of a young woman, partly 
dressed, seen to below the waist; she stands before a mirror 
with a handglass in her right hand; a blue bowl with red 
and purple flowers is on the dressing table at the right. 


107 


RRIESE KE aba 


H.31gin. W.312in. Canvas. Signed: F. C. Frieseke. 
Gift of Rodman Wanamaker, 1912. 


FROMENTIN, Eucéne. French; born 1820 at La Rochelle; 


Fo2-1 
Gallery 
17 


died 1876 at St. Maurice near La Rochelle. Pupil of 
Cabat; influenced by Marilhat; traveled in Algiers. 


ARABS CROSSING A FORD. A white horse with its 
rider is stepping out of a stream to the left bank where 
there are other mounted Arabs; rocky shores with a few 
trees. 

H.20in. W.2441n. Wood. Signed: Eug. Fromentin-73. 
Bequest of Catharine Lorillard Wolfe, 1887. 


FULLER, Georce. American; born 1822 at Deerfield, Mass.; 


Fo5-1 
Gallery 
16 


Fo5-2 
Gallery 
12 


Fo95-3 
Gallery 
16 


Fo5-4 
Gallery 
13 


died 1884 at Brookline, Mass. Pupil of H. K. Brown 
in Albany, N. Y.; studied in Boston; traveled, painting 
portraits; ideal work done during the later part of his life. 


NYDIA. (The blind girl in Bulwer-Lytton’s Last 
Days of Pompeii.) Life-size, standing figure, seen to the 
knees; she 1s enveloped in a thin white drapery which 
is held with both hands. 

H. 50 in. W. 327 in.. Canvas. Signed; Garuiier 
Gift of George I. Seney, 1887. 


HEAD OF A BOY. (Portrait of his eldest son.) Life- 
size head; the figure is lost in the brown background. 
H; 27201h.. «Wi Sze Canvas: 

Gift of George I. Seney, 1887. 


AND SHE WAS A WITCH. (Suggestion of the title 
taken from Shakespeare.) At the left a young woman, 
with one hand on the knob of the door of a cottage, turns 
with a startled look; three figures are at the extreme © 
right; beyond the house are trees and beneath them stands 
an old woman who watches the figure in the doorway. 
Hazy atmosphere and sunset sky. 

H. 30in. W.4oin. Canvas. Signed: G. Fuller. 

Gift of George I. Seney, 1887. 


THE QUADROON. Life-size figure of a young girl, 
seated in a cotton field with an overturned basket at 
her side; fields beyond with several women bending over 
as they pick. 

Ex coll.: Mrs. S. D. Warren. 

H. 503 in. W. 404 in. Canvas. Signed: G. Fuller. 
Bulletin, 1910, p. 108, ill. 

Gift of George A. Hearn, 19gIo. 


108 


Payal 


FYT, JAN. Flemish; born 1611 at Antwerp; died there 1661. 


Fo9-1 
Gallery 


27 


Fo9-2 
Gallery 


27 


Fo9-3 
Gallery 


ie) 


Pupil of Frans Snyders. Animal and still life. 


DEAD GAME. Partridges and woodcock are lying 
on the ground; a wicker basket is seen in the back- 
ground. 

H. 237 in. W. 30} 1n. Canvas. 

Ex coll.: W. Burger. 

Purchase, 1871. 


DEAD HARE AND BIRDS. Dead game on a flat 
basket; two woodcocks hang against the wall. 

H. 237 in. .W. 31 in. Canvas. 

Ex coll.: W. Burger. 

Purchase, 1871. 


DEAD PARTRIDGES. Dead game lying on the ground 
at the foot of an old tree. 

H. 18,3 in. W.1475 in. Canvas. Signed: Joannes Fyt. 
Purchase, 1871. 


109 


G 


GADDI, TappeEo. Italian (Florentine); born about 1300 at Flor- 


GII-I 
Gallery 
33 


ence; died there after 1366. Pupil of his father, Gaddo 
Gaddi, and of Giotto, whom he assisted for twenty-four 
years. 


MADONNA AND CHILD WITH SAINTS. An 
altarpiece in: five panels. In the center the Madonna, 
wearing a blue mantle, is seated on a white marble throne 
and the cloth of honor is upheld by two angels; the 
Child is seated on her knee and wears.a red dress and 
yellow cloak. Full-length, standing figures of St. John 
the Baptist and of St. Lawrence are at the left; at the 
right are those of St. James Major and of St. Stephen; 
each of the four panels has gold ground and ends in a 
pointed Gothic arch; the panels are separated by painted 
pilasters; in the spandrels are figures of the Evangelists; 
these were added toward the end of the fifteenth century. 
The name of each saint is inscribed on the base which 
extends across all the panels. 

Ex coll.: Galli-Dunn; Poggibonsi, Tuscany. 

H. 647 in. W. 113 in. over all. Tempera on wood. 
Bulletin, 1910, p. 252, ill. 

Purchase, Rogers Fund, 1910. 


GAINSBOROUGH, Tuomas. British (English); born 1727 at 


Gi2-! 
Gallery 
24 


Sudbury in Suffolk; died 1788 at London, where he 
had lived since 1774. Studied drawing with the engraver 
Hubert Gravelot and painting with Francis Hayman. 
Portrait painter; also landscapes. 


A CHILD WITH A CAT. (The child is supposed to 
be Jack Hill, the son of a woodman whom Gainsborough, 
toward the latter part of his life, took into his home, 
and frequently used as a model.) Full-length figure, 
standing at the edge of a pool; back of the child isa 


110 


Gi2-2 
Gallery 
14 


G12-3 
Gallery 
14 


G12-4 


G12-5 
Gallery 
24 


GAINSBOROUGH 


wooden fence; the cat is in the foreground at the left and 
a red cloak lies on the ground. Attributed by Roger Fry 
to Gainsborough Dupont; Armstrong lists it as by 
Thomas Gainsborough. 

Ex coll.: Sir W. Knighton. 

H. 59z in. W. 4734 in. Canvas. 

Gift of Henry G. Marquand, 1888. 


THE REVEREND HUMPHREY BURROUGHS. 
(Gainsborough’s mother was a Miss Burroughs and this 
is a portrait of her brother, who was master of the school 
at Sudbury which Gainsborough attended from his 
tenth to his fourteenth year.) Luife-size figure, seen to 
the waist; his hair is powdered and he wears a blue coat 
trimmed with gold braid. Painted within an oval. 
Ex coll.: Josephine Savill. 

Pieeo inn. W. 25 in. Canvas. 

Gift of George A. Hearn, 1896. 


ENGLISH LANDSCAPE. Hilly country with a road 
in the center along which a wagon and men are approach- 
ing; at the left a hill with sheep grazing on the slope and 
three cows standing on the crest; in the foreground at 
the right is a stream on the far bank of which are several 
asses; a cottage and a square tower are in the middle 
distance; bare mountains beyond. 

H. 472 in. W. 587 in. Canvas. Bulletin, 1914, p. 5, ill. 
Gift of George A. Hearn, 1906. 


PORTRAIT OF A MAN. Life-size, seen almost to 
the waist; the arms are folded and the face is nearly 
in profile to the left. Formerly incorrectly called a por- 
trait of Gainsborough. 

H. 282 in. W.242in. Canvas. Bulletin, 1906, p. 48, ill. 
Gift, 1906, of William T. Blodgett and his sister, Eleanor 
Blodgett, in memory of their father, William T. Blodgett, 
one of the founders of the Museum. 


THE PAINTER’S DAUGHTER, MARGARET. Head 
and shoulders of a young girl with the head three-quarters 
to the right; her hair is drawn back and held with a black 
velvet ribbon tied on top with flowers; square-cut, low- 
necked dress. This head of Gainsborough’s elder daugh- 
ter, Margaret (Peggy), is either a study for, or a replica 
of, one of the figures in the double portrait of his daughters 
in the Albert and Victoria Museum (South Kensington). 
London; painted about 1757-58. 


III 


G12-7 
Gallery 
24 


G12-8 


G12-9 
Gallery 
24 


GAINSBOROUGH — GALLAIT 


H. 18;°, in. W. 1442 in. Canvas. Bulletin, 1915, p. 
94, ill. 

Bequest of Maria De Witt Jesup, from the collection of 
her husband, Morris K. Jesup, 1915. 


MISS SPARROW. Life-size bust in an oval, three- 
quarters to the left. Her hair is powdered and piled 
high on the top of her head, but two curls hang down, 
one on each shoulder. She wears a low-cut white corsage 
with a brooch and pendent jewel and blue sleeves with 
an ermine trimming over the shoulders. 

Ex coll.: Sir George Donaldson; Louis Huth. 

H. 30 in. W. 25 in. Canvas. 

Mr. and Mrs. Isaac D. Fletcher Collection. 

Bequest of Isaac D. Fletcher, 1917. 


WOODLAND SCENE. A woodman has unhitched 
his horse, shown standing behind the cart; brown foliage 
about them and a pool in the right foreground. 

H. ot in. W. 1235, in. Water color. Signed: T. G. in 
monogram. 

Mr. and Mrs. Isaac D. Fletcher Collection. 

Bequest of Isaac D. Fletcher, 1917. 


MRS. GRACE DALRYMPLE ELLIOTT. Full-length, 
standing figure facing to the right; she wears a gold and 
white satin gown, the train of which she has caught up 
over her left arm. The waist is tight-fitting and cut 
square at the neck; she wears a narrow black ribbon tied 
around her throat. Her hair is powdered and dressed 
high in the fashion of the time. A portrait by Reynolds 
of the sitter’s daughter, Georgiana Elliott, is owned by 
the Museum (R33-11). 

Ex coll.: Marquis of Cholmondley, Houghton Hall. 

H. 92; 1n. W. 603 in. Canvas. Bulletin, 1920, p. 270. 
Bequest of William K. Vanderbilt, 1920. 


GALLAIT, Louis. Belgian; born 1810 at Tournai; died 1887 


G13-I 
Gallery 
18 


at Brussels. Pupil of the Tournai Academy under 
Hennequin. 


THE MINSTREL BOY. An old man ina ragged green 
coat, seated and seen to below the knees, holds on 
his lap a half-clad boy whose head is bandaged; a violin 
rests against the boy’s knee and a dog licks his hand. 
H. 18,3; in. W.142 in. Wood. Signed: Louis Gallait 1867. 
Bequest of Catharine Lorillard Wolfe, 1887. 


112 


GAROFALO — GAY 


GAROFALO; real name Benvenuto Tisio. Italian (Ferrarese); 


GI19-1 
Gallery 
30 


G19-2 
Gallery 
30 


born 1481 at Ferrara; died there 1559. Studied with Do- 
menico Panetti at Ferrara, with Boccaccino at Cremona, 
and with Giovanni Baldini in Rome; strongly influenced 
by Lorenzo Costa with whom he worked in Bologna, by 
the brothers Dossi in Ferrara, and by Raphael whom 
he met in Rome. 


SAINT NICHOLAS ASKED TO REVIVE A DEAD 
CHILD. -St. Nicholas of Tolentino (1246?-1306) stands 
at.the right in the doorway of a monastery; before him 
kneels a woman with a dead child in her arms; behind 
her stand a number of men and women. 

Ex coll.: Duke of Leuchtenberg, Munich. 

H.131n. W.26in. Canvas. 

Gift of J. Pierpont Morgan, 1917. 


SAINT NICHOLAS REVIVING THE BIRDS. A 
room with the Saint lying in a bed which has a red cover- 
let; at the right two monks are carrying dishes and one 
of them holds out a bowl with two birds which are being 
restored to life by the Saint’s benediction’ at the left 
are four other monks of the order. 

Ex coll.: Duke of Leuchtenberg, Munich. 

Piers i.) WV. 20 In. Canvas, 

Gift of J. Pierpont Morgan, 1917. 


GAUGENGIGL, IcGNAz MarceL. American; born 1855 in Ba- 


G23-1 


varia; lives in Boston. Pupil of Munich Academy. 


A DIFFICULT QUESTION. An interior with two 
men in seventeenth-century costumes examining an 
object of art and consulting books. Inscribed: UNE 
QUESTION DIFFICILE. 

H. 12in. W. 16 in. Wood. Signed: I. M. GAUGENGIGL 
1883. 

Bequest of Mrs. Martha T. Fiske Collord, in memory 
of Josiah M. Fiske, 1908. 


GAY, Epwarp. American; born 1837 at Dublin, Ireland; came 


G25-1 


to the United States in 1848 and settled at Albany, N. Y.; 
lives at Mount Vernon, N. Y. Pupil of James M. Hart 
at Albany, N. Y.; Schirmer and Lessing at Karlsruhe, 
Germany. Landscapes. 


BROAD ACRES. A field of ripe grain with a narrow 
stream flowing at the right toward the foreground; 


113 


GAY — GELLEE 


in the distance at the left is a road and on a hill beyond 
is a white house. 

H. 484 in. W. 72 in. Canvas. Signed: EDWARD GAY-87. 
Gift of a group of gentlemen, 1887, 


GAY, WALTER. American; born 1856 at Hingham, Mass.; lives 


G25I-1 


G251-2 
Gallery 
Zo 


G251-3 
Gallery 
12 


GEUDER. 


G28-1 


in Paris. Pupil of Bonnat in Paris. 


THE SPINNERS. Les Fireuses. A kitchen with two 
old women in dull blue dresses, sitting near a fireplace; 
one is spinning. 

H. 424 in. W. 412 in. Canvas. Signed: Walter Gay 85. 
Gift of a friend, 1880. 


WILLIAM HENRY HUNTINGTON. (1820-1885; phil- 
anthropist; born at Norwich, Conn., but spent the latter 
part of his life in Paris. He bequeathed to the Museum 
a collection of miniatures, bronzes, and engravings of 
Washington, Franklin, and Lafayette.) Bust portrait 
with heavy brown hair and a full brown beard. 

H. 82 in. W.52in. Wood; carved frame with stand. 
Signed: Walter Gay. 

Gift of George A. Lucas, 1911. 


GREEN SALON. Bolseries VeERTEs. An alcove in 
the Louis XV style with green walls paneled with gilt 
mouldings; there is a commode of the period on which 
stands a terracotta group of two cupids playing and on 
each side is a figurine in faience. It is a room in the 
artist’s home, the Chateau de Brian, near Melun. 

H. 257’5 in. W.214in. Canvas. Signed: Walter Gay. 
Bulletin, 1912, p. 220. 

Purchase, Rogers Fund, 1912. 


, AERT DE. Dutch; born 1645 at Dordrecht; died there 
1727. Pupil of Samuel van Hoogstraten and, about 
1660, of Rembrandt in Amsterdam. 


PORTRAIT OF A MAN. Life-size, seated figure, seen 
almost to the knees; he wears a scarlet coat and steel 
breastplate and helmet; his right hand grasps the arm 
of the chair; a wooden arm and hook are attached to 
the stump of his left arm. Attributed to Ferdinand Bol 
by Bredius. 

H. 4075 in. . W. 35% ins -Canvas: 

Purchase, 1871. 


GELLEE, Ciaupe. See Claude Lorraine. 


114 


GENTH— GERMAN SCHOOL 


GENTH, Litiian. American; contemporary; born at Philadel- 


G28I-I 
Gallery 


15 


phia; lives in New York City. Pupil of Elliott Dainger- 
field at the Philadelphia School of Design for Women; 
Whistler in Paris. 


SPRINGTIME. Landscape with a young woman who 
drops her white drapery as she steps from a ledge of 
rock into a pool at the right of the picture; her extended 
arm rests on the branch of a tree. 

fe 30in. , W..30 in.. Canvas... Signed: L. M. Genth: 
Gift of George A. Hearn, 1910. 


GERICAULT, Jean Louis ANDRE THfopore. French; born 


G3-1 
Gallery 
sey 


1791 at Rouen; died 1824 at Paris. Studied with Carle 
Vernet and with Pierre Guérin; influenced by Gros. 
At first painted animals; later romantic subjects. 


THE RAFT OF THE MEDUSA. (The frigate Medusa 
sailed from France on June 17, 1816, for St. Louis, 
Senegal; on July 2, the vessel was wrecked and fifty-nine 
persons sought refuge on a raft; on the twelfth day the 
fifteen who were still living were picked up by the bark 
Argus.) This picture is a study for Géricault’s master- 
piece, the large painting Le Radeau de la Méduse, exhib- 
ited at the Salon in 1819, and now in the Louvre at Paris. 
Hero ine W. 237 in. Canvas. 

Purchase, Wolfe Fund, 1900. 


GERMAN SCHOOL; SIxTEENTH CENTURY. 


Nee 


G31S-14 


PORTRAIT OF AN ELECTOR OF SAXONY. Stand- 
ing figure, seen to below the knees; he wears a long red 
cloak lined with brown fur, over golden armor, and an 
embroidered yellow cap; below his long white beard a 
miniature of the Madonna and Child and the Order 
of the Eagle hang from a broad-linked chain. 

H. 303 in. W. 223 in. Canvas. 

Gift of Mrs. Laura Wolcott Lowndes in memory of 
her father, Lucius Tuckerman, 1907. 


PORTRAIT OF AN ELECTRESS,» OF: SAXONY. 
Standing figure, seen to below the knees and holding a 
rosary; she wears a yellow brocaded cloak trimmed with 
brown fur; the sleeves of the under dress are red and a 
dark blue apron shows in front; her headdress is white 
and gold; about her shoulders is a broad-linked chain from 
which hang a miniature of the Madonna and Child and 
the Order of the Eagle. 


115 


GERMAN SCHOOL — GIAMBONO 


H. 303 in. W. 224 in. Canvas. 
Gift of Mrs. Laura Wolcott Lowndes in memory of her 
father, Lucius Tuckerman, 1907. 


GEROME, Jean Léon. French; born 1824 at Vesoul; died 1904 


G3I1I-I 
Gallery 
17 


G311-2 
Gallery 
18 


G311-3 


G311-4 


at Paris. Pupil of Paul Delaroche whom he accompanied 
to Rome in 1844, and of Gleyre in Paris. Sculptor as 
well as painter. . 


BOY OF THE BISCHARI TRIBE. A side view of a 
nude dark-skinned figure, seen to the waist; his right 
arm is thrown over a polished steel shield and the left 
hand grasps the cross-hilt of a sword. . 
H.113in. W.82in. Canvas. Signed: J.L. GEROME. 
Bequest of Catharine Lorillard Wolfe, 1887. 


PRAYER IN THE MOSQUE OF AMROU; OLD 
CAIRO. (This mosque is the oldest religious edifice 
in Cairo, having been built by the Mohammedans in 
the first century of the Hegira, about 622 A. D.) Nu- 
merous Mohammedans in brightly colored robes and 
turbans stand in two long rows and all face to the left 
with hands raised in prayer; in the foreground at the 
right a Mussulman, dressed in red velvet and yellow 
silk, stands on a rug and behind him are two attendants. 
H. 35 in. W.2931in. Canvas. Signed: J.L.GEROME. 
Bequest of Catharine Lorillard Wolfe, 1887. 


COFFEE-HOUSE AT CAIRO. An interior with two 
men near a stone stove at the left;;a man seated on a 
wicker basket is preparing to smoke a hooka; a dervish 
is dancing and several men are seated against the wall 
in the background. 

H.213in. W.242in. Canvas. Signed: J] L GEROME. 
Bequest of Henry H. Cook, 1905. | 


FIGURES IN A MOSQUE. Two female figures are 
kneeling on the tiled floor, a manservant dressed in 
red and blue stands behind them; are all are in oriental 
costume. 

H.15in. W. 102in. Wood. Signed: J LGEROME. 
Bequest of Martha T. Fiske Collord in memory of Josiah 
M. Fiske, 1908. 


GIAMBONO; real name Michele Giovanni Boni. Italian (Ve- 


netian); born at Venice, the first mention of him being 
in 1420 and the last in 1462. A follower of Gentile 


116 


G34-I 
Gallery 
33 


GIAMBONO— GIFFORD 


da Fabriano, and influenced by Jacopo Bellini and An- 
tonio Vivarini. 


CHRIST RISING FROM THE TOMB. Nude figure, 
seen to the waist, standing in the tomb over the front of 
which hangs an embroidered white shroud; behind Him, 
at the left, kneels St. Francis receiving the stigmata. A 
similar picture 1s in the Padua Museum. 

Ex coll.: Signora Barbato, Naples. 

H. 212 in. W. 152 in. Tempera on wood. 

Purchase, Rogers Fund, 1906. 


GIANPIETRINO. Italian (School of Milan); beginning of the 


G34I-51 
Gallery 


30 


sixteenth century. Imitator of Leonardo da Vinci. 


MADONNA AND CHILD. The Madonna, in a red 
gown and a green cloak lined with orange, holds the nude 
Child in her arms; He plays witha red apple. Her brown 
hair is loose and she tilts her head to the left with a 
Leonardesque smile. Trees in the background and dis- 
tant blue mountains. 

Ex coll.: Crespi, Milan. 

H. 27% in. W.21%1n. Wood. 

Lent by C. C. Stillman in memory of his father, James 
Stillman, 1921. 


GIFFORD, R. Swain. American; born 1840 at Buzzards Bay, 


G36-1 


Mass.; died 1905 at New York City, where he had lived 
since 1866. Pupil of Albert van Beest in Holland. 


NEAR THE COAST. At the right is a half-dead wil- 
low; brownish brakes and ferns in the foreground; the 
sea beyond with a ray of sunlight. 

H. 324in. W.51¢in. Canvas. Signed: R. Swain Gifford. 
Gift of a group of gentlemen, 1885. 


GIFFORD, SANpForp R. American; born 1823 at Greenfield, 


G361-1 


N. Y.; died 1880 at New York City, which had been his 
home since 1844. Pupil of J. R. Smith and the National 
Academy of Design in New York; studied in Paris and 
Rome; traveled in Italy, Greece, Egypt, and the Rocky 
Mountains. Landscapes. 


NEAR PALERMO. At the right is the bay; at the 
left a broad white road follows the curve of the shore 
to the city of Palermo, which is in the distance at the 
foot of the mountains. 


117 


G361-2 
Gallery 
10 


G361-3 


G361-4 


GIFFORD— GIORDANO 
H. 84 in. W. 154 in. Canvas. Signed: S. R. Gifford 


73: 
Bequest of Thomas P. Salter, 1907. 


TIVOLI. A broad expanse of country with a stream 
running through the valley toward the foreground; 
woods are at the right with a road in the foreground 
where there are several peasants; buildings are on the 
heights at the left and water falls over numerous ledges; 
hazy autumn light throughout. : 

H. 262 in. W. 502% in. Canvas. Signed: S. R. Gifford 
1870. 

Gift of Robert Gordon, 1912. 


KAATERSKILL CLOVE. A view in the Catskill 
Mountains with a steep crag at the left, water in the 
valley, and mountains in the distance. 

H. 48 in. W. 39% in. Canvas. Signed: S R Gifford 
1862. Bulletin, 1915, p. 67; ill. p. 68. 

Bequest of Maria De Witt Jesup, from the collection of 
her husband, Morris K. Jesup, 1915. 


LAKE MAGGIORE. The lake is bathed in sunset 
light; the little boats, the rocky shore and islands are 
reflected in the still water. The distant mountains dis- 
appear in the evening mists. , 

H. 203 in. W.36in. Canvas. Signed on back: S. R. 
Gifford pinxit 1871. 

Gift of Colonel C. A. Fowler, 1921. 


GIORDANO, Luca. Italian (Neapolitan); born 1632 at Naples; 


G43-1 


died there in 1705. Pupil of Ribera; in Rome copied 
the works of Raphael, Michelangelo, and Caravaggio, 
and assisted Pietro da Cortona. From the rapidity 
with which he worked he was known as Fa Presto (Does 


Quickly). 


THE NATIVITY. In the foreground several women 
attend the Child, who is held by one seated woman 
while an elderly priest in rich vestments leans over and 
caresses the Child’s right hand; beyond is a balustrade 
behind which at the left the Mother is reclining on a bed 
surrounded by attending women; a building and sky 
form the background at the right. 

H. 803 in. W. 67% in. Canvas. Bulletin, 1906, p. 72. 
Purchase, Rogers Fund, 1906. 


118 


GIORGIO— GIOTTO DI BONDONE 


GIORGIO, FRANcEsco pi. Italian (Sienese); born 1439 at Siena; 


G43I-I 
Gallery 
31 


died there 1502. Pupil of Vecchietta. Served Count 
Federigo of Urbino as architect and engineer. 


A TRIUMPH. A lady wearing a brocaded gown the 
color of tarnished silver is seated on a golden chariot 


_drawn by two griffins and followed by two others. A 


chorus of blonde ladies clothed in brocades of dull metallic 
colors sing beside her car; some wear pearl necklaces and 
carry gloves. The background is a hilly landscape. 

Ex coll.: Alphonse Kann, Paris. 


-H. 153 in. W. 173°s in. Wood. Bulletin, 1921, p. 28. 


Purchase, Marquand Fund, 1920. 


GIORGIONE; Giorgio Barbarelli, usually known as Giorgione. 


G432-1 
Gallery 
37 


GIOTTO 


Italian (Venetian); born about 1478, probably at Castel- 
franco; died 1510 (?) at Venice. Pupil of Giovanni 
Bellini. 


PORTRAIT OF A MAN. Head and shoulders ofa 
man with long hair and full beard; the face is three- 
quarters to the right; the hands are raised in the act of 
pulling off the right glove. | 
Ex coll.: Walter Savage Landor; Grimani, Venice. 

H. 19% in. W. 1735, in. Canvas. 

Bequest of Benjamin Altman, 1913. 


DI BONDONE. Italian (Florentine); born probably 
in 1266 at Colle, near Florence; died 1336 at Florence. 
Tradition states that he was a pupil of Cimabue. 


SCHOOL OF GIOTTO. 


G433S-1 THE EPIPHANY. Mary, wearing a dark blue mantle, 


Gallery 
2, 


reclines beneath a thatched shed in the center of the 
picture; in the immediate foreground are the kings, two 
of whom stand at the right while the old King kneels in 
the center and lifts the Child from the manger; St. Joseph 
stands at the left with a sheep and two goats at his feet. 
Beyond the shed, at the left, are two shepherds who look 
toward four angels and the star of the annunciation. Gold 
background. Attributed by J. P. Richter, Osvald Sirén, 
and others to Giotto. Companion pieces are in Munich 
and in the Gardner and Berenson Collections. 

H. 172 in. W. 172 in. Tempera on wood. Bulletin, 
IQIk, p. 216, ill. 

Purchase, Rogers Fund, rgit. 


119 


GIOVANNI DA MILANO— GIOVANNI DI PIETRO 
GIOVANNI DA MILANO; real name Giovanni Jacobi. Italian 


G433-1 
Gallery 


55 


(Florentine); born about 1300; died at an advanced age, 
but date uncertain; was in Rome after 1369. Worked 
in the studio of Taddeo Gaddi in Florence. 


VIRGIN AND CHILD WITH DONORS. The Child, 


dressed in light red, stands on a ledge behind which is 
the Virgin, who wears a draped blue mantle and holds a 
lily in her right hand; small figures of the donor and his 
wife kneel at the right and left respectively. Formerly 
attributed to Starnina. 

Ex coll.: C. R. Fox; Fuller Maitland, Stanstead Hall. 

H. 274 in. W. 562in. Tempera on wood; semicircular. 
Bulletin, 1908, p. 11. 

Purchase, Rogers Fund, 1907. 


GIOVANNI DI PAOLO. Italian (Sienese); born about 1403 


G434-1 
Gallery 


33 


G434-2 
Gallery 


30 


at Siena; died after 1482. Probably a pupil of Paolo 
di Giovanni Fei and a close follower of Sassetta; in- 
fluenced by Fra Angelico. 


SAINT MATTHEW AND SAINT FRANCIS. Part 
of an altarpiece. Two full-length figures, standing on a 
red carpet; St. Francis, at the right, wears a white habit 
and St. Matthew, at the left, has a yellow cloak over a 
blue robe. 

Ex coll.: Mme. D’Oliviera, Florence. 

H. 532 in. W.332in. Tempera on wood. 

Gift of Frederic Coudert, 1888. 


PARADISE. The picture represents newly arrived 
souls greeted by those in Paradise. On a hillside, men 
and women in fashionable Italian costumes of the fif- 
teenth century and ecclesiastics in their robes, are being 
guided by angels toward the golden rays at the right, 
which evidently come from the Gate Beautiful. This 
picture closely resembles one panel of a predella, painted 
by Giovanni di Paolo in 1445, which is now in the 
Academy at Siena. The picture in the Museum ap- 
pears to be a fragment; the other half probably repre- 
sented condemned souls. 

Ex coll.: Palmieri-Nuti, Siena. : 

H. 182 in. W.1527 in. Tempera on wood transferred to 
canvas. Bulletin, 1906, p. 165. 

Purchase, Rogers Fund, 1906. 


GIOVANNI DI PIETRO. See Spagna. 


120 


GIROLAMO DAI LIBRI—GOYA 


GIROLAMO DAI LIBRI. Italian (School of Verona); born 1474 


G44-I 
Gallery 


30 


at Verona; died there 1556. Pupil of Domenico Morone; 
influenced by Mantegna and Montagna. 


MADONNA AND CHILD WITH SAINTS. The 
Madonna is enthroned with the Child standing in her lap 
beneath a tall laurel tree. In front of them crouch three 
musical angels; at the right stand St. Apollonia with palm 
and pincers and St. Augustine in ecclesiastical robes. hold- 
ing a book and crosier. At the left are St. Leonard with 
book and fetters and St. Catherine with palm and book; 
a piece of her wheel is on the ground beside her. In the 
background a peacock, representing the Resurrection, sits 
on a dead tree; to the left is a castle built on a high cliff; 
on the right blue mountains with a river and towns be- 
neath. Painted for the Cartieri Chapel in the Church of 
San Leonardo del Monte, Verona. 

Ex coll.: Duke of Hamilton, Hamilton Hall, Glasgow. 
H. 13 ft.,1 in. W.6ft.,93in. Canvas. Bulletin, 1920, 
p. 137. ; 
Purchase, Kretschmar Fund, 1920. 


GLACKENS, Witiiam J. American; born 1870 at Philadelphia. 


G45-I 
Gallery 
12 


Studied at the Pennsylvania Academy of Fine Arts and in 
Europe. 


CENTRAL PARK—WINTER. A curving path from 
which children slide on sleds into a hollow at the right. 
Various people are sitting on benches and walking about. 
The snow shows blue through the bare trees on the hill in 
the background and white in the hollow. 

H. 25 in. W. 30in. Canvas. Signed: W. Glackens. 
Purchase, Hearn Fund, 1921. 


GLAIZE, Lfon. French; born 1842 at Paris; lives there. Pupil 


G451-1I 
eo 


of his father, Auguste Bartelemy Glaize, and of Géréme. 


BEFORE THE MIRROR. Full-length figure of a 
lady, standing before a cheval glass; she holds a fur- 


Stairway trimmed, gray silk wrap about her. 


H. 392 in. W. 2942 in. Canvas. Signed: 1873 P. P. 
LEon GLAIZE. 
Bequest of Catharine Lorillard Wolfe, 1887. 


GOSSAERT, Jan. See Mabuse. 


GOYA, Francisco Jos£. Spanish; born 1746 at Fuentetodos 


near Saragoza; died 1828 at Bordeaux, France. Pupil 
121 


G74-I 


G74-2 


G74-3 
Gallery 
28 


G74-4 
Gallery 
19 


G74-54 
Gallery 
28 


GOYA 


of José Martinez; studied at Rome; settled at Madrid, 
where he spent the greater part of his life. Painter 
chiefly of portraits and fantastic subjects; also etcher. 


A JEWESS OF TANGIERS. A small, full-length, stand- 
ing figure, wearing an elaborate green and gold brocaded 
robe with chains and jeweled headdress; she holds a 
fan in her left hand. 

H.203in. W.132in. Canvas. 

Purchase, 1871. 


THE .TRIAL; A SCENE OF SORCERY. Stier 
a sketch for the etching, Ensayos [The Trial], which is 
No. 60 in the collected etchings by Goya published 
in 1799 under the title of Caprichos.) At the right 
a nude witch has her hands on the head of a nude man 
whom she is teaching to fly; in his right hand he holds a 
flying bat; an enormous goat is nearby and in the fore- 
ground are two cats, a jug, and a skull. 

H. 1238; in. W. 10} in. Copper. Numbered: 60. 
Gift of Samuel P. Avery, 1894. 


DON SEBASTIAN MARTINEZ. (A lawyer and art- 
patron of Cadiz.) Life-size, seated, seen to below the 
knees with hands crossed; he wears a blue-gray silk coat. 
H. 36% in. W. 263% in. Canvas. Inscribed: D®*. Se- 
bastian Martinez Per su Amigo Goya-1792. Bulletin, 
1906, p. 73, ill. 

Purchase, Rogers Fund, 1906. 

BULL FIGHT. The arena is divided by a partition 
through the center. Two fights are in progress; on the 
left side two toreadors on foot are baiting the bull, and on 
the right a man on horseback is ready for the attack of 
the bull. 

Ex coll.: Leonard Thomas. 

H. 383 in. W.4o9%1in. Canvas. Bulletin, 1923, p. 64. 
Purchase, Wolfe Fund, 1922. 


DONNA JOSEFA DE GARCINI. Life-size figure seen 
to the knees, seated on a red plush couch; she wears a 
high-waisted white dress cut round at the neck and with 
small puff sleeves. Her hands are folded in front of her 
holding a small fan. Her red hair is loose and hangs 
about her shoulders. 

H. 41 in. W. 32% 1n. Canvas. Inscribed: D* Josefa 
Castilla y Garcini. Pr Goya 1804. 

Lent by Mrs. Harry Payne Bingham, 1920. 


I22 


G74-55 
Gallery 
28 


GOYEN, 


G74I-I 
Gallery 
26 


G741-2 
Gallery 
26 


G741-3 
Gallery 
26 


G741-4 
Gallery 
26 


GOYA—GOZZOLI 


DON IGNACIO GARCINI. Three-quarters-length, 
standing figure turned slightly to the left; he wears an 
engineer’s uniform of black with red cuffs and collar trim- 
med with gold braid, and white breeches. On his coat is 
pinned the cross of Santiago. His left hand rests on the 


‘hilt of his sword. 


H. 41 in. W. 3241in. Canvas. Inscribed: D® Ignacio 
Garcini Per Goya 1804. 
Lent by Mrs. Harry Payne Bingham, 1920. 


JAN van. Dutch; born 1596 at Leyden; died 1656 at 
The Hague, where he had lived since 1634. Studied 
under Esaias van de Velde; traveled in France. 


THE MOERDYCK. Quiet water reflecting the blue 
sky and white clouds; in the foreground a line of shore 
with fishermen and two boats; a town is seen at the 
horizon. 

Ex coll.: Comte Cornet, Brussels; Baron of Mechlenburg. 
H.15 in. W. 244 in. Canvas. Monogram: VG 1654. 
Purchase, 1871. 


PANORAMIC VIEW OF THE ENVIRONS OF 
HAARLEM. Stretches of water and flat lands, with 
windmills, houses, and haystacks; in the foreground at 
the left are two small seated figures. 

Ex coll.: Comte Cornet, Brussels; W. Burger. 

H. 133 in. W. 197 in. Wood. Monogram: VG 1646. 
Purchase, 1871. 


A VIEW OF RHENEN. In the foreground is a wind- 
ing road in sunlight with peasants and a cart; at the right 
cattle are near a pool; on a hill in the middle distance is 
the walled town with a tall tower rising in the center and 
a windmill in the distance at the right; at the left is the 
river with flat country beyond. 

H. 39% in. W. 532 in. Canvas. Signed: V Goyen 
1636. Bulletin, 1906, p. 73. 

Purchase, Rogers Fund, 1906. 


LANDSCAPE. Several wagons and peasants on horse- 
back have stopped at an inn by the roadside; a church 
tower and town show above the trees in the distance. 

H. 17i in. W. 25% in. Panel. 

Bequest of John Henry Abegg, 1921. 


GOZZOLI, BeENnozzo; real name Benozzo di Lese. Italian (Floren- 


tine); born 1420 at Florence; died 1498 at Pisa. Pupil 
OR 


G742-1 
Gallery 
31 


G742-1a 


G742-1b 


G742-Ic 


G742-1d 


GOZZOLI 


possibly of Giuliano Pesello and of the Bicci; assistant 
and follower of Fra Angelico. 


SAINT PETER, SAINT PAUL, SAINT ZENOBIUS, 
AND SAINT BENEDICT. Four panels, originally 
forming a small altarpiece or retable, which was painted 
for the chapel of the Alessandri family in the Church of 
San Pier Maggiore in Florence. Ascribed by Vasari to 
Pesello, but Crowe and Cavalcaselle and subsequent 
authorities attribute them to Gozzoli; painted between 
1461 and 1463. Bulletin, 1915, p. 224; ill. pp. 227, 
220. 


SAINT Peter. The fall of Simon Magus as told in the 
Golden Legend. At the left St. Paul kneels in prayer 
and St. Peter stands with his hand raised and looking at 
Simon Magus, who is borne up by devils above the 
tower from which he made his flight; the appeal of St. 
Peter is answered by the fall of Simon Magus, who lies 
dead in the foreground; Nero is seated on a throne at the 
right with a councilor and soldiers beside him; back of 
the Saints is the Roman populace. 

H. 153 in. W. 1742 in. Tempera on wood. 


SAINT Pau. The Saint’s conversion as told in the ninth 
chapter of the Acts of the Apostles. St. Paul is in the 
center of a landscape and the Holy Spirit descends from 
a group of angels; soldiers, mounted and on foot, flee in 
terror from the scene. 

H. 152 in. W.18in. Tempera.on wood. 


SAINT ZENOBIUS. The Saint resuscitates a child who has 
been crushed by a wagon. St. Zenobius kneels at the 
left and the mother at the right; between them lies the 
dead body of the child, who is also shown resuscitated. 
The scene takes place in a Florentine street with nu- 
merous spectators. 

H. 1544 in. W. 18 in. Tempera on wood. 


SAINT Benepict. Totila, a king of the Goths who dev- 
astated Italy in the sixth century, visits St. Benedict, 
who reprimands him for his misdeeds. The Saint 1s 
seated at the right surrounded by monks of his order; 
Totila kneels in the foreground and at the left are his 
followers. 

Ex coll.: Alessandri, Florence. 

H. 152 in. W.17% in. Tempera on wood. 

Purchase, Rogers Fund, 1915. 


124 


GRAEB— GRAY 


GRAEB, Cart. German; born 1816 at Berlin; died there 1884. 
Pupil of Gerst and Berlin Academy. Architectural sub- 
jects and landscapes. 


G75-1 INTERIOR OF THE CATHEDRAL OF FREIBURG, 
5. W. GERMANY. 
Stairway H. 312 in. W. 41 in. Canvas. Signed: Carl Graeb— 
Berlin—1874. 
Bequest of Catharine Lorillard Wolfe, 1887. 


GRANACCI, Francesco. Italian; born 1477 at Florence; died 
_ there in 1543. A fellow-pupil with Michelangelo in the 
studio of Ghirlandaio. Influenced by Michelangelo and 

Raphael. 


G76-1 TOBIAS AND THE ANGEL. The archangel in a red 
Gallery robe and a blue cloak walks through a valley, holding 
D6, First Tobias by the hand. The boy runs beside him, carrying 
Floor a large fish under his arm. All but the tail of the dog has 
disappeared at the edge of the picture, showing that the 
panel has been cut down. 
Diameter, 214 in. Panel. 
Bequest of Michael Dreicer, 1921. 


GRANET, Francois Marius. French; born 1775 at Aix; died 
there in 1849. Pupil of David. Architectural and his- 
torical subjects. 


G761-1 FRANCISCAN FRIARS IN CHOIR. The Franciscan 
Gallery Friars stand in the choir stalls around the chapel singing 


20 vespers. The Prior officiates in the center from a large 
missal on a stand. The walls are hung with religious 
paintings. 


Ex coll.: Napoleon III. 
H. 772 in. W. 58% in. Canvas. Signed: GRANET 1815. 
Gift of L. P. Everard, 1880. 


GRAY, Henry Peters. American; born 1819 at New York City; 
died there 1877. Pupil of Huntington in New York; 
traveled in Italy. 


G79-1 WAGES OF WAR. In the center lies a wounded Roman 
soldier with a broken sword; at the right is a soldier with 
a woman clinging to him; at the left a woman is leaning 
over a sarcophagus and a nude child stands at her side. 
H. 483 in. W. 764 in. Canvas. Signed: Henry Peters 
Gray. N. Y. 184-(5?). 
Gift of several gentlemen, 1874. 


125 


G79-2 


G79-3 
Gallery 
16 


CREA), 


G8-1 
Gallery 
28 


G8-2 
Gallery 
D6, First 
Floor 


GRAY— GREUZE 


CLEOPATRA DISSOLVING THE PEARL. Stand- 
ing figure, seen to below the waist; with bare arms raised 
she is dropping the pearl into a metal dish; she wears a 
turban, red robe, and heavy pearl ornaments. 

H. 407°; in. W. 283 in. Canvas. Signed: I-P. Gray 68 N.Y. 
Gift of Cortland de Peyster Field, in memory of his 
father, Benjamin Hazard Field, 1894. 


GREEK LOVERS. At the right a young woman is 
seated on a stone step against which she rests a lute; 
a young man stands in front of her; both wear classic 
drapery; shrubbery is at the left and hills beyond. 

Ex coll.: Jonathan Sturges. 

H. 40,8; in. W.514 in. Canvas. Signed: GRAY 1846. 
Gift of William Church Osborn, 1902. 


EL; real name Domenico Theotocopuli. Spanish; born 
about 1548 at Candia, Crete; died 1614 at Toledo. 
Influenced by Titian and Tintoretto and the Bassani; 
went to Rome in 1570 and settled in Toledo shortly 
before 1577. 


THE NATIVITY. Within a vaulted porch the nude 
Child lies on a white cloth one corner of which is held 
by the Madonna; St. Joseph is at the right and adoring 
shepherds are grouped at the left; above, three flying 
cherubs hold a scroll inscribed: . LAVDAMVS + TE « BENE- 
DICIMUS - GLORIA - IN + EXCELSIS - DEO. The light ema- 
nates from the Child; beyond the arch is a dark landscape. 
H. 642 in. W. 42} in. Canvas. 

Purchase, Rogers Fund, 1905. 

HOLY FAMILY. The Virgin is seated with the nude 
Child in her lap; St. Anne bends over to look at Him. 
St. Joseph stands at the right and a nude St. John is 
at his side holding a glass vessel. 

H. 21 in. W. 13% in. Panel. 

Bequest of Michael Dreicer, 1921. 


GREUZE, Jean Baptiste. French; born 1725 at Tournus, near 


G861-3 
Gallery 
20 


Macon; died 1805 at Paris. Pupil at Lyons of Grandon; 
studied also in Paris and Rome. Genre and portraits. 


STUDY OF A GIRL’S HEAD. Life-size, nearly to the 
waist; the face is upturned; she wears a brown blouse, a 
white kerchief, a dark blue apron bib, and a white cap. 
H. 184 in. W. 153 in. Canvas. 

Gift of Ernest Gimpel, 1903. 


126 


G861-4 


G861-6 
Gallery 
20 


G861-7 
Gallery 
20 


GROLL, 


G8o-1 
Gallery 
15 


GREUZE — GUARDI 


VOLUPTE. Head and shoulders of a young woman. 
Attributed to Greuze. 

H. 83 in. W. 6,;% in. Canvas. 

Purchase, Rogers Fund, 1904. 


DANAE. The head and bust of a girl wearing a white 
dress which partly covers her. She leans back on rose- 
colored draperies and looks up with limpid eyes. 

Ex coll.: Major-General Sir H. Hanbury. 

H. 223 in. W. 183 in. Canvas; oval. 

Bequest of William K. Vanderbilt, 1920. 


CEUFS CASSES. A peasant interior where a young girl 
is sitting sulkily beside a basket of broken eggs, while an 
apologetic young man is restraining the angry mother. A 
little boy at the right tries to mend one of the broken eggs. 
Ex coll.: Marquis of Hertford; Duke de San Donato; A. 
Demidoff; Gougenot. 

H. 28$in. W.371n. Canvas. Signed: Greuze f. Roma 
1756. Bulletin, 1920, p. 269. 

Bequest of William K. Vanderbilt, 1920. 


ALBERT L. American; born 1866 in New York City; 
lives there. Pupil of Gysis and Loefftz in Munich. 
Landscapes, especially Western scenes. 


SILVER CLOUDS, ARIZONA. Broad stretch of open 
country, low horizon with rising ground at each side. 
feo sity 502 in. Canvas. “Signed::A. L. Groll. 
Bulletin, 1914, p. 150, ill. 

Purchase, Hearn Fund, 1914. 


GROLLERON, Paut. French; born 1848 at Seignelay; died 1901 


G8o1I-1I 


at Paris. Pupil of Bonnat. Miailitary subjects. 


SOLDIER AT REST. He stands in an open road with 
his knapsack on his back and both hands on the muzzle 
of his gun. 

H. 82in. W.6in. Wood. Signed: P. Grolleron. 
Bequest of Thomas P. Salter, 1907. 


GUARDI, Francesco. Italian (Venetian); born 1712 at Venice; 


Go3-I 
Gallery 
29 


died there 1793. Pupil of Canaletto. Painted chiefly 
views of Venice. 


THE RIALTO. A view of the Grand Canal, Venice, 
taken from behind the Fondaco de’ Tedeschi; the bridge 
of the Rialto is in the middle distance. 


127 


Go3-2 
Gallery 
29 


Go3-3 
Gallery 
29 


GUARDI—GYSIS 


Ex coll.: Comte Cornet, Brussels; Lord Shaftesbury. 
H.21 in. W, 33% in. Canyas. 
Purchase, 1871. 


SANTA MARIA DELLA SALUTE, VENICE. A 
view across the Grand Canal with the church of La 
Salute on the far shore; a portion of the Dogana appears 
at the left. 

Ex coll.: Comte Cornet, Brussels; Lord Shaftesbury. 

H. 21 in. W. 3342 in. Canvas. 

Purchase, 1871. 


FETE ON THE GRAND CANAL, VENICE. A view 
of the Grand Canal with many decorated gondolas; 
people are crowded on the banks and on the bridge of 
the Rialto, which is in the middle distance. 

H. 302 in. W. 49 in. Canvas. Bulletin, 1906, p. 72. 
Purchase, Rogers Fund, 1906. 


GUY, Seymour J. American; born 1824 at Greenwich, England; 


Goo-! 


died 1910 in New York City, where he had lived since 
1854. Pupil of Ambrosino Jerome in London. 


CHARLES LORING ELLIOTT. (Portrait painter; see 
Elliott.) Bust; his heavy hair and full beard are black, 
slightly mixed with gray; a painting on an easel is in the 
background at the left. 

H.12¢in. W.1oin. Canvas. Signed: SJ Guy-1868. 
Gift of Mrs. Robert W. de Forest, 1903. 


GYSIS, Nicotas. Greek; born 1842 on the Island of Tinos, 


GogI-! 


Greece; died 1901 at Munich. Pupil of the School of © 
Arts at Athens; Munich Academy under Piloty. 


CHARITY. An interior with a young woman nursing 
a child while a little girl stands on a chair at her side and 
a poor woman is seated opposite. 

H. 413°, in. W. 2842 in. Canvas. Signed: N. Gysis 
Miinchen. 

Gift of E. A. Fleischmann, 1884. 


128 


H 


HABERMANN, Huco von. German; born 1849 in Dillingen; 


Hti-t 
Gallery 
19 


Hi1-2 
Gallery 
19 


HAGHE, 


Hi2—1 
SW 
Stairway 


lives in Munich. Pupil of Munich Academy under 
Piloty. 


PORTRAIT OF A LADY. An interior with the lady 
seated and seen to below the waist; she wears a white 
dress, a green hat is perched on the top of her head, anda 
brown fur neckpiece hangs over her outstretched left 
arm. 

H. 323°; in. W. 24% in. Canvas. Signed: Habermann 
1904. 

Gift of Hugo Reisinger, 1912. 

IN THE STUDIO. A young woman in a low-cut pink 
bodice and blue skirt stands in front of a table by a 
window; the painter, seated at the left, is partly hidden 
by his easel. 

H. 398 in. W. 372in. Canvas. Signed: Habermann / 
1885 ; inscribed on the back: H Habermann / Fecit. 
Purchase, Reisinger Fund, 1916. 


Louis. Belgian; born 1806 at Tournai; died 1885 at 
Stockwell, England. Pupil of De La Barriére; settled 
in England about 1832. Also lithographer. 


GUARD-ROOM; THE TOAST. A group of men seated 
around a table; one stands in front of the fireplace with 
a glass in his raised right hand; a guard is in the doorway 
at the left; seventeenth-century costumes. 

H. 162 in. W. 22 in. Wood. 

Bequest of Catharine Lorillard Wolfe, 1887. 


HALL, Georce Henry. American; born 1825 at Boston; died 


1913 at New York City, where he had lived since 1852. 
Studied in Diisseldorf, Paris, and Rome. 


120 


H14-1 


HALL— HALS 


BAZAAR SCENE IN CAIRO. At the right is a shop 
near which a native descends steps; at the left an arch- 
way with a court beyond. | 

H. 3534, 1n. W. 472% in. Canvas. Signed: George Henry 
Hall 1877. 

Bequest of Henry H. Cook, 1905. 


HALS, Frans. Dutch; born 1584 (?) at Antwerp; died 1666 at 


H16-1 
Gallery 
26 


H16-2 
Gallery 
II 


H16-3 
Gallery 
11 


H16-4 
Gallery 
SO on 


Haarlem, where he had settled in 1604. Pupil of Karel 
van Mander. Painted chiefly portraits. 


THE SMOKER. Life-size head and shoulders of a 
young man who is laughing and smoking; at the left 
a young woman, laughing, has both her hands on his 
shoulders; in the background at the right is the head of 
another woman who holds a stein. Moes, in his list 
of works by Frans Hals, calls this (No. 212) a replica of 
the painting in the museum at KO6nigsberg. 

Ex coll.: R. G. Wilberforce, London. 

H. 182 in. W. 193 in. Wood; octagonal. 

Gift of Henry G. Marquand, 1888. 


PORTRAITOFA MAN. _Life-size, standing figure, se en 
to the knees; he is dressed in black, a black cloak hangs 
over his left arm, and he holds a broad-brimmed, high- 
crowned black felt hat in his left hand; his right hand 
rests on his hip. H. de Groot, No. 297. 

Ex coll.: Earl of Buckinghamshire. 

H. 433 in. W. 34in. Canvas. Monogrammed: FH. 
Gift of Henry G. Marquand, 1890. 


PORTRAIT OF A WOMAN. Life-size, seated figure, 
seen to the knees; her hands are clasped on her lap and 
hold a closed fan; she wears a black silk dress with a 
pink underskirt showing in front; her broad white collar 
and cuffs are edged with lace; two columns are back of 
the figure at the left, and at the right, in the distance, 
tall spires show against a sunset sky. Erroneously called 
Wife of the Artist. H.de Groot, No. 387. 

Ex coll.: Lewis Jarvis Banker, of King’s Lynn; Earl of 
Bessborough. 

H,.38% in.) W 031201n, canvas: 

Gift of Henry G. Marquand, 1890. 


THE MERRY COMPANY. A man with a flushed 
face, wearing about his neck a string of sausages, pig’s 
feet, etc., sits close to a gaily dressed young woman 


130 


H16-5 
Gallery 


39 


H16-6 
Gallery 


ae, 


H16-7. 


HALS 


before a table on which are bagpipes, a stein, and various 
edibles; back of them stand two men; the one at the 
right, in a gray cloak and red cap, leers down at the 
woman; the other is yawning and has his left hand to his 
face; *H. de Groot, No. 141. 

Ex coll.: Cocret, Paris. 

H. 5144in. W.39%in. Canvas. Monogrammed: F H 
(Gothic letters). i 
Bequest of Benjamin Altman, 1913. 


YONKER RAMP AND HIS SWEETHEART. Life- 
size, half-length, standing figures; at the left is Yonker 
(Lord) Ramp, wearing a gray doublet with blue sleeves 
and a large gray felt hat; he holds a wine-glass in his 
right hand, fondles a dog with his left, and is shouting or 
singing; the young woman, ina black dress with a broad 
white linen collar, is at his left and has her arms about 
him; back of them is a dark curtain and in a room beyond 
stands a man carrying a dish. H. de Groot, No. 139. 
Ex coll: Pourtalés, Paris; J. Enschedé, Haarlem; Copes 
van Hasselt, Haarlem and Amsterdam; van Varick, 
Leyden. 

H. 413 in. W. 3148 in. Wood. Signed: F Hats 1623. 
Bequest of Benjamin Altman, 1913. 


A YOUTH WITH A LUTE. Life-size figure of a boy, 
seen to the waist, back of a table; he wears a black cap 
on his rumpled brown hair and a black velvet cloak with 
red sleeves showing; in his right hand he holds a green 
glass, inverted, which he flicks with his left thumb; a 
lute, held in his arm, rests on the table, on which there 
is an orange; a gray-green drapery forms the background. 
Also known as Le rubis sur l’ongle—The Ruby (last drop 
of wine) on the Finger Nail. H. de Groot, No. 86. 


‘Ex coll.: J. Napper, Lough Crew Castle, Ireland; 


Montalt. 
H. 283 in. W.234in. Canvas. 
Bequest of Benjamin Altman, 1913. 


PORTRAIT OF A MAN. Life-size figure of a man 
seen to the waist with the head turned slightly to the 
right; he has a gray beard and wears a broad-brimmed 
black hat and a black coat with white ruff; his right 
hand rests on the left, which holds a stick. Attributed 
to Frans Hals. 

H. 303 in. W.24441n. Canvas. Inscribed: AATA SVE 
66 AN®°. 1633 F H (monogram). Bulletin, 1915, p. 88. 


131 


é 


HALS — HAMILTON | 


Bequest of Maria De Witt Jesup, from the collection of 
her husband, Morris K. Jesup, 1915. 


HALS, Frans, THE YouNnGceR. Dutch; born between 1617 and 


H161-1 
Gallery 
26 


1623; died after 1669. Pupil of his father, Frans Hals 
the Elder, whose works he frequently copied, Portraits 
and figure subjects, 


HILLE BABBE. (Hille Babbe, sometimes spelt Bobbe, 
was a fishmonger of Haarlem who was used several 
times as a model by various members of the Hals family.) 
Life-size figure of an old woman, seen to the waist; she is 
seated and leans forward with her folded hands resting on 
the corner of a table; she wears a brown blouse, a soiled 
white collar, and a close-fitting white cap; a screech-owl 
stands upon her right shoulder. There are three examples 
of this subject: the one in the Kaiser Friedrich Museum, 
Berlin, very similar to the Museum’s picture but with 
a mug on the table, is undoubtedly by Frans Hals the 


Elder; the other is in the museum at Lille. Most 


authorities, including Bode and de Groot, consider 
the Museum’s picture the work of some one close to 
Hals, probably Frans Hals the Younger; Moes lists all 
three under the elder Frans Hals. 

Ex coll.: Comte Cornet, Brussels; Lord Palmerston, 
Broadlands. 

H. 294 in. W. 247, in. Canvas. Monogrammed: FH. 
Purchase, 1871. 


HALS, FRrANs, THE YOUNGER (?) and Dirck HALs (?). 


H162-1 


MEETING OF THE TRAINED BANDS TO CELE- 
BRATE THE CONCLUSION OF THE PEACE OF 
MUNSTER. (The Peace of Miinster, which ended the 
Thirty Years’ War, was signed Oct. 24, 1648.) 

H. 264 in. W. 40 in. Canvas. 

Purchase, 1871. 


HAMILTON, James. American; born 1819 in Ireland; died 


H17-1 


1878. Studied in Philadelphia, where he spent his 
professional life. 


ON HAMPSTEAD HEATH. A barren foreground 
with figures disappearing at the left; in the distance at 
the right are the domes of London, including St. Paul’s. 
H.14in. W.20in. Canvas. Signed: Jas. Hamilton 1856. 
Gift of William Sartain, 1912. 


132 


HAMON — HARLOW 


HAMON, Jean Louis. French; born 1821 at St. Loup near 


H18-2 
Gallery 


17 


Plouha; died 1874 at St. Raphael. Pupil of Delaroche 
and Gleyre in Paris. 


AN ETRUSCAN VASE SELLER. The wares are 
displayed on a counter behind which stands the mer- 
chant; in front of the counter are two women. 

H.20¢in. W.17in. Canvas. Signed: J. L. HAMON. 
Bequest of Catharine Lorillard Wolfe, 1887. 


HANS MALER ZU SCHWAZ. Austrian (Tyrolese); work dated 


Hio-1 
Gallery 
37 


1519 to 1529. Little is known about this artist, who was 
influenced by Strigel, Schaiifelin, and Amberger. See 
article by Max J. Friedlander in Repertorium fiir Kunst- 
wissenschaft, 1895. 


ULRICH FUGGER. (1490-1525; banker of Augsburg.) 
Head and shoulders of a man with a high forehead and 
square-cut beard; he wears a small black cap, em- 
broidered with gold, and a black cloak with white shirt 
open at the neck. 

Ex coll.: Von Heyl, Darmstadt. 

H. 122 in. W. 15% in. Wood. Inscribed on the back: 
DOMINI MDXXV ANNO CVRENTE XXXV ETATIS. 

Bequest of Benjamin Altman, 1913. 


HARDING, Cuester. American; born 1792 at Conway, Massa- 


Ha21-1 
Gallery 
16 


chusetts; died 1866 at Boston. Hewas self-taught; began 
as an itinerant jack-of-all-trades and became the fashion- 
able portrait painter of Boston. 


MRS. THOMAS BREWSTER COOLIDGE (Clarissa 
Baldwin). Half-length figure turned slightly to the right; 
she wears an ermine-lined gray silk cloak which she holds 
together with her yellow-gloved hand. The large black 
hat is laden with drooping black plumes and worn with a 
white lace scarf underneath her chin. 

Ex coll.: Frank Bulkeley Smith. 

H. 364 in. W. 28in. Canvas. 

Purchase, Rogers Fund, 1920. 


HARLOW, Georce H. British (English); born 1787 at London; 


H22-1 
Gallery 
14 


died there 1819. Pupil of Drummond and of Sir Thomas 
Lawrence, whom he served as assistant. Portraits. 


PORTRAIT OF THE ARTIST.  Life-size, seated figure, 
seen to the waist; a letter is held in his left hand; he 
wears a black cape over a red coat; a red curtain is draped 


133 


“HARLOW —HART 


at the left near an open window through which a land- 
scape is seen. 

H.30in. W.25in. Canvas. 

Gift of George A. Hearn, 1905. 


HARPIGNIES, Henri. French; born 1819 at Valenciennes; died 


H23-1 


1916 at St. Prive, near Paris. Pupil of Achard and of 
Corot in Paris; studied also in Rome. Landscapes. 


MOONRISE. Landscape with a quiet stream in which 
the moon Is reflected. 

H. 344 in. W.64;°,in. Canvas. Signed: H Harpignies 
1885. 

Gift of Arnold and Tripp, 1886. 


HARRISON, THomas ALEXANDER. American; born 1853 at 


H24-1 


Philadelphia; lives in Paris. Pupil of the Pennsylvania 
Academy of the Fine Arts in Philadelphia; Ecole des 
Beaux-Arts, Bastien-Lepage, and Géréme in Paris. 


CASTLES IN SPAIN. A little boy lies full-length on 
a sandy beach with one hand under his head and the 
other holding the end of a long blade of grass which he is 
chewing; at the left lies his blue cap and in the immediate 
foreground is a castle built of shells and sand; beyond, 
a steep bank rises at the right and a greenish sea is at 
the left. - 

H.374 in. W.73% in. Canvas. Signed: Alex Harrison. 
Anonymous gift, 1912. 


HART, James McDoucat. American; born 1828 at Kilmarnock, 


H25-2 


Scotland; died 1901. Studied in Diisseldorf, Germany; 
worked with his brother, William Hart. 


PASTURE SCENE. Some cows are drinking at a 
brook in the foreground; in the field beyond, men are 
loading a grain wagon. Late afternoon light. 

H. 20in. W.34in. Canvas. Signed: James M. Hart 
1876. 

Gift of Colonel C. A. Fowler, 1921. 


HART, Witiiam. American; born 1823 at Paisley, Scotland; 


H251-1 


died 1894 at Mt. Vernon, N. Y. Worked chiefly in New 
York City. Landscapes with cattle. 


SCENE AT NAPANOCH. At the right, cattle stand 


- near some tall trees on the bank of a stream. 


134 


H25 1-2 


HART — HAVERMAN 


H. 233 in. W. 332 in. Canvas. Signed: Wm. Hart- 
1883. ; 

Gift of the children and grandchildren of the artist, 
1897. 

SEASHORE—MORNING. Tall cliffs are at the left; 
near the rocky shore is a deserted yacht. 

H. 23 1n. W. 41 in. Canvas. Signed: Wm. Hart. 
Bulletin, 1910, p. 46, ill. 

Gift of the sons of William Paton, 1909. 


HASSAM, Cuitpe. American; born 1859 at Boston; lives in 


H27-1 
Gallery 
15 


H27-2 


H27-3 


H27-4 


New York City; pupil of Boulanger and Lefebvre in Paris. 


ISLES OF SHOALS. Rocks in the foreground with 
water rushing through a crevasse; the blue sea is beyond 
with a rocky point of land jutting out across the middle 
distance. 

H. 25 in. W.30in. Canvas. Signed: Childe Hassam 
19OI. 

Gift of George A. Hearn, 1900. 


GOLDEN AFTERNOON, OREGON. Level fields in 
the foreground with tall poplars to right and left; a 
hill beyond; clear blue sky. 

H. 30 in. W. 40 in. Canvas. Signed: Childe Hassam 
1908. 

Purchase, Rogers Fund, tot. 


THE BRUSH HOUSE. This house is a landmark at 
Cos Cob, Conn., having-been built by the Dutch settlers 
about 1690. 

H. 152 in. W. 222 in. Water color. 

Purchase, Rogers Fund, 1917. 


STREET IN PORTSMOUTH. In the foreground at 
the left is a tree which throws its shadow on one of the 
two houses that border the street; between the houses 
is a view of the higher part of the town with a church 
spire. 

H. 154 in. W. 22in. Water color. Signed: Childe 
Hassam Portsmouth 19106. 

Purchase, Rogers Fund, 1917. 


HAVERMAN, Marcareta. Dutch; eighteenth century. Prob- 


ably a painter of the generation older than the well- 
known flower painter of the same name, who was born 
1720 and died 1795. 


135 


H20-1 


HAVERMAN — HEALY 


A VASE OF FLOWERS. Tulips and roses are the 
most prominent flowers. 

Ex coll.: Louis Fould. 

H. 314 in. W. 232 in. Canvas. Signed: Margareta 
Haverman fecit A. 17106. 

Purchase, 1871. 


HAWTHORNE, Cuartes W. American; born 1872 in Maine; 


H31-1 


lives at Provincetown, Cape Cod, Mass. Pupil of Mow- 
bray and Chase in New York City. 


THE TROUSSEAU. An interior with the standing 


Gallery figure of a young girl in a white chemise being fitted by 


15 


an elderly woman; a woman sewing is seated behind a 
table at the left. Awarded the Thomas B. Clarke 
prize at the National Academy of Design, 1911. 

H. 40 in. W.4o01n. Canvas on wood. Signed: C. W. 
Hawthorne. 

Purchase, Hearn Fund, 1911. 


HAYDON, Benjamin R._ British; born 1786 at Plymouth; died 


H32 


1846 at London. Pupil of the Royal Academy in Lon- 
don. Portraits and historical subjects. 


NAPOLEON AT ST. HELENA. Full-length, life-size 
figure of Napoleon, in the uniform worn at the battle of 
Waterloo, standing near the edge of a cliff overlooking 
the ocean; his arms are folded across his breast and he 
faces away from the spectator. 

Ex. coll.: Sir Robert Peel. 

H. 1ro8 in. W.o96in. Canvas. Dated: 1831. 

Gift of J. Pierpont Morgan, 1900. 


HEALY, Georce Peter ALEXANDER. American; born (815 


H34-1 


at Boston; died 1894 at Chicago. Studied in Paris; 
lived for some time in Rome. Portraits. 


PORTRAIT OF THE ARTIST. Head and shoulders; 


Gallery he has a moustache and chin-tuft. 


16 


H34-4 


H. 244 in. W. 20% in. Canvas. Initialed: G. H. 1851. 
Gift of Samuel P. Avery, 1891. : 


MRS. JOHN CHURCH CRUGER. (Euphemia Van | 


Gallery. Rensselaer, mother of the donor.) Three-quarters-length, 


16 


life-size figure standing in profile to the right, her face 
turned slightly toward the spectator. She wears a 
yellow poke bonnet, black and green dress, and yellow 


136 


HEALY —HEEMSKERCK 


gloves. A low landscape background and blue-gray sky. 
Eipet5eim.  W. 354 in. « Canvas. «Signed: G PA 
Healy Paris 1842. 

Bequest of Cornelia Cruger, 1923. 


HEBERT, Ernest. French; born 1817 at Grenoble; died 1908 


H35-1 
Gallery 
18 


at La Touche near Grenoble. Pupil of David d’Angers 
and Delaroche. Director of French Academy at Rome. 


A GIRL’S HEAD. The head is in profile against a 
background of green foliage; in her raised left hand 
she holds a flower. 

H. 184 in. W.141n. Canvas. 

Bequest of Catharine Lorillard Wolfe, 1887. 


HEEM, Jan Davipsz. De. Dutch; born 1606 at Utrecht; died 


H36-1 
Gallery 
26 


H36-2 


H36-3 


in the winter of 1683-4 at Antwerp. Pupil of his father, 
David De Heem. Still life. 


STILL LIFE. A large wine’ glass with lemon peel 
hanging over the edge, shell fish, a piece of lemon, and 
white grapes are on a table which is partly covered with 
a dark green cloth. 

H. of in. W. 73 1n. Wood. Signed: J. De Heem. 
Purchase, 1871. 


STILL LIFE. Ona stone ledge over which hang a white 
napkin and a brown velvet cover, are numerous objects, 
including a tall gold vessel, a gold dish lying on its 
side, a blue and white bowl with grapes and peaches, a 
large glass goblet, a knife, cut fruit, etc. In the im- 
mediate foreground are a silver urn and salver. 

H. 3721n. W. 512 in. Canvas. 

Purchase, 1871. 


STILL LIFE. A boiled lobster, a basket of fruit, a 
brass covered beaker, a lute, a silver tankard, and other 
objects are on a white cloth which partly covers the green 
velvet table top; in the foreground at the right is a 
chair on which rest a brass ewer and tray; at the left 
there is a glimpse of landscape beyond a column. 

H. 534 in. W. 73 in. Canvas. Signed: De Heem Fc. 
and monogrammed: D H. Bulletin, 1912, p. 229. 
Purchase, Curtis Fund, 1912. 


HEEMSKERCK, Martin vAN; real name Marten van Veen. 


Dutch; born 1498 at Heemskerck; died 1574 at Haarlem. 
Pupil of Jan van Scorel at Haarlem; traveled in Italy. 


137 


H361-1 
Gallery 
34 


HEERE, 


H362-1 


HEEMSKERCK— HELST 


JACOB WILLEMZ VAN VEEN. (The artist’s father.) 
Life-size, bust portrait; his habit is black and he wears a 
soft black hat. On the base is an inscription in old 
Dutch which, freely translated, is: My son has here por- 
trayed me when I had lived 75 years, 1532. M. 

Ex coll.: Comte Cornet, Brussels. 

H. 203 in. ‘W. 1321n. Wood. 

Purchase, 1871. 


Lucas DE (?). Flemish; born 1534 at Ghent; died 1584. 
Pupil of his father, the architect, Jan de Heere; also 
pupil of Frans Floris, whom he assisted. 


QUEEN ELIZABETH (?). (1533-1603; daughter of 
Henry VIII and Anne Boleyn; ascended the throne of 
England in 1558.) Life-size, standing figure, seen to 
below the waist; her long pointed white bodice is 
elaborately trimmed with red and yellow rosettes and 
pearls; she wears a high neck ruff and collar. 

H. 444 in. W. 342 in. Wood. 

Gift of J. Pierpont Morgan, ror. 


HELLQUIST, Cart ‘Gustav. Swedish; born 1851 at Kungsor; 


H363-1 


died 1890 in the Bavarian Highlands. Pupil of the 
Royal Academy in Stockholm; Royal Academy in 
Munich under Diez. Historical and genre subjects. 


PETER SONNAVATER’S AND MASTER KNUT’S 
OPPROBRIOUS ENTRY INTO STOCKHOLM IN 
1526. (These two Swedish Bishops had sought refuge 
after their unsuccessful rebellion against Gustavus I, 


~ with the Archbishop Olaf in Tronheim; the latter 


betrayed them to the king’s followers who, dressing 
them in rags and putting a crown of straw on Sonna- 
vater’s head and a mitre of birch-bark on Knut’s, mounted 
them on starving horses and took them to Stockholm in 
a procession amidst jeers and insults. They were led 
to the market-place and, after drinking the executioner’s 
health, were broken on the wheel.) The procession is 
passing through a street of Stockholm. 

H. 67 in. W. 924% in. Canvas. Signed: C. G. Hellquist 
Minchen 1879. 

Gift of William H. Osborn, 1880. 


HELST, BARTHOLOMEUS VAN DER. Dutch; born 1613 at Haarlem; 


died 1670 at Amsterdam. Pupil of Nicolas Elias; in- 
fluenced by Van Dyck. Portraits. 


138 


H364-1 
Gallery 
26 


H364-2 
Gallery 
26 


H364-3 
Gallery 
26 


HELST — HENNER 


A DUTCH BURGOMASTER. Life-size, bust por- 
trait of a thick-set man; his hair is dark brown and the 
moustache and chin-tuft are slightly gray; he wears a 
closely buttoned black coat and a broad white turned- 
down neck-band; gray background. 

H. 264 in. W. 21% in. Wood; oval. Signed: B. vander. 
helst 1647. Inscribed: AEta. 62. ; 

Ex coll.: Comte Cornet, Brussels. 

Purchase, 1871. 


THE MUSICIAN. A lady, in a low-necked blue gown 
with loose white undersleeves, stands behind a table 
tuning a lute; on the table are a violoncello, sheets of 
music, books, and a red velvet cushion. 

H. 543 in. W. 432 1n. Canvas. Signed: B. vander. 
helst 1662. 

Purchase, 1872. 


JEAN VAN MALE. (A nobleman of Bruges who 
married Josine de But in 1637.) Life-size, standing 
figure of a man, seen to the knees; his right hand rests 
on a table and holds the chain of a watch, while in his 
left hand is a pair of brown gloves; architectural and 
landscape background. 

Ex coll.: J. L. Menke, Antwerp; Van Male. 

H. 503 in. W. 41 in. Canvas. Signed: B. vander. 
helst 1654. 

Gift of Henry G. Marquand, 1900. 


HENNER, Jean Jacques. French; born 1829 at Bernwiller; 


H38-1 
Gallery 
17 


H38-2 


died 1905 at Paris. Pupil of Drolling and Picot. Figure 
subjects. 


A BATHER. In the foreground a nude woman with 
auburn hair is seated on the grass at the shore of a 
lake; her back is toward the spectator; dark green trees 
form the background. 

H. 383 in. W. 272 1n. Canvas. Signed: J J HENNER. 
Bequest of Catharine Lorillard Wolfe, 1887. 


MARY MAGDALEN AT THE TOMB OF THE 
SAVIOUR. Life-size, partly nude figure, seen in profile to 
the left; she is seated on the ground leaning against a 
rock; blue drapery below the waist; dark background. 
H. 484 in. W. 39 1n. Canvas. Signed: J J HENNER, 
1880. 

Bequest of Sarah M. Hitchcock, 1891. 


139 


HENNINGS — HERTER 


HENNINGS, JoHANN FrRigpRIcH. German (Munich); born 1839 


H39-1 
Gallery 
18 


at Bremen; died 1899 at Munich, where he had lived 
since 1857. Pupil of Oswald Achenbach. 


HEIDELBERG BY MOONLIGHT. The river is in 
the foreground; the castle is in the distance at the 
left. 

H. 4oZ in. W. 71% in. Canvas. Signed: J. F. Hen- 
mings.) 

Bequest of Catharine Lorillard Wolfe, 1887. 


HENRI, Rospert. American; born 1865 at Cincinnati, O.; lives 


H391-1 
Gallery 
15 


in New York City. Pupil of the Pennsylvania Academy 
of the Fine Arts; Julian School and Ecole des Beaux-Arts 
in Paris. 


THE SPANISH GYPSY. Life-size, seated figure, seen 
to below the knees, her right elbow on the arm of the 
chair and her left hand on her hip; she wears a red dress 
and pink kerchief. 

H. got? in. W. 324% in. Canvas. Signed: Robert 
Henri. Bulletin, 1914, p. 166, ill. 

Purchase, Hearn Fund, 1914. 


HENRY, Epwarp L. American; born 1841 at Charleston, S. C.; 


H392-1 
Gallery 
16 


died 1919 at New York City. Pupil of the Pennsylvania 
Academy of the Fine Arts and of F. Weber in Philadel- 
phia; Suisse, Gleyre, and Courbet in Paris. Pictures of 
early nineteenth-century American life with correct 
representation of architecture, dress, and customs of the 
time. 


OLD NORTH DUTCH CHURCH. This church stood 
at the corner of Fulton and William Streets, New York; 
it was built in 1760 and demolished in 1874. 

H. 18in. W. 14 in. Millboard. Signed: E. L. Henry 
1869.. Bulletin, 1915, p. 67; ill. p. 63. 

Bequest of Maria De Witt Jesup, from the collection of 
her husband, Morris K. Jesup, 1915. 


HERTER, AvBert. American; born 1871 in New York City; 


H44-1 
Gallery 
12 


lives there. Pupil of Art Students’ League in New 
York; Laurens and Cormon in Paris. 


RUSSIAN NOBLEMAN. | Half-length, standing figure, 
with the head turned to the left. He wears a fur cap and 
coat over a turquoise blue blouse and gold embroidered 


140 


HERTER— HOBBEMA 


belt. There is a coat of arms in the upper left corner. 
Exchanged in 1923 by the artist for his Two Boys. 

He 33h in) =6W. 301n. ~Canvas. Signed:' ALBERT 
HERTER. 

Gift of V. Everit Macy, 1912. 


HESSELIUS, Gustavus. American; born 1682 in Sweden; he 


H46-1 
Gallery 
16 


came to America in 1711 and died at Philadelphia in 
1755. Portraits. 


MISTRESS ANN. GALLOWAY OF TULIP HILL, 
MARYLAND. A severe old lady in a brown silk dress 
and white cap and kerchief is seated, facing three- 
quarters to the right, in a blue upholstered chair beside 
a window. 

H. 362 in. W. 30in. Canvas. Bulletin, 1923, p. 46. 
Purchase, Maria De Witt Jesup Fund, 1922. 


HICKS, Tuomas. American; born 1823 at Newtown, Pa.; died 


H52-1 


1890. Studied at the Pennsylvania Academy, at the 
National Academy of Design, New York, and in Europe. 


MRS. ANGIE KING. HICKS. (Wife of the artist; 
1834-1917.) 

H. 46in. W. 291n. Canvas. Signed (twice): T.: 
HICKS N. A. 

Bequest of Angie King Hicks, 1917. 


HITCHCOCK, Georce. American; born 1850 at Providence, 


H63-1 


R. I.; died in Holland, 1913. Pupil of Boulanger and 
Lefebvre. 


VESPERS. A Dutch girl going to church in the after- 
noon across a field that is sprinkled with dead leaves. 
She is shown half-length seen from the back, and wears a 
blue skirt and an embroidered white cape. 

H. 442 in. W. 352 in. Canvas. Signed: G. Hitchcock. 
Gift of Edward Drummond Libbey, 1917. 


HOBBEMA, MeErnpDerRT. Dutch; born 1638 at Amsterdam; died 


H65-1 
Gallery 
39 


there 1709. Influenced by Jacob van Ruisdael. Wooded 
landscapes. 


ENTRANCE TO A VILLAGE. Winding roads beneath 
large trees lead to farmhouses at the left and a church 
in the middle distance at the right; in the foreground two 
men stand near a seated woman and there are several 
figures in the roads. 


141 


HOBBEMA — HOLBEIN 


Ex coll.: Rodolphe Kann, Paris; Baron Lionel de Roths- 
child, London; John Lucy, Charlecote Park, London; 
Thomas Emmerson. 

H. 307% in. W. 433 in. Wood. 

Bequest of Benjamin Altman, 1913. 


HOECKE, JAN vAN DEN. Flemish; born 1611 at Antwerp; 
died there 1651. Pupil of his father, Kasper van den 
Hoecke, and of Rubens; studied also in Rome. 


THE GREEN GROCER. With Frans Snyders; see 
Sno-2 for description. 


HOGARTH, WittiAm. British (English); born 1697 at London; 
died there 1764. Pupil of Sir James Thornhill. En- 
graver and painter of satirical subjects; also portraits. 


H67-1 PEG WOFFINGTON. (1714-1760; Margaret Woffing- 
Gallery ton, a prominent Irish actress closely associated with 
14 Garrick.) Luife-size portrait, seen to the waist; she wears 
a low-necked white satin dress with a fichu held in place 
by a string of pearls, and a white cap edged with lace. 
Painted within an oval. 
H. 30 in. W. 242% in. Canvas. 
' Gift of George A. Hearn, 1906. 


H67-2. THE PRICE FAMILY. Members of the family are 
Gallery grouped about the landing-steps on the Price estate at 
24 Foxley in Herefordshire. Uvedale Tomkyns Price helps 
his cousin Miss Rodd alight from a boat. He wears a 
gray coat and she a black silk dress. To the left, his son 
Robert converses with Miss Greville, another cousin; 
Esther Greville feeds swans; other members of the family 
stand and sit in the park and in the boat. 
H. 404 in. W. 623 in. Canvas. Bulletin, 1920, p. 80. 
Purchase, Rogers Fund, 1920. 


H67-51 THE JEFFREYS FAMILY. The mother is seated at 
Gallery the left in a formal landscape of trees beside a pond; 
24 beside her stands the father. They and a little girl at 
the right watch the youngest boy hold a duck at which a 
black and white dog is barking. Two other boys at the 

right are discussing a fishing rod. 

H. 284 in. W. 352 1n. Canvas. 

Lent by R. Darett Jeffreys, 1922. 


HOLBEIN, Hans, THE YOUNGER. German; born 1497 at Augs- 
burg, Bavaria; died 1543 at London. Pupil of his father, 


142 


H69-1 
Gallery 
(34 


H69-2 
Gallery 
37 


H69-3 
Gallery 


37 


HOLBEIN 


Hans Holbein the Elder, and of Hans Burgkmair. 
About 1516 settled at Basle; went to England and 
about 1536 became court painter to Henry VIII. 


PORTRAIT OF A MAN. (Probably Benedikt von 
Hertenstein, oldest son of Jakob von Hertenstein, bailiff 
of Lucerne.) The figure is seen to the waist; he wears a 
black and scarlet biretta, a full-sleeved red doublet 
trimmed with black braid, and a black cape lined with 
green and edged with crimson; about his neck is a heavy 
gold chain which falls over the low-cut white linen shirt 
and drops inside his black waistcoat. The background 
shows the angle of a room with a frieze in low relief 
and below this at the left is the inscription. 

H. 202 in. W. 153 in. Paper mounted on wood. In- 
scribed: DA‘ICH ° HET * DIE’ GESTALT * WAS ° ICH’ 
22° JAR* ALT ‘1517’ H* H: PINGEBAT-(When I had 
this figure I was 22 years old. 1517. H. H. painted it.) 
Bulletin, 1906, p. 150, ill. 

Purchase, Rogers Fund, aided by subscribers, 1906. 


LADY RICH. (Elizabeth, daughter of William Jenks, 
married in 1535 Richard Rich, a lawyer who later became 
Lord Chancellor of England; she died in 1558.) She is 
shown to the waist with the left hand cut by the frame; 
the head is three-quarters to the left; she wears the 
English hood of the time and a black dress with flaring 
collar, faced with white; this is held by a gold medallion 
decorated with figures of a man and a woman standing 
by a dead body. 

Ex coll.: Capt. H. R. Moseley, Buildwas Park, Shrop- 
shire; Herbert Croft, Bishop of Hereford. 

H. 177 in. W. 132 in. Wood. 

Bequest of Benjamin Altman, 1913. 


pvieionnmi! WYATT, LADY LEE. “(Probably «a 


sister of Sir Thomas Wyatt, courtier and writer of the 
time of Henry VIII.) She is shown to below the waist 
with hands clasped; the head is turned to the left, nearly 
in profile; she wears a dress of brown damask tufted with 
gold tags; a black velvet bonnet decorated with gold 
filigree and pearls almost hides her reddish hair; at her 
breast is a Tudor rose in red enamel; a gold medallion 
with the figure of Lucrece hangs from a ribbon at her 
waist. Inscribed: * ETATIS - SVE + 34. 

Ex coll.: Capt. H. R. Moseley; Major Charles Palmer, 
Dorney Court, Windsor. 


143 


H69-4 
Gallery 


34 


H60S-1 
Gallery 
34 


HOLBEIN — HOMER 


H. 162 in. W. 12% 1n. Wood. 
Bequest of Benjamin Altman, 1913. 


LADY GUILDFORD. Half-length, standing figure, turned 
partly to the left; she wears a dark dress cut square at the 
neck and trimmed with gold chains; the sleeves are brown 
silk, ruffled and puffed with white. Covering her hair 
is a dark triangular headdress trimmed with gold. She 
holds a book and a red rosary in her hands. Blue back- 
ground with a spray of grape vine, and to the left, Re- 
naissance columns. 

Ex. coll.: Sir John Ramsden; Thomas Frewen; Stowe. 
H. 172 in. W. 173% 1n. Wood. Inscribed: ANNO MDXVII 
AETATIS SVAE 27. Bulletin, 1920, p. 184. 

Bequest of William K. Vanderbilt, 1920. 


ScHOOL OF Hans Hosein; possibly English. 


ARCHBISHOP CRANMER (?). (1489-1556; English 
prelate and Archbishop of Canterbury.) Life-size 
figure, standing back of a table; his hair and long forked 
beard are brownish gray; he wears a black gown trimmed 
with brown fur, and a three-cornered black hat. The 
table is covered with a green cloth and on it are an hour- 
glass, a quill pen, a book, a sheet of inscribed paper, and 
a seal; a green brocaded curtain forms the background. 
It has been considered that the armorial bearings on the 
seal are those of Cranmer impaling the Episcopal arms 
of the See of Canterbury, but this can not be proved. 

H. 472 in. W. 34% in. Wood. Dated: A. D. 1539. 
Gift of Henry G, Marquand, 1890. 


HOMER, WinsLow. American; born 1836 at Boston; died 1910 


H75-1 
Gallery 
12 


at Scarboro, Maine. Apprenticed to a lithographer in 
Boston; studied at the National Academy of Design, 
New York City, and with Frederic Rondel; was war 
correspondent for Harper’s Weekly; began painting in 
1862 in New York City, where he lived many years. 


THE GULF STREAM. A sail-boat with broken mast 
is in the trough of the waves, while on its deck lies a 
half-nude negro; sharks are in the immediate foreground; 
in the distance at the right is a waterspout; a sailing 
vessel is on the horizon at the left; the sea is blue-green 
and the sky pale copper color. 

H. 287 in. W.49#in. Canvas. Signed: HOMER 1899. 
Bulletin, 1907, p. 14. 

Purchase, Wolfe Fund, 1906. 


144 


H75-2 
Gallery 
15 


H75-3 
Gallery 
15 


H75-4 
Gallery 
15 


H75-5 
Gallery 
15 


H75-6 


H75-7 


H778 


H75-9 


HOMER 


SEARCHLIGHT, HARBOR ENTRANCE, SANTIAGO 
DE CUBA. In the foreground is the terrace of an old 
fort, with two mounted cannon and a turret; a search- 
light shines with great brilliancy on the rampart, and 
another illuminates sea, sky, and a point of land at the 
right; the half-moon is shown at the left, near a mass of 
clouds. 

H. 303 in. W.503 in. Canvas. Signed: W. HOMER. 
Bulletin, 1906, p. 54, ill. 

Gift of George A. Hearn, 1906. 


CANNON ROCK. Dark brown rocks are in the fore- 
ground on both sides of the picture and from the mass 
at the right juts the cannon-shaped point from which 
the locality (in Maine) takes its name. At the left 
foam trickles over the rocks, and beyond is the grayish 
sea with a wave breaking in the middle distance. 

H. 3932; in. W. 39% in. Canvas. Signed: HOMER. 
1895. Bulletin, 1906, p. 54, ill. 

Gift of George A. Hearn, 1906. 


HARVEST SCENE. An orchard with a hay wagon 
at the right; a farmhouse is in the distance at the left. 
H. 16 in. W. 24 in. Canvas. Signed: Winslow Homer. 
Purchase, Hearn Fund, 1909. 


NORTHEASTER. At the right a great wave is just 
beginning to break; at the left a mass of spray dashes 
up against a ledge of brown-black rocks in the fore- 
ground; farther out the crests of two waves show against 
the fog. 

H. 342 in. W. 50% in. Canvas. Signed: HOMER 
1895. Bulletin, 1908, p. 100; 1910, p. 255, ill.; 1914, p. 8, 
ill. ; 

Gift of George A. Hearn, 1g1o. 

NATURAL BRIDGE, NASSAU. 

H.144in. W.211in. Water color on paper. 


PALM TREE, NASSAU. 


H. 234 in. W. 15 in. Water color on paper. Signed: 


HOMER. Bulletin, 1911, p. 17, ill. 


~ TORNADO, BAHAMAS. 


H. 144 in. W.211in. Water color on paper. 


A WALL, NASSAU. 
H. 142 in. W. 214 in. Water color on paper. Signed: 
HOMER Dec. 31st. 1808. 


145 


H75-10 


H75-11 


H75-12 


H75-13 


H75-14 


H75-15 


H75-16 


H75-17 


H75-18 
Gallery 
12 


H75-19 
Gallery 


15 


HOMER 


BERMUDA. 
H. 15 in. W. 212 in. 
HOMER Jan. ist. 1899. 


FLOWER GARDEN AND BUNGALOW, BERMUDA. 


Water color on paper. Signed: 


H. 14 in. W.21 in. Water color on paper. Signed: 
Winslow Homer Bermuda 1899. 

SHORE AND SURF, NASSAU. 

H. 15 in. W. 21 in. Water color on paper. Signed: 
HOMER—Nassau 99. 

THE BATHER. 

H. 144 in. W. 21 in. Water color on paper. Signed: 
HOMER 99 Nassau. 

SLOOP, BERMUDA. 

H.15 in. W.2131in. Water color on paper. 

THE PIONEER. 

H. 13g in. W. 21 in. Water color on paper. Signed: 
HOMER 1900. 


TAKING ON WET PROVISIONS. 
H.14in. W.212in. Water color on paper. Initialed: 
W. H.; inscribed: Key West 1903. 


FISHING BOATS, KEY WEST. 

H. 14in. W. 213 in. Water color on paper. Signed: 
HOMER 10903 and initialed: W.H. Bulletin, 1911, p. 18, 
ill. The water colors, Nos. 6 to 17, were shown in the 
Winslow Homer Memorial Exhibition in 1910, and pur- 
chased from the estate of the artist. Bulletin, 1910, 
p. 43. 

Purchase, Lazarus Fund, 1910. 

SHOOTING THE RAPIDS, SAGUENAY RIVER. 
Three men in a birch-bark canoe are in the foreground; 
immediately back of them rises yellow spray; a steep © 
hill, on the farther side of the river, slopes down at the 
right, showing a second hill beyond. This unfinished 
picture was in the artist’s studio at Prout’s Neck at the 
time of his death. 

H.30in. W.4831in. Canvas. 
Gift of Charles S. Homer, 1o11. 


MAINE COAST. Foaming water from a receding 
wave rushes between the dark rocks in the foreground; 
an approaching green wave breaks at the left, throwing 
spray; beyond, other waves emerge from the mist. 


Bulletin, 191 c p. 66, ill. 


146 


H75-20 
Gallery 
15 


H75-21 


H75-22 
Gallery 
12 


H75-23 
Gallery 
12 


H75-24 
Gallery 
12 


HOMER 


H. 30% in. W. 444 in. Canvas. Signed: Homer 1805. 
Bulletin, 1911, p. 147, ill. 

Gift of George A. Hearn, in memory of Arthur Hoppock 
Hearn, 1911. 


MOONLIGHT, WOOD’S ISLAND LIGHT. In the 
foreground a blue wave breaks against the rocks at the 
left; on the horizon at the right there are lights on a 
line of shore and the red glow of the lighthouse lamp 
shines on the point of land near the center of the pic- 
ture; the light of the unseen moon is on the water at the 
left. 

H. 302 in. W. 40%; in. Canvas. Initialed: W H 1894. 
Bulletin, 1908, p. 100; 1911, p. 145, ill. 

Gift of George A. Hearn, in memory of Arthur Hoppock 
Hearn, 1911. 


TWO LADIES. They are dressed in white and seated 
on a sofa. 

H. 642 in. W. 742in. Water color. Signed: 
HOMER 1880. 

Gift of the Estate of Florence Baird Meyer in memory 
of Florence Baird Meyer, 1918. 


THE CARNIVAL. Two colored women are sewing 


‘a negro into a red and yellow domino costume. On 


each side little pickaninnies stand watching. 

H. 20 in. W.30in. Canvas. Signed: Winslow Homer 
N A 1877. Bulletin, 1923, p. 40. 

Purchase, Lazarus Fund, 1922. 


PRISONERS FROM THE FRONT. The Union officer, 
Colonel Francis C. Barlow, examines three Confederate 
prisoners under the guard of two soldiers. Two of the 
prisoners are soldiers, one wears a pack and blanket roll, 
and between them is an old man. 

H. 24in. W. 38in. Canvas. Signed: Homer 1866. 
Bulletin, 1923, p. 38. 

Gift of Mrs. Frank B. Porter, 1922. 


HIGH TIDE. A curving beach on which three young 
women in long-sleeved bathing suits are preparing to 
return after their swim. A small dog stands off barking 
at them. 

H. 26in. W.38in. Canvas. Signed: Winslow Homer 
1870. Bulletin, 1923, p. 85. 

Gift of Mrs. William F. Milton, 1923. 


147 


H75-25 
Gallery 
12 


HOMER — HOOCH 


A RAINY DAY IN CAMP. A group of five Union 
officers is huddled over a camp-fire in the rain. Behind 
them stretches away a line of tents. 

H. 19% in. W. 36in. Canvas. Signed: winsLow 
HOMER 1871. Bulletin, 1923, p. 85. 
Gift of Mrs. William F. Milton, 1923. 


HONDECOETER, GljsBERT GILLEsz. bp’. Flemish; born in 


H751-1 


1604, probably at Utrecht; died in that city in 1653. 
Pupil of his father, Gilles d’Hondecoeter. Painted 
chiefly birds. 


HAWK ATTACKING PIGEONS. A farmyard with 
a hawk holding in his claws a flying pigeon; another 
pigeon is flying toward the left; a brown rooster and a 
white hen are running away. 

H. 497 in. W. 423 1n. Canvas: 

Purchase, 1871. 


HONDECOETER, MEtcuior pd’. Dutch; born 1636 at Utrecht; 


H752-1 


HOOCH, 


H76-1 
Gallery 
14 


H76-2 
Gallery 
39 


died 1695 at Amsterdam, where he had settled in 1663. 
Pupil of his father, Gijsbert d’Hondecoeter, and of his 
uncle, Jan Baptiste Weenix. Painted chiefly birds. 


THE BARNYARD. In the foreground are a peacock, 
a turkey, a pheasant, and several chickens;. there is 
water at the left and on the far shore is a house with a 
formal garden. Attributed to Melchior d’Hondecoeter. 
H. 397 in. W. 463 in. Canvas. 

Gift of Henry Bedlow, 1897. 


PIETER DE. Dutch; born 1629 at Rotterdam; died 
after 1677 at Amsterdam. Perhaps a pupil of Nicolaes 
Berchem; influenced by Karel Fabritius. Figure subjects. 


DUTCH INTERIOR. A woman peeling vegetables is 
seated at the right near an open window; at the left a 
little girl and a dog stand near an open door, through 
which 1 i a view of a garden and houses in bright sunlight, 
H. 214°5 in. W. 2675, in. Canvas. 

Gift of George A. Hearn, 1893. 

INTERIOR WITH A YOUNG COUPLE. A young 
woman stands near an open window; back of her and in 
front of a bed sits a man who snaps his fingers to call 
a little dog; through an open door is seen a room with 
leather hangings. 


148 


H76-3 
Gallery 
26 


HOOCH — HOPPNER 


Ex coll.: Se Kann, Paris. 
H. 213 in. W. 242 in. Canvas. 
Bequest of Benjamin Altman, 1913. 


SCENE IN A COURTYARD. A paved courtyard in 
which the mistress directs the maid in the washing of food. 
Beside her a little girl pats a hound; a man looks out from 
the adjoining house at the left and a boy enters the court 
door from a covered passage at the back. Over the wall, 
trees and the roof of another house are seen. 

Ex coll.: Rev. J. Cowes, Manchester. 

H. 223 in. W.322in. Canvas. Bulletin, 1920, p. 268. 
Bequest of William K. Vanderbilt, 1920. 


HOOGSTRATEN, SamMuEL vAN. Dutch; born 1627 at Dordrecht; 


H761-1 
Gallery 
26 


died there 1678. Pupil of his father, Dirk van Hoogstra- 
ten, and of Rembrandt. 


PORTRAIT OF A LADY AND A GENTLEMAN. 
Life-size figures, seated at a table, which is covered with a 
red rug; the man is at the right and his right hand rests 
on the table and holds a string of beads. The lady is 
seated behind the table and holds with both hands a book 
which rests on the table. Attributed to Hoogstraten. 
H. 474 in. W. 362 in. Canvas. 

Gift of Henry G. Marquand, 1888. 


HOPPNER, Joun. British (English); born 1758 at London; 


H77-1 
Gallery 


14 


H77-2 
Gallery 
24 


died there 1810. Pupil of the Royal Academy. Por- 
traits. 


LADY WITH A CORAL NECKLACE. §Life-size, 
seated figure, seen to below the waist; she wears a short- 
waisted, low-necked white gown and a dark red coral 
necklace; a white drapery is about her head and shoulders 
and a black lace scarf is thrown over her left arm. 

H. 294 in. W. 242 in. Canvas. 

Gift of George A. Hearn, 18096. 


MRS. BACHE. (Sarah Franklin Bache, only daughter 
of Benjamin Franklin, was born in 1744, married Richard 
Bache in 1767, and died in 1808; her husband was the 
first Postmaster-General of the United States, having 
succeeded Benjamin Franklin, who occupied the post 
during Colonial days.) Life-size, seated figure, seen to the 
waist; she has blond hair mixed with gray and wears 
a white headdress and a broad white fichu; a dark weap 
lined with white falls about her arms. 


149 


H77-3 
Gallery 
24 


H77-4 


HOPPNER— HOREMANS 


H. 30% in. W. 242 1n. Canvas. 
Purchase, Wolfe Fund, 1gor. 


MRS. GARDINER AND HER CHILDREN. Life- 
size, seated figure of a lady, dressed in white, who holds 
a little girl on her lap; another child stands at her side; 
the background consists of a draped red curtain at the 
left and sky at the right. 

H. 5074 in. W. 3942 in. Canvas. 

Bequest of Maria De Witt Jesup, from the collection of 
her husband, Morris K. Jesup, 1915. 


PORTRAIT OF A LADY. Life-size, almost full-face 
portrait of a young lady with dark brown hair, seen to 
below the waist; she wears a white turban and a white 
high-waisted dress; dark background. 

H.30 in. W. 24$ in. Canvas. 

Mr. and Mrs. Isaac D. Fletcher Collection. 

Bequest of Isaac D. Fletcher, 1917. 


HOREMANS, JAN JozEF, THE YOUNGER. Flemish; born 1714 


H78-1 
Wing H 
Class- 
room A 


H78-2 


H78-3 


H78-4 
Wing H 
Class- 
room A 


H78-5 


H78-6 


73-7 


at Antwerp; died there after 1790. Pupil of his father. 


AUTUMN. ‘ 
H. 11334 in. W. 673 in. Canvas. Signed: J. Horemans. 
1762. 


WINTER. 

H. 113% 1n. W.673 in. Canvas. Signed: J. Horemans 
1761. 

SPRING. 

H. 113}in. W. 73% in. Canvas 


SUMMER. 
H. 1134in. W. 713 1n. Canvas. 


THE HORSE POND. 
H. 602 in. W. 462 in. Canvas. 


A LANDLORD AND HIS TENANT. 
H. 623 in. W. 39 in. Canvas. Signed: J. Horemans 
1764 and initialed: A D H. 


RETURNING FROM THE HUNT. 
H. 1134 in. W.100 in. Canvas. Signed: J. Horemans 
1701. 


150 


H78-8 


H78-9 


HOREMANS — HUBBARD 


THE FISH MARKET. 
H. 1134 in. W. 109} in. Canvas. Signed: J Hore- 
mans 17062. 


RESTING AFTER HUNTING. 

H. 333 in. W.642 in. Canvas. Signed: J Horemans. 
A series of nine decorative panels which was ordered by 
the Comte de Hamale and includes portraits of his 
family. 

Ex coll.: Comte Cornet, Brussels. 

Purchase, 1871. 


HOVENDEN, Tuomas. American; born 1840 at Dunmanway, 


H82-1 


H82-2 


County Cork, Ireland; died 1895 at Plymouth Meeting, 
Pennsylvania. Studied at the Cork School of Design; 
came to New York in 1863 and entered the school of 
the National Academy of Design; studied in Paris 
under Cabanel. 


JERUSALEM THE GOLDEN. Lamplight falls on 
a convalescent young woman who reclines in a large 
chair at the left; a young man is seated at her side, while 
in the deep shadow at the right a young girl is playing the 
hymn which gives the title to the picture. 

He30m. W. 40 in. Canvas. 

Gift of Mrs. Helen C. Hovenden, 1895. 


LAST MOMENTS OF JOHN BROWN. (1800-1859; 
American abolitionist hanged by the Commonwealth of 
Virginia. His armed party had seized by force the arsenal 
at Harper’s Ferry.) The artist has depicted the traditional 
incident of a colored child’s being held up for John Brown 
to kiss, as he descends the courthouse steps on his way to 
the gallows. 

H. 77% in. W. 634 in. Canvas. Inscribed: Copyright 
Hovenden 1881. 

Gift of Carl Stoeckel and his wife, 1897. 


HUBBARD, Ricuarp W. American: born 1816; died 1888. 


H86-1 


Landscapes. 


SUNRISE ON THE MOUNTAIN. A cedar growing 
among rocks catches the sunlight on the mountain top. 
In the far distance the valleys and lower hills are still in 
mist. 

H. 143 in. W.122 in. Canvas. Signed: R. W. H. LVI. 
Gift of Samuel P. Avery, 1920. 


151 


HUGHTENBURGH — HUNT 


HUGHTENBURGH, Jan van. Dutch; born 1646 at Haarlem; 


H87-2 


died 1733 at Amsterdam. Painted landscapes, hunts, 
and battle scenes. 


REPOSE AFTER THE HUNT. In the foreground at 
the right three horses are held by a groom; beyond, 
people are dancing and eating; in the distance are fields 
of ripe grain and hills. 

Ex coll.: Marquis de Rodes. 

H. 21 in. W. 263 in. Canvas. Signed: Hughtenburgh. 
Purchase, 1871. 


HUNT, Witit1Am Morris. American; born 1824 at Brattleboro, 


Ho!I-! 
Gallery 
16 


Ho1-2 
Gallery 
16 


Ho1-3 
Gallery 
16 


Ho1-4 
Gallery 
10 


Vt.; buried there 1879. Studied at Diisseldorf; pupil of 
Couture in Paris; influenced by Millet and the Barbizon 
School. In 1862 settled in Boston, where he spent most 
of his life. Portraits, genre, and mural decorations. 


LANDSCAPE. A field with boulders and trees; in 
the center of the picture stands a boy wearing a blue 
blouse; a white dog sits beside him. 

H. 12% in. W. 193 in. Canvas. Bulletin, 1906, p. 131, ill. 
Purchase, Rogers Fund, 1906. 


GIRL AT A FOUNTAIN.  Life-size figure of a young 
girl, seen from the back to below the knees; her left 
hand rests against a stone wall and the right holds a 
brown jug to catch the water flowing from a lion’s head 
in the wall; she wears a brown dress trimmed with dark 
red braid and a close-fitting white cap; at the left there 
is a low stone wall with trees and a hill beyond. 

H. 46 in. W. 353 in. Canvas. Signed: W. M. HVNT. 
Bulletin, 1908, p. 110, ill. 

Bequest of Jane Hunt, 1908. 


A BOY. Standing figure, seen to below the knees with 
his back against a stone wall; his arms are folded and a 
whip is in his left hand; he wears an Italian costume. 
H. 164 in. W. 83 in. Canvas. Monogrammed: WMH. 
Bequest of Mrs. Martha T. Fiske Collord, in memory of 
Josiah M. Fiske, 1908. 


A GIRL. Full-length, seated figure of’a girl in Italian 
dress; a bright red cloak hangs over the back of her chair. 
H. 164 in. W.82 in. Canvas. Signed: WM (entwined) 
Hunt 1867. 


Bequest of Mrs. Martha T. Fiske Collord, in memory of 


Josiah M. Fiske, 1908. 
152 


Ho1-5 
Gallery 
16 


Ho1-6 
Gallery 
10 


Ho1-51 
Gallery 
160 


Ho1-52 
Gallery 
16 


HUNT — HUNTINGTON 


NIGHT. (Sketch for the principal figure of one of the 
mural decorations executed in 1878 in the State Capitol 
at Albany, N. Y., but since ruined.) A female figure 
seated on the crescent moon; drapery falls over her knees. 
H.37in. W.253in. Cardboard. Bulletin, 1911, p. roo. 
Purchase, Rogers Fund, 1o11. 


FORTUNE. (Sketch for one of the figures in The Dis- 
coverer, one of the ruined mural decorations in the 
State Capitol at Albany.) A winged female figure, stand- 
ing with drapery about her raised right arm; the left 
hand holds the tiller of the boat in which Columbus stands. 
H. 371n. W. 253 1n. Cardboard. Bulletin, to11, p. 
100. 

Purchase, Rogers Fund, ror. 


CHARLES SUMNER. (1811-1874; American states- 
man, 1861-1871.) Life-size bust, almost profile to left. 
He has bushy iron-gray hair and side whiskers, and wears 
a black coat and black tie; red background. 

H.27in. W.221n. Canvas. Monogrammed: W M H. 
Lent by Mrs. E. Hunt Slater, 1918. 


ABRAHAM LINCOLN. (1809-1865; sixteenth Presi- 
dent of the United States, 1861-1865.) Life-size bust 
three-quarters to right; the hair and short chin beard 
are black, and he wears a black coat and necktie; light 
gray background. ‘This is a second version of the head 
in the full-length portrait, Poh in 1865 and destroyed 
by fire in 1872. 
H. 273 in. W. 223 in. Canvas. Monogrammed: WMH. 
1866 
Lent by Mrs. E. Hunt Slater, 1918. mages ire 


HUNTINGTON, Danie. American; born 1816 at New York City; 


Ho2-1 
Gallery 
17 


died there 1906. Pupil of S. F. B. Morse and of Inman 
in New York; of G. P. Ferrero in Rome. President of 
National Academy of Design, 1862 to 1869 and 1877 to 
1891. Portraits. 


JOHN DAVID WOLFE. (1792-1872; a New York 
merchant; father of Catharine Lorillard Wolfe.) Life- 
size, seated figure, seen to the knees; an open book is 
held in his right hand; he wears the conventional black 
clothes and a cape lined with black satin. 

H. 434 in. W. 37% in. Canvas. Signed: D. Hunting- 
ton 1871. 

Bequest of Catharine Lorillard Wolfe, 1887. 


153 


Ho2-2 


H92-3 


H92-4 


H92-5 
Gallery 
16 


HUNTINGTON — HUYSMANS 


WILLIAM C. PRIME. (1825-1905; a New York 
merchant; Vice-president of the Museum from 1874 
to 1892.) Life-size, seated figure, seen to below the knees; 
his right hand turns the leaves of an open book that 
rests on top of another volume on a table at the left; 
his thin hair and long beard are gray; he wears a brown 
velveteen jacket and dark gray trousers. 

H. 544 in. W. 442 in. Canvas. Signed: D. Hunting- 
ton 1892. 

Gift of the Trustees, 1892. 


MERCY’S DREAM. The subject is taken from 
Bunyan’s Pilgrim’s Progress. ‘‘Methought I looked up. 
and saw one coming with wings toward me : 
and he put a beautiful crown upon my head. Then he 
took me by the hand and said, ‘Mercy, come after me.’” 
H. 84 in. W. 664 in. Canvas. Signed: D. Hunting- 
ton 1858. 
Gift of the artist, 1897. 

ELLA VIRGINIA DERING. (Daughter of Willis Bris- 
tol of New Haven, Conn., and wife of Sylvester Dering of 
Utica, N. Y.) The figure is seen to below the waist; she 
wears a white silk gown trimmed with lace, a string 
of pearls is about her neck, and her left hand rests on a 
bunch of yellow roses at her breast. 

H. 303 in. W.25 in. Canvas. Signed: D. Huntington. 
Gift of Sylvester Dering, 1916. 


NICOLL HAVENS DERING. (1865-1869; son of 
Sylvester and Ella V. Dering.) A little boy dressed in 
blue and holding a toy dog under his left arm, is seen to 
the knees standing in a landscape. 

H. 30 in. W. 25 in. Canvas. Signed: D. Huntington. 
Gift of Sylvester Dering, 1916. 


HUYSMANS, CorneE ts; called Huysmans of Mechlin. Flemish; 


Ho8-1 
Gallery 
26 


born 1648 at Antwerp; died 1727 at Mechlin. Pupil 
of Gaspar de Witte at Antwerp and of Jacques van 
Artois at Brussels, whence he went to Mechlin. Land- 
scapes. 

ITALIAN LANDSCAPE. A valley with peasants and 
cattle in the foreground; trees to the left and mountains 
in the distance; sunset sky. 

Ex coll.: Comte Cornet, Brussels; Rothan. 

H. 252 in. W. 31g in. Canvas. 

Purchase, 1871. 


154 


Ho98-4 
Gallery 
14 


HUYSMANS 


LANDSCAPE WITH FIGURES. A view of a valley 
in a mountainous country, with dark trees at the right’ 
and left; in the foreground are figures and cattle and in 
the distance a river and snow-capped mountains in 
sunlight. 

Fig22ean. W.31¢ in. Canvas. 

Gift of George A. Hearn, 1900. 


155 


I 


INGHAM, Cuarctes C. American; born 1796 at Dublin, Ireland; 


[n4-1 


died 1863 at New York City. Pupil of Dublin Academy. 


THE FLOWER GIRL. Standing figure, seen to below 
the knees; she wears a yellowish dress and a black hood; 
she carries a pot of fuchsias and a basket of flowers. 

H. 36in. W. 282 in. Wood. Signed: C C Ingham 
1846. 

Gift of William Church Osborn, 1902. 


INGRES, JEAN AucusteE Dominique. French; born 1780 at 


In41-1 
Gallery 
20 


In41-2 
Gallery 
20 


Montauban; died 1867 at Paris. Pupil of David; in- 
fluenced somewhat by the early Italians and to a greater 
degree by Raphael. Portraits, historical and classical 
subjects, and decorations. 


PORTRAIT OF M. LEBLANC. Seated figure to the 
left seen to below the knees; he holds a book in his right 
hand and his left elbow rests on a table over which is a 
red figured cover. His black coat is open in front 
showing a white shirt and striped waistcoat. 

Ex coll.: Edgar Degas. 

H. 472 in. W. 37 1n. Canvas. Signed: IngressPins. 
Bulletin, 1919, p. 133, ill. 

Purchase, Wolfe Fund, 1918. 


PORTRAIT OF MME. LEBLANC. Seated figure to 
the right seen to the knees, wearing a low-necked black 
silk dress. Her right hand rests on the back of the 
chair and her left lies in her lap. A heavy gold chain 
is about her neck and is fastened at her belt. An Indian 
shawl is thrown over the arm of her chair; flowers in a 
vase are on the table at the right. 

Ex coll.: Edgar Degas. 

H. 47 in. W. 363 in. Canvas. Signed: Ingres P. flor. 
1823. Bulletin, 1919, pp. 133-134, ill. 

Purchase, Wolfe Fund, 1918. 


156 


INMAN, 


In5-1 
Gallery 
10 


In5—-2 
Gallery 
16 


In5-3 
Gallery 
16 


INNESS, 


In6-1 
Gallery 
16 


In6-2 


INMAN — INNESS 


Henry. American; born 1801 (?) at Utica, New York; 
died 1846 at New York City. Pupil of John W. Jarvis. 
Portraits. 


MARTIN VAN BUREN. (1782-1862; the eighth Pres- 
ident of the United States.) Nearly life-size figure, seen 
to the waist; he has light brown hair and side whiskers 
and wears a black coat and high black stock. 

H. 30% in. W. 254 in. Canvas. 

Gift of Mrs. Jacob H. Lazarus, 1893. 


THE YOUNG FISHERMAN. The full-length figure 
of a barefooted boy, standing under a tree with his 
left hand raised holding a branch; a fishing pole is over 
his left shoulder. 

H. 137. in. W. 93 in. Wood. 

Gift of Samuel P. Avery, 1895. 


WILLIAM C. MACREADY. (1793-1873; a prominent 
English tragedian.) Life-size portrait, seen almost to 
the waist; the neck is bare and a white tunic shows 
above a dark garment; a brown fur cloak is over his 
left shoulder. He is posed in the character of William 
ell, 

fe 30g ins = W:25 in. ‘Canvas, Bulletin, 1906; p. 105. 
Purchase, Rogers Fund, 1906. 


GeEorcE. American; born 1825 at Newburgh, N. Y.; 
died 1894 while traveling in Scotland. Apprenticed to 
a map engraver; studied painting with Regis Gignoux; 
visited Europe. The greater part of his working life 
was spent in the neighborhood of New York City. Land- 
scapes. 


AUTUMN OAKS. A group of oaks in red, brown, and 
yellow foliage fills the middle distance to the right of the 
center; in the dark shadow that crosses the foreground, 
a cow is following the path toward a group of cattle 
that are in the sunlight at the left; beyond are open 
fields and wooded groves with a glimpse of water in the 
onus heavy clouds with blue shadows. 

Heeei, in. W..30g.1n.. Canvas. pets G. Inness. 
Gift of George I. Seney, 1887. 

EVENING. Large oak trees are at the left and open 
fields at the right with a farmhouse and blue hills beyond; 
in the foreground sheep and a cow are being driven 
home and a man is piling logs. 


157 


In6-3 
Gallery 


13 


In6-4 
Gallery 
12 


In6-5 
Gallery 
16 


In6-6 
Gallery 


13 


In6-7 
Gallery 


13 


In6-8 


INNESS 


H. 484 in. W.784in. Canvas. Signed: Geo. Inness 1868. 
Gift of George I. Seney, 1887. 


PEACE AND PLENTY. A broad expanse of country 
with hills in the distance and a narrow stream winding 
through the valley; in the foreground a field of grain 
is being harvested; at the left in the middle distance 
a group of elms is silhouetted against a golden sunset sky. 
Painted from studies made at Medfield, Mass. 

H. 772 in. W. 1122 in. Canvas. Signed: Geo Inness 
1865. Bulletin, 1914, p. 4, ill. 

Gift of George A. Hearn, 1894. 


PINE GROVE OF THE BARBERINI VILLA, 
ALBANO, ITALY. 

H. 763 in. W. 1183 in. Canvas. Signed: G Inness— 
1876. 

Gift of Lyman G. Bloomingdale, 1898. 

DELAWARE VALLEY. The winding Delaware River 
flows through a valley dotted with trees, cultivated 
fields, and farm buildings; at the left a wagon-load of 
hay is being drawn by horses along a road toward the 
foreground; in the distance the hilltops are partly 
hidden by rain clouds. | 

H. 22 in. W. 30 in. Canvas. Signed: G Inness 1865. 
Gift of several gentlemen, 1899. 


EVENING AT MEDFIELD, MASS. A clump of 
trees at the left and a stone wall at the right stand out 
against a deep yellow sunset sky; near the center a man 
leans over the pasture bars; in the foreground at the 
left are two tree trunks beyond which two cows come down 
a path that winds around a pollard willow at the right. 
H. 38 in. W. 634 in. Canvas. Signed: G. Inness— 
1875. Bulletin, 1910, p. 107, ill. 

Gift of George A. Hearn, 1g!o. 

SPRING BLOSSOMS. An orchard in blossom is in 
the middle distance; beyond at the left is a farmhouse. 
H. 303 in. W. 452 in. Canvas. Signed: Geo. Inness 
1889. Bulletin, ro11, p. 140, ill. 

Gift of George A. Hearn, in memory of Arthur Hoppock 
Hearn, Igit. 

COAST SCENE. The sunset breaks through clouds 
over a dark sea and coast; low headland to the left. 

H. 224 in. W. 30% in. Canvas. 

Bequest of Eliza W. Howland, 1917. 


158 


INNESS — ISENBRANT 


INNESS, Georce, Jr. American; born 1853 at Paris, France; 
lives in New York City. Pupil of his father, George Inness. 


In61-1 SHEPHERD AND SHEEP. They are moving away 
from the spectator; bushes and low trees are at the left. 
H. 1oin. W. 154 1n. Wood. Signed: Geo. Inness Jr. 1876. 
Bequest of Henry H. Cook, 1905. 


IRWIN, Benoni. American; born 1840 at Newmarket, Canada; 
died 1896 at South Coventry, Conn. Pupil of National 
Academy of Design in New York; Carolus-Duran in 
Paris. 


Iro-1 CHARLES H. FARNHAM. (Born 1841; lives at New- 
burgh, N. Y. Author.) Life-size, bust portrait in pro- 
file toward the left. 

H. 244 in. W. 18 in. Canvas. Signed: Benoni Irwin—1882. 
Gift of Mrs. Benoni Irwin, 1897. 


ISABEY, Euceéng. French; born 1803 at Paris; died there 1886. 
Pupil of his father, Jean Baptiste Isabey. Landscapes 
and marines. 


Ist-1 A BANQUET HALL. A’ sumptuous dining hall 
Gallery with many people dressed in richly colored seventeenth- 
7 century costumes; some are seated at the long table, 
drinking, while others stand in groups about the room; 
a number are gathered on the steps at the right beyond 
which the sunlight streams through a window. 
H. 27} in. W. 36745 in. Canvas. Signed: E. Isabey—73. 

Bequest of Catharine Lorillard Wolfe, 1887. 


ISENBRANT, ApriAn. Flemish; born in the fifteenth century; 
died 1557. Settled at Bruges in 1510 and worked under 
Gerard David. 


| Is2-1 ECCE HOMO—MATER DOLOROSA. _Life-size fig- 
‘Gallery ures, seen almost to the knees, of Christ and the Virgin 
oe standing side by side in the opening of a bay consisting 
of a double arch. Christ is at the left with a dark green 
robe hanging upon His shoulders, the chest bare, and the 
hands bound in a crossed position so that the right hand 
holds the reed on the left side. Mary is at the right with 
bowed head and hands crossed on her breast; she wears 
_a white wimple and a dark mantle. Formerly attrib- 
uted to Mostaert. 
Ex coll.: Dr. Friederich Lippmann, Berlin. 
H. 414 in. W. 3674 in. Canvas, transferred from wood. 
Purchase, Rogers Fund, 1904. 


159 


» [32-2 
Gallery 
34 


Is2-2 


]s2-2 


Is2-2 


Is2-2 


ISENBRANT — ISHAM 


a. THE NATIVITY. Triptych. (Central panel.) Mary, 
in a dark blue robe and brown cloak, and Joseph in a 
red robe, kneel respectively at left and right of a straw- 
filled basket on which the Infant is lying; just beyond is 
an arched stone porch beneath which are the ox and ass, 
and at the left are two adoring shepherds; landscape 
background with trees, cottages, shepherds, and blue hills. 


b. ADORATION OF THE KINGS. (Left wing.) Under 
a porch similar to that shown in the central panel, Mary 
is seated at the right holding the Child on her lap; two of 
the kings, one wearing a red robe and the other in yellow 
brocade, kneel before the Infant; the Moor, in a dull 
green robe and jeweled turban, stands at the left holding 
a gold vessel; landscape background. 


c. FLIGHT INTO EGYPT. (Right wing.) The Ma- 
donna, with the Child held in her left arm, rides on the ass 
which is moving toward the left; Joseph, in a red cloak, 
black hood, and straw hat, stands on the far side of the 
animal and holds its bridle. Across the three panels is a 
landscape background consisting of a broad valley in the 
center and at right and left wooded hills and steep rocks 
with castles on their summits. 


d. THE ANNUNCIATION. — (Painted in grisaille 
on the back of the Adoration of the Kings.) A late 
Gothic doorway forms the background for the Virgin 
and the angel. 


e. THE VISITATION. (Painted in grisaille on the 
back of the Flight into Egypt.) A Gothic doorway, 
similar to that of the opposite wing, forms the background 
for the Virgin and St. Elizabeth. 

Ex coll.: Dr. Friederich Lippmann, Berlin. 

Center, H. 93 in. W. 67 1n.; each side, H. 10% in. 
W. 375 in. Wood. Bulletin, 1913, p. 67, ill. 

Purchase, Hewitt Fund, 1913. 


ISHAM, SamueL. American; born 1855 at New York City; died 


Is3-1 
Gallery 
12 


1914 at Easthampton, N. Y. Pupil of Jacquesson de la 
Chevreuse, Boulanger, and Lefebvre. Author of A 
History of American Painting. 


LA MARQUISE DE CARABAS. Life-size, seated 
figure of a young girl seen to the knees; she wears a fancy 
costume of brocaded silk and a string of pearls about 
her neck; her raised left hand rests on a standard; there 


160 


ISHAM — ITALIAN: SCHOOL 


is a fanciful coat of arms on a column in the background 
at the left. 

30e0ne) W. 32 in. Canvas. Signed: S. Isham, 96. 
Bulletin;.1015, p. 11; ill. p. 13. 

Gift from the estate of the artist, in accordance with his 
wishes, IQI4. 


ISRAELS, Jozer. Dutch; born 1824 at Groningen; died tor! 


Is7-1 
Gallery 
19 


Is7-2 
Gallery 
19 


Is7-3 


Is7-4 


Is7-5 


at The Hague. Pupil of J. A. Kruseman at Amsterdam; 
Picot and Delaroche at Paris. Peasant subjects. 


THE BASHFUL SUITOR. A youth and a young girl 
are walking toward the left across flat meadows; in the 
fields beyond is a herd of black and white cattle. 

H. 46 in. W. 677 1n. Canvas. Signed: Jozef Israels. 
Gift of George I. Seney, 1887. 


EXPECTATION. An interior with the full-length, 
seated figure of a young Dutch peasant woman who is 
sewing; she is making a baby’s cap and her sewing 
materials are on a willow cradle at the left; on a table 
at the right is a pot of flowers in blossom. 

H. 713 in. W. 54 in. Canvas. Signed: Jozef Israels. 
Gift of George I. Seney, 1887. | 


WAITING FOR PAPA. A humble Dutch home with a 
girl and a boy standing at an open window and looking 
out across sand dunes. 

H. 212 in. W. 14% in. Wood. Signed: Jozef Israels. 
Bequest of Maria De Witt Jesup, from the collection of 
her husband, Morris K. Jesup, 1915. 


THE DUNES. A girl sits at the right looking out to 
sea, where a fishing boat is shown. 

H. 124in. W. 173 1in. Water color. Signed: Josef 
Israels. 

Mr. and Mrs. Isaac D. Fletcher Collection. 

Bequest of Isaac D. Fletcher, 1917. 


GRANDMOTHER’S TREASURE. A_ dutiful little 
child reads to her sick grandmother. 

H. 27 in. W. 35% in. Canvas. Signed: Jozef Israels. 
Mr. and Mrs. Isaac D. Fletcher Collection. 

Bequest of Isaac D. Fletcher, 1917. 


ITALIAN SCHOOL. 


It5S—4 


CROWNING OF THE VIRGIN. The Virgin, in a 


white robe, is seated at the left, and Christ, wearing a 


161 


It5S-5 


It5S-6 


It5S-16 
Gallery 
31 


It5S-17 
Gallery 
33 


ITALIAN SCHOOL 


red robe and a dark blue mantle, is placing the crown 
upon her head; back of the figures is a red and gold canopy 
which is supported at each side by an angel. Formerly 
attributed to Starnina. Fifteenth-century work. 

H. 137% in. W. 1012 in. Tempera on wood. 

Gift of Frederic Coudert, 1888. 


VIRGIN AND CHILD. The Virgin, in a white mantle 
lined with green, is standing and seen to the knees; the 
Child, swathed in a white and yellow striped cloth, is 
held upright with His feet resting in the Virgin’s right 
land; gold background with halos in relief. Inscribed 
below on a red ground: BENEDICTVS - SIT » NOMEN - 
DOMINI JHV XRI ET - NOMEN - MATRIS + EIVS « GLORIOSE 
VIRGIN. Fourteenth-century work. 

H. 322 in. W. 182in. Tempera on wood; pointed 
arched top. 

Gift of Frederic Coudert, 1888. 


ENTOMBMENT. The nude figure of the dead Christ is 
supported on the edge of the tomb by the Virgin at the 
left and St. John at the right; gold background. The 
picture came under the name of Giovanni Batta; it is fif- 
teenth-century work. 

H. 77 in. W.o9%in. Tempera on wood. 

Gift of Frederic Coudert, 1888. 


MADONNA AND CHILD. A half-length of the 
Madonna with the Child standing on her lap; she wears a 
purple robe, white scarf, and black mantle; the Child 
is dressed in red and His right hand caresses the face of 
the Madonna; dark background with fruit and leaves; 
imitation Cufic inscription on halos. At one time at- 
tributed to Pisanello. North (?) Italian work of the 
third quarter of the fifteenth century. 

H. 25% in. W. 14% in. Tempera on wood. 

Gift of Baron Lazzaroni, 1906. 


SAINT MICHAEL AND THE DRAGON. The Saint 
stands with his sword raised in the act of slaying a mon- 
ster which has one large and numerous small heads, 
several of which have been cut off. The Saint has parti- 
colored wings and wears Renaissance armor and a red 
doublet embroidered with gold; gold tooled background. 
Fifteenth-century work. 

H. 424 in. W. 413 in. Tempera on wood. 

Purchase, Rogers Fund, 1912. 


162 


It5S—F1 


ItsS—F2 
Gallery 
31 


It5S-F3 
Gallery 
30) 


It5S-F4 
Gallery 
31 


ITALIAN SCHOOL 


FLORENTINE. 


ST. ANTHONY. The head of an old man in a brown 
monk’s habit. Formerly attributed to Ghirlandaio; 
fifteenth-century work. 

H. 2033; in. W. 144 in. Fresco on plaster. 

Gift of Cornelius Vanderbilt, 1880. 


A MAN AND A WOMAN AT A CASEMENT. A 
woman, seen to below the waist, stands in the corner of a 
room facing a window at the left where a man, who is 
outside the house, leans on the sill with both hands 
crossed on the ledge over which hangs a cloth bearing 
the Scolari arms; beyond the woman’s head is an- 
other window through which there is a view of a town 
street and a landscape. Formerly attributed to Ma- 
saccio; Berenson considers it an early work of Paolo 
Uccello. Painted in the second quarter of the fifteenth 
century. 

Ex coll.: Lord Methuen; Thomas J. Sanford. 

H. 253°, in. W.163 in. Tempera on wood. 

Gift of Henry G. Marquand, 1888. 


THE WAR OF CHARLES OF DURAZZO AGAINST 
OTTO OF BRUNSWICK. (A cassone [chest] front 
in three octagonal panels with ornamental borders and 
spandrels decorated with the coat of arms of the Kingdom 
of Sicily and Jerusalem.) In the right-hand panel, the 
army of Charles of Durazzo, under the banners of Sicily 
and Jerusalem, of the Pope and of Hungary, attacks the 
army of Otto of Brunswick, who carry the Brunswick 
arms. In the central panel Charles receives the submis- 
sion of Otto. In the panel at the left Charles and his 
army enter the city of Naples. The colors are sombre 
—Charles in each panel is dressed in black and gold and 
is mounted on a white horse. The sky is gold-leaf. 
About 1400. 

H. 193 in. W. 5044 in. Tempera on wood. 

Purchase, Rogers Fund, 1906. 


CASSONE; UNKNOWN SUBJECT. A prince with his 
party arrives at the left; back of them are Florentine 
buildings—the Riccardi Palace, then the Medici Palace, 
and the Cathedral and Campanile. At the right is a log- 
gia with nine ladies at dinner. A page steps from the 
loggia to welcome the party. The prince is shown again 


163 


It5S-Li 


It5S-N1 
Gallery 
D6, First 
Floor 


It5S—-N2 
Gallery 
33 


ITALIAN SCHOOL 


at the right, choosing one of the ladies, and once more as 
he and the lady are being married; an elderly gentleman 
is blessing their union and a gentleman behind the corner 
column eavesdropping. Many of the costumes are in 
gold-leaf. The name of the artist is unknown; two works 
by him are in American collections, both showing Solo- 
mon and the Queen of Sheba; one in the Boston Museum, 
and one in the Jarves Collection at Yale University. 
About 1450. 

Ex coll.: Dollfus, Paris. 

H. 174 in. W. 55% in. Tempera on wood. Bulletin, 
1919, p. 6, ill. 

Purchase, Rogers Fund, 1918. 


LOMBARD. 


MADONNA AND CHILD. The Madonna embraces the 
Child, who is nude except for His legs, which are wrapped 
in swaddling clothes. His arms are around her neck; 
they do not look at each other but smile at the spectator. 
Early sixteenth-century work. 

Ex coll.: Robert J. Nevin. 

H. 224 in. W.142in. Tempera on plaster. 

Bequest of William H. Herriman, 1921. 


NortTH ITALIAN. 


BOY WITH A RED HAT. The head and shoulders 
of a fair-haired youth turned three-quarters to the left, 
the eyes looking at the spectator. He wears a flat red 
cap on the side of his head. North Italian work, about 
1500. 

H.15 in. W.114in. Panel. 

Bequest of Michael Dreicer, 1921. 


SAINT THOMAS AQUINAS AIDED BY SAINTS 
PETER AND PAUL. St. Thomas is seated between 
SS. Peter and Paul who, according to the legend, appeared 
and explained to him passages of Isaiah. A shelf with 
open books is over their heads. St. Thomas is seen again 
standing in a doorway at the left and seated in a window 
above. The walls are pink stucco. North Italian work, 
fifteenth century. 

H.17in. W.13in. Temperaon panel. Bulletin, 1923, 
pa2d2. 

Purchase, Fletcher Fund, 1923. 


164 


It5S-R1 
Gallery 


ITALIAN SCHOOL 


ROMAN. 


HEAD OF A MAN. Head and shoulders of a man in a' 
black coat ‘and hat and full black beard. Sixteenth cen- 


D6, First tury. 


Floor 


It5S—R2 
Gallery 
D6, First 
Floor 


It5S-S1 


ItsS-S2 


Gallery 
2 


H. 7395 in. W.6in. Panel. 
Bequest of Michael Dreicer, 1921. 


HEAD OF AUGUSTIN DE THOU. Head and shoul- 
ders of a man in a dark cap and robe. His face is lean 
and he wears a reddish beard and moustache. Roman 
school work. 

H. 64 in. W.53in. Panel. Inscribed: ROMAE 1540 
MEN. MAR (month of March) ETA (?)8. Bulletin, 
1922, p. 102. 

Bequest of Michael Dreicer, 1921. 


SIENESE. 


THE HOLY VIRGIN AND SAVIOUR. A triptych. 
The central panel shows the Virgin enthroned with the 
Child on her lap and seven angels grouped around the 
throne; in the right-hand panel St. Peter is in the fore- 
ground and there are four other standing figures; in 
the left-hand panel there are also five figures, St. Paul 
being in the foreground. In the points at the top of the 
panels the Crucifixion is in the center, the Virgin in 
prayer at the right, and the Angel of the Annunciation at 
the left. Gold background throughout. Fifteenth cen- 
tury; influenced by Taddeo di Bartolo. 

H. 182.in. W. 1738, in. Tempera on wood. 

Gift of Frederic Coudert, 1888. 


ister OF CHRIST. A triptych,. divided: into 
sixteen scenes by means of bands of pattern stamped in 
the gold ground. The subjects are as follows: Right 


_ panel: 1. Annunciation; 2. Nativity; 3. Adoration of 


the Magi; 4. Presentation in the Temple. Left panel: 
5. Flight into Egypt; 6. Christ among the Doctors; 
7. The Last Supper; 8. The Agony inthe Garden. Cen- 
tral panel beginning at the upper left: 9. St. John the 
Peper io, the ‘Ttinity; “ie ot. Michael; 12, The 
Scourging of Christ; 13. The Crucifixion; 14. Christ 
(carrying the Cross; 15. Lhe Pieta;*16.- Christ’ in the 
Tomb. Painted in the first half of the fifteenth cen- 
tury. 

Central panel, H. 20% in. W. 14% in. Sides, each: 


165 


It5S-S3 
Gallery 
D6, First 
Floor 


It5S-T1 
Gallery 
33 


ItsS-Ur 


ITALIAN SCHOOL 


H. 214 in. W. 63 in. Wood. Bulletin, 1909, p. 88. 
Purchase, Rogers Fund, 1909. 


CROSS WITH CRUCIFIXION. Both sides of the 
cross are decorated with the figure of the Crucifixion, and 
heads of saints are painted on the extremities of the cross. 
Fifteenth century. 

Ex coll.: Bardini. 

H. 344 in. W. 19 in. all over. Carved wood, painted 
and decorated. 

Bequest of Michael Dreicer, 1921. 


TUSCAN. 


SAINT GILES; MISSION: OF THE APOST EES. 
CHRIST TRIUMPHANT OVER SATAN. A polyptych. 
The right-hand panel shows a full-length standing figure of 
St. Giles, in the black habit of a Benedictine monk. The 
left half is divided into two sections; in the lower part, 
Christ is addressing the twelve apostles, and above Christ 
stands on clouds with angels, four of whom drive away 
devils. On scrolls are printed ISTI EST DOMINUS 
REX GLORIAE (This is the Lord, the King of Glory) 
and ET DOMINUS FIRTIS IN PROELIO (even the 
Lord mighty in battle). Berenson attributes this work 
to Tuscan origin; Fry considers that the types are non- 
Italian, though the painting shows Sienese influence; 
it was previously catalogued as early French, School of 
Avignon. Probably painted in the early part of the 
fifteenth century. 

H. 593 in. W. 393 1n. Tempera on wood. 

Gift of J. Bruyn Andrews, 1876. 


UMBRIAN. 


SCENES FROM THE LIFE OF KING NEBUCHAD- 
NEZZAR. (The dream of King Nebuchadnezzar and its 
interpretation are given in the Bible in the Book of 
Daniel, chapter IV.) A cassone (chest) front with three 
sunken panels; the borders of the panels are carved and 
the ground is gilded. In the panel at the left, Daniel 


-Is interpreting the dream of Nebuchadnezzar. In the 


central panel, Nebuchadnezzar is being driven from the 
palace as predicted by Daniel. In the panel at the right 
the King is eating grass “‘as oxen”’ in accordance with the 
interpretation of the dream. Painted toward the end of 
the fifteenth century. 


166 


It5sS—-V3 
Gallery 
33 


ITALIAN SCHOOL 


H. 2142 in. W. 65 in. Tempera on wood. Bulletin, 
1908, p. 1809, ill. 
Gift of James Loeb, 1908. 


VENETIAN. 


SAINT URSULA AND HER MAIDENS. Saint Ur- 
sula is seated with arms outstretched; on each side stand 
six maidens, two holding palms and two standards bear- 
ing a red cross. The costumes are pale mauve, green, 
pink, and blue enriched with gold patterns; on the red 
background is inscribed in gold SANTA URSULA. 

H. 372 in. W. 307 in. Panel. Bulletin, 1923, p. 144. 
Purchase, Rogers Fund, 1923. 


167 


J 


JACOBI, Giovanni. See Giovanni da Milano. 


JACOPI, BERNARDINO. See Butinone. 


JACQUE, CwHartes EmiLe. French (Barbizon); born 1813 at 


J16-1 
Gallery 
17 


J16-2 


J16-3 


Paris; died there 1894. Studied geographical engraving; 
worked in England; later settled at Barbizon, where he 
painted landscapes and animals. 


THE SHEEPFOLD. The interior of a barn with sheep; 
a boy in a blue blouse is putting a bundle of hay into a 
rack; bright sunlight enters through a crudely latticed 
door at the left and falls on the straw with which the 
floor is covered; four chickens are near a tub in the 
foreground. 

H. 184 in. W. 363 in. Wood. Signed: Ch. Jacque— 
1857. 

Purchase, Wolfe Fund, 1897. 


LANDSCAPE WITH SHEEP. A flock of Sheep 
nibbling grass followed by a black collie and a shepherd 
who wears a blue blouse; a hill and a grove of oaks are 
beyond. 

H. 132 in. W.102in. Wood. Signed: Ch. Jacque. 
Gift of Mrs. Mary Goldenberg, 1899. 


SHEEP. Two sheep in a pasture. 
H. 53 in. W. 82 in. Wood. Signed: Jacque. 
Bequest of Thomas P. Salter, 1907. 


JACQUET, Gustave. French; born 1846 at Paris; died there 


J162-1 
S. W. 


1909. Pupil of Bouguereau. Figure subjects. 


FEMALE HEAD. Life-size, bust; a white lace scarf 
is draped over the bare shoulders and knotted in front. 


Stairway H. 213 in. W. 183 in. Canvas. Signed: G. Jacquet. 


Bequest of Catharine Lorillard Wolfe, 1887. 
168 


J162-2 


JACQUET — JARVIS 


REVERIE. Figure of a young girl, seen almost to the 
waist; she wears a low-necked gray bodice, laced in 
front, with rosettes on the shoulders and a yellow ribbon 
about her neck. 

H. 12¢@ in. W.o%in. Wood. Signed: G. Jacquet. 
Bequest of Thomas P. Salter, 1907. 


JANSSENS VAN CEULEN, Corne tis; or Janson, or Jonson 


J262-1 
Gallery 
26 


J262-2 


JARVIS, 


J2o01-1 


van Ceulen. Flemish; born 1593 at London, England, 
of Flemish parents; died 1664 (?) at Utrecht. Influenced 
by Van Dyck with whom he worked for eight years at 
the Court of Charles I. In 1648 settled at Utrecht. 
Portraits. 


PORTRAIT OF A LADY. Life-size, to the waist; 
her brown hair is drawn back and hangs in ringlets caught 
with pearls; a double row of pearls is about her bare neck; 
she wears a black satin dress with close-fitting white 
lace yoke that comes down over the shoulders and is 
held in front by a large black enameled brooch. 

H. 313 1n. W. 257, in. Canvas. 

Gift of Henry G. Marquand, 1888. 


LADY TOWNSHEND. (Mary, daughter of Edward 
Kewknor of Denham, England, married in 1658 Sir 
Horace Townshend, who in 1660 went to The Hague as 
one of the deputation to invite Charles II to return to 
England; this portrait was probably painted during that 
visit. Lady Mary Townshend died 1673.) Life-size 
figure, seen to the waist with the head three-quarters to 
the left; she wears a large black hat and a black dress 
with deep, square white yoke edged with wide, pointed 
lace. 

H. 30% in. W. 243 in. Canvas. 

Bequest of Maria De Witt Jesup, from the collection of 
her husband, Morris K. Jesup, 1915. 


Joun W. American; born 1780 at South Shields-on- 
the-Tyne, England; died 1834 at New York City. Chiefly 
self-taught; worked in Philadelphia and New York. 
Portraits. 


PORTRAIT OF A MAN. Life-size, seen almost to 
the waist; he wears a black coat and a white frilled 
stock. 

H. 297 in. W.25 in. Canvas. 

Gift of A. W. Classon, 1875. 


169 


JARVIS — JOHNSON 


J291-2 ALEXANDER ANDERSON. (1775-1870; the pioneer 
Gallery American wood-engraver; at first a physician, but after 
16 about 1798 he devoted his attention exclusively to 
wood-engraving; lived in New York City.) Life-size 
figure, standing behind a brown chair with both hands 
resting on the chair-back. | 
H. 34 in. W.271n. Canvas. 
Gift of Robert Hoe, Jr., 1881. 


JEFFERSON, JosepH. American; born 1829 at. Philadelphia; 
died 1905 at Palm Beach, Fla. He was best known as 
an actor. 


J35-2 MASSACHUSETTS BAY. A marine with the sea 
dashing against the barren shore at the right; stormy sky. 
H. 294 in. W. 423 in. Canvas. Signed: J Jefferson. 
Gift of Mrs. Joseph Jefferson, 1906. 


JETTEL, Eucéne. Austrian; born 1845 at Johnsdorf; died 1901 
at Trieste. Pupil of Albert Zimmerman and of Petten- 
kofen at Vienna. 


J51-1 A MARSH IN NORTH HOLLAND. Pools of water 
in the foreground; trees and a white cottage beyond with 
flat lands in the distance and windmills against the horizon. 
Ex coll.: Prince Demidoff, San Donato. 

H. 32% in. W. 48;°, in. Canvas. Signed: Eugéne Jettel 
Paris 1877. 
Gift of Charles Sedelmeyer, 1883. 


JEWETT, Wititam. American; born 1795 at East Haddam, Conn.; 
died 1873 at Bayonne, N. J. Assistant of Samuel L. 
Waldo, in New York City, with whom he collaborated in 
painting portraits during eighteen years. 
The following portraits were painted by Waldo and Jewett. 
See descriptions under Waldo. 
EDWARD KELLOGG. 
Mrs. Epwarp KELLOGG. 
Rev. GARDINER SPRING. 


JOHNSON, Davin. American; born 1827 at New York City; died 
1908 at Walden, N. Y. Studied with J. F. Cropsey but 
chiefly self-taught. Landscapes. 


J63-1 THE GIANT OF THE MEADOW. A grove of large 
trees beneath which cattle are grazing; at the left a 


170 


J63-3 


JOHNSON 


narrow stream winds through the landscape to the 
foreground. 

H.18in. W.26}in. Canvas. Signed on back: David 
Johnson—1888-9. 

Bequest of Thomas P. Salter, 1907. 


BAYSIDE, NEW ROCHELLE. A large oak in full 
leaf is on a point of land which juts out into the inlet; in 
the immediate foreground at the left an old man is seated 
on the ground with his dog at his side. 

H. 193 in. W.24 in. Canvas. Monogrammed: DJ. 
Bequest of Maria De Witt Jesup, from the collection of 
her husband, Morris K. Jesup, 1915. 


NEAR SQUAM LAKE, NEW HAMPSHIRE. A view 
of a valley with clumps of trees and hills, and mountains 
beyond in yellowish late afternoon light; the end of the 
lake shows at the left. On the road in the center fore- 
ground is a man in a red vest who drives a white cow. 
H. 1842 in. W. 28 in. Canvas. Signed: D. Johnson, 
1856. Inscribed on back: Scene near Squam Lake 
N.H. D. Johnson 1856. 

Purchase, Rogers Fund, 1917. 


JOHNSON, Eastman. American; born 1824 at Lovell, Me.; 


J631-1 
Gallery 
16 


J631-2 
Gallery 
16 


J631-3 
Gallery 
16 


died 1906 at New York City. Studied at Diisseldorf and 
at The Hague; settled in New York in 1860. 


SANDFORD R. GIFFORD. (Landscape painter; see 
Gifford.) Life-size, bust; he has brown hair, moustache, 
and beard. 

H. 262 in. W. 224in. Millboard. Signed: E. John- 
son 1880. 

Gift of Richard Butler, 1888. 


TWO MEN. (The one at the right is Samuel W. Rowse, 
1822-1901, noted for his crayon portraits of children; 
the other is Robert W. Rutherfurd.) A room with the 
two life-size, seated figures facing each other and talking. 
H. 603 in. W. 781 in. Canvas. Signed: E Johnson 1881. 
Gift of Robert Gordon, 1808. 


CORN HUSKING AT NANTUCKET. A field with 
two long lines of men and women handling the corn; 
the ground between them is strewn with yellow husks 
some of which have already been stacked; in the fore- 
ground at the right two men are carrying a basketful to 
a nearby farmhouse. 


171 


JOHNSON — JONGH 


H. 273 in. W.54% in. Canvas. Signed: E. Johnson. 
Purchase, Rogers Fund, 1907. 


JONES, H. Botton. American; born 1848 at Baltimore, Md.; 


J7i+1 
Gallery 
16 


J71-2 


lives in New York City. Studied in Paris. Landscapes. 


SPRING. In’the immediate foreground is a stream 
which reflects the budding trees that border its banks; 
meadows beyond. 

H. 243 in. .W. 4075 in. Canvas. Signed: H. BoLtTon 
JONES. 

Gift of George I. Seney, 1887. 


AUTUMN. Meadows with a brook in the foreground 
and leafless trees beyond. 

H.1oin. W.141in. Canvas. Signed: H. BoLTon JoNngEs. 
Bequest of Thomas P. Salter, 1907. 


JONGERS, ALrHonse. American; born 1872 in France; lives 


J73-1 
Gallery 


I3 


J73-2 
Gallery 


15 


JONGH, 


J731-1 


in New York City. Pupil of the Ecole des Beaux-Arts 
in Paris under Delaunay and Gustave Moreau; studied 
in Spain. Portraits. 


LOUISE. Life-size, full-length, standing figure of a 
little girl in a white dress, wearing a large blue bow 
on her brown hair; in her left hand she holds a broad- 
brimmed straw hat trimmed with blue and yellow artifi- 
cial flowers. A green and orange parrot is on a perch 
at the left and in the foreground is a black French 
poodle. 

H. 80 in. W. 38 in. Canvas. Signed: A. Jongers. 
Gift of George A. Hearn, gro. 


ARTHUR HOPPOCK HEARN. (1861-1910; New 
York merchant; son of George A. Hearn.) Life-size, 
standing portrait, seen almost to the knees; his right hand 
holds a book which rests on a table. 

H.42in. W.34in. Canvas. Bulletin, 1911, p. 146, ill. 
Gift of George A. Hearn in memory of Arthur Hoppock 
Hearn, IQIl. 


Lupo_LF DE. Dutch; born 1616 at Overschie; died 1679 
at Hillegersberg. Pupil of Cornelius Saftleven at Rotter- 
dam, Palamedes at Delft, and Jan van Bylert at Utrecht. 


WILD BOAR HUNTING. Dogs are attacking a boar 
which has killed several of them; a cavalier wearing a 
red coat approaches on horseback at the right near dense 


172 


JONGH — JORDAENS 


woods; an open plain beyond with cliffs at the left. 
Formerly ascribed to Abraham Hondius. 

H. 123 in. W. 177% in. Canvas. 

Purchase, 1871. 


JONGKIND, BartHotp. Dutch; born 1819 at Latdorp near 


J732-1 
Gallery 


14 


J732-2 
Gallery 


17 


J732-3 


J732-4 


Ootmarsum; died 1891 at Cdéte-Saint-André, Isére, 
France. Pupil of Andreas Schelfhout at The Hague; 
of Isabey at Paris, where he settled in 1845. Marines and 
landscapes. 


SUNSET ON THE SCHELDT.. -At: the left is a point 
of low shore with a house and two ragged trees; to the 
right, near the farther bank of the river, there are two 
ships with sails up; the sky is luminous and the pinkish 
clouds are reflected in the wide river. 

H. 214 in. W. 2821in. Canvas. Signed: Jongkind 
1865. 

Gift of George A. Hearn, 1906. 


HONFLEUR. In the foreground at the left is a three- 
masted schooner with sails furled; across the horizon 
stretches the line of the city and sail-boats are near the 
shore at the right. 

H. 203 in. W.32%1n. Canvas. Signed: Jongkind 1865. 
Purchase, Wolfe Fund, 1916. 


DUTCH FISHING BOATS. Three sail-boats off a low 
shore on a windy day. 

H.62gin. W.1ogin. Watercolor. Signed: Jongkind 1870. 
Mr. and Mrs. Isaac D. Fletcher Collection. 

Bequest of Isaac D. Fletcher, 1917. 


LANDSCAPE. An effect of autumn; a road with a 
wagon approaching at the right, a row of trees, and slop- 
ing cultivated ground at the left. 

H. 73/5 in. W. 124% in. Water color. Signed: 1885 
Jongkind. 

Mr. and Mrs. Isaac D. Fletcher Collection. 

Bequest of Isaac D. Fletcher, 1917. 


JORDAENS, JAcozs. Flemish; born 1593 at Antwerp; died there 


J76-3 


1678. Pupil of Adam Van Noort; influenced by Ru- 
bens, whom he assisted. 


SKETCH FROM SACRED: HISTORY. To the right 
sits a judge (or king) in red robes; leaning over a rail 
stand two women and a man pleading; two children 


173 


J 76-4 
Gallery 


27 


JORDAENS— JOUETT 


stand at the feet of the judge; other women and children 
kneel at the left. 

Ex coll.: Comte Cornet, Brussels; W. Burger. 

H. roin. W. 11% in. Canvas. 

Purchase, 1871. 


THE PHILOSOPHERS—DEMOCRITUS AND HERA- 
CLITUS. Life-size figures of two men, standing behind 
a large globe of the world; the one at the left is richly 
dressed and extends his right hand as if in argument; 
his companion wears a coarse gray drapery, which only 
partly covers his body, leans on the globe, and turns away 
from the other figure. 

Ex coll.: Edouard Verbruggen, Antwerp; P. A. Verlinden, 
Antwerp. 

H. 503 in. W. 383 in. Canvas. 

Gift of Mrs. Jane L. Melville, 1884. 


JORIS, Pio. Italian; born 1843 at Rome; lives there. Pupil 


j761-1 
S. W. 
Stairway 


of Academy of San Luca in Rome and of Fortuny. 


ITALIAN COURTYARD AND FIGURES. Three 
men are sifting grain near the arched entrance to a 
narrow court; in the foreground a boy is seated in the 
sunshine against the wall of a house; in the distance, at 
the head of the steep street, is a figure. 

H. 202 in. W. 1438; in. Water color. Signed: Joris 
Roma. 

Bequest of Catharine Lorillard Wolfe, 1887. 


JOUETT, MatrHew Harris. American; born 1783 in Mercer 


J82-1 
Gallery 
16 


Co., Ky.; died 1827 at Louisville, Ky. Studied paint- 
ing for a few months under Gilbert Stuart in Boston; 
settled at Lexington, Ky., in 1816. Portraits. 


JOHN GRIMES. (A painter who died at Lexington, 
Ky., in 1837.) Life-size figure, seen to the waist; he has 
light brown hair and wears a brown velvet coat and white 
stock. 

H. 281 in. W. 212 in. Wood. 

Gift of Mrs. Sarah Bell Menefee, 1895. 


174 


K 


KAEMMERER, FReEpDeErRIK HENpRIK. Dutch; born 1839 at 


K1ii-! 
SW 
Stairway 


The Hague; died 1902 at Paris, where he had lived since 
1865. Pupil of the Ecole des Beaux-Arts under Géréme. 


STUDY OF A GIRL’S HEAD. The figure is seen 
to the waist with the face in profile; a fan is in her right 
hand; she wears a red velvet cape and a broad-brimmed 
hat caught with a blue rosette. 

H. 9? in. W. 6; in. Canvas. Signed: F. H. KaAem- 
MERER. 

Bequest of Catharine Lorillard Wolfe, 1887. 


KALF, WILLEM. Dutch: born 1621 or 1622 at Amsterdam; died 


K12-1 


there 1693. Pupil of Hendrick Pot. Still life and interiors. 


Pee or OF A) DUTCH, KITCHEN. An old 
woman, holding half a pumpkin on her lap, is seated 
with her back toward a fireplace; in the background, 
at the left, a cow is lying down and a man is beside it. 
Ex coll.: Comte Cornet, Brussels. 

H. 103 in. W. 123 1n. Wood. Signed: KALF. 
Purchase, 1871. 


KAULBACH, FrigepricH AuGcust von. German; born 1850 


K16-1 
Saw. 
Stairway 


at Hanover; has lived in Munich since 1872. Pupil 
of his father, Friedrich Kaulbach; studied with Kreling 
at Nuremberg. 


GIRL’S HEAD. Bust; she wears a square-cut black 
and white bodice; about her neck is a double string of 
pearls. 

H. 13 in. W. 9325 in. Wood. Signed: Fritz Aug Kaul- 
bach. 

Bequest of Catharine Lorillard Wolfe, 1887. 


175 


K16-2 
Gallery 


19 


KAULBACH — KENDALL 


ITALIAN GARDEN. At the right a gray-walled house 
against which are rose bushes; beyond is a group of tall, 
dark cypress trees with an opening through which the 
distant sunlit lawn is seen; a summer-house and shrub- 
bery at the left. 

H. 193 in. W. 25% in. Canvas. Signed: F. kK April 
1894. Bulletin, 1917, p. 8; ill. p. 9. 

Purchase, Reisinger Fund, 1916. 


KAULBACH, WILHELM von. German; born 1805 at Arolsen, 


K 161-1 
S. W. 
Stairway 


Westphalia; died 1874 at Munich, where he had settled in 
1825. Pupil of the Diisseldorf Academy under Cornelius 
and the Munich Academy; worked in Rome and in Berlin. 


CRUSADERS BEFORE JERUSALEM. (The first 
crusade reached Jerusalem June 7, 1099. The picture 
follows Tasso’s description in Jerusalem Delivered.) In 
the center is a shrine carried by white-robed acolytes 
preceded by priests. The commander, Godefroy de 
Bouillon, mounted on a white horse, offers the crown of 
the Holy Land to Christ who appears above; among 
the crusaders at the right are Boemund and Tancredi, 
Peter the Hermit kneels in the foreground, and at the 
left are Armida and her knight Rinaldo. This picture 
is a study (or replica) of one of the six wall paintings 
executed by Kaulbach and his assistants for the stair- 
case of the New Museum at Berlin. 

H. 623 in. W. 743 in. Canvas. Signed: W. Kaulbach. 
Bequest of Catharine Lorillard Wolfe, 1887. 


KENDALL, W. SERGEANT. American; born 1869 at Spuyten 


isaac! 
Gallery 
13 


Duyvil, N. Y.; lives at New Haven, Conn. Pupil of Penn- 
sylvania Academy of the Fine Arts under Eakins; Art 
Students’ League of New York; Ecole des Beaux-Arts, 
Julian Academy, and Luc Olivier Merson in Paris. 
Director, Yale School of the Fine Arts. 


THE SEER. A lady dressed in black is seated in a 
round-backed wicker chair on which stands a little girl 
who wears a white dress. The woman’s back is toward 
the spectator and her face in profile toward the left; the 
child has her left arm about her mother’s neck and faces 
toward the left with a far-away look. 

H. 37 in. W. 30in. Canvas. Signed: Sergeant Ken- 
dall. Bulletin, 1907, p. 24, ill. 

Purchase, Hearn Fund, 1907. 


176 


K33-2 
Gallery 
13 


KENDALL — KENT 


PSYCHE. A little girl, partly nude, is seated on a bed; 
a large butterfly rests on her back and a smaller one is 
on her brown hair; a yellow drapery falls about her hips 
and with her right hand she holds a violet scarf. 

H.3737’5 in. W.29 in. Canvas;oval. Signed: copyright 
1909 Sergeant Kendall. 

Purchase, Hearn Fund, 1909. 


KENSETT, JoHn F. American; born 1818 at Cheshire, Conn.; 


died 1872 at New York City. Studied engraving; 
painted in Europe for seven years. Settled in New York 
in 1848. Landscapes. 


K41—1-38 LANDSCAPES; thirty-eight, some unfinished, the last 


K41-39 
Gallery 
16 


K41-40 


summer’s work of the artist. 
Gift of Thomas Kensett, 1874. 


LANDSCAPE. A wooded rocky glen occupies the 
foreground and the Hudson River winds through the 
middle distance; beyond rise Dunderberg and Storm 
King with the town of Cornwall at its base. 

Rieezin WwW 48%in, - Canvas. 

Gift of H. D. Babcock in memory of S. D. Babcock, 
1907. 

LAKE GEORGE. The water is in the foreground with 
a rocky shore at the right; small islands are in the middle 
distance and the mountainous shore beyond. 

H.44in. W.66%4in. Canvas. Monogrammed: JF. K. 
1869. Bulletin, 1915, p. 66; ill. p. 60. 

Bequest of Maria De Witt Jesup, from the collection of 
her husband, Morris K. Jesup, 1915. 


KENT, Rockwe_t. American; born 1882. Pupil of William M. 


K41I-! 
Gallery 
15 


Chase, Robert Henri, Hayes Miller, and Abbott Thayer. 


WINTER. A view at Monhegan, Maine; snow-covered 
ground in front sloping down to a wharf with two fish 
houses; beyond are a harbor with two men ina green dory, 
a breakwater, a more distant hill, and the open sea. It 
is late afternoon, and the low sun divides the scene into 
bands of cold yellowish lights and deep blue shadows. 
The sky is green fading into orange at the horizon. 
The water is cold green and blue; the effect is icy. 

H. 33g in. W.44in. Canvas. Signed: Rockwell Kent 
1907. 

Purchase, Hearn Fund, 1917. 


177 


KESSEL— KNELLER 


KESSEL, JoHAn van. Dutch; born 1641 (?) at Amsterdam; died 


K48-1 


KNAUS, 


K 72-1 
Gallery 
-18 


K72-2 
Gallery 
18 


K72-3 


there 1680. Pupil of Simon de Vos; influenced by Jacob 
Ruisdael. Landscapes. 


CANAL IN HAARLEM. A three-arched bridge crosses 
a canal; a row of brick buildings is at the left; a church 
spire rises into a sky filled with dark floating clouds. 

H. 413 in. W. 55¢ in. Canvas. Signed: J v Kessel. 
Purchase, 1871. 


Lupwic. German; born 1829 at Wiesbaden; died 1910 
at Berlin, where he had resided many years. Pupil of 
the Diisseldorf Academy under Sohn and Schadow; 
studied in Paris. Figure subjects. 


THE HOLY FAMILY. The Madonna is seated with 
the Child on her lap; a cherub stands at her side and 
others hover about her; at the right is St. Joseph holding 
an ass by the bridle; there is a dark landscape background 
with the crescent moon at the right. 

H. 444 in. W.31¢in. Wood. Signed: L. Knaus—1876. 
Bequest of Catharine Lorillard Wolfe, 1887. 


OLD WOMAN AND CATS. A dimly lighted kitch- 
en with an old woman seated on the hearth in front 
of the fire; there is a cat on her lap, another on her 
shoulder, and a cat and kittens are playing on the 
floor. 

H.263 in. W.303 in. Canvas. Signed: L. Knaus 1868. 
Bequest of Catharine Lorillard Wolfe, 1887. 


PEACE. A winged female figure, wearing white dra- 
pery, kneels on a cloud and scatters flowers; below are 
two cupids who play with the falling blossoms. Com- 
panion piece to Victory by Richter (R41-1). 

H. 135 in. W. 68in. Canvas. Signed: L. Knaus. 
Gift of Jacob H. Schiff, 1888. 


KNELLER, Sir Goprrey. British (Dutch-English); born 1646 at 


K73-1 
Gallery 


14 


Liibeck; died 1723 at London. Pupil of Ferdinand Bol at 
Amsterdam; Carlo Maratta and Bernini at Rome; went to 
England in 1674 and painted portraits at the court. - 


LADY MARY BERKELEY. Life-size, to the waist; 
her low-necked dress is olive gray and trimmed with 
white lace; a light violet drapery is over her left shoulder. 
Painted within an oval. Inscribed: Lady Mary Patty. 
Wife to Tho. Chambers Esq. 


178 


Powe CER KOLLER 


H. 29 in. W.25 in. Canvas. Signed:G Kneller. . . 1700. 
Gift of George A. Hearn, 1896. 


KOEKKOEK, BAREND CorneELIs. Dutch; born 1803 at Middel- 


K81-1 
S. W. 
Stairway 


K81-2 
Sew. 
Stairway 


burg; died 1862 at Cleves. Pupil of his father, Jan Her- 
manus Koekkoek, and of Amsterdam Academy under 
Schelfhout and-Van Os. 


WINTER LANDSCAPE; HOLLAND. A frozen canal 
with skaters at the right; at the left a man and a woman 
are approaching on a snow-covered road. 

H. 14in. W. 17345 in. Wood. Signed: B. C. Koek- 
koek 1833. 

Bequest of Catharine Lorillard Wolfe, 1887. 


SUNSET ON THE RHINE. Theriver is at the extreme 
right of the picture; in the center is a castle on a hill; 
in the foreground at the left are trees. 

Ex coll.: John Taylor Johnston. 

H. 327°, in. W. 423in. Canvas. Signed: B. C. Koek- 
koek 1852. 

Bequest of Catharine Lorillard Wolfe, 1887. 


KOFFERMANS (or Coffermans, or Coffermaker), MARCELLIUS 


K82-1 


(or Marcellis). Flemish; died 1579 (?). Imitated the fif- | 
teenth-century Flemish masters. 


ADORATION OF THE SHEPHERDS. The Child on 
the crib, adored by Mary, Joseph, and four shepherds; 
angels above, singing, and the annunciation to the 
shepherds in the distance. 

H. 84 in. W.53 in. Wood. Signature indecipherable. 
Gift of J. Pierpont Morgan, 1917. 


KOLLER, GuILtAume. Belgian; born 1829 at Vienna; died 1884 


K83-1 
Gallery 
19 


at Nancy, France. Pupilof Vienna and Disseldorf Acad- 
emies; worked chiefly at Antwerp and Brussels. 


HUGO VAN DER GOES PAINTING THE POR- 
TRAIT OF MARY OF BURGUNDY. (Hugo van 
der Goes, the Flemish painter, died about 1482. Mary 
of Burgundy was the daughter of Charles the Bold 
[1433-1477], Duke of Burgundy, and his first wife, 
Isabella of Bourbon.) A paneled room with tapestries; 
at the right the painter sits at a high red desk; ona 
wooden bench in the center of the picture a lady, wear- 
ing a lavender velvet gown trimmed with ermine, 
holds on her lap the little girl, who wears an embroid- 


179 


KOLLER — KULMBACH 


ered white satin dress over a red slip; a greyhound is 
at the left and a man leans over the back of the bench. 
H. 232 in. W. 34 in. Wood. Signed: G. Koller. 
Bequest of Stephen Whitney Phoenix, 1881. 


KONINCK, Puities. Dutch; born 1619 at Amsterdam; died there 


K831-2 
Gallery 
26 


1688. Pupil of his brother, Jacob Koninck, at Rotter- 
dam and of Rembrandt at Amsterdam. Also etcher. 


LANDSCAPE. A bird’s-eye view of a wide expanse of 
level country with a roadway coming toward the fore- 
ground; there is water in the middle distance; heavy 
moving clouds with a break through which the sun shines 
across the road. 

H. 562 in. W. 684 in. Canvas. Signed: P. Koninck 
1649. Bulletin, 1912, p. 11, ill. 

Purchase, Kennedy Fund, 1911. 


KRONBERG, Louis. American; born 1872 at Boston, Mass.; 


Ko2-1 
Gallery 
13 


lives in Boston. Pupil of the School of the Museum of 
Fine Arts, Boston; Laurens and Constant in Paris. 


THE PINK SASH. A bare room with a girl in a white 
ballet dress standing in front of a small looking glass; a 
pink sash is being tied about her waist by an old lady who 
wears a gray dress and a yellow bonnet. 

H. 30% in. W. 22%1in. Canvas. Signed: L. Kron- 
BERG IQ*!3. 

Purchase, Hearn Fund, 1913. 


KRUSEMAN VAN ELTEN, HeEnprik Dirk. American; born 


Ko4-1 


1829 at Alkamaar, Holland; died 1904 in Paris. Pupil of 
Liest at Haarlem. Settled at New York City in 1865. 
Landscapes. 


AUTUMN. In the foreground a quiet stream in which 
tall tree-tops with scant foliage are reflected; meadow- 
lands beyond with figures in the distance. 

H. 38 in. W. 30% in. Canvas. Signed: Kruseman van 
Elten shies 

Gift of Mrs. H. D. Kruseman van Elten, 1905. 


KULMBACH, Hans von; real name Hans Suess. German; born 


Ko5-1 
Gallery 
34 


about 1476 in Kulmbach; died 1522. Pupil of Jacopo de 
Barbari; influenced by Diirer. 


THE ASCENSION. The Madonna and a group of 
apostles, standing or kneeling, look up in amazement at 
the ascending Christ whose feet only are showing with the 


180 


KULMBACH — KYLE 


end of ared robe. This was the usual way of portraying 
the Ascension in miracle plays at that time. 

H. 244 in. W. 15% in. Wood. Bulletin, 1921, p. 133. 
Purchase, Rogers Fund, 1921. 


KYLE, JosepH. American; born 1815 in Ohio; died 1863 at 


Ko8-1 


Ko8-2 
Gallery 
16 


New York City. Studied in Philadelphia with Thomas 
Sully and later with Bass Otis. Worked in Philadelphia 
and in New York, where he settled about 1848. Portraits. 


PORTRAIT OF A LADY. Bust portrait; elderly lady 
with dark hair parted and drawn over her ears; her dark. 
bodice is held at the neck with a simple brooch. 

H. 123 in. W. 11 in. Canvas. 

Gift of William Magrath, 1895. 


PORTRAIT OF THE ARTIST.  Life-size, bust; he has 
brown hair and a long brown beard. 

io noe 14 in. Canvas; oval. 

Gift of Louise Sherman Kyle, 1906. 


181 


is 


LA FARGE, Joun. American; born 1835 at New York City; 


Li3-1 
Gallery 
16 


L13-2 


L13-51 
Gallery 
16 


died 1910 at Providence, R.]. Pupil of Couture in Paris; 
William M. Hunt in Boston. Chiefly mural paintings 
and stained glass. 


THE MUSE OF PAINTING. Half-life-size, full- 
length figure of a woman, in a yellow robe, seated on a 
knoll and holding a tablet; at the right is a tree with ivy 
hanging from its branches; a river flows across the back- 
ground, with cliffs on the far bank. 

H. 491 in. W. 38% in. Canvas. Signed: LaFarge. 1870. 
Bulletin, 1909, p. 20, ill. 

Gift of J. Pierpont Morgan and Henry Walters, 1909. 


THE STRANGE THING LITTLE KIOSAI SAW IN 
THE RIVER. “Kiosai, the famous Japanese painter, 
when a child saw floating in the river swollen by spring 
tides, something he took for the fairy tortoise with long 
hair of his nursery stories. He caught it and found it 
to be a head freshly cut off—some political murder. He 
brought it home to draw from, then wrapping it in the 
written prayers for the dead, gave it honourable water- 
burial.” Beret: 
H. 122in. W.183in. Watercolor. Signed: J L F 97. 

Purchase, Rogers Fund, 1917. 


IN FRONT OF OUR HOUSE, VAIALA, SAMOA; 
YOUNG GIRL WEEDING. In the foreground a 
partly nude Samoan girl lies full length on the grass in 
the sunlight; a grove of trees is in the middle distance 
with a thatched cottage beyond; blue sea in the distance 
aletoeelelt, 

H.gin. W.18in. Wood. Signed: J LaFarge-Samoa-— 
1890-Vaiala. 

Lent by August F. Jaccaci, 1907. 


182 


LA FARGE—LARGILLIERE 


L13-52 FOUNTAIN IN THE GARDEN—NIKKO. Level 
Gallery foreground with a rock fountain in a pool; beyond is a hill 
16 with shrubbery. 
H. 113 in. W.o92 in. Wood. Signed: LaFarge nikKo 
June 1886. 
Lent by Mrs. Michael Gavin, 1914. 


LAMBERT, Louris EucEeng. French; born 1825 at Paris; died 
there 1900. Pupil of Delacroix. Still life and, after 
1870, chiefly cats. 


Li7z71-1 CAT AND KITTENS. An old cat lies at full length 
S. W. upon a red oriental rug; a gray kitten and a white one 
Stairway are in front of her and another peeps over the edge of a 
lady’s sewing-basket. 
Haase in. W. 20; in.’ Canvas. Signed: L. Eug. Lam- 
bert. 
Bequest of Catharine Lorillard Wolfe, 1887. 


LAMBINET, Emixe. French; born 1815 at Versailles; died 1878 
at Bougival. Pupil of Boisselier, Drolling, and Horace 
Vernet. Landscapes. 


Li72-1 LANDSCAPE. Quiet water in the foreground, which 
reflects groups of trees on the far shore; near the water’s 
edge are two men and a small boat; farm buildings beyond 
with rolling country in the distance. 

H.14in. W.22¢in. Wood. Signed: Emile Lambinet 71. 
Bequest of Maria De Witt Jesup, from the collection of 
her husband, Morris K. Jesup, 1915. 


LAMI, Louts Eucéng. French; born 1800 at Paris; died there 
1890. Pupil of Gros and of Horace Vernet. 


L18-1 INTERIOR OF A MUSEUM. An alcove with visitors 
5. Ws looking at the objects. 
Stairway H. 123 in. W. 19% in. Water color. 

Bequest of Catharine Lorillard Wolfe, 1887. 


LARGILLIERE (or LarcILLieRRE), NicHoLas be. French; 
born 1656 at Paris; died there 1746. Pupil of Antoine 
Goubeau at Antwerp; Lely in London. Portraits. 


L32-2 BARON DE PRANGINS. Life-size figure, front view, 
Gallery seen to the knees; he wears a brown velvet coat with em- 
20 broidered cuffs, pockets, and vest. His face is full and 
_ florid and he wears a high powdered wig. He reaches 
with a gloved hand behind him to a parapet on which is a 

marble bust of a fat Diana. 


183 


132-3 
Gallery 
20 


LARGILLIERE— LAWRENCE 


Ex coll.: Vicomte Chabert; Comte de Kerjégu. 
H. 544 in. W. 412 1in. Canvas. Bulletin, 1921, p. 122. 
Purchase, Rogers Fund, 1921. 


BARONESS DE PRANGINS. Life-size figure, front 
view, seen to the knees; she wears a low-necked ivory 
satin dress trimmed with gold and red stones, and a girdle 
of garnet color. Her face is full; her white hair closely 
dressed with flowers and jewels init. Background a dark 
green curtain and the base of a column. 

Ex coll.: Vicomte Chabert; Comte de Kerjégu. 

H. 542 in. W.4131n. Canvas. Bulletin, 1921, p. 122. 
Purchase, Rogers Fund, 1921. | 


LATHROP, WittiAm L. American; born 1859 at Warren, IIl.; 


L34-1 
Gallery 


13 


lives at New Hope, Pa. Landscapes. 


THE MEADOWS. Marshy foreground with cattle 
in the middle distance; at the right near the horizon two 
bare trees are silhouetted against a luminous sky. 

H. 184 in. W.26}4in. Canvas. Signed: W. LATHROP. 


97- 
Gift of George A. Hearn, 1911. 


LAWRENCE, Sir Tuomas. British (English); born 1769 at 


L43-1 
Gallery 


14 


L43-2 
Gallery 
24 


Bristol; died 1830 at London. Pupil of the Royal 
Academy Schools in London. Succeeded Sir Joshua 
Reynolds as Painter in Ordinary to the King; in 1820 
was elected President of the Royal Academy. Portraits. 


LADY ELLENBOROUGH. (Anne Towry married 
Edward Law, who became the first Baron of Ellen- 
borough; she died in 1843.) Life-size, seated figure, seen 
to below the waist; her brown hair is parted and falls in 
short curls; she wears a low-necked, high-waisted, short- 
sleeved white silk dress with a red flower in her belt; she 
has a necklace of twisted seed pearls; a red chair-back 
shows and a red curtain is draped at the right. 

H. 303 in. W. 254 in. Canvas. 

Gift of George A. Hearn, 1906. 

REV. WILLIAM PENNICOTT.  Life-size, seen to the 
waist; he has a white wig and wears a black coat and a 
narrow white neck-band. Painted for Rev. T. S. Streat- 
field. 

H. 30 in. W. 25 in. Canvas. Bulletin, 1907, p. 14, ill. 
Purchase, Rogers Fund, 1906. 


184 


L43-3 
Gallery 
14 


L43-4 

Wing H 

Gallery 
a 


L43-5 
Gallery 
24 


LAWRENCE — LAWSON 


MISS BARING. (Probably a daughter of Sir Francis 
Baring.) Life-size, standing figure of a young lady, seen 
almost to the knees; her brown hair is parted and falls 
in short curls; she wears a short-waisted, low-necked 
white satin dress and a pink shawl hangs over her left 
arm; there are tall pink hollyhocks in the foreground at 
the left and a landscape beyond. 

H. 503 in. W.40in. Canvas. 

Gift of George A. Hearn, rgio. 


JOHN JULIUS ANGERSTEIN. (1735-1823; an Eng- 
lish merchant, philanthropist, and art collector. In 1824 
the English Government purchased for £60,000 his art 
collection, which formed the nucleus of the National 
Gallery.) Life-size, seated figure, seen to below the 
knees; his left arm rests on a table near an ink-well and 
paper; his right hand is on the arm of the chair which is 
upholstered in red; he wears a black coat, partly but- 
toned, a yellow waistcoat, and gray breeches; a draped 
red curtain is at the right. Acquired indirectly from a 
member of the Angerstein family. | 

H. 502 in. W. 40% in. Canvas. Bulletin, 1912, p. 76, 
ill. 

Gift of Victor G. Fischer, 1912. 

LADY ELIZABETH WYNDHAM. (1752-1826; Eliza- 
beth Alicia Maria, daughter of Charles, second Earl of 
Egremont, married in 1771 Henry Herbert, later Lord 
Porchester and Earl of Carnarvon.) Life-size, seated 
figure, seen to below the knees; she is seated against a tree 
trunk and caresses with both hands a large dog who rests 
his paw on her lap; her low-necked, short-sleeved, short- 
waisted white dress is held by a blue ribbon. 

H. 501n. W. 384 in. Canvas. 

Bequest of Maria De Witt Jesup, from the collection of 
her husband, Morris K. Jesup, 1915. 


LAWSON, Cecit Gorpon. British (English); born 1851 at Wel- 


L44-1 
Gallery 


14 


lington, Shropshire; died 1882 at London. Pupil of his 
father, William Lawson, and of his brother, Wilfred 
Lawson. Landscapes. 


LANDSCAPE. Inthe foreground is a road witha young 
woman following a flock of sheep that are passing through 
a rustic gate toward the right; at the left is a single 
tree with russet foliage; beyond, a wide expanse of rolling 
country extends to blue hills near the horizon. 


185 


LAWSON —= LEC CUT 


H. goi in. W. 6033; in. Canvas. Signed: Cecil G. Law- 
son 1876. 
Gift of George A. Hearn, 1910. 


LAWSON, Ernest. American; born 1873 in California; lives in 
New York City. Studied in France. 


L44i-1 WINTER. In the foreground is a stream partly choked ~ 
Gallery with ice; in the middle distance at the left is the single 
15 span of a bridge which leads toward two red houses which 
are seen through a screen of bare poplars; the far shore of 
the stream and the sloping hillside beyond are covered 
with snow. The picture was painted outdoors in the 
winter of 1914 at Kingsbridge, N. Y., and the water is the 
old Tibbetts Creek which originally fed the Spuyten 
Duyvil Creek, now the Harlem Ship Canal. 
H. 25 in. W. 30% in. Canvas. Signed: E Lawson. 
Bulletin, 1915, p. 81, ill. 
Purchase, Hearn Fund, 1915. 


LAZARUS, JAcop H. American; born 1822 at New York City; 
died there 1891. Pupil of Henry Inman. Portraits. 


L45-1 HENRY INMAN. (American painter; see Inman.) 
Standing figure, seen to the waist with the left elbow 
resting on a red-covered table; he wears a brown suit 
with a plaid waistcoat and a dark blue tie. 
H. 107°5 in. W.83in. Canvas. Signed: J. H. Lazarus. 
Pinx. 

Gift of Mrs. Jacob H. Lazarus, 1893. 

L45-3 JOSEPH W. DREXEL. (1833-1888; born in Phila- 
delphia but lived chiefly in New York City; banker and 
philanthropist; trustee of the Metropolitan Museum.) 
Life-size, seated figure, seen to the waist. 

H. 303 in. W. 253 in. Canvas. Signed: J H Lazarus 1877. 
Gift of Mrs. J. W. Drexel, 1896. 


LECLAIRE, Victor. French; born 1830 at Paris; died there 
1885. Pupil of his brother, Léon Louis Leclaire. Land- 
scapes and flowers. 

L4gi1-1 APPLE BLOSSOMS IN A VASE. 

S. W. H. 267°, in. W.153in. Wood. Signed: V. Leclaire 1873. 

Stairway Bequest of Catharine Lorillard Wolfe, 1887. — 


LE CLERC, Jacques SeBAsTIAN. French; born 1734 at Paris; 
died there 1785. Pupil of his father, the historical 
painter, Sebastian Le Clerc. 


186 


L492-1 


LE CLERC— LEIGHTON 


THE FLUTIST. Two ladies and a gentleman are seated 
under the trees at the left while before them stands a 
young man playing the flute. 

H. 12 1n. W.9 in. Wood. 

Purchase, 1871. 


LEFEBVRE, Juxes. French; born 1834 at Tournan; died 1912 


52-2 
Gallery 
17 


at Paris. Pupil of Cogniet at Paris. Figure subjects. 


GRAZIELLA. (Graziella was a girl of Capri and the 
heroine of Lamartine’s story of that name.) A full- 
length figure, seated on a cliff at the right with her face 
in profile against the sky; she wears a light blue dress 
over a white chemisette; the Bay of Naples and Vesuvius 
are suggested in the background. 

H.78¢in. W.44}in. Canvas. Signed: Jules LeFebvre. 
Bequest of Catharine Lorillard Wolfe, 1887. 


LEGROS, AtpHonse. British-French; born 1837 at Dijon; 


L521-1 


died 1911 at London, where he had lived since 1864. 
Pupil of Lecoq de Boisbaudran. Was decorator, sculp- 
tor, and etcher as well as painter. 


EDGE OF THE WOODS. A row of half-bare trees 
extends from the foreground at the right to the distance 
at the left; a footpath is at the left of the line of trees 
and a wooded hillside is beyond at the right; in the fore- 
ground a peasant bends over tying a bundle of twigs; 
hazy atmosphere with the sun showing near the ho- 
rizon. 

H.513in. W.683in. Canvas. Signed: A. Legros 1889. 
Bulletin, 1908, p. 94. 

Purchase, Rogers Fund, 1908. 


LEIBL, WILHELM. German; born 1844 at Cologne; died 1900 at 


L53-1 
Gallery 
19 


Wiirzburg. Pupil of Arthur von Ramberg. Founder of 
German nineteenth-century realism; painted portraits 
and peasant genre subjects. 


PEASANT GIRL WITH A WHITE HEAD-CLOTH. 
Head and shoulders of a young girl. 

H. 9 in. W.o% in. Canvas. Signed: W. Leibl 1885. 
Bulletin, 1917, p. 6; ill. p. 7. 

Purchase, Reisinger Fund, 1916. 


LEIGHTON, Freperick, Lorp. British (English); born 1830 


at Scarborough; died 1896 at London. Studied drawing 
187 : 


L531-1 
Gallery 
18 


L531-2 
Gallery 
18 


LELOIR, 


Ls532-1 
Gallery 
18 


[632-2 
Sa, 
Stairway 


1532-3 
SAW 
Stairway 


LEIGHTON — LELOIR 


at Rome under Francesco Meli; painting at the Royal 
Academies of Berlin, Florence, and Frankfort, and with 
Ary Scheffer in Paris. Also sculptor. 


LUCIA. Bust of a young woman with the face in 
profile to the left; she wears a pale rose-violet bodice. 
H. 147 in. W.11in. Canvas. 

Bequest of Catharine Lorillard Wolfe, 1887. 


LACHRYMAE. (Lachrymae is Latin for tears or sor- 
row.) A full-length female figure, robed in black, stands 
with her head bowed against her arm which rests on a 
fluted white marble column; on top of this is a Greek 
mortuary vase crowned with laurel; about the column are 
blue and purple scarfs, and a reddish one is on the white 
marble terrace beside a hydria (Greek water jar) and a 
kylix (drinking cup); the background consists of dark 
shrubbery and trees through which a bright light ap- 
pears behind the head of the figure. 

H..62:1n, W247 in.) Ganvae: 

Purchase, Wolfe Fund, 1896. 


ALEXANDRE Louis. French; born 1843 at Paris; died 
there in 1884. Pupil of his father, J. B. Auguste Leloir. 


FEMALE FIGURE. She is seated on the grass with a 
loose white drapery about her shoulders; a red and brown 
velvet robe is about her lower limbs. 

H. 1331in. W.ogin. Watercolor. Signed: Louis Leloir 
1882. 

Bequest of Catharine Lorillard Wolfe, 1887. 


IN HIS CUPS. A guardsman is seated in the court- 
yard of an inn with one foot across a table; he swings an 
empty bottle with his right hand and holds a glass in the 
other. 

H. 203 in. W. 132in. Water color. Signed: Louis 
Leloir.—72. 

Bequest of Catharine Lorillard Wolfe, 1887. 


WANDERING. MINSTREL; OLD NUREMBERG. 
Before the door of an inn, a man, wearing a red coat, 
a blue vest, and a black sugar-loaf hat, stands holding a 
’cello over his shoulder; he looks at a few coins in his 
outstretched right hand. 

H. 193 in. W. 122 in. Water color. Signed: Louis 
Leloir. 1873. , 

Bequest of Catharine Lorillard Wolfe, 1887. 


188 


LELOIR—LELY 


L532-4 CHOOSING THE DINNER. The courtyard of an 
Gallery old house with the cook dressed in white standing against 
17 the doorway and looking at a pheasant held out to him 
by the gamekeeper who is seated on the ground; on the 
stone pavement are a dead duck, a hare, and a heron. 
H. 12¢1n. W. 183°, in. Canvas. Signed: Louis Leloir.—’72. 
Bequest of Catharine Lorillard Wolfe, 1887. 


LELOIR, Maurice. French; born 1853 at Paris; lives there. 
Pupil of his father, J. B. Auguste Leloir, and of his 
brother, Louis Leloir. 


L533-1 THE DRINK OF MILK. A country road with a 
S. W. barn at the left; an old man holds an earthenware bowl 
Stairway of milk to the lips of a young woman who wears a yellow 
dress and a black mantle. 
H. 122 in. W. 182 in. Water color. Signed: Maurice 
Leloir 1882. 
Bequest of Catharine Lorillard Wolfe, 1887. 


L533-2. OPPORTUNITY MAKES THE THIEF. A garden 
Gallery with an old gentleman on a ladder picking roses that 
18 climb over a wall at the right; at the foot of the ladder a 
young man has his arm around the waist of a young lady, 
and is stealing a kiss; eighteenth-century costumes. 
H. 12% in. W. 183 in. Water color. Signed: Maurice 
Leloir 1882. 
Bequest of Catharine Lorillard Wolfe, 1887. 


LELY, Sir PETER; real name Peter van der Faes. British (Dutch- 

English); born 1618 at Soest in Westphalia, of Dutch 
parents; died 1680at London. Pupil of Pieter de Grebber 
in Haarlem; influenced by Van Dyck. In 1641 went to 
England; painted portraits at the court of Charles II. 


L534-2 SIRWILLIAMTEMPLE. (1628-1699; English ambas- 
Gallery sador at Brussels and at The Hague.) Life-size, stand- 
14 ing figure, seen to the knees; his left elbow rests on a 
balustrade and the right hand is held in front of him; 
he wears a black coat with slashed sleeves; a dull blue 
curtain forms the background at the right. 
H. 47% in. W. 383 in. Canvas. 
Gift of George A. Hearn, 1897. 


L534-3 NELL GWYNNE. (1650-1687; a noted English actress, 
Gallery who became the mistress of Charles II.) Life-size, 
24 bust portrait; her brown hair is parted in the center 


189 


1534-4 
Gallery 
24 


L534-5 
Gallery 


24 


LELY —LE NAIN 


and waved; her dark, low-necked dress, edged with 
white, has slipped from the left shoulder disclosing the 
breast. Unfinished. 

H. 264 in. W. 214 in. Canvas. 

Purchase, Rogers Fund, 1906. 


DUCHESS OF PORTSMOUTH. _Life-size figure seated 
in profile to the left, her head turned to the spectator. 
She wears a low-cut brown dress with white sleeves and 
a short necklace of large pearls; pearls in her hair and 
earrings. 

H. 503 in. W. 402 in. Canvas. 

Bequest of Grace and Harriet K. Wilkes, 1922. 


DUCHESS OF CLEVELAND. _Life-size, seated figure, 
facing front, seen to the knees. Her dress is brown satin 
with white sleeves, the bodice cut low and decorated 
with large pearls. She holds a dark brown scarf in her 
lap with her left hand. 

H. 503 in. W. 39% in. Canvas. 

Bequest of Grace and Harriet K. Wilkes, 1922. 


LEMORDANT, JEAN-JULIAN. French; contemporary. Mural 


L54-1 


decorations. He was blinded in the World War. 


THE DANCE. Sketch for the ceiling decoration of the 
Municipal Theatre at Rennes. A swinging procession 
of dancing Breton peasants in bright-colored costumes 
winds into the clouds. 

H.54¢1n. W.59$1n. Canvas. Signed: J—J] Lemordant. 
Gift of a group of friends of the artist, 1920. 


LE NAIN, THE BroTHers. French; all three were born at Laon, 


L54I-I 
Gallery 
20 


Aisne, and died at Paris. Antoine, 1588 (?)—1648; Louis, 
called the Roman, 1593(?)-1648; Mathieu, 1607(?)—1677. 
When Antoine settled in Paris his brothers followed him 
and the three worked together for many years. 


MENDICANTS. A street scene with a gentleman in 
a black costume of the seventeenth century, standing 
near an archway; at the left stand an old man, an old 
woman with a child strapped on her back, a girl and a boy 
begging; in the foreground at the right kneels an old 
man with beads in his outstretched hands. 

Ex coll.: Comte Cornet, Brussels. 

H. 203 in. W. 24% in. Canvas. 

Purchase, 1871. 


190 


LENBACH —LE ROUX 


LENBACH, Franz von. German; born 1836 at Schrobenhausen 


L542-1 
Gallery 
18 


L542-2 


in Upper Bavaria; died 1904 at Munich. Studied at the 
Munich Academy, and under Grafle and Piloty; settled 
in Munich about 1875. Portraits. 


EDWIN EMERSON. (1823-1907; born at New York 
City; pastor of the Presbyterian Church at Greencastle, 
Pa., 1849-1861; professor of philosophy and English 
literature at Troy University, 1861-1863.) Life-size, 
seated figure of an old man, seen to the knees, with both 
hands resting on his cane; he has long white hair and 
beard and wears spectacles; his black hat and coat are 
almost lost in the dark background. 

H. 43 in. W. 333 in. Canvas. Signed: F. Lenbach 
foods eulletin, 1911, \p. 123, ill. 

Purchase, Wolfe Fund, to1l. 


PORTRAIT OF A YOUNG WOMAN. Life-size, three- 
quarters-length, seated figure, turned three-fourths toward 
the right; dressed in Dutch costume—a red skirt and blue- 
gray bodice—and holding pieces of bread in her hands; 
brown background. 

H. 29% in. W. 234 1n. Canvas. Signed: F. Lenbach 
1898. 

Mr. and Mrs. Isaac D. Fletcher Collection. 

Bequest of Isaac D. Fletcher, 1917. 


LEROLLE, Henry. French; born 1851(?) at Paris; lives there. 


L56-1 


Pupil of Lamothe. 


THE ORGAN REHEARSAL. The interior of a church 
with the organ loft in the foreground at the left; a young 
woman, wearing an olive-green dress in the style of about 
1885, stands near the choir railing, singing; behind her at 
the left are seated the organist and five men and women 
members of the choir. 

H. 882 in. W. 143 in. Canvas. Signed: H Lerolle. 
Gift of George I. Seney, 1887. 


LE ROUX, Hector. French; born 1829 at Verdun; died 1900 


L561-1 
Gallery 
17 


at Angers. Pupil of Picot and of the Ecole des Beaux- 
Arts in Paris. 


ROMAN LADIES AT THE TOMB OF THEIR AN- 
CESTORS. A crypt with two busts in a niche above 
an altar at the right; in front of this tomb a lady is 
seated and another lady stands behind her; in the farther 


19! 


LESLIE: 


L562-1 
Gallery 
16 


LE ROUX — LEUTZE 


corner of the vault a lamp flickers and a pale light enters 
from the top of a flight of steps at the left. 

H. 193 in. W. 3675 in. Canvas. Signed: Hector Le 
Roux. 

Bequest of Catharine Lorillard Wolfe, 1887. 


CHARLES RospertT. British (English, but sometimes 
classed as an American); born 1794 at Clerkenwell, 
London, of American parents; died 1859 in London. 
Educated in Philadelphia; studied at the Royal Acad- 
emy Schools in London; was professor of drawing at 
West Point in 1833, but spent most of his life in Eng- 
land. 


DR. JOHN WAKEFIELD FRANCIS. (1789-1861; 
first president of the New York Academy of Medicine 
and author of Old New York.) Seated figure, seen to 
below the waist; his right hand rests on the arm of his 
red chair and the left is raised to his cheek; he is dressed 
in black with a ruffled white shirt. 

H. 153 in. W. 114 in.. Wood. Signed: C. R. Leslie. 
Gift of John L. Cadwalader, 1896. 


LEUTZE, Emanuet. American; born 1816 at Gmiinde, Wiirtem- 


L57-1 
Gallery 
19 


berg, Germany; died 1868 at Washington, D. C. Pupil 
of John A. Smith in Philadelphia; Lessing in Diisseldorf; 
studied in Munich, Venice, and Rome; settled perma- 
nently in America in 1859, and lived in New York City 
and Washington. 


WASHINGTON CROSSING THE DELAWARE. 
(December 25, 1776, the Commander-in-Chief of the 
American forces determined to surprise the 1,500 Hessians 
and the British troops intrenched at Trenton.) It is early 
morning and the river is packed with floating ice; in the 
bow of the foremost rowboat stands George Washington 
in yellow knee-breeches, high boots, a dark coat lined with 
yellow, a gray military cloak lined with red, and a black 
cocked hat; his sword hangs at his side and in his right 
hand is a spy-glass; two soldiers behind Washington hold 
an American flag (not adopted until June 14, 1777). 
Beyond at the right are other boats with soldiers. 

Ex coll.: Marshall O. Roberts. 

H. 1497/5 in. W.256;'5 in. Canvas. Signed: E Leutze 
Diisseldorf 1851. 

Gift of John S. Kennedy, 1897. 


192 


L57-2 


LEUTZE— LIEB 


WORTHINGTON WHITTREDGE. (American land- 
scape painter; see Whittredge.) Life-size, standing por- 
trait, seen to the knees; he wears a fancy costume with 
a neck ruff; a plumed hat is held at the right hip and a 
sword in the left hand. 

H.572¢1n. W. 40 3in. Canvas. Signed: E. Leutze 1856. 
Gift of several gentlemen, 1903. 


LEYDEN, Lucas van. See Lucas. 


LHERMITTE, Léon Aucustin. French; born 1844 at Mont- 


L61-1 


L61-2 
Gallery 
18 


Saint-Pére; lives in Paris. Pupil of Lecoq de Boisbau- 
dran. Peasant subjects. 


THE VINTAGE. Three French peasants are working 
in a vineyard; a little yellow-haired boy is seated on the 
ground eating grapes. 

H.o99in. W. 823 in. Canvas. Signed: L. Lhermitte 1884. 
Gift of William Schaus, 1887. 


AMONG THE LOWLY. A peasant’s room with Christ 
standing back of the table, His hand raised in benediction; 
at the left the mother sits with an infant in her arms and 
three children are standing near her; beyond, in an open 
doorway, stands a man with a boy in his arms; at the right 
an old couple is seated, a young girl stands behind them, 
and in the foreground a child in a red dress and gray 
apron leans against the old woman’s knee. 

H. 104% in. W.ooin. Canvas. Signed: L. Lhermitte 
1905. 

Purchase, Wolfe Fund, 1905. 


LIE, Jonas. American; born 1880 in Norway; lives near New 


62-1 
Gallery 
15 


York City. Pupil of National Academy of Design and 
Art Students’ League in New York. 


THE CONQUERORS; CULEBRA CUT. A view of 
the engineering work on the Panama Canal. A steep 
cliff is at the right with a line of men working near its 
base; in the hollow of the cut are numerous engines from 
which rise two tall columns of smoke. 

H. 592 in. W. 49% in. Canvas. Signed: Jonas Lie 
Panama 1913. Bulletin, 1914, p. 78, ill. 

Purchase, Hearn Fund, 1914. 


LIEB, MicuaeL. See Munkacsy. 


193 


LIEBERMANN — LINEN 


LIEBERMANN, Max. German; born 1847 at Berlin; lives there. 


L621-1 
Gallery 
19 


Pupil of Steffeck in Berlin. The representative Im- 
pressionist among German painters. 


THE ROPEWALK. A scene in Holland. Men are 
hanging fibre on the twisting rope which is stretched 
along a path; trees are at the right and in the bright 
sunlight at the left is a green bank with a narrow stream 
beyond. 

H. 3944 in. W.28in. Canvas. Signed: M Liebermafi 
1904. Bulletin, 1917, p. 6; ill. p. 8. 

Purchase, Reisinger Fund, 1916. 


LINDENSCHMIT, WILHELM, THE YOUNGER. German (Munich); 


L64-1 


born 1829 at Munich; died there 1895. Pupil of Munich 
Academy, Stadel Institution in Frankfort, and Antwerp 
Academy. Historical painter. 


THE PROTEST OF LUTHER: (in's17°Pone eqs 
tried to raise funds for the rebuilding of St. Peter’s 
at Rome by the sale of indulgences. Luther protested 
against this practice and was excommunicated from the 
Catholic Church. This led to the establishment of the 
sect known as the Protestants.) A church interior with 
Luther ascending a few red carpeted steps toward a 
table where monks are receiving gifts of money and jew- 
elry from richly dressed men and women. 

H. 23 in. W. 303 in. Canvas. Signed: W. Linden- 
schmit. 

Gift of William E. Dodge, 1903. 


LINEN, Georce. American; born 1802 at Greenlaw, Scotland; 


L641-1 
Gallery 
16 


died 1888 at New York City. Pupil of the Royal Scot- 
tish Academy at Edinburgh; settled in New York City 
in 1843. Portraits. 


COLONEL WILLIAM POPHAM. (1752-1847; born 
in Ireland; came to America in 1761; served as aide to 
General Clinton; elected President of the Society of the 
Cincinnati at the age of ninety-two.) Anold man, seated, 
seen to the knees; his spectacles are held in his right 
hand and the left one rests on a white handkerchief on his 
knee; an open book is on a table at the right; the Order 
of the Cincinnati hangs from a ribbon on the lapel of his 
coat. 
H. 12in. W.o% in. Canvas. 

Gift of Samuel P. Avery, 1897. 


194 


PINGELBAGH.-—EERPI 


LINGELBACH, JoHannes. Dutch; born 1622 at Frankfort- 


L642-1 


L642-2 


on-the-Main; died 1674 at Amsterdam, where he had 
settled about 1650. Genre and military subjects. 


BATTLE SCENE. In the foreground is a cavalry 
charge where men and horses are being overthrown; 
on a hill in the middle distance is a round fort, and 
beyond, an arched bridge leading toward the city at the 
left. At one time this picture was erroneously called 
Sobieski defeating the Turks before Vienna, but this 
battle did not take place until 1683. 

Ex coll.: Comte Cornet, Brussels; Prince Kaunutz. 

H. 442 in. W. 6333; in. Canvas. Signed: I. LINGEL- 
BACH fe 167-(?). 

Purchase, 1871. 


DANCE OF PEASANTS. In the foreground peasants 
are dancing to the music of a bagpipe; at the left is 
an old house; the trunk of a large tree occupies the 
center of the canvas; mountains are in the distance at 
the right. 

Ex coll.: Comte Cornet, Brussels; Lord Palmerston, 
Broadlands. 

H. 263 in. W. 293 in. Canvas. Signed: |. Lingelbach, 
165-(?). 

Purchase, 1871. 


LIPPI, Firiprino. Italian (Florentine); born about 1457 at Flor- 


L66-1 
Gallery 
37 


ence; died there 1504. Son of Fra Filippo Lippi; pupil 
of Fra Diamante who had been his father’s assistant and 
of Botticelli. 


VIRGIN AND CHILD WITH SAINT JOSEPH ANDA 
CHILD ANGEL. The Virgin is seated and-.holds the 
partly nude Child, who stands on her right knee; St. 
Joseph stands at the right and a child angel at the 
left; two diminutive, diaphanous cherubs hold a veil 
back of the Virgin’s head and against the columns of 
an arched colonnade through the openings of which are 
seen a landscape with ruins, rocks, and distant sea and 
hills. 

Ex coll.: Mme. de Couriss, Dresden. 

H. 22 in. W. 15 in. Tempera on canvas, transferred 
from wood. 


‘Bequest of Benjamin Altman, 1913. 


195 


L66S-1 
Gallery 
32 


LIPPI — LOCKWOOD 


SCHOOL OF FILIPPINO LIPPI. 


DESCENT FROM THE CROSS. The body of Christ 
is being taken down from the cross by three men who 
stand on ladders that lean against the cross; Mary Mag- 
dalen clings to the base of the cross; at the left the Virgin 
is supported by three women; in the immediate foreground 
the nails lie on a white cloth. The general composition 
is that of the altarpiece begun by Filippino and finished 
by Perugino which is now in the Florence Academy. 
H.22in. W.16in. Temperaon wood. Bulletin, 1912, 
p21G, ih 

Purchase, Kennedy Fund, 1912. 


LIPPI, Fra Fitippo. Italian; born 1406(?) at Florence; died 1469. 


L661-1 
Gallery 


31 


Pupil, perhaps, of Lorenzo Monaco, influenced by Masac- 
cio and Fra Angelico. In his eighth year he was placed 
in the convent of the Carmelites, in whose church, soon 
after 1423, Masaccio was painting his renowned frescoes. 
When about twenty-five he left the convent so as to 
be free to practise his art. In 1454-65 he painted his 
great series of frescoes in the Cathedral of Prato. 


FOUR SAINTS. The four saints are—below, kneeling, 
St. Louis of Toulouse at left in pink cloak, white robe, and 
white and gold mitre; St. Benedict at right in gray-black 
habit, holding a book bound in red; standing, St. Augus- 
tine at left with a dark green cloak and white robe; and 
St. Francis at the right ina brownhabit. The background 
is lavender and the floor is salmon-red. The painting has 
been much injured by damp and heat, only the central part 
about the heads of the two kneeling saints being in good 
condition. The head of St. Francis has quite disappeared. 
It was the right-hand panel of an unknown altarpiece 
and dates, according to Osvald Sirén, from about 1460. 
H. 564 in. W. 39% in. Tempera on wood transferred to 
canvas. Bulletin, 1918, p. 232, ill. 

Purchase, Rogers Fund, 1917. 


LOCKWOOD, Witton. , American; born 1861 at Wilton, Conn.; 


L381-1 
Gallery 
15 


died 1914 at Boston, Mass. Pupil of John La Farge; 
studied in Paris. Chiefly portraits. 


PEONIES.  Full-blown pale pink flowers in a green bowl. 
H.30 in. W. 30} in. Canvas. 
Purchase, Hearn Fund, 1g11. 


196 


LOEB — LONGHI 


LOEB, Louis. American; born 1866 at Cleveland, O.; died 1909 at 


L82-1 


Canterbury, N. H. Pupil of Géréme in Paris; spent the 
last ten years of his lifein New YorkCity. Alsoillustrator. 


THE TEMPLE OF THE WINDS. On the crest of a 
hill stands a male figure with swirling red drapery; 
two female figures are at the right and on a crag at the 
left are two others, one of whom is calling to a group of 
people in the distance at the extreme left; the hill and 
figures are aglow in the sunset light. 

Inco, im. W. i118, im. Canvas. Signed: LOUIS 
LOEB 1897-05. Bulletin, 1906, p. 24, ill. 

Gift of Daniel Guggenheim, 1905. 


LONGHI, ALessaAnpro. Italian (Venetian); born 1733 at Venice; 


L86A-1 


died 1813. Son of the painter, Pietro Longhi; pupil of 
Giuseppe Nogari. Chiefly known as a portrait painter 
but also an engraver; in 1763 published Lives of the 
Modern Venetian Artists with portraits which he en- 
graved. 


ATTRIBUTED TO LONGHI. 
COUNT CARLO AURELIS WIDMANN? (1750-1799; 


Venetian statesman, held offices in the Venetian navy.) 
Life-size, full-leng h, standing figure; he wears a scarlet 
coat, white waistcoat embroidered in gold, and dark blue 
knee breeches; a blue sash is over his right shoulder; a 
coat of arms is in the lower right corner. 

H. 903 in. W. 532 1n. Canvas. 

Gift of Henry W. Cannon, 1915. 


LONGHI, Pretro. Italian (Venetian); born 1702 in Venice; died 


L861-1 
Gallery 


29 


there after 1762 (1785?). At first a pupil of A. Balestra, 
later.of G. M. Crespi. Genre subjects and landscapes. 


THE LETTER. The workroom of cap-makers with the 
matron asleep in the foreground at the left; a young 
woman is receiving a letter from an old crone who stands 
at her side and a middle-aged man is entering at the right; 
in the foreground a little girl is dressing a doll; on the 
tables are papier-maché models of heads and pieces of 
material hang on a line stretched across the room. One 
of a series of nine pictures by Longhi owned until a few 
years ago by the family of Count Miari in Padua. 

H. 243 in. W. 192 in. Canvas. Bulletin, 1914, p. 75; 
bapa 77. | 

Purchase, Hewitt Fund, 1912. 


107 


L861-2 
Gallery 
29 


L861-3 
Gallery 


29 


L861-51 
Gallery 
20 


LONGHT-—LORENZE TA 


THE VISIT. A lady dressed in pink is seated in the 
center of a room, a priest is seated beside her at the right, 
and at the left in the foreground sits a young man who 
stoops to play with a little dog; two gentlemen stand back 
of them. This belongs to the same series as L861-1. 
Ex coll.: Count Miari, Padua. 

H. 243 in. W. 193 in. Canvas. Bulletin, 1914, p. 75; 
al pers, 

Purchase, Hewitt Fund, 1912. 

THE TEMPTATION. An interior with a gentleman 
breakfasting at a small table at the left with his servant 
beside him; at the right stands a young woman who seems 
to have just entered the room preceded by a man and 
followed by an old woman. One of the same series as 
L861-1. 

Ex coll.: Count Miari, Padua. 

H. 244 in. W. 197% in. Canvas. Bulletin, 1914, p. 75; 
ill. p. 77. 
Gift of J. Pierpont Morgan, 1917. 

THE MEETING. An interior with a young lady in a 
voluminous yellow dress seated in the center and a gentle- 
man in a periwig bowing before her; a servant with keys 
stands back of them; beyond at each side is a masked 
couple. One of the same series as L861-1. 

Ex coll.: Count Miari, Padua. 

H. 243% in. W.192in. Canvas. Bulletin, 1914, p. 75; 
ilo par7. 

Lent by Henry Walters, 1914. 


LOOP, Henry A. American; born 1831 at Hillside, N. Y.; died 


L87-1 


1895 at Lake George, N. Y. Settled in New York City 
in 1850; studied there with Henry Peters Gray; Couture 
in Paris. 

LOVE’S CROWN. A female figure seated on the bank 
of a pool is being crowned with a wreath of flowers by a 
nude child standing at her side. 

H. 282 in. W. 182 in. Canvas. Signed (twice): H. A. 
Loop 1882. 

Gift of Mrs. Henry A. Loop, 1808. 


LORENZETTI, Pietro. Italian (Sienese); born toward the end of 


the thirteenth century; died 1348(?). He was the elder 
brother of Ambrogio Lorenzetti. Pupil of Duccio in Siena; 
influenced by Simone Martini and by Giovanni Pisano. 


198 


L88-1 
Gallery 


33 


LORENZETTI — LORENZO DI NICCOLO 


SAINT CATHERINE. Half-length, standing figure, 
seen full-face; she wears a robe of green and gold brocade 
and a red mantle hemmed with gold and the neck edged 
with a wide jeweled band; gold background against which 
the crown and halo are tooled; in her right hand is a palm 
branch and the left holds the edge of her mantle. Arched 
top with the corners ornamented in red and black on a 
ground of tin-foil; S. AGNESE, inscribed in the center 
above the arch, refers to the figure which occupied the 
compartment above this panel in the unknown altarpiece 
of which it formed a part. When purchased by the 
Museum, the picture was attributed to Ambrogio Loren- 
zetti, but has since been pronounced by Bernhard 
Berenson as by Pietro. 

Ex coll.: Reber, Barman, Germany. 

H. 262 in. W. 16144 in. Tempera on wood. Bulletin, 
1914, p. 99; ill. p. 85. 

Purchase, Rogers Fund, 1913. 


LORENZO. DI CREDI.: See Credi. 
LORENZO DI NICCOLO. Italian (Florentine); born 1370; 


L881-1 
Gallery 


33 


L881-1 


L&81-1 


L881-1 


died 1440. Son and pupil of Niccold di Pietro Gerini. 
Both were aids to Agnolo Gaddi and to Spinello Aretino. 


LIFE OF SAINT LUCY. Four predella panels. (St. 
Lucy was born in Syracuse in the fourth century. For 
the incidents of her life see The Golden Legend, vol. II, 
p. 130.) Fourteenth-century work. 


geen tne eLUCY. AT. THE SHRINE OF SAINT 
AGATHA. St. Lucy in a blue dress and red cloak and her 
mother in a wine-colored mantle are kneeling before the 
altar; St. Lucy has fallen asleep and St. Agatha among 
angels is appearing to her. 

H. 1o4 in. W.15%1in. Tempera on wood. 

Purchase, Rogers Fund, 1912. 


b. SAINT LUCY GIVING ALMS. St. Lucy, in the 
blue dress in which she appears throughout the pictures, 
but without the red cloak, stands in a room with the 
poor and sick at the right; her mother stands behind her 
at the left. 

H. toin. W.154in. Tempera on wood. 

Purchase, Rogers Fund, 1912. 


SeasAIN. LUCY eACCUSED*OF CHRISTIANITY. 
St. Lucy stands before Paschasius, the, governor, who is 


199 


L881-1 


LORENZO DI NICCOLO—LORME 


seated on a throne at the left; near the throne stands 
her betrothed who has denounced St. Lucy because she 
devoted her dowry to the poor and renounced mar- 
riage; soldiers are behind her. 

H. 93 in. W.15%in. Tempera on wood. 

Purchase, Rogers Fund, 1912. 


d. SAINT LUCY RESISTING EFFORTS TO MOVE 
HER. Cords are bound about the hands, feet, and 
body of St. Lucy and a double yoke of oxen, prodded by 
the soldiers and rabble, are trying to move her but with- 
out success; behind her at the left stand the governor and 
soldiers. : 

H. ro in. W.15 in. Tempera on wood. Bulletin, 1912, 
p. 92, all four ill. 

Purchase, Rogers Fund, 1912. 


LORENZO, FIORENZO DI. See Fiorenzo. 


LORENZO IL MONACO. Italian (Florentine); born about 


L882-1 
Gallery 
33 


1370; died 1425 at Florence. Follower of Agnolo Gaddi 
and the Sienese. 


MADONNA AND CHILD. The Madonna, seated on 
a cushion, holds the Child on her left knee; she wears a 
black mantle over a violet robe and a light blue scarf 
is over her head and shoulders; the Child wears a light 
blue dress almost hidden by a red cape; at each side a 
small angel with red wings kneels in adoration on a cloud. 
Gold background with a halo around each head. 

H. 354 in. W. 22% in. Tempera on wood. Bulletin, 
1909, p. 141, ill. 

Purchase, Rogers Fund, 1909. 


LORENZO, Piero pi. See Piero di Cosimo. 


LORME, AnTon pe. Dutch; was living at Rotterdam about 


L89-1 
Gallery 
26 


1640 and was still alive in 1660. Painted interiors of 
Dutch churches; the figures are often by Terborch and 
other contemporaries. 


INTERIOR OF A CHURCH. The transept of a Gothic 
church with people in contemporary dress listening to 
a preacher who stands in the pulpit. The figures were 
painted by Gerard Terborch. 

Ex coll.: Comte Cornet, Brussels. 

H. 252 in. W.32in. Canvas. 

Purchase, 1871. 


200 


LORRAIN — LUCAS VAN LEYDEN 


LORRAIN, CLAuDE LE. See Claude. 


LOTTO, Lorenzo. Italian (Venetian); born about 1480, prob- 


Loi-1 


ably at Venice; died 1556 at Loreto. Pupil of Alvise 
Vivarini; influenced by Giovanni Bellini and Giorgione. 
Portraits and altarpieces. 


PORTRAIT OF A YOUNG MAN. Standing figure, 
seen to below the waist; both hands are in front holding 
his black coat; at the left is a table with a blue cloth 
striped in red and black, upon which rests a skull; a 
draped green velvet curtain forms the background. 

H. 28g in. W. 203 in. Wood. Bulletin, 1906, p. 73. 
Purchase, Rogers Fund, 1906. 


LOW, Witt H. American; born 1853 at Albany, N. Y.; lives 


Lo5-1 


LUCAS 


Lo6-1 
Gallery 
34 


at Bronxville, near New York City. Pupil of Ecole 
des Beaux-Arts in Paris under Gérédme and Carolus- 
Duran. 


AURORA. A woman with auburn hair is looking into 
the pool of a marble fountain; both hands hold her 
transparent drapery on her right shoulder; shrubbery 
and a column form the background. 

H.53 in. W.334 in. Canvas. Signed: 1894 WILL H. 
LOW. 

Gift of William T. Evans, 1895. 


VAN LEYDEN; real name Lucas Jacobsz. Dutch; 
born 1494 at Leyden; died there 1523. Pupil of his 
father, Huygh Jacobsz, and of Cornelis Engelbrechtsen. 
Also engraver. 


JOSEPH EXPOUNDING PHARAOH’S DREAM(?). 
At the right is an ornate open porch with a niche where 
an old man, holding a sceptre, is seated on a throne; before 
him stands a young man who Is talking; about these two 
figures are numerous soldiers and courtiers. According 
to tradition this picture is one of a series of tempera 
paintings on linen, illustrating the story of Joseph. 
Formerly called Our Saviour Carried before Pontius 
Pilate, and later Joseph’s Coat. Attributed to Lucas 


van Leyden. 
Ex coll.: Lord Methuen, Cobham Court; Van Mander (?). 
H. 673 in. W. 57% in. Water color on linen. “ 


Gift of Henry G. Marquand, 1888. 
201 


LUCAS VAN LEYDEN—LUKS 


Copy AFTER LucAs vAN LEYDEN. 


5S Lo6C-1 CHRIST PRESENTED TO THE PEOPLE. A public 
~ square; at the left is a raised platform where Christ is 
seen with several men, two of whom draw aside His 
purple robe; in the foreground are groups of people in 
richly colored costumes; the windows of the houses 
around the square are filled with spectators. Copy after 
an engraving by Lucas van Leyden. 

H. 11 in. W.18in. Canvas on wood.: Two wax seals 
on the back partly cover an old inscription: Lucas van 
Leyden 1530. 

Gift of Henry G. Marquand, 1888. 


LUCIANI, SeBaAstiANo. See Sebastiano del Piombo. 


LUCY, CuHarces. British (English); born 1814 at Hereford; died 
1873 at London. Pupil of the Ecole des Beaux-Arts in 
Paris under Paul Delaroche; later of the Royal Acad- 
emy Schools in London. Historical subjects. 


Lo61-1 LORD NELSON IN THE CABIN OF THE VICTORY. 
(Horatio Nelson, born in 1758, was in command at the 
battle of Trafalgar, the greatest British naval victory 
of the Napoleonic wars, and died on board the Victory 
during the battle, October 21, 1805.) Luife-size, full- 
length figure, seated at a desk facing a _ porthole; 
his head rests on his left hand and the empty right 
sleeve is fastened across his breast; on the desk are a 
letter, writing materials, a telescope, etc.; his sword rests 
against a chest in the foreground. 

Ex coll-; Peel, 

H. 78 in. W. 603 in. Canvas. Signed: Co lucy on 
London 1853. 

Gift of J. Pierpont Morgan, 1900. 


¥) 


LUKS, Georce Benjamin. American; born 1867 at Williams- 
port, Pa.; lives in New York City. Pupil of Pennsylvania 
Academy of the Fine Arts and Diisseldorf Academy; 
studied in Paris and London. Portraits and contem- 
porary subjects. 


Lo962-1 THE OLD DUCHESS. Three-quarters-length figure in 
Gallery a brown shawl and veil, gathering up her full white skirts; 


12 her face 1s flushed and her nose is red. 
H. 30 in. W. 25 in. Canvas. Signed: Geo B. Luks 
1905. 


Purchase, Hearn Fund, 1921. - 


202 


ELUKS 


Lo62-51 THE PAWNBROKER’S DAUGHTER. A girl with 
Gallery red hair, in a yellowish gray dress, seen to below the waist, 
12 holds with both hands a platter on which stands a dark 
blue-green vase. 
H. 30 in. W. 264 in. Canvas. Signed: George Luks. 
Lent by Edward-W. Root, 1919. 


203 


| 


! 


| 


M 


MABUSE, JAN GOSSAERT VAN; known also as Jean de Mau- 


Mi-1 
Gallery 
34 


MrA-1 
Gallery 
34 


M1A-2 
Gallery 
D6, First 
Floor 


beuge, Malbodius de Mauberge, and by his Latin signa- 
ture, Johannes Malbodius. Flemish; born about 1470 at 
Mabuse in Hainault; died 1541 at Antwerp. Pupil of 
Quentin Massys. 


MADONNA AND CHILD. Seated figure of the Ma- 
donna seen to the knees; she wears a blue robe, and the 
Child, who is seated on her lap, has a loose white garment. 
H. 17$1in. W.13% in. Wood: 

Gift of J. Pierpont Morgan, 1917. 


ATTRIBUTED TO MABUSE. 


ADAM AND EVE. In the foreground are two nude 
figures each leaning against a tree; foliage above and 
in the distance a valley with a winding river. 

H. 182in. W.123in. Wood. Bulletin, 1910, p. 77, ill. 
Gift of Mrs. Stanford White, 1910. 


ELEANOR OF AUSTRIA. (Sister of Emperor Charles 
V; married Francis I of France in 1529.) Bust figure 
with the head turned three-quarters to the left. The 
square-cut waist is loaded with pearls and gold pins set 
with rubies, as is also her flat dark hat. She wears a 
heavy gold necklace set with jewels and pearl earrings. 
Several versions of this portrait exist. 

H. 183 in. W. 154 1n.’ Panel. Bulletin, 1922, p. 162: 
Bequest of Michael Dreicer, 1921. 


MacCAMERON, Rosert. American; born 1866 at Chicago; died 


M12-1 


1912 at New York City. Pupil of Géréme and Collin in 
Paris. 


THE DAUGHTER’S RETURN, | Themcormmerti 
restaurant with three figures seated at a table on which 
are two glasses and a pitcher; the young woman is at 


204 


M 12-2 
Floor 1 
Gallery 


13 


MacCAMERON — MADRAZO 


the left and her head rests on her left hand; beyond, an 
older woman sits with hands clasped on her lap; an old 
man is seated in the foreground at the right with both 
hands on the table. 

H. 393 in. W. 55 in. Canvas. Signed: RR. MACCAMERON 
1900. 

Gift of Mrs. Benjamin S. Guinness, 1910. 


AUGUSTE RODIN. (Born 1840; died 1918; French . 
sculptor.) Life-size, standing figure, seen to below the 
waist; in his right hand he holds a bronze copy of his 
statue, The Thinker; he has a flowing blond beard and 
ruddy complexion. 

H. 393 in. W.321n. Canvas. Signed: R. MacCAM- 
ERON Paris SEPT. IQIO. 

Gift of J. Pierpont Morgan, 1912. 


McENTEE, Jervis. American; born 1828 at Rondout, N. Y.; 


M15-1 
Gallery 
16 


M15-2 
Gallery 
16 


died there 1891. Pupil of F. E. Church; worked chiefly 
in New York City. Landscape painter. 


AUTUMN LANDSCAPE WITH FIGURES. Boys 
and girls are playing beside a brook which flows across 
the picture toward the foreground at the left; dull gray 
sky with a bright light near the horizon. 

H. 244 in. W. 42%; 1n. Canvas. Signed: J M Entee 
1675. bulletin, 1913, p. So, ill. 

Purchase, Lazarus Fund, 1913. 


IN THE CLOUDS. A wide brown plain and, above, 
dark clouds through which the sun is trying to break near 
the horizon. 

H. 484 in. W. 403 in. Canvas. Signed: J. McEntee 
NEA. 

Bequest of Mary Augusta Coykendall, 1921. 


MADRAZO, RayMuNDO DE. Spanish; born 1841 at Rome; died 


M26-1 
Gallery 
18 


1920 at Versailles. Pupil of his father, Federico de 
Madrazo, who was painter to the Court of Spain and 
Curator of the Madrid Art Gallery; studied also at the 
Ecole des Beaux-Arts in Paris under Léon Cogniet. 


GIRLS AT A WINDOW. Two young women leaning 
out of a window and looking down to the street; the 
costumes are of about 1875. 

H. 283 in. W. 232 in. Canvas. Signed: R. Madrazo. 
Bequest of Catharine Lorillard Wolfe, 1887. 


205 


M26-3 


MADRAZO — MAES 


SAMUEL P: AVERY. (1822-1904; a trustee of the 
Museum from 1872 until his death.) Life-size, almost 
to the waist; he has a blond beard. 

H. 24 in. W. 1933; in. Wood. Inscribed: 4 Mr. Avery 
—R. Madrazo 1876. 

Gift of the family of Samuel P. Avery, 1904. 


MAES, Nicotags. Dutch; born 1632 at Dordrecht; died 1693 at 


M261-1 
Gallery 
20 


M261-2 
Gallery 
26 


M261-3 
Gallery 
20 


Amsterdam. Pupil of Rembrandt at Amsterdam, where 
he had settled in 1673. Portraits and genre. 


PORTRAIT OF A WOMAN. Life-size, seated figure 
of a Dutch matron, seen to the knees; her hands rest 
one upon the other, the left one holding a closed fan; 
she wears a small black cap, a black dress with white 
linen collar fitted over the shoulders, and full white 
undersleeves; in the background a dark gray curtain is 
drawn showing a landscape through the window at the 
right. H. de Groot, No. 463. 

H. 44 in. W. 35% in. Canvas. Bulletin, 1906, p. 73. 
Purchase, Rogers Fund, 1906. 


ADMIRAL JACOB BINKES. A Dutch admiral who 
was killed in 1676 by the explosion of a bomb when his 
vessel was in the harbor of Tabago, Philippine Islands.) 
He is seen to the waist and wears polished steel armor; 
a pistol is held in his right hand and the left rests on his 
casque, which has a red plume; in the background at 
the left is a view of ships. In original frame, probably 
by Jan Lutma, Rembrandt’s framemaker. Painted 
within an oval. 

H. 174 1n. W.12%$ in. Canvas. Signed: MAAS. 

Gift of J. Pierpont Morgan, tort. 


THE BETROTHED OF ADMIRAL BINKES. (A 
Dutch inscription on the back indicates that this is a 
portrait of Eugenie Rotterdam, betrothed of Jacob 
Binkes, who was overtaken by death before the marriage; 
she later married Pieter D’Orville and died at Amster- 
dam, January 20, 1704.) She is seen to the waist and 
wears a white dress trimmed with yellow; a violet-red 
scarf is about her shoulders and a string of pearls is on 
her blond hair; a tree is immediately behind the figure 
and there is a view of the sea at the right. Painted 
within an oval. 

H.17zin. W.131in. Canvas. Signed: Maes 1676 (?). 
Gift of J. Pierpont Morgan, 1o1t. | 


206 


MAES — MAINARDI 


M261-4 YOUNG GIRL PEELING APPLES. In a bare room 


Gallery 
39 


with gray walls a young woman, dressed in red, is seated 
beside a table, covered with a red and black rug, on which 
is a dish of apples; some of the fruit is on a towel on her 
lap and at her left is a pail. 

Ex coll.: Rodolphe Kann, Paris; Ralph Bernal. 

H. 214 in. W.18in. Wood. 

Bequest of Benjamin Altman, 1913. 


MAGRATH, WILiiAm. American; born 1838 in Ireland; died 


M27-1 


1918. Genre. 


ON THE OLD SOD. An Irish farmer standing on a 
hillside; his hands are folded behind him and a stick is 
under his left arm; he smokes a short clay pipe. 

H. 382 in. W.28in. Canvas. Signed: W. MAGRATH. 
Gift of William Carr, 1887. 


MAIGNAN, ALBERT. French; born 1846 at Beaumont-sur- 


M28&-1 


Sarthe; died 1908 at Saint-Prix. Pupil of Luminais 
in Paris. Historical and allegorical subjects. 


LPATTENTAT D’ANAGNI. (Boniface VIII, a native 
of Anagni, was elected Pope in 1294; Philip the Fair of 
France resisted his authority and compelled him to take 
refuge in his native town. The picture represents 
the moment when Boniface says to his assailants: “‘ Here 
is my neck; here is my head; strike; but I will die Pope.” 
Boniface was thrown into prison and, though liberated 
by the people of Anagni, died within a month.) The 
Pope in white robes stands in front of his throne at 
the top of a flight of red carpeted stairs; a few steps 
below, a knight who threatens him stands with his back 
toward the spectator; in the foreground at the foot of 
the steps are soldiers and populace. ; 

H. 1164 in. W. 84% in. Canvas. Signed: ALBERT 
MAIGNAN 1877. 

Gift of Wallis and Son, 1883. 


MAINARDI, SEBAsTIANO DE BARTOLO. Italian; born about 1450 


M281-1 
Gallery 


37 


at San Gimignano; died 1513 (?) probably in Florence. 
Pupil and assistant of his brother-in-law, Domenico 
Ghirlandaio. 


VIRGIN AND CHILD WITH ANGELS. The Virgin, 
wearing a red robe and blue cloak, is seated in the center 
with head bowed and hands joined in adoration of the 


207 


MAINARDI— MANCINI 


nude Child, who is seated on a red cushion on her right 
knee; He is supported by an angel in a violet robe and at 
the right an angel in a yellow robe stands with arms 
folded; back of the Madonna is a strip of red brocade and 
on each side are glimpses of landscape. 

Ex coll.: Baron Lazzaroni, Paris. 

Circular; diameter, 382 in. Tempera on canvas, trans- 
ferred from wood. 

Bequest of Benjamin Altman, 1913. 


MAITRE DE FLEMALLE. See Robert Campin. 


MAKART, Hans. Austrian; born 1840 at Salzburg; died 1884 


M285-1 
Gallery 
18 


M285-2 


at Vienna. Pupil of Vienna Academy under Ruben; 
Munich Academy under Piloty. 


THE DREAM AFTER THE BALL. Life-size, full- 
length, seated figure of a woman with her hair falling 
about her bare shoulders; she wears a loose white gar- 
ment; in the foreground two cupids are using arrows to 
fasten red hearts on her green velvet gown. 

H. 622 in. W. 3738 in. Canvas. Signed: Hans Makart. 
Bequest of Catharine Lorillard Wolfe, 1887. 


DIANA’S HUNTING PARTY. Diana, wearing a 
red robe, stands on the shore of a lake; her raised right 
arm holds a dart which she is preparing to hurl at a 
stag swimming across the water in the foreground; the 
goddess is surrounded by nymphs and hunting dogs and 
behind them is a dense forest; in the immediate fore- 
ground are several bathers. 

H. 168 in. W. 372 in. (sight). Canvas. Signed. 

Gift of Mrs. Ellen Josephine Banker, 1888. 


MANCINI, Antonio. Italian; born 1852 at Narni in Umbria; 


M3I-1I 
Gallery 
21 


lives in Rome. Pupil of Domenico Morelli and of 
Stanislao Lista at Naples; influenced by Monticelli. 
Portraits and genre. | 


CIRCUS BOY. Life-size, full-length, standing figure, 
leaning against the rope of a canvas tent; he wears a 
dull rose satin coat, white silk waistcoat, red and black 
checked trunks, white stockings, and red slippers. 

H. 592 in. W. 281 in. Canvas. Signed: A. MANcINI 
1872. 

Bequest of Mrs. Elizabeth U. Coles, 1892. 


208 


MANET — MANTEGNA 


MANET, Epouarp. French; born 1832 at Paris; died there 


M31I-! 
Gallery 
v4 


M311-2 
Gallery 
21 


M311-3 
Gallery 
21 


M311I-51 
Gallery 
21 


M311-52 
Gallery 
21 


1883. Pupil of Couture; influenced by Velazquez, Hals, 
and Goya. 


BOY WITH A SWORD. Life-size, full-length figure 
of a boy, walking toward the right, who clasps a large 
sword in his arms; he wears a black suit, broad white 
collar, and blue stockings; brownish background. 

H. 513 in. W. 362in. Canvas. Signed: Manet 1861. 
Gift of Erwin Davis, 1880. 


WOMAN WITH A _ PARROT. Life-size, standing 
figure of a woman, wearing a loose pink gown; she 
holds a bunch of violets to her face and her left hand 
plays with the cord of a monocle; a gray-green parrot 
with red tail feathers is on a perch at the right. 

H. 72 in. W. 50% in. Canvas. Signed: Manet. 

Gift of Erwin Davis, 1880. 


THE FUNERAL. A view of Paris. In the foreground 
is a park (Montsouris?) through which a funeral is 
passing; in the distance is the hill of Sainte Geneviéve 
with the Panthéon and other buildings. 

H. 283 in. W. 35% in. Canvas. Inscribed: Certifié 
d’Ed. Manet — Vve Manet. Bulletin, rg1o0, p. 123, ill. 
Purchase, Wolfe Fund, 19009. 


THE DEAD CHRIST WITH ANGELS. Life-size, 
nude figure of the dead Christ, seated on a white cloth 
and supported by two angels; they have dull blue and 
gray wings; the one at the right is dressed in yellow and 
the other in reddish brown. Inscribed: évang. set. St. 
Jean Chap. xx V.x11. 

H. 7o in. W. 582 in. Canvas. Signed: Manet. 

Lent anonymously, 1900. 


JEANNE—LE PRINTEMPS. A young girl known 
later in the theatre as Mlle. Demarsy. She is seen at 
three-quarters length in profile to the left, against green 
bushes; she wears a flowered dress and a white hat with 
flowers and black ribbons tied under her chin. She car- 
ries a lace sunshade over her shoulder. 

H. 29% in. W. 20% in. Canvas. Signed: Manet. 

Lent by Mrs. Harry Payne Bingham, 1920. 


MANFREDI, BartoLomMeEo. See Bartolo di Fredi. 
MANTEGNA, Anprea. Italian (Paduan); born 1431 at or near 


Vicenza; died 1506 at Mantua. Pupil and adopted son . 
209 


M313-1 
Gallery 
37 


MANTEGNA — MARCHAL 


of Squarcione at Padua; influenced by study of antique 
sculpture, by Donatello, and by his brothers-in-law, the 
Bellini. 


THE HOLY FAMILY. The Virgin, seated and seen 
to the knees, holds the nude Child, who stands with 
one foot on a white cushion on her lap; the figures 
of St. Joseph at the left and Mary Magdalen at the 
right are cut by the frame; dark background with 
yellow fruit and leaves. There is close resemblance be- 
tween this picture and a Mantegna in the Dresden 
Gallery, where St. Elizabeth takes the place of the Mag- 
dalen. Our picture is perhaps the one mentioned in 1674 
by Boschini as being in the Hospital for Incurables at 
Venice. 

Ex coll.: Eduard Weber, Hamburg; Count Agosto d’Aiuti, 
Naples. 

H. 223 in. W.18in. Tempera on canvas. 

Bequest of Benjamin Altman, 1913. 


MARATTA, Car_o; sometimes spelt Maratti. Italian (Roman); 


M32-1 


born 1625 at Camurano in the Marches of Ancona; died 
1713 at Rome. Pupil of Andrea Sacchi at Rome; influ- 
enced by Guido Reni, the Carracci, and Raphael. 


POPE CLEMENT IX. (1600-1669; Giulio Rospiglicsi 
became Pope in 1667 under the name of Clement IX.) 
Life-size, standing figure, seen to the waist; his. right 
hand rests on a closed breviary; he wears a white 
surplice, a red velvet cape edged with ermine, and a red 
biretta. This portrait is a replica of a full-length seated 
portrait of Clement IX by Maratta in the Hermitage 
at Petrograd. 

H. 373 in. W. 293 in. Canvas. 

Gift of Archer M. Huntington, 1891. 


MARCHAL, Cuarves. French; born 1825 at Paris; died there 


M33-1 
Siew: 


1877. Pupil of Drolling and F. Dubois. 


EVENING IN ALSACE. An old man is seated at a 
harrow drawn by a yoke of oxen which are moving 


Stairway toward the hills in the distance; in the foreground is a 


pile of burning brush; bright sunset sky. 

H. 363 in. W. 573 in. Canvas. Signed: Charles Mar- 
chal 1873. 

Bequest of Catharine Lorillard Wolfe, 1887. 


210 


M33-2 
er Wi 
Stairway 


M33-3 
Gallery 
19 


MARCHAL — MARIS 


MORNING IN ALSACE. A man is ploughing with a 
yoke of oxen turned away from the spectator; in the 
foreground there are blackbirds in the newly turned 
furrow. 

H. 363 in. W. 57% ¢n. Canvas. Signed: Charles Mar- 
chal 1873. 

Bequest of Catharine Lorillard Wolfe, 1887. 


THE GREY LADY. Half-life-size figure of a young 
lady, seen in profile to the right. Before a small table 
on which are skeins of yarn and knickknacks, she stands 
sewing a piece of embroidery; her costume is of the 
*seventies: gray paneled wall for background. 

H. 433 in. W. 193 in. Canvas. Signed: Charles Marchal. 
Gift of Mrs. Clara B. Obrig, in memory of her husband, 
Adolph Obrig, 1917. 


MARCKE, Emie van. French; born 1827 at Sévres; died 1890 


M332-1 
Gallery 
17 


M332-2 


MARIS, 


M335-1 
Gallery 
18 


at Hyéres. Pupil of Troyon. Cattle painter. 


THE MILL. A landscape with an old mill at the left 
and trees at the right; cattle are in the foreground with a 
dun cow wading in the mill stream and others grazing 
beyond; there are stormy gray clouds. 

H. 593 in. W. 793 in. Canvas. Signed: Em. Van 
Marcke. 75. 

Bequest of Catharine Lorillard Wolfe, 1887. 


LANDSCAPE WITH CATTLE. Two cows standing 
in a shallow stream; an apple tree in blossom to the left. 
H. 292 in. W. 367%, in. Canvas. Signed: Em van 
Marcke. 

Mr. and Mrs. Isaac D. Fletcher Collection. 

Bequest of Isaac D. Fletcher, 1917. 


wACcO@e miutch;, born 1837 at The . Hague; died 
1899 at Carlsbad, Germany. Pupil of Huib van Hove, 
J. Stroebel, and Louis Meyer; studied at the Antwerp 
Academy and at the Ecole des Beaux-Arts in Paris. 


CANAL IN HOLLAND. There are houses at the right; 
a boat is in the foreground; at the left is a roadway 
where a woman, carrying two pails on a yoke, is walking 
toward a bridge which spans the canal in the middle 
distance; beyond at the left are houses. 

H. 144 in. W. 1727 in. Water color. Signed: J. Maris. 
Purchase, Wolfe Fund, 1895. 


211 


MARIS, 


M336-1 
Gallery 
20 


MARIS — MARMION 


MatrHys. Dutch; born 1839 at The Hague; died at 
London 1917. Studied at The Hague Academy the 
Antwerp Academy, and in Paris. 


REVERIE. A young girl with light brown hair falling 
over her shoulders and wearing a dull blue dress, is seated 
with a distaff on her lap; she leans forward and looks at 
a black and white cat on the floor at the left of the 
picture. : 

H.121n. W.o%in. Canvas. Monogrammed: MM.7s5. 
Bequest of Mrs. Elizabeth U. Coles, 1892. 


MARMION, Simon. French; born 1425 at Valenciennes; died 1480. 


M34S-1 
Gallery 
D6, First 
Floor 


Painted in the north of France and in Flanders; a painter 
to Philip the Good of Burgundy. Sacred subjects, minia- 
tures. 


SCHOOL OF SIMON MARMION. 


THE MARTYRDOM OF TWO SAINTS. ‘Two panels 
in one frame representing the martyrdom of Saint Adrian 
and probably Saint Quentin. Saint Adrian is nude, 
bound to an anvil; one of the executioners beats his 
stomach with a hammer, another chops off his feet, while 
the Emperor Maximilian and three of his court on horse- 
back look on. In the background are an island, a castle 
with towers, and a drawbridge. In the second panel a 
young man at the left, wearing a brocaded brown robe, 
preaches from a book that a small angel holds up to him 
supporting it on his forehead in the manner of a sub- 
deacon. Very probably it is Saint Quentin, whom an 
angel delivered from prison and who forthwith continued 
his preaching. Other figures in the picture seem un- 
connected with the saint; two culprits in white shirts, 
their hands bound, are being led to execution by soldiers, 
a frenzied old woman half kneels in front of them, and 
a young person, her baby in her arms, seems to comfort 
and encourage the foremost prisoner; a soldier mounts a 
ladder to the wattled roof of a shed where a drawn sword 
is lying. Three dignitaries on horseback direct the pro- 
ceedings. The crenelated walls of the castle court- 
yard strengthened by two towers enclose the scene. 

Ex coll.: Abbey of Eaucourt, Arras. 

H. 223 in. W. 114 in. each. Panels. Bulletin, 1920, p. 
188; 1922, p. IOI. 

Bequest of Michael Dreicer, 1921. 


212 


MARR— MARTIN 


MARR, Cart. American; born 1858 at Milwaukee, Wis.; lives 


M34-1 
Gallery 
19 


in Munich, Germany. Pupil of Weimar Academy under 
Schauss; Berlin Academy under Gussow Munich Academy 
under O. Seitz and Lindenschmit. 


GOSSIP. Two young Bavarian women, wearing blue 
and white peasant costumes, are seated in a room, spin- 
ning and talking; a table with a white cloth and blue 
dishes and a white curtained window extend across the 
picture; on the window ledge are pots of flowers. 

H. 41 in. W. 643 in. Canvas. Signed: CARL MARR. 
MUENCHEN. 84. 

Gift of George I. Seney, 1887 


MARSHALL, WiLi1Am Epcar. American; born 1837 at New York 


M35-1 
Gallery 
16 


City; died there 1907. Studiedin Paris. Portraits. Also 
engraver. 


THE ARTIST’S MOTHER. (A Scotchwoman, daugh- 
ter of Lady Charlotte Gordon.) Life-size portrait of an 
elderly lady, seen to the waist; her brown hair is parted 
and drawn back; she wears a dark dress with a simple 
white kerchief about her neck. 

H. 27 in. W. 22 in. Canvas. Signed: William E. Mar- 
shall 1865. Bulletin, 1908, p. 12, ill. i 
Purchase, Rogers Fund, 1907. 


MARTIN, Homer D. American; born 1836 at Albany, N. Y.; 


M36-1 
Gallery 
10 


M36-2 
Gallery 
12 


died 1897 at St. Paul, Minn. Pupil of William M. Hart. 
The greater part of his life was spent in New York City. 
Landscapes. 


THE WHITE MOUNTAINS; ADAMS AND JEFFER- 
SON. In the foreground is the tree-covered top of 
Randolph Hill, which is separated by a valley from 
Mount Madison; beyond are the snow-capped peaks of 
Adams and Jefferson; cloudy sky. 

H. 30745 in. W. 50% in. Canvas. Signed: H. D. Mar- 
tin 1868. (Repainted by Martin in his later manner.) 
Gift of William T. Evans, 1891. 


HARP OF THE WINDS; A VIEW OF THE SEINE. 
A row of tall poplars on the flat shore in the middle 
distance is reflected in the river which is in the foreground 
at the right; a strip of sandy shore and a steep bank 
are at the left; in the distance a town is at the river’s 

edge. . 


213 


M36-3 
Gallery 
13 


M36-4 


M36-5 
Gallery 
16 


MARTIN — MASSYS 


H. 2823 in. W. 4o2 in. Canvas. Signed: H D Martin 


1895. 

Gift of several gentlemen, 1897. 

SAND DUNES, LAKE ONTARIO. A sandy fore- 
ground with bare trees at the right; a brownish growth 
covers the level stretch of ground that extends to the 
water in the middle distance; beyond, at the left, are 
sand dunes in sunlight. 

H. 36 in. W. 60% in. Canvas. Signed: Homer Martin 
1887. 

Gift of George A. Hearn, 1906. 
AUTUMN. In the foreground is a field with stacks of 
corn; beyond is a meadow with woods at the right; the 
sea is in the distance at the left. | 
H. 122 in. W. 20% in. Canvas. 

Gift of J. Pierpont Morgan, rg1o. 


MANOR HOUSE AT CREQUEBCEUF. A pool in the 
foreground reflects a white house surrounded by tall, thin 
trees. A stormy gray light in the sky. 

H.254in. W. 373 in. Canvas. Signed: H. D. Martin. 
Bequest of Daniel M. Stimson, 1923. : 


MARTINI, Simone. Italian (Sienese); born about 1283 at 


M361S-1 
Gallery 
33 


Siena; died after 1344 at Avignon, where he went in 
1339 to work for the Papal Court. Follower of Duccio; 
influenced by the Pisani. : 


SCHOOL OF SIMONE MARTINI. 


SAINT PAUL. A standing figure, seen to below the 
waist; a sword is held upright in his right hand and the 
four books of the apostles are in his left; he wears a blue 
robe and a dull violet cloak; the background is gold with 
a trefoil arch within a single Gothic arch. 

Ex coll.: Mme. d’Oliviera, Florence. 

H. 35 in. W. 163 in. Tempera on wood. 

Gift of Frederic Coudert, 1888. 


MASSYS, Quentin; also spelt Metsys and Messys. Flemish; born 


M38-1 
Gallery 
27 


1460 or 1466 at Louvain; died 1530 at Antwerp, where 
he had lived since about 1490. 
ADORATION OF THE KINGS. The Madonna, 
wearing a blue-green mantle and white turban, is seated 
at the left and holds the Child upon her lap; the old king, 


214 


M38S-2 
Gallery 
34 


M38S-3 
Gallery 
34 


MASSYS — MATHEWS 


wearing a yellow robe and a purple velvet cloak, kneels in 
the immediate foreground; behind him stand the other 
two kings richly attired and each holding a jeweled vessel; 
beyond appear heads of numerous men crowded about 
the entrance to the open court where the scene takes 
place; the columns are decorated with Renaissance 
arabesques. 

Ex coll.: Rodolphe Kann, Paris; R. H. Hughes, Kinmel, 
North Wales. 

H. 403 in. W. 314 in. Wood. Bulletin, ro11, p. 228, 
ill. 

Purchase, Kennedy Fund, 1911. 


ScHOOL OF MaAssys. 


MADONNA AND CHILD. The half-length figure of the 
Madonna in a dark gown and a red robe with a thin white 
drapery over her reddish hair; she holds the nude Child 
up to kiss him. The background is a blue-green land- 
scape with a river, bridge, and boats, a town on the op- 
posite bank, and mountains rising pyramidally behind 
the Virgin’s head. Attributed by Friedlander to the 
Master of the Mansi Magdalen. 

Ex coll.: ress Antwerp. 


‘H. 193 in. W.1524 in. Wood. 


Bequest of William H. Herriman, 1921. 


SAINT JEROME. He is represented as a long-bearded 
monk in a red robe studying his book at a table; he points 
with his left hand at a skull in front of him. 

H. 32% in. W. 25% in. Panel. 

Bequest of John Henry Abegg, 1921. 


MASTER OF THE HOLZHAUSEN PORTRAITS. See Faber. 


MASTER OF THE LEGEND OF SAINT URSULA. See 


Bruges Master. 


MATHEWS, Artuur F. American; born 1860 in Wisconsin; lives 


M42-1 


in San Francisco. Landscapes. 


~ CALIFORNIA LANDSCAPE. A group of trees at the 


right which throw shadows across the foreground; 
beyond are plains in sunlight. 

H. 26,1; in. W. 297 in. Canvas. Signed: Arthur F. 
Mathews. 

Gift of Henrietta Zeile, 1909. 


215 


MATTEO DI GIOVANNI — MAUVE 


MATTEO DI GIOVANNI]; known also as Matteino and Matteo da 
Siena. Italian (Sienese); born 1430(?) probably at Siena; 
died there 1495. Perhaps a pupil of Domenico di Bartolo; 
influenced by Vecchietta, Pollaiuolo, and Botticelli. 


M43-1 LEGEND OF CLOELIA. Cassone front. (Cloelia, 
Gallery a Roman virgin, was one of the hostages given to Lars 
31 Porsena by Mucius Scaevola, 508 B. C. She and her 
companions are supposed to have escaped by swimming 
the river Tiber, to have been honorably sent back by the 
Roman Senate, and later released by Porsena for their. 
bravery.) At the left are soldiers before whom stand a 
Senator (?) and six young women; in the center of the 
picture the same maidens are swimming a river; at the 
right, two of them having reached the shore are entering 
a walled city (Romer). Companion pieces representing 
the story of Camilla are in the Johnson and Woodward 
Collections. 
Ex coll.: Charles Butler, London. 
H. 173 in. W. 45% in. Tempera on wood. Bulletin, 
IQII, p. 194. 
Purchase, Hewitt Fund, tort. 


MAUVE, Anton. Dutch; born 1838 at Zaandam; died 1888 at 
Arnhem. Pupil of Pieter Frederik van Os; studied 
at Oosterbeek; lived in 1865 at Amsterdam, later at 
The Hague, and in 1878 settled at Laren. Landscapes 
with animals. 


M441-1 SPRING. A shepherd and his dog stand in the fore- 
ground facing a flock of sheep feeding in a green pasture; 
a row of young trees is in the middle distance at the right. 
H. 223 in. W. 35% in.. Canvas. Signed: A Mauve. 
Gift of George I. Seney, 1887. 


M441-2. AUTUMN. A flock of sheep is being driven along a 
road through brown moors; in the foreground the shep- 
herd, with a lamb under his right arm, follows the sheep 
away from the spectator; his dog is at the left. 

H. 26 in. W. 373 1n. Canvas. Signed: A Mauve. 
Gift of George I. Seney, 1887. 
M441-3 CHANGING PASTURE. Barren, flat country with a 
Gallery wet road along which approach two cows driven by an 
19 old woman; gray sky. 
H.24 in. W.392 in. Canvas. Signed: A Mauve. Bul- 
letin, 1914, p. 253; ill. p. 255. . 
Bequest of Benjamin Altman, 1913. 


216 


M441-4 
Gallery 
19 


M441-5 
Gallery 


19 


MAUVE — MAYNARD 


TWILIGHT. Crépuscute. A flock of sheep, preceded 
by the shepherd, is going toward the edge of a wood; 
gray sky with sunset glow at the horizon. 

H. 2542 in. W. 1723 in. Canvas. Signed: A Mauve. 
Bequest of Benjamin Altman, 1913. 


RETURN TO THE FOLD. A flock of sheep, with the 
shepherd and his dog at the left, is crossing a ploughed 
field going toward the farmhouses which are seen on the 
horizon; the edge of a wood is at the right. 

H. 192 in. W. 3342 in. Canvas. Signed: A Mauve. 
Bequest of Benjamin Altman, 1913. 


MAX, GaAsrRigEL. Austrian; born 1840 at Prague; lives in Munich. 


M45-1 
Gallery 
18 


Pupil of his father, the sculptor, Joseph Max, and of 
Piloty. 


@HE> LAST TOKEN; A CHRISTIAN MARTYR. 
A young woman standing in an arena leans with one 
hand against the wall and looks upward; a pink rose lies 
at her feet; a leopard creeps through a grating in the 
wall at the right; in the arena at the left a leopard and 
hyena are fighting. Inscribed: Ein Griis. 

H. 674 in. W.471n. Canvas. Signed: Gab. Max. 
Bequest of Catharine Lorillard Wolfe, 1887. 


MAY, Epwarp H. American; born 1824 in England; died 1887 at 


M451-1 


Paris. Pupil of Daniel Huntington in New York City; 
Couture in Paris; lived chiefly in Europe. 


MARY MAGDALEN. Life-size figure, lying at full 
length upon the ground with her right arm over a stone; 
in the distance three crosses are relieved against a red 
sky. 

H. 48 in. W. 77% in. Canvas. Signed: Edwd. H. May. 
Gift of Caroline May, the artist’s sister, 1884. 


MAYNARD, Georce W. American; born 1843 at Washington, 


M452-1 
Gallery 
16 


D. C.; lives in New York City. Pupil of the National 
Academy of Design in New York; Antwerp Academy 
under Beaupray, Van Lerius, and de Keyser. 


IN STRANGE SEAS. Five mermaids are swimming 
in blue water; the one at the right, on the crest of a 
wave, points to‘a galleon with sails set which is at the 
horizon. 

H. 36% in. W. 507°, in. Canvas. Signed: Maynard-8o. 
Gift of William F. Havemeyer, 19o1. 


217 


MEIRE — MEISSONIER 


MEIRE, GERARD VAN DER. Flemish; born about 1427 at Ghent; 


M47-1 
Gallery 
34 


died after 1474. 


ADORATION OF THE MAGI. The Virgin, in a dark 
blue robe, is seated at the left with the nude Child held 
on a white cloth on her lap; behind her stands St. Joseph 
in a red robe; the oldest king, in a red cloak trimmed with 
fur, kneels in the foreground; behind him stand the other 
two kings each holding an elaborate gold vessel. The 
figures are seen in a brick room through an arched win- 
dow; an open casket with pieces of money is on the ledge. 
H. 29% in. W. 28% in. Wood. 

Purchase, 1871. 


MEISSONIER, JEAN Louis Ernest. French; born 1815 at 


M471-1 
Gallery 
21 


M471-2 
Gallery 
18 


M471-3 
Gallery 


17 


Lyons; died 1891 at Paris. Pupil of Léon Cogniet in 
Paris. 


FRIEDLAND, 1807. (On June 14, 1807, at Friedland, 
the French under Napoleon defeated the Russians and 
Prussians.) Napoleon, mounted on his famous white 
horse and surrounded by his generals and aides, is upon 
a slight eminence in the center of the picture; through a 
field of unripe wheat, cuirassiers, with their swords raised, 
are galloping past the Emperor and cheering him before 
going into battle; in the background are troops almost 
hidden by the smoke. 

H. 533 in. W. 95% in. Canvas. Signed: ‘Meissonier 1875. 
Gift of Henry Hilton, 1887. 


THE SIGN PAINTER. The courtyard of an inn, with 
the painter and the innkeeper standing in front of an easel 
upon which is a painting of a man holding a glass of wine; 
the painter is in his shirtsleeves with a brown waistcoat 
and brown knee-breeches, while the other figure wears a 
white satin coat and breeches and a blue waistcoat. 

H. 93 in. W. 6g in. Water color. Signed: Meissonier- 
1872. 

Bequest of Catharine Lorillard Wolfe, 1887. 


THE BROTHERS ADRIAEN AND WILLEM VAN 
DE VELDE; also called L’Amateur de Tableaux. 
(The brothers Van de Velde were Flemish painters; 
Willem 1633-1707; Adriaen 1635-1672.) A man 
wearing a bright red cloak and holding a yellow felt 
hat is seated in front of an easel; behind him stands 
the painter holding his palette and brushes; beyond the 


218 


MEISSONIER— MELCHERS 


group is an oak cabinet, a tapestry hangs on the wall, and 
studio properties are scattered about. 

H. 103 in. W. 83 in. Wood. Signed: ‘Meissonier—1856. 
Bequest of Catharine Lorillard Wolfe, 1887. 


M471-4 A GENERAL AND HIS AIDE-DE-CAMP. Two offi- 
Gallery cers on horseback are approaching along the Salice Road, 
Wi near Antibes; the sea is at the right; at the left are white 
buildings with red roofs; a fort is in the distance. 
H. 73 in. W. 10% in. Wood. Signed: Meissonier—1869. 
Bequest of Catharine Lorillard Wolfe, 1887. 


M471-5 LUTE PLAYER. An interior; a man in top boots, 
buckskin coat, and broad-brimmed hat stands with his 
right foot on a stool as he sings and accompanies himself 
on an archlute. 

H. 117% in. W.8%in. Wood. Signed: ‘Meissonier 1865. 
Bequest of Mrs. Martha T. Fiske Collord in memory of 
Josiah M. Fiske, 1908. 


MEISTER VON CAPPENBERG. German; worked in West- 
phalia in the early part of the sixteenth century. 


M472-1 SAINT BARBARA. The saint, in a red and gold bro- 
Gallery caded dress and a dark blue cloak, stands in front of her 
D6, First tower and holds a palm in both hands. 
Floor H. 16in. W. 62in. Panel. 

Bequest of Michael Dreicer, 1921. 


M472-2 SAINT CATHERINE. The saint, wearing a gold and 
Gallery black brocaded dress and red cloak, stands in front of a 
D6, First window and holds the sword in her left hand. The wheel 
Floor is on the floor behind her. 

H. 162 in. W. 6% in. Panel. 

Bequest of Michael Dreicer, 1921. 


MELCHERS, Garr. American; born 1860 at Detroit, Mich.; 
lives in Paris and New York City. Pupil of Diisseldorf 
Academy; Ecole des Beaux-Arts in Paris under Lefebvre 
and Boulanger. 


M48-1 MADONNA. A woman wearing a dark red bodice, a 
Gallery white skirt, and a white lace Dutch cap, is seated on a 
ia bench under a tree; in her arms she holds a child who 
stretches both hands toward a young woman kneeling 
at the right, who wears a red jacket and a white lace 
Dutch cap; bright sunlight filters through the branches 

of the trees. 


219 


MELCHERS — MEMLING 


H. 47 in. W. 393s in. Parchment on canvas. Signed: 
Gari Melchers. Bulletin, 1911, p. 100. 3 
Purchase, Rogers Fund, 1911. 


MELVILLE, Artuur. British (Scotch); born 1858; died 1904 
near London. Studied at Edinburgh and in Paris. 


M49-1 COCK FIGHT. A Moorish doorway with a group of 
Arabs watching two cocks that are fighting in the fore- 
ground. 3 
H. 33 in. W. 23 in. Water color. Signed indistinctly. 
Gift of Mrs. Arthur Melville, 1906. 


MEMLING, Hans (also spelt Memlinc or Hemling). Flemish; 
born about 1430 probably at the village of Memling, 
near Aschaffenburg; settled in Bruges about 1467, where 
he died 1494. Perhaps pupil of Roger van der Weyden. 


Msi1-1 PORTRAIT OF AN OLD MAN. Head and shoulders 
Gallery of a gray-haired man with his right hand folded over the 
37 left, just showing; the head is turned slightly to the right 
and the wrinkled face has a benignant expression; he 
wears a brown coat. At one time ascribed to Van Eyck; 
present attribution due to George Hulin. 
Ex coll.: Baron Albert Oppenheim. 
H. ro2 in. W. 7% in. Wood. 
Bequest of Benjamin Altman, 1913. 


Ms1-2 THOMAS PORTINARI. (A Florentine merchant who 
Gallery lived in Bruges as the representative of the Medici of 
37 Florence during the last half of the fifteenth century.) 
Bust portrait with the head three-quarters to the right 
and the hands raised in the attitude of prayer; his dark 
brown hair is combed flat over his forehead and he wears 
a black doublet with dark red sleeves and collar. 
Ex coll.: Leopold Goldschmidt, Paris. 
H. 17325 in. W. 132 in. Wood. 
Bequest of Benjamin Altman, 1913. 


Ms1-3. MARIE, WIFE OF THOMAS PORTINARI. Com- 
Gallery panion to Ms51-2. Bust portrait with the head three- 
37 quarters to the left and the hands raised in the attitude 
of prayer; she wears a dark red dress cut square at the 

neck with white fur trimming over the shoulders; com- 

pletely covering her hair is a dark sugar-loaf-shaped 
headdress from which hangs a thin white veil. Her wide 

necklace, set with pearls, is the same that appears in the 


220 


M5 1-4 
Gallery 
37 


M51-5 
Gallery 
D6, First 
Floor 


MERLE, 


MEMLING — MERLE 


portrait on the wing of the Portinari altarpiece painted 
by Hugo van der Goes about 1476 and until lately hung 
in the Church of Santa Maria Nuova, in Florence, for 
which it was intended. 

Ex coll.: Leopold Goldschmidt, Paris. 

H. 177% in. W. 134 in. Wood. 

Bequest of Benjamin Altman, 1913. 


BETROTHAL OF SAINT CATHERINE. A garden 
with a vine-covered trellis from which hangs a red and 
gold brocade; before this the Virgin, in a red robe, is 
seated holding the nude Child on her lap. At the left, 
St. Catherine, wearing a brown and gold brocaded skirt 
and white bodice with red sleeves, is seated on the ground 
and raises her hand toward the Infant Jesus who places 
the betrothal ring upon her finger;nearby are her emblems, 
the wheel and the sword. At the right St. Barbara, in 
a green robe and purple cloak, is seated reading a breviary; 
back of her is her emblem, a tower. Beyond St. Cathe- 
rine is an angel in a dark blue alb who plays an organ, 
and at the extreme left the donor, a young man in black, 
kneels and tells his beads; on the right side, back of St. 
Barbara, is an angel in red and gold who plays a harp; 
landscape background with a horseman passing through 
a gate at the left. Two other versions of this subject by 
Memling are known—the triptych painted for Sir John 
Donne, which is in the collection of the Duke of Dev- 
onshire at Chatsworth House, and the masterpiece 
of the painter, which is in the Hospital of St. John at 
Bruges. : 

Ex. coll.: Leopold Goldschmidt, Paris; Sir Joshua 
Reynolds. 

H.27in. W.2812in. Wood. Bulletin, 1913, ill. p. 233. 
Bequest of Benjamin Altman, 1913. 


MAN WITH AN ARROW. A young man with a tall 
black cap and a brown doublet over a white chemise faces 
slightly to the left. His right hand holds an arrow 
indicating that he has won the title of Roi de Tir a 
l’arc. 

Ex coll.: Baron Albert Oppenheim. 

H. 123 in. W.1oin. Panel. Bulletin, 1922, p. 100. 
Bequest of Michael Dreicer, 1921. 


Hucues. French; born 1823 at St. Marcellin; died 
1881 at Paris. Pupil of Léon Cogniet. Figure subjects. 


221 


M54-1 
Gallery 
18 


MERLE—METSU 


FALLING LEAVES. _ Life-size, full-length, female figure. 
standing in the woods and holding about her a diapha- 
nous black drapery striped with gold; autumn leaves fall 
around her, and at the right a cupid is running away. 

H. 687 in. W. 43% in. Canvas. Signed: Hugues Merle 
1872. 

Bequest of Catharine Lorillard Wolfe, 1887. 


MESGRIGNY, FrAnkK DE. French; born 1836 at Paris; died there 


Ms6-1 
Gallery 
18 


1884. Pupil of Worms and Lalanne. Landscapes. 


RIVER SCENE. On the bank of the river are gray- 
green trees and a shed where washerwomen are at work; 
beyond is a house. 

H. 144 in. W. 2241in. Canvas. Signed: F. de Mesgrigny. 
Bequest of Catharine Lorillard Wolfe, 1887. 


MESSINA. See Antonello da Messina. 


METSU, GasrieL. Dutch; born 1630(?) at Leyden; died 1667 at 


Ms561-1 
Gallery 
26 


Ms561-2 
Gallery 
II 


Amsterdam, where he had settled about 1650. Probably 
pupil of Gerard Dou; influenced by Rembrandt and 
Terborch. Genre. | 


THE MUSIC LESSON. In the center of a room is a 
table covered with a rug; at the left sits a lady, in a golden 
brown satin dress, who holds a lute and hands a sheet of 
music to a man who stands behind her at the left; seated 
at the right of the table is a man, in black doublet and 
hose, tuning a violoncello; in the background are steps 
leading to a doorway where a servant stands holding a 
tray and pitcher. H. de Groot, No. 164. 

Ex coll.: Zachary, London; Robit, Paris; E. Hooft, 
Amsterdam. 

H. 244 in. .W.212in. Canvas. Signed: G Metsu 1659. 
Gift of Henry G. Marquand, 1890. 


A VISIT TO THE NURSERY. At the right, a young 
mother, wearing a white satin dress and a red jacket 
trimmed with white fur, holds in her arms a baby in 
swaddling clothes; behind her stands the father in a brown 
doublet with slashed sleeves; he holds his hat in his hand 
greeting a lady who enters the room at the left followed 
by a maid carrying a chair and a foot warmer. A cradle 
is in the center of the picture and behind it sits an old 
woman; in the background is a chimney-piece; at the 
right is a table covered with a bright red and blue Ispahan 


222 


M561-3 


METSU— MEYER 


‘rug on which are silver vessels; beyond is a gilt four-poster 


bed with dark green hangings. H. de Groot, No. 110. 
Ex coll.: Rodolphe Kann, Paris; Duc de Morny, Paris; 
G. Braamcamp, Amsterdam; D. Ictswaart, Amsterdam; 
Jan de Wolf, The Hague. 

H. 303 in. W.321in. Canvas. Signed: G. Metsu 1661. 
Gift of J. Pierpont Morgan, 1917. 


THE ARTIST AND HIS WIFE. A Dutch interior in 
which the artist in a big black hat and a brown coat is 
seated at a heavy table smoking a long-stemmed clay 
pipe. His wife leans over the table behind him, bringing 
him a tankard of ale. 

H. 143 in. W.122in. Wood. Signed: G. Metsu. Bul- 
letin, 1921, p. 263. 

Bequest of William H. Herriman, 1921. 


METSYS. See Massys. 


MEULEN, ApaAmM FRANS VAN DER. Flemish; born 1631 or 1634 


M57-1 


M57-2 


MEYER, 


M571-3 


at Brussels; died 1690 at Paris, where he had settled 
about 1666. Pupil of Pieter Snayers. Was court painter 
to the Archduke Albert and later attached to the court of 
Louis XIV of France. 


A COMBAT OF CAVALRY. The contending forces 
are in the foreground; at the right troops are fighting 
at the base of a small hill. 

Ex coll.: Comte Cornet, Brussels; van der Schrieck. 

H. 183 in. W. 247 in. Canvas. 

Purchase, 1871. 


ENCOUNTER OF CAVALRY. A troop of horsemen 
is in the foreground at the left and another group is 
in the valley at the right. 

H. 88 in. W. 127% in. Wood. Signed: A. F. V MEV- 
LEN-FEC. 

Purchase, 1871. 


JoHANN GeEorc; known as Meyer von Bremen. Ger- 
man; born 1813 at Bremen; died 1886 at Berlin. Pupil of 
Diisseldorf Academy under Karl Sohn and Schadow. 
Genre. 


THELETTER. A young peasant woman, wearing a red 
skirt, stands in the courtyard of a German house reading 
a letter; an older woman looks over her shoulder; at the 
left is a boy holding a bouquet. 


223 


MEYER—MILLAITS 


H. 253 in. W.192in. Canvas. Signed: Meyer von Bre- 
men Berlin 1873. 
Bequest of Catharine Lorillard Wolfe, 1887. 


MICHEL, Georces. French; born 1763 at Paris; died there 
1843. Landscapes, chiefly the plain of Montmartre. 


Ms58-1 THE OLD CHATEAU. Level country with a castle 
in sunlight in the middle distance at the right; peasants 
are working in the fields in the foreground; cloudy sky 
throwing shadows both in the foreground and in the 
distance. 

H. 203 in. W. 272 in. Canvas. 
Gift of Paul Durand-Ruel, 1880. 


MIEREVELD, MicuikEt JANsz. vAN. Dutch; born 1567 at Delft; 
died there 1641. Studied engraving with J. Weenix and 
painting under Anthony van Blockland. Portraits. 


ATTRIBUTED TO MIEREVELD. 


Ms81A-2 PORTRAIT OF A YOUNG WOMAN. Life-size, 
standing figure, seen to below the waist; in her right hand 
she holds a pair of embroidered gloves; she wears a black 
dress with a dark brown bodice and a wide fluted ruff; 
a headdress edged with lace is on the smoothly drawn 
light brown hair. 

H. 354 in. W.271 in. Wood. 
Purchase, Rogers Fund, 1906. 


MIGNOT, Louis R. American; born 1831 in South Carolina; 
died 1871 at Brighton, England. Pupil of Schelfhout 
at The Hague; worked for some years in New York City; 
settled in London 1861. Chiefly tropical scenes. 

See Rossiter (R731) in whose picture of Washington and 
Lafayette at Mount Vernon Mignot painted the land- 
scape. 


MILLAIS, Sir Joun Everett. British (English); born 1829 at 
Southampton; died 1896 in London. Pupil of Henry 
Sass in London and later of the Royal Academy Schools. 
Was one of the group known as the Pre-Raphaelites. 
At the time of his death he was President of the Royal 
Academy. Figure subjects, portraits, and landscapes. 


M61-1 PORTIA. (This is a portrait of the English actress 
Gallery Ellen Terry, in private life Mrs. James Carew, in the 
18 part of the heroine of Shakespeare’s Merchant of Venice.) 


224 


MILLAIS — MILLET 


Life-size, standing figure, seen to the knees; she wears a 
red velvet robe over a red gown; a red cap is held in her 
right hand and a parchment roll in the other. 

fio, in,  W. 33 im. Canvas. ‘Initialed: J. E M. 
Purchase, Wolfe Fund, 1906. 


MILLER, Cuartes H. American; born 1842 at New York City; 


M611-1 


died there 1922. Pupil of National Academy of Design in 
New York; Lier and Bavarian Academies in Munich. 
Landscapes. 


BOUQUET OF OAKS. There is a group of brown oaks 
at the right and a single tree is at the left; in the fore- 
ground a woodman is chopping a trunk. 

H. 424in. W.644in. Canvas. Signed: Ch’. H. Miller. 
N: A. N.Y. 

Gift of William T. Evans, 1906. 


MILLER, RicHarp E. American; born 1875 at St. Louis, Mo.; 


M612-1 
Gallery 


15 


lives in Paris. Pupil of St. Louis School of Fine Arts; 
Benjamin-Constant and Laurens in Paris. 


THE CHINESE STATUETTE. An interior with the 
life-size, full-length figure of a lady, seated before a 
cabriole-legged mahogany table and handling a Chinese 
statuette; the lady’s face is reflected in a mirror; she 
wears a green and black plaid skirt and a low-necked black 
bodice with a design of red flowers. 

H. 572 in. W. 452% in. Canvas. Signed: Miller. Bulle- 
ti, 1012, p.131, ill: 

Purchase, Hearn Fund, 1912. 


MILLET, Francis D. American; born 1846 at Mattapoisett, 


M613-1 


M613-2 
Gallery 
13 


Mass.; died in the “Titanic” wreck, 1912. Pupil of Royal 
Academy of Arts in Antwerp under Van Lerius and 
de Keyser. Genre and mural paintings. 


A COSY CORNER. The corner of an old-fashioned 
kitchen; a young girl, in a Dolly Varden dress, is seated 
reading near a window at the right. 

H. 364 in. W. 244 in. Canvas. Signed: F. D. Millet, 1884. 
Gift of George |. Seney, 1887. 


AN OLD-TIME MELODY. Full-length, seated figure of 
a lady in a low-necked black gown, playing a mandolin; 
her music rests against a pile of books on a table. 

H. 223% in. W. 184 in. Canvas. Signed: F. D. Millet. 
Bulletin, 1912, p. 118, ill. 


225 


MILLET 


M614-1 
Gallery 
20 


M614-2 
Gallery 
21 


MOLYN, 


M73-1 


MILLET — MONCHABLON 


Gift of Mrs. Clarkson Cowl, in memory of her brother, 
Arthur Hoppock Hearn, 1912. 


JEAN Francois. French (Barbizon); born 1814 at 
Gruchy, village of Gréville; died 1875 at Barbizon. 
Pupil of Langlois at Cherbourg; Delaroche in Paris. 
Peasant subjects. 


GARDEN SCENE. In the foreground at the right a 
man kneels grafting a shoot; beyond, two women are 
picking from low bushes; nearby cottages and trees 
form the background. 

H. 633; in. W. 82 in. Canvas. Signed: J. F. Millet. 
Bequest of Maria De Witt Jesup, from the collection of 
her husband, Morris K. Jesup, 1915. 


AUTUMN. A bare hilltop with a woman guarding 
turkeys, a leafless tree, and a wagon full of fagots sil- 
houetted darkly against a windy, showery sky. She is 
seen from behind wearing a gray hood and a brown petti- 
coat blown by the wind. Over the rim of the hill, the 
top of a red roof and a chimney are shown in sunlight, 
the smoke blown sharply in the wind. Patches of blue 
sky can be seen between the clouds, and birds, some in 
sun and some in shadow, fly at the right. 

H. 317 in. W. 3975 in. Canvas. Signed: J. F. Millet. 
Mr. and Mrs. Isaac D. Fletcher Collection. 

Bequest of Isaac D. Fletcher, 1917. 


PIETER DE, THE ELDER. Dutch; born 1595 at London; 
died 1661 at Haarlem, where he had lived since 1616. 


LANDSCAPE WITH COTTAGE. The cottage and a 
group of trees are on a slight elevation in the middle 
distance; there are fields beyond at the right; the fore- 
ground is in shadow. 

Ex coll.: F. T. Robinson, Boston. 

H. 142 in. W. 2144 in. Wood. Signed: MoLyn 1620. 
Gift of Henry G. Marquand, 1895. 


MONACO. See Lorenzo il Monaco. 
MONCHABLON, JAN FERDINAND. French; born 1854 at Chatil- 


M74-1 


lon-sur-Sadne; died there 1904. Pupil of Cabanel and 
Laurens in Paris. Landscapes. 

SUMMER LANDSCAPE. A flat stretch of cultivated 
land with low hills in the distance; near the foreground 
are a hunter and his dog. 


226 


MONCHABLON — MONTICELLI 


H. 193 in. W. 252 in. Canvas. Signed: JAN MON- 
CHABLON 1889. 
Bequest of Thomas P. Salter, 1907. 


MONTAGNA, BARTOLOMEO. Italian (Vicenzan); born be- 


M76-1 
Gallery 
30 


M 76-2 
Gallery 
37 


tween 1440 and 1460, probably at Orzinuovi, a small 
town in Brescia; died 1523 at Vicenza. Perhaps a pupil 
of Alvise Vivarini; influenced by the Bellini. 


MADONNA AND CHILD. The Madonna, wearing 
a blue mantle, is seen to the waist standing behind a 
ledge on which the partly nude Child is seated at the left; 
the Madonna’s hands are folded on her breast and the 
Child clasps her right arm; landscape background with a 
river and a fortified town in the distance. | 

H. 247 in. W. 203 in. Tempera on wood. Bulletin, 
1909, p. 156, ill. 

Purchase, Rogers Fund, 1909. 

A LADY OF RANK AS SAINT JUSTINA OF PADUA. 
Portrait of a young woman seen to the waist with the 
head three-quarters to the left; a palm leaf is held in her 
right hand and a short dagger pierces her left breast 
through the jeweled strip of ornament that edges her dark 
green bodice; her brown hair is held with a jeweled net 
and clasps set with pearls; she wears a pearl necklace. 
Ex coll.: Hainauer; Bertin; R. Graham, London. 

H. 19745 in. W. 142 in. Tempera on wood. 

Bequest of Benjamin Altman, 1913. 


MONTEPULCIANO. See Pietro di Domenico da Montepulciano. 


MONTICELLI, Adolphe. French; born 1824 at Marseilles; 


M761-1 
Gallery 
20 


M761-2 
Gallery 
20 


died 1886 at Paris. Pupil of Raymond Aubert. Ro- 
mantic subjects. 


COURT LADIES. Dames DE Qua.it£&. Several ladies 
in gowns of sparkling colors are seated ‘beneath trees 
with autumn foliage; two stand at the right facing the 
principal group; a white dog is in the foreground. 

H. 172 in. W.25%in. Wood. Signed: Monticelli. 
Purchase, Wolfe Fund, 1907. 


THE COURT OF THE PRINCESS. La Cour DE La 
Princesse. Numerous figures in brilliantly colored 
costumes stand on the wide steps leading up from a court- 
yard in the foreground to an archway beyond which are 
a terrace and a castle; two horsemen are on the terrace. 


229 


MONTICELLI — MORETTO DA BRESCIA 


Hy) 1§ ins. “W.°23% in! Wood, 
Purchase, Wolfe Fund, 1907. 


MOOR, KareEL vAN. Dutch; born 1656 at Leyden; died 1738 at 


M78-1 
Gallery 
26 


Warmond. Pupil of Gerard Dou and Frans van Mieris 
at Leyden, Abraham van den Tempel at Amsterdam, 
and Godfried Schalcken at Dordrecht. 


A BURGOMASTER OF LEYDEN AND HIS WIFE. 
Life-size, standing figures, seen to the knees; the woman’s 
gloved right hand rests on the man’s bare left hand; the 
woman, who is nearer the spectator, wears a brown low- 
necked gown; the man is dressed in black. The attribu- 
tion has been questioned. 

H. 46 in. W. 363 in. Canvas; oval. 

Purchase, 1872. 


MORAN, Epwarp. American; born 1829 at Bolton, Lancashire, 


M70-1 


England; died got. 


MARINE. Moonlight with a square-rigged ship. 
H. 20 in. W. 30 in. Canvas. Signed: Edward Moran. 
Gift of J. Ackerman Coles, 1918. 


MOREAU, Gustave. French; born 1826 at Paris; died there 


M81-1 
Gallery 
20 


1898. Pupil of Chassériau. 


OEDIPUS AND THE SPHINX. In a landscape of 
towering cliffs Oedipus stands with his back against the 
rocks; he is nude except for a green mantle and holds a 
red-shafted spear. He gazes into the eyes of the Sphinx 
who has sprung upon him. Her hair is arranged in 
braided coils with a diadem on her brow; there is a belt 
of red beads about the waist of her lioness body. -To the 
right is an urn on a column, and the hand, foot, and 
crown of a dead man project from a crevice in the fore- 
ground. 

H. 814 in. W. 414 in. Canvas. Signed: Gustave Mo- 
reau 64. Bulletin, 1922, p. 9. 

Bequest of William H. Herriman, 1921. 


MORETTO DA BRESCIA; real name Alessandro Bonvicino; 


M811I-1 
Gallery 


29 


also known as Il Moretto. Italian; born about 1498 
at Brescia; died there about 1554. Pupil of Floriano 
Ferramola at Brescia; influenced by Lotto and Titian. 


CHRIST IN THE DESERT. A landscape with Christ, 
wearing a red robe and blue-green drapery, seated on a 
rock in the foreground at the right; about Him are birds, 


228 


M81 1-2 
Gallery 
II 


MORETTO DA BRESCIA —MORLAND 


animals, and fantastic beasts, images evoked by His fast 
or symbols of the temptation that He overcame. A sketch. 
H. 18g in. W.213in. Canvas. Bulletin, 1911, p. 123, ill. 
Purchase, Rogers Fund, rot. 


THE ENTOMBMENT. Life-size figures. The Virgin 
is seated in the center of the picture and holds the dead 
Christ upon her lap; at the left St. John the Evangelist, 
wearing a gray robe and red cloak, holds His right arm 
and the other arm is held by Mary Magdalen, who stands 
at the right and is dressed in yellow; behind the Magdalen 
is Nicodemus in a red velvet robe, who holds the nails; 
at the extreme left Joseph of Arimathea, wearing a 
yellow brocaded robe lined with ermine, holds the crown 
of thorns. Landscape background with a rocky cave 
at the right. Inscribed: FACTVS EST OBEDIENS 
VSQOVE AD MORTEM (He became obedient even unto 
death). . 
Ex coll.: Weber, Berlin; Frizzoni, Lake Como. 

H. 94 in. W. 743 in. Canvas. Dated: ANO DOM 
MDLIV MENS oct. Bulletin, 1912, p. 112. 

Purchase, Kennedy Fund, 1912. 


MORLAND, Georce. British (English); born 1763 at London; 


M821-1 
Gallery 


14 


M821-2 


M821-3 


died there 1804. Pupil of his father, Henry Robert 
Morland; influenced by George Stubbs, the animal paint- 
er. Landscapes with animals. 


MIDDAY MEAL. A young man, wearing a buff blouse 
over a red shirt, is carrying a pail of food toward a pig 
pen at the left; a sow and two pigs follow him through 
a gate; beyond are open fields in sunlight. 

H. 284 in. W. 363 in. Canvas. Signed: G. Morland, 1795. 
Gift of George A. Hearn, 1895. 


TOWN. A room with a lady in a white dress and large 
feather hat looking at herself in a mirror; back of her is a 
window and at her feet is a small dog. 

H. 124 in. W. 103% in. Canvas; oval opening. 

Bequest of Maria De Witt Jesup, from the collection of 
her husband, Morris K. Jesup, 1915. 


COUNTRY. A young woman in a white dress, black 
wrap, and broad-brimmed straw hat is seated on a rail 
fence and looks down at a dog who is lying at her feet; 
trees are back of her at the right. 

H. 124 in. W. 1o¢ in. Canvas; oval opening. 


229 


MORLAND — MORONI 


Bequest of Maria De Witt Jesup, from the collection of 
her husband, Morris K. Jesup, 1915. 


M821-4 LANDSCAPE WITH FIGURES. Oak trees fill the 
Gallery greater part of the picture. Below isa gate against which 
24 a gentleman, wearing a blue coat and a sugar-loaf hat, 
is leaning, talking to a strolling family that have ensconced 
themselves by a little stream; there are three women, one 
with a baby, one who has been washing clothes, and one 
standing wearing a cloak of the red that Morland loved; 
there are also children and some of the Squire’s dogs. 
H. 283 in. W. 36} in. Canvas. 
Mr. and Mrs. Isaac D. Fletcher Collection. 
Bequest of Isaac D. Fletcher, 1917. 


MORLAND, Henry Rosert. British (English); born about 1730 
in London; died there 1797. Probably a pupil of his 
father, George Henry Morland. Portraits, usually in 
pastel but occasionally in oil. 


M822-1 MISS RICH BUILDING A HOUSE OF CARDS. 
Gallery Life-size figure of a little girl, dressed in white and seated 
24 at a mahogany table; she holds a card in her right hand 
and is in the act of placing it upon those already piled 
up. Attribution changed from Hogarth by Roger Fry. 
H. 30% in. W. 25% in. Canvas: 
Gift of Henry G. Marquand, 1890. 


MORO, IL. See Torbido. 


MORONE, Domenico. Italian; born 1442 in Verona; died about 
1508. Pupil of Pisano. Religious and historical sub- 
jects. 


M823-1 MIRACLE OF SAINT DOMINIC. The Saint is 
Gallery resuscitating the nephew of Cardinal Fossa Nova, who 
D6, First has been thrown from a fat white horse at the right. In 
Floor the central group the Saint is seen again restoring the 
youth to his uncle. The surrounding houses are pink 
stucco, and the sky gold. The attribution is given by 
Bernhard Berenson. 
H. 14 in. W. 173 1n. Canvas transferred from panel. 
Bulletin, 1922, p. 103; 1923, p. 242. 
Bequest of Michael Dreicer, 1921. 


MORONI, Giovanni Battista. Italian; born about 1525 at 
Bondo, near Albino; died 1578 at Brescia. Pupil of 
Moretto da Brescia. Chiefly portraits. 


230 


M824-1 


MORONI 
PORTRAIT OF BARTOLOMEO BONGO. | Life-size 


Gallery figure, seen to the knees, seated in an armchair and 


II 


M824-53 
Gallery 
29 


M824-54 
Gallery 
29 


facing to the left with the head turned three-quarters 
front; he has a full brown beard, and brown hair shows 
beneath a three-cornered black velvet cap; he wears a 
black velvet coat with wide brown fur collar; a red 
velvet under-robe shows at neck and wrists; his left hand 
rests on the arm of the chair with the index finger between 
the leaves of a book, the cover of which is inscribed: 
Pav I. sup. I. 1. ff. si gs Tus dic. non obtempe. The 
background is a gray wall pierced at the left by a window 
through which houses and a tree are seen. At the right 
is a coat of arms and beneath the window the following 
Inscription: BARTHOLOMEVS BONGVS. I. V. D. CAN- 
[onic]vs. ET PRIMICER[I]vs. CATH[EDRAILIS. BERG[AMEN]- 
SIS. PROTHONOT[ARI|vs. AP[OSTO]LICvs. COMES ET 
AEQVES. ANNO. DNI. MDLXXXIV. (Bartolomeo Bongo, 
Doctor of either law [canon and civil], Canon and 
Primicerius of the Cathedral of Bergamo, Apostolic 
Prothonotary, Count and Knight. The year of our 
Lord 1584). Both the coat of arms and the inscription 
have been added at a date later than the painting of the 
picture. 

Ex coll.: Henry Labouchere, Stoke. 

H. 397 in. W. 32% in. Canvas. Bulletin, 1913, p. 262; 
iio. 257, 

Purchase, Pulitzer Fund, 1913. 

PORTRAIT OF A MAN. (A member of the Madruzzo 
family of Brescia?) Full-length, standing figure, turned 
to the right; he is clothed in a dark gray silk robe bor- 
dered with black fur. A small brown and white dog 
sits at his feet. A gray wall background with a red cur- 
tain hanging at the right. 

H. 79% in. W. 46in. Canvas. 

Lent by C. C. Stillman in memory of his father, James 
Stillman, 1921. 


PORTRAIT OF A MAN. (A member of the Madruzzo 
family of Brescia?) Full-length, standing figure, turned to 
the right; he wears long black robes. A large brown and 
white dog stands behind him. Gray wall background 
and a black curtain edged with gold at the right. 

H. 792 in. W. 46 in. Canvas. 

Lent by C. C. Stillman in memory of his father, James 
Stillman, 1921. 


a2 1 


MORONI — MOSLER 


M824-55 PORTRAIT OF A BOY. Full-length, standing figure of 


a boy in a black suit with white lace collar and cuffs; he 
holds white gloves in his right hand and rests his elbow on 
the base of a column. His left hand rests on his sword. 
A yellow and white dog sleeps at his left. Green back- 
ground. 

H. 54 in. W. 283 1in. Canvas. 

Lent by C. C. Stillman in memory of his father, James 
Stillman, 1921. 


MORSE, Samuet_ FINLEY BREESE. American; born 1791 at 


M83-1 
Gallery 
16 


M83-2 
Gallery 
16 


Charlestown, Mass.; died 1872 at New York City. Pupil 
of Washington Allston and of Benjamin West. One of 
the founders of the National Academy of Design and its 
president from 1827 to 1845, and again from 1861 to 1862. 
Portraits. He was the inventor of the telegraph. 


DE WITT CLINTON. (1769-1828; American lawyer 
and statesman; Mayor of New York City 1803-7, 1809- 
10, and 1811-15; Governor of New York State 1817-23 
and 1825-28. Chief promoter of the Erie Canal.) Life- 
size figure, seen to the waist; he has brown hair, a 
ruddy complexion, and wears a black coat with a high 
white stock; the red wall which forms the background 
has a repeat design of a C in the center of a star surrounded 
by a wreath. 

Ex coll.: Moseley L. Danforth. 

H. 30745 in. W. 253%, in. Canvas. 

Purchase, Rogers Fund, 1909. 


HENRY CLAY. (1777-1852; American statesman and 
orator.) Life-size figure, standing in front of a tree and 
seen almost to the knees; he wears a black coat and brown 
overcoat; a high silk hat and a cane are in his left hand. 
H. 5145 in. W. 393 in. Canvas. Signed: Morse Jan’. 
1843. Bulletin, 1900, p. 35, ill. | 

Gift of Grace H. Dodge, 1909. 


MOSLER, Henry. American; born 1841 at New York City; 


M85-1 


died there 1920. Pupil of J. H. Beard in Cincinnati; H. 
Miicke and A. Kindler at Diisseldorf; Hébert in Paris; 
Wagner in Munich. Genre. 


A WEDDING FEAST IN BRITTANY. An interior 
with the wedding party seated about a long table; the 
bridegroom is standing, giving a toast; the white sheet 
hanging in the background is one of those spun and woven 


232 


MOSLER — MURANT 


by the bride which, according to Breton custom, is 
used on all festive occasions and also in times of sorrow. 
H. 513 in. W.744¢in. Canvas. Signed: Henry Mosler 
Paris. 

Gift of Jacob H. Schiff, 1808. 


MOUNT, Wittiam S. American; born 1807 at Setauket, L. I., 


M86-1 
Gallery 
16 


N. Y.; died there 1868. Pupil of National Academy of 
Design in New York City, where most of his life was spent. 


RAFFLING FOR THE GOOSE. A kitchen with six 
farmers leaning over an improvised table upon which is 
a plucked goose. 

H. 17 in. W. 23% in. Wood. Signed: WM S. MOUNT 
1837. 

Gift of John D. Crimmins, 1897. 


MUNKACSY, MinALy pve; real name Michael Lieb. Hunga- 


Mo2-1 
Gallery 
18 


Mo2-2 


rian; born 1844 at Munkdacs in Hungary; died 1900 
at Bonn, Germany. Pupil of Szamosy, at the Vienna 
Academy, and of Franz Adam in Munich; lived 
chiefly in Paris. Genre. 


THE . PAWNBROKER’S SHOP. A_ dark interior 
with a man leaning over the counter in the background 
at the left, talking to a woman with children near her; 
men and women are seated about the room, and in the 
foreground a boy is going away toward the left with a 
portfolio under his arm. ~* 

H. 64 1n. W. 86% in. Wood. Signed: M. Munkacsy 
Paris 1874. 

Bequest of Catharine Lorillard Wolfe, 1887. 


THE MUSIC ROOM. An interior with a lady seated 
at a grand piano; a young woman stands beyond, singing; 
four other persons form the audience. 

H. 35 in. W.46in. Wood. Signed: Munkacsy. 
Bequest of Mrs. Martha T. Fiske Collord in memory 
of Josiah M. Fiske, 1908. 


MURANT, EMMANUEL. Dutch; born 1622 at Amsterdam; died 


Mo3-! 
Gallery 
14 


about 1700 at Leeuwarden, Friesland, where he had 
settled about 1670. Pupil of Philips Wouwerman; 
traveled in France. 


THE FARM. A road is in the foreground; beyond, at 
the right, is a group of farmhouses with a single tree 
showing above the roofs. 


233 


MURANT — MYERS 


H. 132 in. W. 184 in. Wood. 
Gift of George A. Hearn, 1906. 


MURILLO, BarToLomé Est£BAN. Spanish; born 1617 at Seville; 


Mo4-51 
Gallery 
28 


Mo4A-1 
Gallery 
28 


died there 1682. Pupil of Juan del Castillo; influenced 
by Velazquez, Spagnoletto, and Van Dyck. 


MADONNA AND CHILD. A brown-haired Madonna 
in a dull red robe is seated holding the Child standing in 
her lap. His arm is around her neck. Brown back- 
ground. 

H. 483 in. W. 362 in. Canvas. 

Lent by C. C. Stillman in memory of his father, James 
Stillman, 1921. 


ATTRIBUTED TO MuRILLO. 


SAINT JOHN THE EVANGELIST.  Life-size, full- 
length figure of a young man, seated on a rock; he wears 
a yellow tunic and a pale red robe is over his knees; 
a quill pen is held in his raised right hand and a book in 
the other; at the left is an eagle holding the ink-well in 
its beak; on the ground at the right are a book, a skull, 
and a gold goblet. 

H. 68 in. W. 484 in. Canvas. Bulletin, 1906, p. 73. 
Purchase, Rogers Fund, 1906. 


MURPHY, J. Francis. American; born 1853 at Oswego, N. Y.; 


Mo5-1 
Gallery 
13 


MYERS, 


Moo-1 
Gallery 
12 


died 1921 at New York City. Self-taught. Landscapes. 


THE OLD BARN. Open fields with a barn in the middle 
distance at the right and a road leading to it; trees 
beyond and white buildings on a low hill near the horizon. 
The general color is pale brown. 

H. 244 in. W. 364 in. Canvas. Signed: J. FRANCIS 
MURPHY 1906. 

Purchase, Hearn Fund, 1907. 


Jerome. American; born 1867 at Petersburg, Va.; 
lives in New York City. Paints chiefly New York 
street scenes. 


THE NIGHT MISSION. Men, women, and children 
stand in the foreground in the glare of light that comes 
from a tent where the meeting is being held; tene- 
ments form the background. . 

H. 25 in. W. 30;g in. Canvas. Signed: JERomME Myers 
1906 NEw York. Bulletin, 1912, p. 118. 

Purchase, Rogers Fund, 1912. 


234 


NYLENS 


MYTENS, Daniet. Dutch; born about 1590 at The Hague; died 


Mooi-! 
Gallery 
14 


there after 1658. In 1618 he went to England and in 
1625 was appointed court painter to Charles I; soon 
after the arrival of Van Dyck he returned to The Hague. 
Portraits. 


CHARLES I. (1600-1649; King of England.)  Life- 
size, full-length, standing portrait; he has a pointed 
beard and long hair; he is dressed in red doublet and 
hose striped with gold and silver embroidery; at the 
left, on a green velvet table cover, are the gold and 
jeweled crown, sceptre, and orb; a green velvet curtain 
forms the background and is drawn aside showing two 
columns and a landscape at the right. Inscribed: 
CAROLVS DG MDCXXIX. BRITANNIA, FRAN- 
Ci4, HIBERNIAZ: REX. FIDEI DEFENSOR. 
ZETAT. 29. ANNO 16209. 

H. 783 in. W. 55% in. Canvas. Signed: Pinxit Daniel 
Mytens (other words indecipherable). 

Gift of George A. Hearn, 1906. 


235 


N 


NASMYTH, Patrick. Also known as Peter Nasmyth. British 


N17-! 
Gallery 
14 


N17-2 
Gallery 
24 


(Scotch); born 1787 at Edinburgh; died 1831 at London, 
where he had lived since 1807. Pupil of his father, Alex- 
ander Nasmyth. Landscapes. 


LANDSCAPE. A country road in strong sunlight and 
shadow with low stone walls on each side and trees 
beyond; a woman in a red cloak is walking away from 
the spectator; in the foreground a man, a boy, a calf, 
and a dog are advancing. 

H. 143 in. W. 19} in. Canvas. Monogrammed: PN. 
Gift of George A. Hearn, 1906. 


AT PENSHURST, KENT. Landscape with water in 
the foreground at the right and rolling country with scat- 
tered trees on the far shore; in the immediate foreground 
at the left is a picket fence with a large tree back of it. 
H. 274 in. W. 36% in. Wood. Signed: Patk. Nasmyth. 
1828. 

Bequest of Maria De Witt Jesup, from the collection of 
her husband, Morris K. Jesup, 1915. 


NASON, Pieter. Dutch; born 1612 at Amsterdam; died after 1680 


N18-1 


at The Hague. Probably pupil of Ravesteyn. Portraits. 


PORTRAIT OF A PRINCE OF ORANGE. Standing 
figure, seen to the waist; his long hair falls over his white 
lace stock and black armor; he wears an orange sash. 
Landscape background. 

Ex coll.: Comte Cornet, Brussels. 

H. 303 in. W. 24 in. Canvas; oval. 

Purchase, 1871. 


NAST, Tuomas. American; born 1840 at Landau, Bavaria; died 


1902 at Guayaquil, Ecuador, where he was the American 
Consul-General. Lived chiefly in New York City; was 
famous as a caricaturist. 


236 


N1r81-1 


NAST —NEAGLE 


HEAD OF CHRIST. Life-size figure, seen almost to 
the waist; He has blond hair and a full beard and wears 
a red cloak; above the head there is a brilliant halo against 
the dark background. Marked: Copyright 1goo. 
H.293 in. W.23% in. Canvas. Signed: Th? Nast 1900. 
Gift of J. Pierpont Morgan, rgro. 


NATTIER, Jean Marc. French; born 1685 at Paris; died there 


N2I-! 
Gallery 
20 


N21-2 


N21-52 
Gallery 
20 


1766. Pupil of his father, Marc Nattier; traveled in 
Holland and Russia. Portraits. 


PRINCESSE DE CONDE AS DIANA. (1737-1760; 
Charlotte Godefride Elisabeth de Rohan-Soubise became 
the first wife of Prince Louis Joseph de Bourbon-Condé.) 
Life-size, seated figure, seen to below the knees; her 
powdered hair is tied with blue ribbon; she wears a white 
dress; a leopard skin is over her right shoulder and a red 
drapery falls over her left knee upon which she rests the 
point of her gilt bow; a case of arrows is at her side; a 
tree at the left and clouds form the background. 

Ex coll.: Comte de Montdesir, Cherbourg; Queen Marie 
Antoinette. 

H.532in. W.412in. Canvas. Signed: Nattier p-x. 1756. 
Purchase, Rogers Fund, 1903. 


VICOMTESSE DE POLIGNAC. Life-size, seated 
figure seen to below the knees; her right hand rests on a 
music book that lies on a table beside her; a lyre is held in 
her left hand; she wears a white satin dress cut square at 
the neck and trimmed with wreaths of flowers; a column 
is.atitne-lett. 

H. 467% in. W. 354% in. Canvas. 

Bequest of Maria De Witt Jesup, from the collection of 
her husband, Morris K. Jesup, 1915. 


MLLE. BLONDEL DE GAGNY. A three-quarters- 
length figure, front view; she wears a blue and white dress, 
the sleeve tied in with a gold ribbon and buckle. She 
holds flowers in a rose drapery which is around her, and 
wears flowers in her hair. 

H. 364 in. W. 282 in. Canvas. 

Lent by C. C. Stillman in memory of his father, James 
Stillman, 1921. 


NEAGLE, Joun. American; born 1799 at Boston; died 1865 at 


Philadelphia. He began as a coach painter and later 
studied with Bass Otis in Philadelphia. 


237 


N24-1 
Gallery 
16 


NEAGLE — NEER 


CAPTAIN JOHN WALSH. (Captain in the Revo- 
lutionary Army.) Life-size, seated figure, seen to the 
waist; both hands grasp the top of his cane; he wears a 
dark blue coat and a buff waistcoat. 

H. 36 in. W. 29 in. Canvas. 

Gift of Mr. and Mrs. Frederick S. Wait, 1908. 


NEEFFS, Pieter, THE ELtper. Flemish; born about 1577 at Ant- 


N20-1 
Gallery 
27 


werp; died there between 1657 and 1661. Pupil of Hen- 
drik van Steenwijck the Elder. Architectural subjects. 


INTERIOR OF ANTWERP CATHEDRAL. A view 
through the nave with scattered groups of people; two 
small dogs are in the immediate foreground. The figures 
are by David Teniers the Elder. 

H. 16;% in. W.2242in. Wood. Signed: NEFS. 
Purchase, 1871. 


NEEFFS, Pieter, THE YOUNGER. Flemish; born 1620 at Antwerp; 


N291-2 
Gallery 
27 


died there after 1675. Pupil of his father, Pieter Neeffs 
the Elder, and, like him, painted architectural subjects. 


INTERIOR OF A CHURCH. The interior of a Gothic 
church with several elaborately dressed figures and a 
beggar on crutches in the foreground; the light strikes 
through the transept at the end of the aisle. 

Ex coll.: Comte Cornet, Brussels; Vicomte de Turenne; 
Marquis de Rodes. 

H. roin. W.72in. Wood. 

Purchase, 1871. 


NEER, AERT VAN DER. Dutch; born 1603 probably at Gorichem; 


N292-1 
Gallery 
26 


N292-2 
Gallery 
26 


died 1677 at Amsterdam, where he had lived the greater 
part of his life. Influenced by Jan van Goyen and 
Esaias van de Velde. Landscapes. 


SUNSET. A view of a river and marshlands; in the 
foreground is a large oak near which are two hunters and 
a dog; at the left is a village with a square tower; trees 
and cottages are on the far bank; yellowish sky with 
pink and gray clouds. 

Ex. coll.: Comte Cornet, Brussels. 

H. 312 in. W. 43345 in. Canvas. Monogrammed: AV.DN. 
Purchase, 1871. 


THE FARRIER. A night scene with a farrier’s shop 
at the left; at the right a log fire before which stand 
several men; beyond is a river with trees on the farther 


238 


N292-3 
Gallery 
26 


NEER—NEUVILLE 


bank; the moon is near the horizon and is reflected in 
the water. 

H. 19 in. W. 24% in. Wood. Monogrammed: AV.DN. 
Purchase, 1871. 


LANDSCAPE. A river flows from the right into the 
distance past a village at the left; in the foreground are 
several peasants and a man on a white horse; cattle 
are at the water’s edge. 

H. 201in. W. 284 in. Canvas. Monogrammed: AV DN. 
Gift of J. Pierpont Morgan, 1917. 


NETSCHER, Caspar. Dutch; born 1639 at Heidelberg; died 1684 


N38-1 
Gallery 
26 


N38-2 


at The Hague, where he had lived since 1660. Pupil of 
Herman Coster at Arnhem and of Terborch at Deventer. 


A DUTCH LADY. An interior with a lady in a low- 
necked white satin gown standing near a table covered 
with a reddish rug, on which 1s a brown and white spaniel. 
Ex coll.: Comte Cornet, Brussels; Marquis de Rodes; 
Cottrau. 

H. 124 in. W. 107% in. Canvas. 

Purchase, 1871. 


THE CARD PARTY. An interior with a lady dressed 
in red and a gentleman seated at a table playing; another 
couple stand watching the game, the lady being gowned 
in dull yellow. 

H. 192 in. W.1721n. Canvas. 


- Gift of Henry G. Marquand, 1888. 


NEUHUYS, Acsert. Dutch; born 1844 at Utrecht; died 1914 at 


N30-1 
S. W. 
Stairway 


Laren. Pupil of G. Craeyvanger and of the Academy at 
Antwerp. 


DUTCH INTERIOR WITH FIGURE. An interior 
with an old: woman seated with hands clasped in her lap; 
a red curtain is back of the figure, and a window is at 
the left. 

H. 21 in. W.232% in. Watercolor. Signed: Albert Neu- 
huys. 

Purchase, Wolfe Fund, 1895. 


NEUVILLE, ALpHonse bE. French; born 1836 at St. Omer; died 


N390I-1 


1885 at Paris. Pupil of Picot in Paris. 


DRUMMER. A French soldier of the Franco-Prussian 
War stands in the foreground with his drum; beyond him 


239 


NEUVILLE — NIEULANDT 


two officers and a company of foot soldiers stand at rest. 
H. 12 in. W.8in. Canvas. Signed: A. de Neuville, 
1877. 7 

Bequest of Mrs. Martha T. Fiske Collord, in memory of 
Josiah M. Fiske, 1908. 


NEWMAN, Rosert Lortin. American; born 1827 at Richmond, 


N46-1 


N46-2 


Virginia; died 1912 at New*York City. He studied in 
France with Millet. 


THE FORTUNE-TELLER. A mother holds a nude 
child on her lap while a woman in dark robes and red head- 
cloth sits talking beside her and points prophetically be- 
hind her. Dark background. 

H. roin. W.14 in. Canvas. Signed: R. L. Newman. 
Gift of Mrs. Wallace Sawyer, 1921. 


SAINT JOHN THE BAPTIST. The Madonna holds 
the Child in her lap; to the right stands the young St. 
John with his staff in his left hand, offering an apple to the 
Child. 

H. rohin. W.12¢in. Canvas. Signed: R. L. Newman. 
Gift of Mrs. Wallace Sawyer, 1921. 


NEWTON, GiLpertT Stuart. British-American; born 1795 at 


N48-1 


Halifax, Nova Scotia; died 1835 at Chelsea, England. 
Pupil of his uncle, Gilbert Stuart, in Boston; studied at 
the Royal Academy in London. 


DESERTED. Seated figure of a young woman in a 
bridal dress and veil. 

H. 93 in. W.8in. Millboard. 

Gift of Samuel P. Avery, 1895. 


NICOLL, James Craics. American; born 1846 at New York 


N541I-1 


City; died at Norwalk, Conn., 1918. Pupil of M. F. H. de 
Haas and Kruseman van Elten in New York. Marines 
chiefly. 


SQUALLY WEATHER. Greenish sea with waves 
breaking near the foreground. 
H.34in. W.50in. Canvas. Signed: J.C. Nicoll, N. A. 
Purchase, Rogers Fund, 1912. 


NIEULANDT, ApbrIAEN VAN. Flemish; born 1587 at Antwerp; 


died 1658 at Amsterdam. Pupil of Pieter Isaacsz. and 
of Frans Badens. 


240 


N55-1 


NIEULANDT 


KITCHEN INTERIOR. Twolife-size, standing figures, 
seen to the knees; the woman stands in front of a table 
at the left and holds a spit on which are a rack of lamb 
and a chicken; the man has just entered at the right and 
carries a dead duck, a basket of eggs, and a brown jug; 
on the table are game and kitchen utensils. Formerly 
attributed to Jan Steen. 

Ex coll.: Baron Van Loo. 

H. 442 in. W. 63 in. Canvas. 

Purchase, Rogers Fund, 1906. 


241 


O 


OCHTMAN, Leonarp. American; born 1854 at Zonnemaire, 


Oc3-! 


Holland; lives at Cos Cob, Conn. Came to the United 
States in 1866; entered a wood-engraver’s office at Al- 
bany, N. Y.. Landscapes. 

WINTER LIGHT. Snow-covered fields with a frozen 
pool in the foreground and bare trees in the distance; 
pearly sky. 

H. 36 in. W. 52 1n. Canvas. Signed: LEONARD OcHT- 
MAN. Bulletin, 1911, p. 139, ill. 

Gift of Emerson McMillin, rgrt. 


OGILVIE, Ciinton. American; born 1838 at New York City; 


Og4-1 
Gallery 
16 


died there 1900. Pupil of James M. Hart; studied in 
Paris. Landscapes. . 


NEAR JACKSON, WHITE MOUNTAINS. A red 
barn, in front of which the wash is hung to dry; the 
White Mountains in the background. 

H. 164 in. W. 264 in. Canvas. Signed: Clinton Ogil- 
vie, 1885. ! 

Gift of Mrs. Helen S. Ogilvie, 1919. 


OOST, JAKOB VAN, THE ELperR. Flemish; born about 1600 at 


Ooo-! 
Gallery 
27 


Bruges; died there in 1671. 


PORTRAIT OF A MAN. Life-size figure, seen to the 
waist; he is wrapped in a dark cloak which he holds with 
his right hand. 

Ex coll.: Comte Cornet, Brussels. 

H. 25% in. W.21 in. Canvas. 

Purchase, 1871. 


OPIE, Joun. British; born 1761 in the village of St. Agnes, near 


Op3-! 


Truro; died 1807 in London. 


LADY HAMILTON. (1761-1815; Emma, wife of Sir 
William Hamilton. See note under Romney, R66-2.) 


242 


Op3-2 
Gallery 
ea) 


ORE Y. 


Or5-1 
Gallery 
af 


ORPEN, 


Or7-1 
Gallery 
19 


OEE =- ORRIN 


Life-size, bust picture with the head turned three-quarters 
to the left; brown hair hangs about her shoulders and she 
wears a large hat with black bows on top and tied under 
her chin; a white fichu is draped in a point; dark, cloudy 
background. 

lesan W. 25'in. Canvas. 

Bequest of Maria De Witt Jesup, from the collection of 
her husband, Morris K. Jesup, 1915. 


PORTRAIT OF A BOY.  Life-size figure of a boy, seen 
to the knees, seated against a tree trunk and looking 
toward the left; his right hand is in his lap and the left 
back of his head; he has brown hair and is dressed in dark 
red with soft white collar; landscape background. 

be wounds W.242 in.’ Canvas: 

Bequest of Maria De Witt Jesup, from the collection of 
her husband, Morris K. Jesup, 1915. 


BERNARD (or Barend) vAN. Flemish; born about 1401 
or 1493, probably in Brussels; died there 1542. Studied 
in Rome under Raphael, returned to Brussels in 1515, and 
in 1518 was appointed official painter to the Regent of the 
Netherlands. Also made designs for tapestry and for 
stained glass. 


VIRGIN AND CHILD WITH ANGELS. On the 
terrace of a palace, the Virgin, wearing a dark blue robe 
lined with fur and a red cloak over her shoulders, is seated 
in the foreground beside a bronze fountainand fondles the 
nude Child; beyond, two child angels sing out of an anti- 
phonary laid on a bench before them; trees are at the left 
and at the right is a wing of the palace; landscape back- 
ground with a precipitous hill at the left; two angels 
appear in the clouds. 

Ex coll.: J. Emden, Hamburg. 

H. 333 in. W. 27,5 in. Wood. 

Bequest of Benjamin Altman, 1913. 


Sir WILLIAM. British (Irish); born 1878 near Dublin; 
lives in London. Studied at Dublin School of Art and at 
Slade School in London. 


LEADING THE LIFE IN THE WEST. Portrait .of 
the artist. A mirror, in which is reflected the full-length, 
half-life-size figure standing on a black and white tiled 
floor and holding a riding whip in his left hand; he wears 
a dark gray overcoat and black derby hat; three windows 


243 


ORPEN — OSTADE 


with green Venetian blinds are shown back of him. Nu- 
merous letters and envelopes are tucked back of the 
mirror frame and in front, on a marble shelf, are a syphon 
and several bottles. The title, according to the explana- 
tion given by the artist, refers to life in the West End of 
London. 

H. 4o¢ in. W.3331in. Canvas. Bulletin, 1914, p. 130; 
ill. p. 105. 

Gift of George F. Baker, 1914. 


OSTADE, ApbRIAEN VAN. Dutch; born 1610 at Haarlem; died 


Os7I-I 
Gallery 
26 


Os71-2 
Gallery 
26 


Os7 1-3 
Gallery 
26 


there 1685. Pupil of Frans Hals; influenced by Brouwer 
and Rembrandt. Genre. Also etcher. 


THE OLD FIDDLER. In the foreground is the dark 
interior of a thatched barn with men and women smoking 
and drinking; through the open doorway is seen a cottage 
in bright sunlight; an old man is fiddling near the door 
over which leans a woman with a baby in her arms; 
numerous children are playing nearby. 

Ex coll.: Comte Cornet, Brussels; Dansaert-Engels. 

H. 263 in. W. 334 in. Canvas. Signed: AV. Ostade. 
1041. 

Purchase, 1871. 


A SMOKER. An interior with a man filling his pipe; 
in the background at the right, a door is being opened 
and a man enters. 

Ex coll.: Comte Cornet, Brussels; Comtesse de Verrne 
Saceyhem Patureau. 

H. 117 1in.. W. 9% 1in. Wood. 

Purchase, 1871. 

THE SMOKERS. An interior with two men seated at 
a table, smoking. 

H. 8in. W. 72 in. Wood. 

Purchase, Rogers Fund, 1906. 


OSTADE, Isaac vAN. Dutch; born 1621 at Haarlem; died there 


Os72-1 
Gallery 
14 


1649. Pupil of his brother, Adriaen van Ostade. Land- 
scapes and genre. 


WINTER IN HOLLAND. A broad frozen river with 
skaters and sleds; at the left is a point of land with a 
signal station and some houses; in the distance at the 
right there is a town on a low hill. River scene near 
Nymwegen. H. de Groot, No. 340. 


244 


OSTADE— OVENS 


H. 403 in. W. 588 in. Canvas. Signed: J Ostade. Bul- 
letin, 1914, p. 3, ill. 
Gift of George A. Hearn, 1893. 


OUWDRY, JACQUES CHARLES. French; born 1720 at Paris; died 1778 


Ou2-1 


OUDRY, 


Ou2!I-1 
Gallery 
20 


Ou2 1-2 
Gallery 
20 


at Lausanne. Pupil of his father, Jean Baptiste Oudry. 


COMBAT OF DOGS AND CATS. Landscape back- 
ground with a thatched cottage at the right. 

Ex coll.: Prince Charles of Lorraine. 

F383 in. W.33%1n. Canvas. Signed: J C Oudry 
fils 1752. 

Purchase, 1871. 


JeAN Baptiste. French; born 1686 at Paris; died 1755 
at Beauvais. Pupil of Largilliére. Painted animals. 
chiefly. 


DUCKS. Marshy foreground with a group of ducks, 
one of which is flapping its wings; trees beyond. 

Ex coll.: M. de La Live de Jully. 

H. 253 in. W. 3121in. Canvas. Signed: J. B. Oudry 
1753. 

Purchase, 1871. 

DOG GUARDING DEAD GAME. A hare and several 
birds are tied to a limb of a tree near ruined masonry; 
the dog is at the right. 

Ex coll.; M. de La Live de Jully. 

H. 254 in. W. 3121n. Canvas. Signed: J. B. Oudry 
1753. 
Purchase, 1871. 


OUWATER, AELBERT vAN. Dutch: worked in Haarlem _be- 


Ouo-1 
Gallery | 
34 


tween 1430 and 1460. 


MADONNA ANDCHILD. The Madonnain a red robe 
faced with green is seated holding the nude Child; behind 
her is a black and gold brocade and a window showing a 
landscape of water, rocks, and trees. 

H. 152 in. W. 12% in. Panel. Bulletin, 1922, p. 177. 
Purchase, Pulitzer Fund, 1922. 


OVENS, JurriAEN. Dutch; born 1623 at Ténningen, Holstein; 


died 1678 at Friedrichstadt. Pupil of Rembrandt at 
Amsterdam, where he lived in 1642 and again from 1656 
to 1662. 


245 


Ov2-1 
Gallery 
26 


OVENS 


PORTRAIT OF A LADY. Seated figure of a Dutch 
lady, seen to below the knees; a pair of gloves is held in 
her right hand; she wears a black dress, a broad fluted 
ruff, and a small white lace cap. 

H. 493 in. W.388in. Canvas. Signed: J. Ouens fect. 
1650, 10 May. 

Gift of Henry G. Marquand, 1888. 


246 


EB 


PALMER, WALTER LaunT. American; born 1854 at Albany, 


P18-1 
Gallery 
12 


N. Y. Studied with F. E. Church and in Paris. 


THE SILENT DAWN. A brook with snowy banks, 
beside which the evergreen trees bend their heavy-laden 
branches. A pale yellowish lavender light. 

H. 30 in. W.4oin. Canvas. Signed: W. L. Palmer. 
Purchase, Hearn Fund, 1921. 


PANNINI, Giovanni PAoto. Italian; born 1691 or 1695 at 


Pio-1 
Gallery 
29 


Piacenza; died 1768 (?) at Rome. Pupil of Lucatelli and 
of Benedetto Luti in Rome; influenced by Salvator Rosa. 


CARDINAL POLIGNAC VISITING THE INTERIOR 
OF ST. PETER’S, ROME. (Cardinal Polignac was 
the French Chargé d’Affaires in Rome from 1721 to 
1730.) A view of the nave of St. Peter’s; at the right is 
the Cardinal followed by his suite in brilliant gar- 
ments. 

Ex coll.: Polignac. 

HH, 203 1n. W.39% in. Canvas. 

Purchase, 1871. 


PARSHALL, De Witt. American; born 1864 at Buffalo, N. Y.; 


P25-1 
Gallery 
13 


lives in New York City. Pupil of Royal Academy at 
Dresden; Julian Academy, Cormon, and Alexander Har- 
rison in Paris. Landscapes. 


THE GREAT ABYSS. A view of the top of the Grand 
Canyon looking across the gorge. There is a tree in the 
right foreground; the cliffs at various distances are yellow, 
blue, and mauve. Exchanged in 1921 by the artist for 
the “Catskills.” 

H. 442 in. W. 49% in. Canvas. Signed: DeWitt Par- 
shall N. A. | 

Gift of George A. Hearn, 19009. 


247 


PARTON — PATER 


PARTON, ArtHur. American; born 1842 at Hudson, N. Y.; died 


P251-1 


P251-2 


PASINE 


P26-1 
Gallery 
18 


P26-3 


1914 at Yonkers, N. Y. Pupil of William T. Richards in 
Philadelphia. Landscapes. 


EVENING; HARLEM RIVER. The marshy aye of 
the river is in the foreground; boats are passing beneath 
an iron suspension bridge which crosses the middle 
distance; on the heights beyond are buildings with lights 
shining in the windows; wintry sunset sky. 

H. 3331in. W.26in. Canvas. Signed: Arthur Parton. 
Gift of William T. Evans, 1892. 


A NIGHT IN THE CATSKILLS. Moonlight falls 
through the branches of the trees that border the road 
in the foreground; at the right, partly hidden by trees, 
is a white house with lights in the windows. 

H.173in. W.24in. Canvas. Signed: Arthur Parton. 
Gift of Samuel T. Hubbard, 1908. 


ALBERTO. Italian; born 1826 at Busetae near Parma; 
died 1899 at Cavoretto, near Turin. Pupil of Parma 
Academy; Eugene Ciceri in Paris; traveled in the Orient. 


ENTRANCE TO A MOSQUE. A narrow courtyard 
with a man, two horses, and two dogs; sunlight strikes 
a tiled wall at the right; in the background a dark red 
curtain hangs at the door of the mosque. 

H.35 in. W.272in. Canvas. Signed: A. Pasini 1873. 
Bequest of Catharine Lorillard Wolfe, 1887. 


CONSTANTINOPLE. Men and women are near a’ 
building which stretches across the picture; bright sun- 
light. 

H. 144 in. W. 2148; in. Canvas. Signed: A. Pasini, 1886. 
Bequest of Mrs. Martha T. Fiske Collord, in memory of 
Josiah M. Fiske, 1908. 


PATER, JEAN BAPTISTE JOSEPH. French; born 1695 at Valen- 


P27C-1 
N. W. 
Stairway 


ciennes; died 1736 at Paris. Pupil of his father, Antoine 
Joseph Pater, and of Watteau. Painted stately festivals. 


Copy AFTER PATER. 


THE COMICAL MARCH. A group of strolling players 
at the entrance to a town; at the left three girls are 
seated beneath a bust of the god Pan. A copy, perhaps 
contemporary, of the painting in the collection of Lord 
Pembroke at Wilton House, near Sais England. 
H. 29 in. -.. W, 24 in.) Canvas: 

Purchase, 1871. 


248 


PAXTON — PEALE 


PAXTON, Witt1AmM M. American; born 1869 at Baltimore, Md.; 


P29-1 
Gallery 
15 


PEADE; 


P31-4 
Gallery 
16 


P31-5 
~ Gallery 
16 


P31-6 
Gallery 
16 


lives in Boston. Pupil of Dennis M. Bunker in Boston; 


- Ecole des Beaux-Arts in Paris under Géréme. 


TEA-LEAVES. An interior with two young ladies at 
a tea table; one, standing at the left with her back toward 
the spectator, pours tea; the other, seated in front of a 
screen on the far side of the table, studies the leaves in the 
cup that she holds with both hands; the general color 
scheme is gray and gold with large masses of white and 
touches of blue. 

H.363in. W.282in. Canvas. Signed: PAXTON 1909. 
Gift of George A. Hearn, 1910. 


CHARLES WILLSON. American; born 1741 in Queen 
Anne County, Md.; died 1827 at Philadelphia, where he 
had lived since 1776. Pupil of John Hesselius in Mary- 
land; Benjamin West in London. Portraits. 


GEORGE WASHINGTON. (First President of the 
United States, from 1789 to 1797.) Life-size, full-length, 
standing portrait, with his three-cornered hat held in his 
right hand, and the left resting on a cannon; he wears a 
dark blue coat faced with buff, buff waistcoat, and knee 
breeches; a broad blue sash (prescribed for himself in the 
general orders at Cambridge, July 14, 1775, to designate 
the Commander-in-Chief) crosses his breast; behind him, 
at the right, a horse is held by an attendant; at the left is a 
landscape with a stormy sky; flags and accoutrements 
rest against the cannon in the foreground. 

Ex coll.: Mrs. Milton Hansford; Harriet Washington 
(Mrs. Andrew Parks). 

H.95 in. W.612%in. Canvas. 

Gift of Collis P. Huntington, 1896. 


SAMUEL MIFFLIN. Three-quarters-length seated fig- 
ure turned to the right. He is a severe, portly man in a 
buff suit, his right arm resting on a red-covered table. 
The landscape, seen through a window at the right, is of 
a ship sailing by a point of land. 

H. 493 in. W. 392 in. Canvas. Signed: C W Peale 
Winnivi7774 Bulletin, 1923; p13: 

Purchase, Egleston Fund, 1922. 


MRS. SAMUEL MIFFLIN AND HER GRAND- 
DAUGHTER (Rebecca Edgehill and Rebecca Mifflin 
Francis). Three-quarters-length seated figure turned to 


249 


PEALE— PELLEGRINO DA SAN DANIELE 


the left. She is a pleasant, middle-aged lady in a dove- 
colored silk dress with a quilted blue satin underskirt 
and with white lace scarfs about her neck and shoulders. 
Beside her stands her little granddaughter pointing to an 
open book in Mrs. Mifflin’s lap. 

H. 493 in. W.392in. Canvas. Bulletin, 1923, p. 13. 
Purchase, Egleston Fund, 1922. 


PEALE, RemsBranpt. American; born 1778 in Pennsylvania; died 


P311-1 
Gallery 
16 


1860. Son of Charles Willson Peale. Studied with 
West in London; painted portraits in Paris and Phila- 
delphia. 


PORTRAIT OF LAFAYETTE. Head and shoulders 
turned slightly to the right; he wears a wing collar with a 
white stock, anda dark coat. This portrait was probably 
painted when Peale was in Paris. 

H. 344 in. W. 272 in. Canvas. Signed: R. Peale pinxt. 
Purchase, Rogers Fund, 1921. 


PEARCE, CHARLES ee, American; born 1851 at Boston, 


P32-1 


Mass.; died 1914 at Auvers-sur-Oise, France. Pupil of 
Bonnat. 


MEDITATION. Life-size figure of a nun, seen to the 
waist, with the face in profile to the left; she holds a sheet 
of music. 

H.217in. W.183in. Canvas. Signed: Charles Sprague 
Pearce. 

Gift of several gentlemen, 1899. 


PEELE, Joun T. British; born 1822 at Peterborough, England; 


P34-I 


died 1897 in England. Lived in New York from 1846 
to 1851. 


SPRING FLOWERS. A little girl dressed in white 
is seated on the ground near trees; there are wild flowers 
in her lap. 

H. 30 in. W. 25 in. Canvas;oval. Signed: J. T. Peele 
1880. 

Gift of Samuel P. Avery, 1904. 


PELLEGRINO DA SAN DANIELE. Italian (Venetian); born 


P35-1 


1473 (?); died 1547. A painter of Friuli, influenced by 
Cima and later by the Giorgionesque painters of Venice. 


A MUSICAL PARTY. Two men and two women 
standing, seen to below the waist; the men are playing 


250 


PELLEGRINO DA SAN DANIELE — PESELLINO 


flutes and the woman at the right holds the music; colon- 
nade and landscape background. Perhaps by Pelle- 
grino, according to Bernhard Berenson. Formerly at- 
tributed to Bonifazio. 

H.33in. W.52in. Canvas. 

Gift of Morris K. Jesup, 1874. 


PELOUSE, LE&on Germain. French; born at Pierrelaye, Seine- 
et-Oise, 1838; died there 1801. 


P36-1 JANUARY. Snow scene with a group of cottages at 
the left and a wood beyond; sunset sky. 
H. 353 in. W. 46% 1n. Canvas. Signed: L. Pelouse. 
Gift of Mabel Schaus, 1888. 


PERUGINO; real name Pietro di Cristoforo Vannucci. Italian 
(Umbrian); born 1446 at Citta della Pieve; died 1523 at 
Fontignano, near Perugia. Influenced at first by Niccolo 
da Foligno, Fiorenzo di Lorenzo, and Piero della Fran- 
cesca, and later by Verrocchio. 


Pasi THE RESURRECTION. The figure of Christ, with a 
Gallery red drapery about the lower limbs and holding a red 
30 banner with a white cross, stands on the edge of the 

open tomb; there are four guards, of whom three are 
asleep and the one in the background at the left 1s run- 
ning away; beyond is a vast plain with hills at the right 
and left and distant blue mountains. Part of a predella; 
the other panels are in Chicago. 
H. 103 in. W.18 in. Temperaon wood. Bulletin, 1911, 
p. 130, ill. : 
Purchase, Hewitt Fund, roi. 


PESELLINO; real name Francesco di Stefano. Italian (Floren- 
tine); born 1422 at Florence; died there 1457. Taught 
perhaps by his grandfather, Giuliano Pesello; influenced 
by Fra Filippo Lippi. 


P431-1 MADONNA WITH SAINT JOHN THE BAPTIST 
Gallery AND SAINT JOHN THE APOSTLE. The Madonna 
30 is enthroned and holds the Child in her left arm; St. John 
the Baptist stands at the left on the platform of the 
throne and St. John the Apostle at the right. 
H. 263 in. W. 173°, in. Tempera on wood. Bulletin, 
1906, p. 164. 
Gift of George Brauer, 1900. 


251 


P43 1-2 
Gallery 
31 


P431S-1 
Gallery 
31 


P4315-2 
Gallery 
31 


PESELLINO 


CRUCIFIXION. The Cross is in the center; St. Mary 
Magdalen in a vermilion mantle and blue robe kneels at 
its foot; the Virgin in a blue mantle and crimson robe is 
at the left looking at the figure of Christ; St. John in 
red mantle and blue robe stands mourning at the right. 
There is a rocky foreground and a landscape background; | 
clear luminous sky with dark blue clouds above. 

H. 164 in. W. 112 in. Tempera on wood. Bulletin, 
I9IQ, pp. 155-156, ll. 

Purchase, Marquand Fund, 1919. 


SCHOOL OF PESELLINO. 


SCENES FROM THE STORY OF THE ARGONAUTS. 
(The incidents of the story of Jason and the Argonauts 
appear in the Hesiodic poems.) These two panels 
formed parts of chests. At the left, Jason in his golden 
armor (by which he can be distinguished throughout 
the picture) bids farewell to King Peleas, the usurper 
of the throne of Iolcus; he is next seen with his horse at 
the foot of a stairway starting out to enlist companions; 
in the distance Orpheus and several horsemen are at 
the base of a jagged rock; to the right on the top of 
a flat rock, Orpheus, Jason, and another consult the cen- 
taur Chiron; the abduction of .Hylas is shown at the ex- 
treme right and in the distance is the Argo with the 
heroes on board. The second panel illustrates the do- 
ings of the Argonauts after their arrival in Colchis. 
Jason addresses King AZetes, who is seated on a dais sup- 
ported on the backs of two white horses driven. by a naked 
child; two women stand on the dais with the king, one 
of them being his daughter Medea; at the extreme right 
Jason kneels before the king in an upper porch of the 
palace while Medea looks on from a window; at the bot- 
tom of the steps Jason is shown with one foot in the 
stirrup and farther to the left he gallops across the draw- 


bridge. In a circular enclosure in the center of the 


picture, the fleece hangs on a tree; at the right Jason is 
killing the dragon while Orpheus plays a viola; the fire- 
breathing oxen are yoked to a plough and the warriors, 
who have grown from the dragon’s teeth, are killing one 
another; outside the enclosure is the white figure of 
Diana with her hounds and a scene of witchcraft. 

H. 192 in. W. 56 in. each. Tempera on wood. Bulle- 
tin, 1909, p. 224, ill. 

Gift of J. Pierpont Morgan, 1909. ; 


252 


PHILIP— PIERO DI COSIMO 


PHILIP, Joun. British (Scotch); born 1817 at Aberdeen; died 


P53-1 
Gallery 
14 


1867 at London. Pupil of T. M. Joy in London and of 
Royal Academy Schools. 


GOSSIPS AT THE WELL. A courtyard with men and 
women in Spanish costumes; a donkey with elaborate 
trappings stands near the well. 
H. 1838; in. W. 26in. Canvas. Monogrammed: J P. 
Gift of George A. Hearn, 1906. 


PICKNELL, Witt1Am L. American; born 1854 at Windham, Vt.; 


P58-1 


P58-2 


died 1897 at Marblehead, Mass. Pupil of Inness, 
Géréme, and Robert Wylie; lived for some years in Eng- 
land. Landscapes. 


BLEAK DECEMBER. (The scene is in the New 
Forest, Brockenhurst, Hampshire, England.) A group 
of leafless oaks is seen against a wintry sky; in the fore- 
ground at the left is a road between trees; a horse and 
wagon are disappearing along the road. 

H. 56% in. W. 80% in. Canvas. Signed: W. L. Pick- 
nell. 87. . 
Gift of Samuel P. Avery, Jr., 1890. 


BORDERS OF THE LOING. At the right is a tow- 
path with a man on horseback drawing a scow; a row of 
trees and a field are beyond; the river flows through the 
foreground at the left, and on the far bank, at the foot 
of a hill, is a group of low red-roofed buildings. 

H. 584 in. W. 83 in. Canvas. Signed: Wm. L. Pick- 
nell.. Bulletin, 1906, p. 133, il. 

Bequest of Mrs. Gertrude Flagg, 1906. 


PIERO DI COSIMO; real name Piero di Lorenzo. Italian (Flor- 


P61-1 
Gallery 
31 


P61-2 
Gallery 
31 


entine); born 1462 at Florence; died there about 1521. 
Pupil of Cosimo Rosselli. 


HUNTING SCENE. (This and the following picture 
were doubtless cassone panels.) A forest with men, 
centaurs, satyrs, and animals in combat in the foreground. 

Ex coll.: Thomas H. Hotchkiss, Rome. 

H. 28 in. W. 662 in. Wood. 


Gift of Robert Gordon, 1875. 


RETURN FROM THE HUNT. Men, women, and 
satyrs are disembarking from boats and carrying dead 
game; at the left a forest fire is raging and driving the 
game into the water. 


253 


P6 I-3 
Gallery 


PIERO DI COSIMO— PILOTY 


Ex coll.: Thomas H. Hotchkiss, Rome. 
H. 28in. W.663in. Wood. 
Gift of Robert Gordon, 1875. 


YOUNG SAINT JOHN THE BAPTIST. The yellow 
curly head of a young boy seen in profile to the left. 


D6, First A rustic cross is in front of him and the edge of his camel- 


Floor 


skin shows at his shoulder. 

Ex coll.: Aynard. 

H. 112 in. W. 9% in. Panel. Bulletin, 19622, p. 103. 
Bequest of Michael Dreicer, 1921. 


PIETRO DI DOMENICO DA MONTEPULCIANO. | Italian 


P611I-1 
Gallery 


2D 


(Central); early fifteenth century. Influenced by Simone 
Martini, Lippo Memmi, and Bartolo di Fredi. 


MADONNA AND CHILD ENTHRONED WITH 
ANGELS. The Madonna, wearing a blue-black mantle 
with a pattern of cherubs’ heads in gold, is seated on a 
vermilion cloth with a design of roses in gold; she holds 
the Child on her lap and lifts His transparent drapery 
with her left hand; back of the Virgin are four angels— 
two kneeling in adoration, one playing a lute, and the 
other a harp. 

Ex coll.: George Brauer, Florence. 

H. 34% in. W. 26;°, in. Tempera on wood. Signed: 
Petrus: dominici: demonte: pulinano > pinsit > m: 
cccc,. xx. _ Bulletin, 19007, pD. Ii aie 

Purchase, Rogers Fund, 1907. 


PIETRO DI DOMENICO DI PIETRO. Italian (Sienese); born 


P612-1 
Gallery 


32 


1457 at Siena; died there 1501. Influenced by Matteo 
di Giovanni, Francesco di Giorgio, and Benvenuto di 
Giovanni. 


VIRGIN AND CHILD, SAINT PETER, AND SAINT 
PAUL. A half-length of the Virgin suckling the Child; 
her robe is of cloth of gold with a design in red, and a 
dark mantle is over her head and shoulders; back of her 
are the heads of the two saints, St. Peter at the left and 
St. Paul at the right. 

H. 203 in. W. 133 in. Tempera on wood, 

Gift of Frederic Coudert, 1888. 


PILOTY, Cart THEODORE von. German (Munich); born 1826 


at Munich; died 1886 at Ambach-am-Starnberger See. 
Pupil of his father, the lithographer, Ferdinand Piloty; 


254 


P64-1 
Gallery 
18 


P64-2 


PILOTY — PINTURICCHIO 


studied at Munich Academy under Schnorr and Karl 
Schorn. 


PARABLE OF THE WISE AND FOOLISH VIRGINS. 
(For the story, see St. Matthew, chapter 25, verses 1 
to 15.) Ten women are upon a stone terrace above a 
fountain; trees and a white marble temple in the Egyptian 
style form the background. 

H. 414 in. W. 864 in. Canvas. Signed: C Piloty. 
Bequest of Catharine Lorillard Wolfe, 1887. 


THUSNELDA AT THE TRIUMPHAL ENTRY OF 
GERMANICUS INTO ROME. (The event took place 
in 17 A. D.) The Roman Emperor, Tiberius, is seated 
under a canopy watching the procession; Germanicus, 
upon a triumphal car and accompanied by his five sons, 
appears in the distance at the left; from the car to the 
foreground is a procession of German captives, the prin- 
cipal figure being Thusnelda, the wife of a German prince, 
with her little son Tumelicus. 

H. 53 in. W. 774 in. Canvas. Signed: Carl Piloty. 
Gift of Horace Russell, 1887. 


PINE, Ropert Epce. British-American; born 1742 at London; 


P65-1 
Gallery 
14 


died 1790 at Philadelphia, Pa., where he had settled in 
1784. Historical and portrait painter. 


PORTRAIT OF MRS. REID IN THE CHARACTER 
OF A SULTANA. Life-size figure, seen to below the 
waist with the face in profile to the right; she is seated 
at a table and holds in her right hand a blue and white 
cup; she wears a white dress with a blue sash and a blue 
and gold scarf; a negress, wearing a white turban, is 
dimly seen at the left. 

H. 35g in. W. 28 in. Canvas. 

Gift of George A. Hearn, 1806. 


PINTURICCHIO; real name Bernardino di Betto. Italian (Um- 


Besit-ts 
oe 
Gallery 


32 


brian); born 1454 at Perugia; died 1513 at Siena. Pupil 
of Fiorenzo di Lorenzo. Influenced by Perugino, with 
whom he collaborated in the Sistine Chapel; and also by 
Signorelli, 


Twenty-two panels from the ceiling of the reception room 
of the Palazzo del Magnifico in Siena. 

About the garland are four panels shaped somewhat like 
shields (each about H. 36 in.; W. 434 in.) with winged 


255 


PINTURICCHIO — POLLAITUOLO 


infants holding ribbons. Next to them are four panels 
of an oval shape but with the ends cut off: the Judgment 
of Paris (H. 24$ in., W. 40} in.); a Figure on a Sea Horse 
(H. 24% in., W. 39% in.); the Hunt of the Calydonian 
Boar (H. 25 in., W. 41 in.); and Helle @) (HS 24gany 
W. 39 in.). About these are eight panels of an axe-head 
shape: the Triumph of Mars (H. 31 in., W. 32 in.); the 
Triumph of Amphitrite (H. 303 in., W. 28 in.); the Tri- 
umph of Alexander (H. 30% in., W. 28% in.); the Triumph 
of Apollo (H. 31% in., W. 30% in.); Pluto and Proserpine 
(H. 31 in., W. 312 in.); the Triumph of Ceres (H. 314 in., 
W. 303 in.); the Triumph of Cybele (H. 30% in., W. 283 
in.); the Triumph of a Warrior (H. 30% in., W. 28% in.). 
In the corners are circular panels: the Three Graces 
(diameter, 193 in.); Venus (diameter, 193 in); Jupiter and 
Antiope (diameter, 19% in.); Bacchus and Silenus (diam- 
eter, 193 in.). The squares of ornament surrounding 
these are original work. 

Of the four lunette-shaped panels at the outer edge of 
the ceiling two represent the Rape of Europa (H. 17% in., 
W. 41% in.); and Hercules and Omphale (H. 1724 in., W. 
39 in.). The other two are missing. 

The mouldings and ornamental reliefs are cast from the 
originals still in place. 

Fresco on plaster transferred to canvas. 

Purchase, Rogers Fund, 1914. 


PIOMBO. See Sebastiano del Piombo. 


POELENBURGH, CorneE is van. Dutch; born 1586 at Utrecht; 


P75-1 


died there 1667. Pupil of Abraham Bloomaert; lived 
for long periods in Italy and in England. 


FAUNS AND NYMPHS BATHING. The shore of a 
lake with the bathers in the immediate foreground; woods 
beyond. 

Ex coll.: Comte Cornet, Brussels. 

H. 82 in. W.11 in. Wood. 

Purchase, 1871. 


POGGIO, pEL. See Giovanni di Paolo. 


POLLAIUOLO, Antonio. Italian (Florentine); born 1432 (or 


1429 or 1433) at Florence; died 1498 in Rome. In- 
fluenced by Donatello and Andrea del Castagno. Also 
sculptor, goldsmith, and engraver. 


256 


P76S-1 


POLLAIUOLO — POUSSIN 
SCHOOL OF POLLAIUOLO. 
SAINT CHRISTOPHER AND THE INFANT CHRIST. 


Gallery A colossal figure of St. Christopher, standing almost 


31 


knee-deep in the water and carrying the Infant Christ on 
his left shoulder; the Saint wears a red cloak lined with 
yellow and the Child is dressed in greenish blue. Beren- 
son attributes the design to Antonio and the execution 
to Piero; he also states that this is the fresco referred 
to by Vasari as having been painted for San Miniato- 
fra-le-Torri in Florence. Bode considers it a work of 
Sienese-Umbrian origin. 

Ex coll.: Villa Michelozzi, Florence. 

H.112in. W. 59 in. (sight). Fresco on plaster. 

Gift of Cornelius Vanderbilt, 1880. 


PONTE, Jacopo pa. See Bassano. 


PONTORMO, Jacopo. Italian (Florentine); born 1494 at Pon- 


P7751 
Gallery 


29 


tormo; died 1557 at Florence. Pupil of Andrea del 
Sarto. Influenced by Michelangelo. 


A HALBERDIER.  Half-length standing figure of a slim 
young man in a yellow doublet with big sleeves and red 
hose. His left hand rests on his hip and he holds a halberd 
in his right. There is a gold chain around his neck and a 
gold ornament in his small red cap. 

Ex coll.: Princess Matilde. 

Ees7rin, W. 263 in. Canvas. 

Lent by C. C. Stillman in memory of his father, James 
Sullman, 1921. 


POUSSIN, Gasparp. See Dughet. 


POUSSIN, Nicoras. French; born 1593 at Villéres, district of 


P86-1 
Gallery 
20 


Andelys in Normandy; died 1665 at Rome, Italy. Spent 
the greater part of his life in Rome where he was in- 
fluenced by the school of Giulio Romano. Landscape 
and historical painter. 


MYTHOLOGICAL SUBJECT. Two nude male figures 
recline on the bank of a stream; in the foreground two 
infants, crowned with leaves, clasp large vases from 
which water flows. Listed in Smith’s Catalogue Rai- 
sonné under the title: The Groves and Rural Streams. 
Ex coll.: Comte Cornet, Brussels; Earl of Shaftesbury. 


257 


P86S-1 
Gallery 
20 


P86S-2 
Gallery 
20 


POUSSIN—PREDIS 


H. 2844 in. W. 383 in. Canvas. 
Purchase, 1871. 


SCHOOL OF POUSSIN. 


LANDSCAPE WITH FIGURES. A faun, standing in 
a stream, is bringing fruit and flowers to a nymph, who 
lies on a blue drapery on the bank. 

H. 25 in. W.29%$1n. Canvas. 

Gift of George H. Boughton, 1892. 


LANDSCAPE WITH FAUN AND NYMPH. A cupid 
is leading a goat ridden by a nymph, above whose head 
a faun holds a piece of red drapery; two other cupids 
play with baskets of flowers. 

H. 25 in. W. 292 1in. Canvas. 

Gift of George H. Boughton, 1892. 


PRATT, Matruew. American; born 1734 at Philadelphia; died 


P88-1 
Gallery 
16 


there 1805. Pupil of his uncle, James Claypoole, in 
Philadelphia; Benjamin West in London. 


THE AMERICAN SCHOOL. (Portraits of American 
painters in the London studio of Benjamin West.) At 
the left, wearing green small-clothes and a black hat, 
stands West, correcting a drawing held by Pratt, who 
wears a violet suit and is seated near a table; a student 
dressed in brown is seated before an easel in the im- 
mediate foreground at the right; two younger men are 
at the farther side of the table. 

H. 36in. W. 5032, in. Canvas. Signed: M. Pratt ad 1765. 
Gift of Samuel P. Avery, 1897. 


PREDIS, Amsrocio bE. Italian (Milanese); born between 1450 


Poi-1 
Gallery 
30 


and 1460; died after 1506. Influenced by Leonardo 
da Vinci, whom he assisted. 


GIRL WITH CHERRIES. A young woman, seen to 
the waist; she holds a dish of fruit from which she lifts 
cherries with her right hand; her brown hair falls over 
her shoulders and a garland of green leaves rests on her 
forehead; she wears a low-necked dress with red sleeves 
slashed to show white puffs. Attributed to Leonardo 
until Roger Fry in 1906 changed it to de Predis; Berenson 
in 1897 ascribed it to Beltraffio. 

Ex coll.: Sir J. S. Robinson. 

H. 194 in. W. 1427 in. Wood. 

Gift of Henry G. Marquand, 18g0. 


258 


PRENDERGAST — PRUDHON 


PRENDERGAST, Maurice B. American; born 1862 at Boston, 


Mass.; died 1924 in New York City. Pupil of Joseph 
Blance at the Julian Academy in Paris. Landscapes and 
out-of-doors subjects. 


Pori-51 THE PARK. Figures of ladies in light dresses of blue, 
Gallery white, and pink stand in the full sunlight in a landscape 


I2 


of lawn and trees and river. The sky is light blue with 
white clouds. 

H. 293 in. W. 42% in. Canvas. Signed: Prender- 
gast. 

Lent by Edward W. Root, 1919. 


PREYER, Emitie. German; born 1849 at Diisseldorf; lives there. 


Po2-1 
SAW 


Pupil of her father, Johann Wilhelm Preyer. Still 
life. 


FRUIT, FLOWERS, ETC. On a marble-topped table 
is a tray with white grapes, plums, peaches, and a glass 


Stairway of wine; there are flowers in another glass. 


H. 127% in. W.15¢in. Canvas. Signed: Emilie Preyer. 
Bequest of Catharine Lorillard Wolfe, 1887. 


PREYER, JoHANN WILHELM. German; born 1803 at Diisseldorf; 


Po21-1 
Gallery 
18 


died there 1889. Pupil of Diisseldorf Academy. Still 
life. 


GRAPES, PLUMS, NUTS, ETC. A bird is perched 
on a twig above some fruit which lies on the ground. 

H. 132 in. W. 173%; in. Canvas. Signed: JWPreyer 
1874. 

Bequest of Catharine Lorillard Wolfe, 1887. 


“PRUDHON, Pierre. French; born 1758 at Cluny; died 1823 at 


Po5-1 


Paris. Pupil of Desvoges in Doyn; worked seven 
years in Rome; spent most of his life in Paris. Histor- 
ical subjects and portraits. 


ASSUMPTION OF THE VIRGIN. The Virgin, 
wearing a light red robe and a dark blue mantle, is 
ascending to heaven supported by three cherubs; in the 
immediate foreground St. Peter, holding the key, leans on 
the tomb and points upward; St. Paul is prostrate in 
the foreground at the left; St. John with his hand on 
the empty tomb, looks up in wonder; a golden light 
breaks through the clouds. This is a sketch for the 
picture exhibited at the Salon in 1819 and now in the 


259 


PRUDHON — PUVIS DE CHAVANNES 


Louvre at Paris; another study is in the Wallace 
Collection in London. 

H. 183 in. W.o%in. Canvas. Signed: P. P. Prudhon. 
1816. 

Gift of Henry G. Marquand, 1888. 


PUVIS DE CHAVANNES, PIERRE. French: born 1824 at Lyons; 


Po9-1 
Gallery 
21 


Pog-51 
Gallery 
21 


Pog-52 
Gallery 
21 


Po9-53 
Gallery 
21 


died 1898 at Paris. Pupil of Henri Scheffer and of Couture 
in Paris. Mural paintings. 


THE SHEPHERD’S SONG. Le Cuant bu BERGER. 
Three women are near a pool in the foreground, listening 
to the pipes of a shepherd seated on the rocks in the 
middle distance at the left; deep blue sea in the distance. 
The same composition was used by Puvis for the decora- 
tion in the Palais des Arts at Lyons, France. 

H. 414 in. W. 43% 1n. Canvas. Signed: P. Puvis de 
Chavannes 1891. 

Purchase, Rogers Fund, 1906. 


CHILD GATHERING APPLES. A woman lifts a 
partly nude boy toward the boughs of an apple tree 
which hang over a wall at the left. 

H. 334 1n. W. 21¢1n. Canvas. Signed: P. Puyiside 
Chavannes 93. 

Lent by Mrs. Charles Du Pont Coudert, 1911. 


THE RIVER. At the left, on the shore of a river, are 
women working and tending children; on a little island 
nearby three women are bathing; back of the foreground 
groups men are building a bridge; a covered barge is 
beyond the island; level country on the far shore. An 
allegory of the fecundity of Picardy; painting for the right 
half of Ave Picardia nutrix (Hail Picardy nurse), a deco- 
ration in the Amiens Museum. 

H. 51 in. W-. got in. Canvas. Signed: P. Puvis de 
Chavannes. Bulletin, 1915, p. 75. 

Lent by John Quinn, 1915. 


THE CIDER. At the right a woman is seated against a 
brick wall with a child in her lap and another in a cradle; 
beside her an old man and an old woman are watching 
women and children carrying apples to a man seated on 
the rim of a great vat; beyond, under a shelter of thatch, 
four men turn a grain mill; at the extreme right a house 
is being built and near it is a shepherd with his flock. 
Painting for the left half of Ave Picardia nutrix. 


260 


P99-54 
Gallery 


2! 


Po9-55 
Gallery 
21 


Po9-56 
Gallery 
21 


PUVIS DE CHAVANNES 


H. 51 in. W. 99% in. Canvas. Signed: P. Puvis de 
Chavannes. Bulletin, 1915, p. 75. 
Lent by John Quinn, 1915. 


BEHEADING OF SAINT JOHN THE BAPTIST. In 
the center of the prison courtyard, in front of a fig tree, 
kneels St. John, looking straight ahead of him with his 
palms outstretched; at the left the executioner swings 
his sword to strike off the Saint’s head; Salome has entered 
the door at the right and stands waiting with the charger 
in her right hand. 

H. 49 in. W.652in. Canvas. Signed: Puvis de Cha- 
vannes 1869. Bulletin, 1915, p. 75. 

Lent by John Quinn, 1915. 


LUDUS PRO PATRIA. Color sketch for a decoration 
of the Museum of Picardy, Amiens. In the center a 
group of men throw the javelin in a contest while old men, 
women, and children watch. At the left women tend 
their children and draw water. 

H. 1341n. W. 53 in. Canvas. Signed: P. Puvis de 
Chavannes. 

Lent by Mrs. Harry Payne Bingham, 1920. 


INTER ARTES ET NATURAM. Color sketch for a 
decoration of the Museum of Rouen. A number of 
figures representing the arts are grouped in a grove of 
apple trees overlooking the river and the city of Rouen. 
To the right a painter sketches leaning against a tree; in 
the center builders work with blocks of stone; at the left 
a porter carries his work on a tray on his head. 

H. 16in. W. 442 in. Canvas. Signed: P. Puvis de 
Chavannes. | 

Lent by Mrs. Harry Payne Bingham, 1920. 


261 


R 


RAEBURN, Sir Henry. British (Scotch); born 1756 at Stock- 


R12-1 
Gallery 
14 


R12-2 


bridge near Edinburgh; died 1823 at Edinburgh. Pupil 
of David Martin in Edinburgh; later lived in London. 
Portraits. 


WILLIAM FORSYTH. Life-size figure, seen to the 
waist with the face nearly full-front; he wears a blue- 
black coat, white vest, and white ruffled shirt front; his 
complexion is florid; brown background. 

H. 30 in. W. 24% in. Canvas. 

Gift of Arthur Hoppock Hearn, 1806. 


DR. JOSEPH BLACK. (1728-1799; a chemist who was 
professor of medicine in the Glasgow University and 
professor of chemistry at the University of Edinburgh.) 
Life-size, seated figure, seen to below the knees; his arms 
rest on the arms of the mahogany chair, the seat of which 
is upholstered in red; a dark red curtain is draped in the 
background showing a landscape through a window at the 
left. 

Ex coll.: George Warrender. 

H. 5012 in. W.4o0¢1in. Canvas. Bulletin, 1912, p. 76, 
ill. 

Gift of Victor G. Fischer, 1912. 


RAFFAELLI, JEAN FRANGoIs. French; born 1850 at Paris; 


Ri21I-1 


died there 1924. Pupil of Jean Léon Géréme. Genre, 
chiefly street scenes. 


PLACE ST. GERMAIN DES PRES, PARIS. A church 
and other buildings near an open square; the foreground 
is in shadow; in the sunlight beyond, people, omnibuses, 
and carriages are passing. 

H. 274 in. W. 313 1n. Canvas. Signed: J F RAF- 
FAELLI. 

Purchase, Wolfe Fund, 1908. 


262 


RAFFAELLI — RAPHAEL 


Ri21-2 MR. FLETCHER’S NEW YORK RESIDENCE. The 
house at the southeast corner of Fifth Avenue and 7oth 
Street; seen in autumn from Central Park, with trees to 
the left and groups of loungers. 
H. 232 in. W.32in. Canvas. Signed: J. F. Raffaelli. 
Mr. and Mrs. Isaac D. Fletcher Collection. 
Bequest of Isaac D. Fletcher, 1917. 


RAIBOLINI, FRANcEsco. See Francia. 


RAMBERG, ArTHUR GEORG von. Austrian; born 1819 at 
Vienna; died 1875 at Munich. Pupil of the Prague 
Academy and of the Dresden Academy under Hiibner. 


Ri4-1 THE MEETING ON THE LAKE. A young woman 
S. W. in a pink and white dress is in a rowboat and a young 
Stairway man in another boat is holding her hand. 

H. 455 1n. W. 363 in. Canvas. Signed: Ramberg— 

1869. 

Bequest of Catharine Lorillard Wolfe, 1887. 


RAND, ELLen Emmet; Mrs. William B. Rand. See Emmet. 


RANGER, Henry W. American; born 1858 in New York State; 
died 1916 in New York City. Landscapes. 


Ri5-1 SPRING WOODS. In the foreground are brown and 
Gallery yellow leaves with gray rocks protruding; a stone wall is 
13 in the middle distance and beyond are the woods. 
H. 28 in. W. 36in. Canvas. Signed: H. W. Ranger. 
Bulletin, 1906, p. 56. 
Gift of George A. Hearn, 1906. 


Ri5-2. HIGHBRIDGE, NEW YORK. In the foreground at 
Gallery the right is the steep grassy slope of Highbridge Park with 
12 the water tower beyond; in the middle distance the arches . 

of Highbridge, in bright sunlight, are reflected in the Har- 
lem River; two boats, drawn by a steam tug, are approach- 
ing the bridge; the roofs and smoke stacks of the city 
are in the distance; iridescent sky with pinkish clouds. 
H. 4o¢ in. W.49¢in. Canvas. Signed: H. W. Ranger. 
1905— Bulletin, 1907, p. 89, ill. 
Gift of William T. Evans, 1907. 


RAPHAEL; real name Raphaello Sanzio. Italian; born 1483 
at Urbino; died 1520 at Rome. Pupil first of Timoteo 
Viti, later became assistant and pupil of Perugino; went 


263 


R18-1! 
Gallery 
II 


RAPHAEL —RAVESTEYN 


to Florence, where he was associated with Fra Barto- 
lommeo and influenced by Leonardo and Michelangelo; 
in 1508 went to Rome to decorate the Vatican Stanze 
and the rest of his life was passed in that city. 


VIRGINAND CHILD ENTHRONED WITH SAINTS. 
The Virgin, in a red dress and a mantle of blue-black 
dotted with gold, sits on a raised throne backed with a 
cloth of crimson and gold and under a circular canopy with 
green hangings; the Child, seated on her knee, is dressed 
in white and blesses the infant St. John, who wears a 
camel-skin shirt and red tunic; in the foreground stand 
the two apostles, St. Peter at the left, in a dark blue 
robe and brown mantle with the gold and silver keys of 
Heaven and Hell, and St. Paul at the right, in a black 
robe and red mantle, leaning on his sword; back of St. 
Peter is St. Catherine of Alexandria, wearing a dark 
purple dress and green cloak, her right hand resting on 
the wheel upon which she was martyred; back of St. Paul 
is St. Cecilia in green with a light gray cloak, and with the 
palm of martyrdom, the book of wisdom, and her attri- 
bute of a crown of pink and white roses. In the lunette 
above, God the Father is blessing and on each side of 
Him are an adoring angel and a cherub’s head. (The 
Madonna di San Antonio, ordered by the nuns of the 
Convent of St. Anthony of Padua at Perugia, was begun 
in 1504 and completed in 1505, after the artist’s visit 
to Florence. Also known as the Colonna altarpiece 
because it was in the possession of the Colonna family 
from shortly after 1677, when it was sold by the nuns, 
until 1802. See Bulletin, 1913, p. 5.) 

Ex coll.: Francis I, King of Sicily; Colonna, Rome. 

H. 68 in. W. 672 in.; lunette, H. 30 in. W. 72% in. 
Wood. Bulletin, 1913, pp. 2, 52; ill. p. 3; 1916, ill. p. 50. 
Gift of J. Pierpont Morgan, 1916. 


RAVESTEYN, JAN ANTHONISZ. VAN. Dutch; born about 1572; 


R19-! 
Gallery 
26 


died 1657 at The Hague, where he had been a member of 
the guild of St. Luke since 1598. Portraits. 


PORTRAIT OF A LADY. Life-size, seen to the waist; 
she is dressed in black with a wide fluted white neck ruff 
and a white lace cap. 
H. 263 in. W. 22% in. Wood. Signed: Anno 1635 
J V R. (entwined) F. 

Gift of Henry Goldman, 1912. 


264 


RECCO— REID 


RECCO, Giuserre. Italian (Neapolitan); born 1634 at Naples; 


R24-1 


died 1695 at Madrid or at Naples. Pupil of A. Falcone 
and P. Porpora; worked at the Spanish court. Still life. 


FRUIT. Pomegranates, grapes, and other fruits on a 
rocky ledge; a lizard is in the foreground. Purchased 
as a Velazquez. 

H. 243 in. W.29in. Canvas. 

Purchase, 1871. 


REDFIELD, Epwarp W. American; born 1868 at Bridgeville, 


R241-1 
Gallery 
12 


Del.; lives at Centre Bridge, Pa. Pupil of the Penn- 
sylvania Academy of the Fine Arts in Philadelphia; 
Bouguereau and Robert-Fleury in Paris. Landscapes. 


OVERLOOKING THE VALLEY. Hilly country in 
early spring with bare trees and melting snow. 
H.31¢in. W. 30938, in. Canvas. Signed: E. W. RED- 
FIELD. Bulletin, 1916, p. 265, ill. 

Gift of Mrs. E. H. Harriman, 1916. 


REGNAULT, ALEXANDRE Georces Henri. French; born 1843 


R26-1 
Gallery 
21 


at Paris; died 1871 during the attack on Buzenval in the 
Franco-Prussian War. Pupil of Montfort and Cabanel; 
worked in Rome, Spain, and Tangiers. 


SALOME. (The moment chosen is after the dance 
before Herod when Salome claims as her reward the 
head of St. John the Baptist.) Full-length figure of a 
young woman with black hair, seated on a black coffer 
inlaid with mother of pearl; back of her hangs a lemon- 
yellow curtain; on her lap in a golden platter is a large 
sheathed knife; she wears a yellow satin tunic fastened 
on the right shoulder by a silver and ivory medallion 
and below it is an armlet in the form of a serpent of green 
enamel with ruby eyes; a pink scarf is over her left 
shoulder, the skirt is of spangled golden gauze, and a 
white mantle bordered with yellow hangs over her left 
arm and falls at her side on a tiger skin and an oriental 
rug; her bare feet are in slippers. 

Ex coll.: Marquise Landolfo-Carcano. 
H. 63 in. W. 407% in. Canvas. Signed: HRegnault 
Rome 1870. Bulletin, 1916, p. 164; ill. p. 163. 

Gift of George F. Baker, 1916. 


REID, Rosertr. American; born 1862 at Stockbridge, Mass.; 


livesin New York City. Pupil of Boston Museum School 
265 


R27-1 
Gallery 
15 


REID— REMBRANDT 


of Drawing and Painting; Art Students’ League of New 
York; Boulanger and Lefebvre in Paris. Mural painter. 


FLEUR-DE-LYS. A young woman wearing a pale 
purple dress is seated at the right; purple iris plants in 
flower and a slat fence form the background. 

H.44tin. W.42?in. Canvas. Signed: Ropert REIp. 
Purchase, Hearn Fund, 1907. 


REMBRANDT HARMENSZ. VAN RYN. Dutch; born 1606 


R28-1 
Gallery 
26 


R28-2 
Gallery 
II 


R28-3 
Gallery 
"39 


at Leyden; died 1669 at Amsterdam. Pupil of Jacob 
van Swanenburgh at Leyden and of Pieter Lastman at 
Amsterdam, where Rembrandt settled about 1632. 
Portraits, figure subjects, landscapes. Also etcher. 


MAN WITH A BEARD. Life-size portrait of a man, 
seen full-face and almost to the waist; he has long dark 
hair and full dark beard; the gown is brown with a 
full white turned-over neck-band with cord and tassels; 
he wears a broad-brimmed hat that throws a shadow 
over his face leaving the light only on the right cheek 
and the side of the nose. Listed by Bode, No. 496. 
Ex coll.: Sir William W. Knighton, London. 

H. 283 in. W. 254 in. Canvas. Signed: Rembrandt *‘ 
F. 1665. 

Gift of Henry G. Marquand, 1888. 


PORTRAIT OF A MAN. Life-size figure, seen to the 
waist with the arms folded and the left wrist showing; he 
has a slight moustache and his brown hair falls over a 
square flat collar; his coat is black and a high-crowned, 
broad-brimmed black hat casts a shadow over his fore- 
head and part of the left side of the face, which is strongly 
lighted on the right side. Listed by Bode, No. 495. 

Ex coll.: Marquis of Lansdowne, London. 

H. 327 in. W.2521n. Canvas. 

Gift of Henry G. Marquand, 1890. 

PORTRAIT OF A YOUNG WOMAN. Head and 
shoulders of a young woman who wears a black dress, 
white fluted ruff, and winged white cap. Listed by Bode, 
No. 561. 

Ex coll.: von Lachnicki, Paris and Warsaw; Princess 
Radziwill, Castle of Nieswiz, Lithuania. 

H. 2644 in. W. 19% in. Wood; oval. Signed: Rem- 
brandt f. 1633. 

Bequest of Benjamin Altman, 1913. 


266 


R28-4 
Gallery 
39 


R28-5 
Gallery 
39 


R28-6 
Gallery 


aS 


R28-7 
Gallery 


a2 


REMBRANDT 


OLD WOMAN IN AN ARM-CHAIR. Seated figure, 
seen to below the knees, with her hands on the arms of 
the chair; she wears a black silk dress, a wide, fluted white 
ruff, and a winged white cap. Listed by Bode, No. 224. 
H. 50325 in. W.397/, in. Canvas. Signed: Rembrandt 
f. 1635. 7 

Bequest of Benjamin Altman, 1913. 


PORTRAIT OF A MAN. Life-size figure, seen to the 
waist, the head turned three-quarters to the right; the 
left hand, holding a pair of gloves, rests upon the partly 
seen right hand; his pointed beard and moustache are 
light brown; he wears a high, broad-brimmed hat, black 
cloak, and flat, turned-down white collar with tassels. 
Listed by Bode, No. 277, as An Elderly Man witha Pointed 
Gray Beard, erroneously called Cornelius Jansenius. 
Ex coll.: Lord Ashburton; John Smith of the Catalogue 
Raisonné; Prince de Talleyrand; Séréville, Paris. 
H.31g¢in. W.263in. Wood. Signed: Rembran— f. 164- 
(end of signature and date lost in turn-over of canvas). 
Bequest of Benjamin Altman, 1913. 


TOILET OF BATHSHEBA AFTER THE BATH. 
Nude figure of Bathsheba seated on a stone bench covered 
with rugs, at the edge of a bathing pool ina garden; squat- 
ting before her, an old woman trims her toe-nails; a ser- 
vant, standing back of her, combs her hair; a ewer and 
jewels are on the bench beyond her; two peacocks are on 
the step of the pool in the immediate foreground at the 
right; foliage back of the figures and in the distance at 
the left the royal palace with King David dimly seen on 
the roof; the light is concentrated on the figure of Bath- 
sheba. Listed by Bode, No. 246. 

Ex coll.: Steengracht; Héris Colonel de Biré; T. Emmer- 
son; G. J. Vernon; Sir Thomas Lawrence; Alexis de la 
Hante; Le Brun; Poullain; Comte de Briihl; Van Zwieten; 
Heer Hendrick; William Six (1734). 

H. 227% in. W. 294% in. Wood. Signed: Rembrandt 
Ft-—1643. 

Bequest of Benjamin Altman, 1913. 
MAN WITHA STEEL GORGET. _Life-size figure, seen 
to below the waist; his right hand is extended and the 
gloved left hand, grasping the other glove, is held at his 
breast; his long hair, moustache, and pointed beard are 
dark brown; he wears a soft black cap, a dark brown cloak 
over a shirt of mail, a gold chain with pendent jewel, and 


267 


R28-8 
Gallery 
39 


R28-9 
Gallery 
39 


R28-10 
Gallery 


39 


REMBRANDT 


a steel gorget above which shows a white neck-band. 
Listed by Bode, No. 271, as the so-called Connetable de 
Bourbon. 

Ex coll.: Adolphe Thiem, San Remo; E. Secretan, Paris; 
Lord Radstock, London. 

H. 37345 in. W. 303 in. Canvas. Signed: Rembrandt 
f. 1644. 

Bequest of Benjamin Altman, 1913. 


THE ARTIST’S SON TITUS. (1641-1668; son of 
Rembrandt and his wife, Saskia van Uylenborch.) A 
youth seen full-face to the waist, wearing a costume of 
dark red over a white guimpe, a black velvet cap with 
white feather, and gold earrings. Listed by Bode, No. 


442. 

Ex coll.: Rodolphe Kann, Paris: E. Secretan, Paris; 
Comte Podstatsky, Bohemia. 

H. 31% in. W. 234%; in. Canvas. Signed: Rembrandt f. 
1655. 

Bequest of Benjamin Altman, 1913. 

HENDRICKJE STOFFELS. (A member of Rem- 
brandt’s household.) Luife-size figure, turned three- 
quarters to the left and seen to below the waist; she wears 
a red dress with white at the neck opening; a fur cloak is 
over her right arm; there is a touch of red on her dark 
brown hair; she has pearl bead necklace and earring and 
plays with a double string of beads on her left wrist. 
Pronounced by Hofstede de Groot to be a work by Rem- 
brandt painted about 1656. 

Ex coll.: J. Osmaston. 

H. 33$ in. W. 247% in. Canvas. Signed: Rembrandt. 
Bequest of Benjamin Altman, 1913. 


PORTRAIT OF A YOUNG MAN. Life-size figure of a 
thin young man seen to below the waist; heis facing three- 
quarters to the right and holds a note-book before him 
with both hands; he has long brown hair and a slight 
moustache and wears a black velvet cap and a dark 
brown coat trimmed with fur and lace. It has errone- 
ously been called a portrait of Thomas Jacobz Haring, 
The Auctioneer. Listed by Bode, No. opto as A Young 
Man Holding a Note-Book. 

Ex coll.: Maurice Kann, Paris. 

H. 422 in. W.34in. Canvas. Signed: Rembrandt F. 
1658. . 

Bequest of Benjamin Altman, 1913. 


268 


R28-11 
Gallery 


39 


R28-12 
Gallery 


39 


R28-13 
Gallery 


39 


R28-14 
Gallery 


39 


REMBRANDT 


OLD WOMAN CUTTING HER NAILS. §Life-size 
figure seated in an arm-chair in the immediate foreground 
and seen to below the knees; both hands are raised in the 
act of cutting her nails with a pair of scissors. She wears 
a dark brown under-dress and a heavy reddish gown open 
in a deep point edged with brown fur, above which there 
“is a white chemisette; a yellow scarf is over her head and 
shoulders; at the left, in the background of the dark room, 
is an unmade bed. Listed by Bode, No. 477. 
Ex coll.: Rodolphe Kann, Paris; Massaloff, Moscow; 
Bibikoff, Petrograd. 
H. 49g in. W. 403 in. Canvas. Signed: Rembrandt 1658. 
Bequest of Benjamin Altman, 1913. 


PomtRAlT OF THE ARTIST. Life-size, bust por- 
trait, turned slightly to the right; he wears a black velvet 
cap and a brown robe over a red undergarment. Listed 
by Bode, No. 429; painted when the artist was 54 years of 
age. 

Ex coll.: Lord Ashburton; Lord Radstock; Duc de Val- 
entinois. 

H.31¢in. W.2631n. Canvas. Signed: Rembrandt. f 
1660. 

Bequest of Benjamin Altman, 1913. 


PILATE WASHING HIS HANDS. Pilate, wearing a 
black velvet cap and a yellow mantle over a black robe, is 
seen to the knees seated at the right, washing his hands 
over a golden basin into which a page, dressed in green, 
pours water from a golden ewer; an old man, with white 
hair and beard, who wears a pale yellow robe and cap, 
stands back of Pilate; beyond, at the left, are soldiers 
with spears. Listed by Bode, No. 532. 

Ex coll.: Rodolphe Kann, Paris; Charles Sedelmeyer, Pa- 
ris; Lord Mount Temple; Lord Palmerston, Broadlands. 
H. 5148; in. W. 652% in. Canvas. 

Bequest of Benjamin Altman, 1913. 

MAN WITH A MAGNIFYING-GLASS. Life-size 
figure, seen to below the waist and turned slightly to the 
right; in his right hand he holds a small magnifying-glass; 
he has long brown hair and a moustache and chin tuft; 
his dark brown coat is closely fastened at the neck with ° 
a small white neck-band showing above it. Considered 
by W. R. Valentiner to be a portrait of Rembrandt’s son 
Titus shortly after his marriage in 1668, but he was only 
27 years of age at that time. Listed by Bode, No. 535. 


269 


R28-15 
Gallery 
39 


R28-16 
Gallery 
26 


K2o- 7 
Gallery 
26 


R28-52 
Gallery 
26 


REMBRANDT 


Ex coll.: Maurice Kann; Rodolphe Kann; Charles Sedel- 
meyer, Paris; Comte Ferdinand d’Oultremont, Brussels. 
H. 36in. W.29+in. Canvas. Bulletin, 1913, ill. p. 234. 
Bequest of Benjamin Altman, 1913. 


LADY WITH A PINK. Life-size figure, seen to below 
the waist and turned three-quarters to the left; a red 
carnation is held in her right hand, which rests on the left 
one in her lap; a string of pearls is about her neck and a 
pearl pendant in her ear; she wears a dark red dress cut 
square at the neck, showing a white guimpe. This is a 
companion picture to the Man with a Magnifying-Glass 
and is supposed by W. R. Valentiner to be Magdalena 
Van Loo, the wife of Titus. Listed by Bode, No. 536. 
Ex coll.: Maurice Kann; Rodolphe Kann; Charles Sedel- 
meyer, Paris; Comte Ferdinand d’Oultremont, Brussels. 
H. 364in. W. 297°; in. Canvas. Bulletin, 1913, ill. p. 
235: 

Bequest of Benjamin Altman, 1913. 

HEAD OF CHRIST. _ Life-size head, face turned three- 
quarters to the right; long black hair and beard, the 
outlines lost in the dark background. He wears a brown 
tunic. According to Bode’s catalogue (No. 414), the 
picture was painted about 1659. 

Ex coll.: Maurice Kann; Sedelmeyer, Paris. 

H. 184 in. W. 144 1n. Canvas. 

Mr. and Mrs. Isaac D. Fletcher Collection. 

Bequest of Isaac D. Fletcher, 1917. 


THE NOBLE SLAV.  Life-size standing figure, seen 
to the knees, of an old man with thin gray moustache and 
beard. He is clothed in gold-colored oriental robes and 
a jeweled turban. Rembrandt’s father probably posed 
for this painting. 

Ex coll.: McKay Twombly, New York; Tomline, Orwell 
Park; King William II of Holland; Lord Methuen, Cor- 
sham. 

H. 603 in. W. 432 in. Canvas. Signed: R: L. yan 
Rijn 1632. Bulletin, 1920, p. 268. 

Bequest of William K. Vanderbilt, 1920. 


PORTRAIT OF TITUS. The son of Rembrandt is seen 
to the waist seated in a chair and resting his chin in his 
right hand. He wears a brown coat showing a white 
collar at the neck and a red undersleeve. A black velvet 
student’s cap is on his brown curls. 


270 


R28S-1 


R28S-2 
Gallery 
20 


R28S-3 
Gallery 
26 


REMBRANDT — REMINGTON 


Ex coll.: Duke of Rutland. 

H. 32in. W.27#1n. Canvas; ovaltop. Signed: Rem- 
brandt 1660. 

Lent by C. C. Stillman in memory of his father, James 
Stillman, 1921. 


SCHOOL OF REMBRANDT. 


ADORATION OF THE SHEPHERDS. The shepherds 
kneel around the Infant, who lies upon a bed of straw 
in the dark interior of a stable; at His head sits the Virgin 
wearing a red bodice and yellow headdress; a supernatural 
light emanates from the Child and illumines the surround- 
ing figures. This picture is an old copy of the Adoration 
of the Shepherds by Rembrandt in the National Gallery 
in London. 

H. 2427in. W.21in. Wood. 

Gift of Henry G. Marquand, 1888. 


PORTRAIT OF A YOUNG MAN. Life-size, bust por- 
trait of a youth with the head turned slightly to the right; 
he wears a broad-brimmed black hat, a black coat, and a 
full, wide white collar edged with lace; dark background. 
Ex coll.: Sir Robert Napier, London; Lord Northwick, 
Cheltenham; Sir Simon Clarke, London. 

Fees, iil W .2071in.. Wood... Bulletin;..1915, p. 88. 
Bequest of Maria De Witt Jesup, from the collection of 
her husband, Morris K. Jesup, 1915. 


PORTRAIT OF A YOUNG WOMAN. Life-size, bust 
portrait with the head turned slightly to the left; she 
wears a black dress and a wide, fluted white ruff above 
which is a string of pearls; her tightly drawn brown hair 
shows beneath a small dark headdress with pearl edging; 
dark background. Companion picture to R28S-2. 

Ex coll.: Sir Robert Napier, London; Lord Northwick, 
Cheltenham; Sir Simon Clarke, London. 

H. 231m. W. 203 in. Wood. Bulletin, rors, p. 88. 
Bequest of Maria De Witt Jesup, from the collection of 
her husband, Morris K. Jesup, 1915. 


REMINGTON, FreperRic. American; born 1861 at Canton, N. Y.; 


R281-1 


died 1909 at Ridgefield, Conn. Pupil of Yale School of 
the Fine Arts at New Haven. Lived chiefly near New 
York City. Frontier subjects. 

CAVALRY CHARGE ON THE SOUTHERN PLAINS. 
A company of mounted troops is galloping toward the 
left across a plain in strong sunlight and shadow. 


271 


REMINGTON — REYNOLDS 
H.30gin. W.513%in. Canvas. Signed: Frederic Rem- 
ington 1907. 
Gift of several gentlemen, 1911. 


RENI, Guipo. Italian (Bolognese); born 1575 near Bologna; died 


R29-1 
Gallery 
28 


there 1642. One of the famous school of Eclectics 
founded by the Carracci in Bologna. 


THE PASSING OF JOSEPH. St. Joseph is lying on 
a bed covered with a brown coverlet, supported by an 
angel with white wings and a green mantle and faint 
mauve robe; his hands are crossed on his breast. The 
Virgin in a red and blue robe and yellow mantle kneels 
at the foot of his bed. 

H. 623 in. W. 484 in. Canvas. 

Purchase, Rogers Fund, 1920. 


RENOIR, Prerre Aucuste. French; born 1841 at Limoges; 


R29I-1 
Gallery 
21 


died 1919 at Paris. Pupil of Ecole des Beaux-Arts in Paris 
under Gleyre; influenced by Manet. Portraits, land- 
scapes, still life. 


MADAME CHARPENTIER AND HER CHILDREN. 
(The family of the French publisher, Gustave Charpen- 
tier.) A lady wearing a black silk dress is seated on a sofa; 
beside her sits a child and in the foreground at the left an- 
other little girl is sitting on the back of a black and white 
St. Bernard dog; the children wear blue and white low- 
necked short-sleeved frocks; in the background at the right 
are a bamboo chair and a table with fruit and flowers; reds 
and yellows predominate in Japanese rug and wall 
hangings. 

H. 603 in. W. 747 in. Canvas. Signed: Renoir . 78. 
Bulletin, 1907, p. 102, ill. - 

Purchase, Wolfe Fund, 1907. 


RENOUF, Emie. French; born 1845 at Paris; died 1894 at 


R292-1 


Havre. Pupil of Boulanger, Lefebvre, and Carolus- 
Duran. Marines. 


AFTER A STORM. Small fishing-boats are drawn up 
on the beach out of reach of the waves; the sea is at the 
left; gray sky. 
H. 46¢1n. W.80in. Canvas. Signed: E. Renouf. 1887. 

Gift of William Schaus, Jr., 1887. 


REYNOLDS, Sir JosHua. British (English); born 1723 at Plymp- 


ton Earl, near Plymouth; died 1792 at London. Was 
272 


R33-1 
Gallery 
ed 


R33-2 
Gallery 
oa 


R33-3 
Gallery 
24 


R33-4 
Gallery 
14 


REYNOLDS 


apprenticed to Thomas Hudson in London about 1740; 
traveled in Italy 1749 to 1750. Settled in London and 
was elected President of the Royal Academy at the time 
of its foundation in 1768. Portraits. 


SIR * EDWARD HUGHES. (1717-1794; appointed 
Admiral in 1778.) Life-size figure, seen to the waist; 
he wears a white wig; a ruffled white shirt front shows 
at the edge of his blue coat, which is trimmed with gold 
braid; on his breast are a silver star and the red ribbon 
of the Order of the Bath. Replica of full-length portrait 
now in Greenwich Hospital, London. 

Ex coll.: Comte Cornet, Brussels. 


ieee. int W242 1n.’) Canvas. 


Purchase, 1871. 


HON. HENRY FANE WITH HIS GUARDIANS, 
INIGO JONES AND CHARLES BLAIR. (The 
Hon. Henry Fane, second son of the eighth earl of 
Westmorland, died June 4, 1802. Charles Blair was his 
brother-in-law.) A terrace; Fane, wearing a white silk 
coat and breeches and a blue waistcoat embroidered in 
gold, is seated beside a table, a greyhound at his feet; Inigo 
Jones, dressed in blue, is seated behind the table at the 
left; and Charles Blair, wearing a red coat lined with green, 
a long green’ waistcoat, buff breeches, and top boots with 
spurs, stands at the right. A statue, trellis, and shrubbery 
are back of the group at the left; a stream and distant 
hills are seen at the right. Inscribed with the names of 
the three sitters. Painted in 1766 for the price of £200. 
Ex coll.: Earl of Westmorland. 

H. root in. W. 142 in. Canvas. 

Gift of Junius S. Morgan, 1887. 


LADY CAREW. Life-size, seated figure, seen to the 
waist, with the body full-front and the face turned to the 
left; her brown hair is braided about her head and she 
wears a low-necked white dress and about her waist a blue 
ribbon tied in front; the background consists of dark 
blue-gray clouds. 

H. 303 in. W. 25 in. Canvas. 

Gift of Henry G. Marquand, 1888. 


WILLIAM AUGUSTUS, DUKE OF CUMBERLAND. 
(1721-1765; the second son of King George II of Eng- 
land; commander-in-chief at the battles of Fontenoy, 
1745, and Culloden, 1756.) Life-size, standing figure, 


273 


R33-5 
Gallery 
14 


R33-6 
Gallery 
ca 


R33-7 
Gallery 
14 


R33-8 
Gallery 
14 


R33-9 
Gallery 
Tf 


REYNOLDS 


seen to below the knees; his right hand rests upon a helmet 
and the left grasps the hilt of a sword; he wears a steel 
breastplate under a scarlet coat trimmed with gold 
braid and faced with green. 

H. 492 in. W. 39% in. Canvas. 

Gift of George A. Hearn, 1806. 


MRS. ARNOLD. _Life-size portrait, seen almost to the 
waist; she wears a low-necked white silk gown and a 
pink fur-trimmed mantle; at her breast is a pink rose 
caught with a string of pearls. 

H. 30% in. W. 25 in. Canvas. 

Gift of George A. Hearn, 18096. 


MRS. BALDWIN. (Wife of George Baldwin, traveled 
extensively in Cyprus and the East Indies, and was in 
England from 1781 to 1786, in which year he was ap- 
pointed Consul to Egypt.) Life-size figure, seen to below 
the waist; she is seated on a dull red sofa with her face in 
profile to the left; she wears an Eastern costume of brown 
and green striped silk trimmed with ermine and a high, 
brownish headdress. Half-length replica of the full- 
length picture in the collection of the Marquess of Lans- 
downe. 

Ex coll.: Earl of Charlemont. 

H. 36,4, in. W.294in. Canvas. Bulletin, 1906, p. 48, ill. 
Gift, 1906, of William T. Blodgett and his sister, Eleanor 
Blodgett, in memory of their father, William T. Blodgett, 
one of the founders of the Museum. 


PORTRAIT OF A LADY. Life-size figure, seen full- 
front to the waist; she wears a low-necked blue gown with 
bows down the front and a white brocaded cloak trimmed 
with lace and blue ribbon. 

H. 29% in. W. 244 in. Canvas. 

Gift of George A. Hearn, 1906. 


INFANCY; known also as Master Hare. Life- 
size portrait of a child, seated under a tree; he has 
light hair and wears a low-necked white dress and purple 
sash; the right hand and arm are raised and pointing. 
A similar picture by Reynolds is in the Louvre, in Paris. 
H.29%in. W.24fin. Canvas. 

Gift of George A. Hearn, 1906. 


MRS. ANGELO. (Wife of Dominico Angelo Male- 
volti Tremamondo, a fashionable riding and fencing 
master.) Life-size, seated figure, seen to the waist with 


274 


R33-10 
Gallery 
14 


R33-11 
Gallery 
ag 


Ra3-t2 
Gallery 
24 


REYNOLDS 


the face almost in profile to the left; she wears a low- 
necked dark gray-green dress with roses at her breast; 
a miniature portrait is set in her bracelet. 

Ex coll.: David H. King, Jr., New York; James Price, 
London. 

H. 303 in. W. 25 in. Canvas. 

Gift of George A. Hearn, 1906. 


MRS. BARNARD. (Wife of Dr. Barnard, the Pro- 
vost of Eton, Dean of Derry, and Bishop of Killaloe.) 


- Life-size figure, seated in a landscape and seen to below 


the knees; she wears a white flowered dress and a red 
velvet cloak falls about her; her right hand holds a closed 
book which rests on her lap. 

H. 50in. W. 40% 1n. Canvas. 

Gift of George A. Hearn, rgro. 


GEORGIANA AUGUSTA FREDERICA ELLIOTT. 
(1782-1813; she was the natural daughter of George, : 
Prince of Wales, and Grace Dalrymple Elliott; the child 
was at first known as Miss Elliott, but later changed her 
name to Seymour and as Miss Seymour she was married 
in 1808 to Lord Charles Bentinck.) Life-size figure, 
seen to the knees, of a little girl standing out of doors 
with her hands folded before her; she wears a white mob 
cap with pink bow and a white dress with crossed kerchief; 
landscape background. Painted in 1784. A portrait by 
Gainsborough of the sitter’s mother is owned by the 
Museum (G12-0). 

Ex coll.: Miss Georgiana Cavendish-Bentinck. 

H. 30 in. W. 25 1n. Canvas. Bulletin, 1915, p. 88; 
ill. p. 87. 

Bequest of Maria De Witt Jesup, from the collection of 
her husband, Morris K. Jesup, 1915. 


ELIZABETH REYNOLDS, afterwards Mrs. Johnson. 
Life-size, bust portrait of a young lady full-face. She 
has light brown hair and wears a brown turban and a 
low-cut brown dress with large sleeves; pearls are about 
her neck and shoulders. According to Reynolds’ diary, 
she sat for the picture in 1758. It was probably painted 
as a marriage gift. ) 

Ex coll.: Rev. William Johnson, the great-grandson of 
the sitter. 

H. 30% in. W. 25 in. Canvas. 

Mr. and Mrs. Isaac D. Fletcher Collection. 

Bequest of Isaac D. Fletcher, 1917. 


279 


R33-14 
Gallery 


24 


R33C-1 


REYNOLDS — RICARD 


COLONEL GEORGE COUSSMAKER, of the Grenadier 
Guards. Full-length standing figure in a red coat with 
blue and gold lapels and cuffs, white breeches, and black 
riding boots with spurs. Leaning nonchalantly against a 
tree, he holds his hat in his hands. His horse standing 
beside him bends his head and neck almost to the ground 
at his master’s feet. 

Ex coll.: C. J. Wertheimer; Lord de Clifford. 

H. 932 in. W.57z in. Canvas. 

Bequest of William K. Vanderbilt, 1920. 


Copy AFTER REYNOLDS. 


JOHN HAWKSWORTH. (1715-1773; an _ English 
lawyer and bibliophile.) Life-size figure, seated at a 
desk and seen in profile to the left; he wears a red vel- 
vet coat and lace ruffled shirt; in the background a 
brown curtain is drawn to the right showing shelves of 
books. 

H. 303 in. W. 254 in. Canvas. 

Gift of Jacob H. Schiff, 1893. 


RIBERA, JusEPE DE; commonly called Lo Spagnoletto. Spanish; 


R35-1 
Gallery 
28 


born 1588 at Jativa, near Valencia; died 1652 (1656?) 
near Naples. Pupil of Francisco Ribalta at Valencia; 
influenced by Caravaggio; worked chiefly in Naples. 


LUCRETIA. (According to Roman legend, the rape 
of Lucretia, wife of a noble Roman, by Sextus Tarquinius, 
followed by her self-inflicted death, led to the overthrow 
of the Tarquins and the establishment of the republic, 
about 509 B. C.) Life-size figure, seen to the knees; she 
is partly nude and holds a rose-colored gown and olive 
green cloak about her; a dagger is in her right hand. 

Ex coll.: Marczell di Nemes, Budapest. 

H. 5033, in. W. 414 in. Canvas. 

Purchase, Hewitt Fund, 1912. 


RICARD, Louis Gustave. French; born 1824 at Marseilles; died 


R351-1 
Gallery 
20 


1873 at Paris. Pupil of Auber and Cogniet. Traveled 
in Italy and England. 


GIRL WITH A DOG. A little girl with brown hair 
seen to the waist, in a round-necked white dress; she holds 
a brown fluffy dog in her lap. 

H. 22 in. W. 18% in. Canvas. Bulletin, 1920, p. 140. 
Gift of S. W. de Jonge, 1920. 


276 


RICCt--3RICO 


RICCI, SesastiaAno. Italian (Venetian); born about 1659 at 
Cividale di Belluno, in the Venetian state; died 1734 at 
Venice. Pupil of Federigo Cervelli at Venice; was em- 
ployed at Vienna and spent ten years in England. 


ie5s2-1 ESTHER BEFORE AHASUERUS,. (The scene is 
described in the Bible, Book of Esther, Chapter 5.) 
At the right, the King, wearing a red robe, has risen from 
his throne and extends his sceptre toward the fainting 
queen, who, clothed in white and red, is upheld by 
her women; Haman and Mordecai and courtiers are at 
the right and soldiers at the left; architectural back- 
ground. 
H. 174 in. W. 51 in. Canvas. 
Gift of Henry G. Marquand, 1894. 


RICHARDS, Wiiii1AmM T. American; born 1833 at Philadelphia, 
Pa.; died 1905 at Newport, R. I. Pupil of Paul Weber 
in Philadelphia. Landscapes and marines. 


R39-1- A collection of 85 water colors in 71 frames. 
71 Gift of Rev. E. L. Magoon, 1880. 


R39-72 A ROCKY COAST. Rocks are in the foreground; 
S. W. to the right is a gully and beyond is the sea. 
Stairway H. 22,3 in. W. 36in. Water color. Signed: Wm. 
T. Richards, 1877. 
Bequest of Catharine Lorillard Wolfe, 1887. 


RICHTER, Gustav Kart Lupwic. German; born 1823 at Berlin; 
died there 1884. Pupil of Berlin Academy under Eduard 
Holbein and of Léon Cogniet in Paris. Portraits and 
historical subjects. 


R4i-1 VICTORY. A life-size, full-length, winged male figure, 
wearing a gilt corselet and rose-colored scarf, is astride a 
cloud blowing a trumpet; at the right stands a winged boy 
who holds two palm branches; below at the left are two 
Loves, the one holding a shield filled with olive branches 
and the other alaurel wreath. Companion piece to Peace 
by Knaus (K72-3). 

H. 136 in. W. 68 in. Canvas. Signed: G. Richter. 
Gift of Jacob H. Schiff, 1888. 


RICO, Martin. Spanish; born about 1850 at Madrid; died 1908 
at Venice. Pupil of Federico de Madrazo in Madrid; 
studied in Paris and Rome. Chiefly Venetian scenes. 


277 


R42-2 
Gallery 
18 


RICO— ROBERT 


CANAL OF VENICE. Houses border both sides of a 
canal; at the left is a garden with steps at the water’s 
edge where a boy is seated. 

H. 192 in. W. 262 in. Canvas. Signed: RICO. 
Bequest of Catharine Lorillard Wolfe, 1887. 


RIEFSTAHL, WiLHELmM. German; born 1827 at Neustrelitz; 


R44-1 
Gallery 
18 


died 1888 at Munich. Pupil of Berlin Academy under 
F. W. Schirmer. 


A WEDDING PROCESSION IN THE BAVARIAN 
TYROL. Peasants are passing in front of an inn on the 
porch of which musicians are playing; a church is at the 
right; mountains are beyond. 

H. 263 in. W. 422 in. Canvas. Signed: W. Riefstahl. 
Bequest of Catharine Lorillard Wolfe, 1887. 


RING, LUDGER TOM, THE YOUNGER. German; born about 1530 at 


R47-1 
Gallery 
34 


Minster; died 1583 or 1584 at Brunswick. Pupil of 
his father, Ludger tom Ring the Elder. 


CHRIST BLESSING; SURROUNDED BY DONOR 
AND FAMILY. Three panels. In the central panel 
is the figure of Christ standing behind a table; He 
wears a brownish robe and pale red cape and His right 
hand is raised in blessing. At the left is a brown-bearded 
man and behind him are a young man and a boy; to the 
right stands a woman and behind her a young girl. In 
the right-hand panel is the portrait of a young woman, and 
in the left-hand panel that of a man. Each figure is 
seen to below the waist and the age of each is written 
above the head; the architectural lines of a room are 
continued across the three panels. 

Central panel: H. 31g in. W. 373 in. Each side panel: 
H. 31g in. W.141in. Wood, 

Gift of J. Pierpont Morgan, 1917. 


ROBERT, Husert; called Robert des Ruines. French; born 


R54-1 

Wing F 

Gallery 
23 


1733 in Paris; died there 1808. Studied in Paris and in 
Italy. Became director of the department of paintings 
at the Louvre and royal landscape architect. 


MOUTH OF A CAVE. A man and two women stand 
on a ledge of rock at the entrance of a cave beyond which 
is the sea; in the foreground a fisherman with a basket 
on his back stands knee deep in the water. 


278 


R54-2 

Wing F 

Gallery 
23 


R54-3 

Wing F 

Gallery 
23 


R54-4 

Wing F 

Gallery 
23 


R54-5 

Wing F 

Gallery 
23 


R54-6 

Wing F 

Gallery 
23 


R54-7 

Wing F 

Gallery 
18 


R54-8 
Wing F 
18 


ROBERT 


H. 687 in. W.31%in. Canvas. Signed: H. ROBERT 
1784. 
Gift of J. Pierpont Morgan, 1917. 


THE BRIDGE. At the right, arches of the Roman 
aqueduct extend across the Campagna; in the foreground 
at the left, women are gathered about a fountain the 
water of which flows from the base of a tall obelisk. 
M268, in. W.312 in. Canvas. 
Gift of J. Pierpont Morgan, 1917. 


THE SWING. An Italian garden with ladies, gentle- 
men, and children watching a young woman swinging 
between tall trees. 

H. 684 in. W. 34% in. Canvas. Signed: H. ROBERT. 
Gift of J. Pierpont Morgan, 1917. 


THE DANCE. Ona roadway near a pool, a couple are 
dancing in the foreground while a man in a red coat 
is playing the guitar and peasants are watching them; 
a waterfall and steep rocks beyond. 

H. 683 in. W. 332 in. Canvas. 

Gift of J. Pierpont Morgan, 1917. 


THE BATHING POOL. A ruined circular temple with 
a statue of Venus in the center and steps leading down 
to a marble pool in the foreground where women are 
bathing; tall trees are in the background. 

H. 682 in. W. 482 in. Canvas. 

Gift of J. Pierpont Morgan, 1917. 


THE CONCERT. At the right is a house with ladies 
at the windows listening to strolling musicians who 
stand on the terrace below; ruined columns are in the 
foreground at the right; an obelisk fountain is at the 
left and wild landscape in the distance. 

H. 682 in. W. 483 in. Canvas. 

Gift of J. Pierpont Morgan, 1917. 


ARCHES IN RUIN. In the foreground at the right 
there are three figures near two ruined arches; a river 
is at the left and mountains are beyond. 

H. 234 in. W. 61; in. Canvas. 

Gift of J. Pierpont Morgan, 1917. 


COLONNADE IN RUIN. At the left are the ruins of 
a semicircular colonnade; on a hill in the foreground at 
the right, a man is sketching and a woman stands back 
of him. 


279 


ROBERT — ROESTRATEN 


H. 23 in. W. 61% in. Canvas. 
Gift of J. Pierpont Morgan, 1917. 


ROBERT-FLEURY, Tony. French; born 1838 at Paris; died 


R54I-1 
Gallery 
17 


there 1911. Pupil of his father, Joseph Nicolas Robert- 
Fleury, of Delaroche, and of Cogniet. 


A MUSICAL CARDINAL. A gray-bearded cardinal, 
wearing a scarlet robe, is playing the bass-viol, his music 
resting on a chair in front of him; tapestries hang on the 
wall. 

H. 22in. W..172 in. Wood. Signed: Tony-Robert- 
Fleury. 

Bequest of Catharine Lorillard Wolfe, 1887. 


ROBINSON, TuHeEopore. American; born 1852 at Irasburg, 


R56-1 


R56-2 


R56-3 
Gallery 
15 


Vt.; died 1896 at New York City. Pupil of Carolus- 
Duran and Géréme and later of Claude Monet in Paris. 
Landscapes and figure subjects. 


GIRL AND COW. Life-size, full-length figure of a 
young girl, standing in the sunlight, sewing; she wears 
a white blouse and pinkish brown skirt; behind her 
at the left is a brown and white cow; bushes and trees 
form the background. . 
H. 862 in. W.613in. Canvas. Signed: TH. ROBIN- 
SON-1888. Bulletin, 1906, p. 111, ill. 
Gift of William T. Evans, 1906. 


THE OLD MILL. A country road with a fence on 
each side; at the left are low stone buildings with red 
roofs; in the distance is a cultivated hilltop. 

H. 18 in. W. 217 in. Canvas. Signed: Th. Robinson. 
Gift of Mrs. Robert W. Chambers, gio. 


BIRD’S EYE VIEW; GIVERNY, FRANCE. A hillside 
road is in the foreground; in the hollow beyond are the red 
and gray roofs of the village; in the distance green fields, 
crossed by rows of trees, extend to a line of low blue hills. 
H. 26 in. W. 324 in. Canvas. Signed: TH. ROBIN- 
SON 1880. 

Gift of George A. Hearn, 1910. 


ROBUSTI, Jacopo. See Tintoretto. 


ROESTRATEN, Pieter. Dutch; born 1630 at Haarlem; died 


1698 at London, England. Was educated by Frans 


280 


R62-1 
Gallery 
26 


ROESTRATEN — ROMNEY 


Hals, whose daughter he married; some time before 1666 
settled in London. Portraits and still life. 


THE OLD RAT COMES TO THE TRAP AT LAST. 
A bedroom; at the right an unmade bed with two figures; 
at theleft a baby in a cradle; beyond, an old woman 
approaches. Purchased as a Jan Steen; attributed to 
Esaias Boursse and Jan Steen by Bredius; Hofstede de 
Groot considers it by Roestraten. 

Ex coll.: Comte Cornet, Brussels; W. Burger. 

H. 32 in. W. 277’, in. Canvas. 

Purchase, 1871. 


ROGELET DE LA PASTURE. See Weyden, Roger van der. 


ROMNEY, Georce. British (English); born 1734 at Beckside, 


R661-1 
Gallery 


24 


R661-2 
Gallery 


14 


Lancashire; died 1802 at Kendal. Apprenticed to an 
itinerant portrait painter, Christopher Steele; in 1762 
he went to London, where the greater part of his life was 
spent. 


MRS. FITZHERBERT. (1758-1837; Maria Anne 
Smyth was married to Thomas Fitzherbert in 1778; she 
became the wife of the Prince of Wales, later King George 
IV, December 21, 1785, but the marriage was considered 
invalid.) Life-size, seated figure, seen to below the 
waist; her hair is light and elaborately dressed with blue 
ribbons; she wears a white dress cut V-shape and a gray- 
blue sash; a black lace shawl falls over her arms. Painted 
for George IV when Prince Regent. At one time attrib- 
uted by Roger Fry to Hoppner. 

H. 29%in. W.25in. Canvas. Bulletin, 1906, p. 48, ill. 
Gift, 1906, of William T. Blodgett and his sister, Eleanor 
Blodgett, in memory of their father, William T. Blodgett, 
one of the founders of the Museum. 


LADY HAMILTON AS DAPHNE. (1761-1815; Emma 
Lyon was the daughter of a blacksmith; she went to 
London where for a time she was known as Mrs. Hart; 
in 1791 she married Sir William Hamilton, the English 
ambassador at Naples; with her husband she accompanied 
Lord Nelson to Palermo and later they returned to 
England. Between 1782 and 1791 she was Romney’s 
favorite model and some forty-five of his pictures were 
painted from her.) Life-size to the waist; she is seated 
under a tree with her body turned to the right; she 
wears a low-necked white dress; a white scarf, which 


281 


R661-3 
Gallery 


24 


R661~4 
Gallery 


24 


ROMNEY — ROSSETTI 


falls over her right shoulder, is held on her brown hair 
by a blue ribbon. 

H. 314 in. W. 2835, in. Canvas. 

Gift of George A. Hearn, 1906. 


THE HONORABLE MRS. TICKELL. (Miss Ley, 
born 1771(?), became the second wife of Richard Tickell 
in 1789.) Life-size figure, turned three-quarters to the 
right and seen to below the waist, seated out of doors with 
her hands in her lap; her brown hair is waved and a 
long curl falls over her left shoulder; she wears a low- 
necked white dress with purple sash; a crayon holder and 
a sheet of paper are on a table at her left. 

H. 30 in. W.254 in. Canvas. 

Bequest of Maria De Witt Jesup, from the collection of 
her husband, Morris K. Jesup, 1915. 


PORTRAIT OF THE ARTIST. (Painted in the winter 
of 1795.) Luife-size figure, three-quarters to the left and 
seen to the waist; he has grayish hair and wears a black 
coat with white neck-cloth; dark brown background. 

H. 30 in. W.25 in. Canvas. Bulletin, 1915, p. 88, ill. 
Bequest of Maria De Witt Jesup, from the collection of 
her husband, Morris K. Jesup, 1915. 


ROSA, SALvATorR. Italian; born 1615 at Naples; died 1673 at Rome. 


R71-1 


Pupil of Paolo Greco and Falcone. 


PORTRAIT OF THE ARTIST. Half-length figure of 
the artist wearing a poetic crown of wild parsley on his 
long brown locks. He is seated facing toward the left 
at a table on which are books and papers, in melancholy 
contemplation of a skull on which he writes in Greek 
“Whither at last.” 

H. 3934 in. W. 31% 1n. Canvas. Inscribed: Salvator 
Rosa dipinse nell’ Eremo e dono a Gio. Batta Ricardi 
suo amico. 

Bequest of Mary L. Harrison, 1921. 


ROSSETTI, DANTE GABRIEL. British (English); born 1828 at 


R73-1 


London; died 1882 at Birchington, Kent. Pupil of 
J. S. Cotman and of the Royal Academy Schools. Figure 
subjects. 

LADY LILITH. (Lilith, according to Talmudic tra- 
dition, was Adam’s first wife.) Seated figure, seen to 
below the knees, combing her hair and looking into a 


282 


ROSSETTI — ROTHENSTEIN 


hand-glass; she wears a loose white gown and a blue 
mantle lined with white fur is on the back of the chair; 
in the background at the left is a dressing table on which 
are a covered jar, a red foxglove, candle brackets, and a 
mirror that reflects a light green landscape; a rose bush 
is behind the figure at the right and a poppy is in a 
glass in the immediate foreground. These flowers are 
associated with Lilith. 

H. 20in. W. 1627 1in. Water color. Monogrammed: 
D G R (within a circle) 1867. Bulletin, 1908, pp. 144, 
169, ill. 

Purchase, Rogers Fund, 1908. 


ROSSITER, THomas PritcHarp. American; born 1818 at New 


R731I-1 


Haven, Conn.; died 1871 at Cold Spring, N. Y. Pupil of 
Nathaniel Jocelyn; traveled extensively in Europe. 
Historical subjects. 


WASHINGTON AND LAFAYETTE AT MOUNT 
VERNON 1776. Washington stands on the verandah 
of his home in conversation with Lafayette, who holds be- 
hind him a copy of the Pennsylvania Gazette. Washing- 
ton wears a dark blue coat and knee breeches with white 
stockings; Lafayette has a similar costume in red. At the 
right near the house, Mrs. Washington and Nellie Custis 
are seated at a table and a little girl is beside them; on 
the lawn at the left of the verandah a boy is playing with 
a colored nurse and two dogs; in the distance, beyond a 
line of trees, is the Potomac River. Louis R. Mignot 
painted the landscape in this picture. See Mignot. 
H.87in. W. 1465 in. Canvas. Signed: at left, MIGNOT; 
at right, ROSSITER 1859. Bulletin, 1905, p. ro. 
Bequest of William Nelson, 1905. . 


ROTHENSTEIN, Wirttam. British (English); born 1872 at 


R74-I 
Gallery 
19 


Bradford; lives in London. Pupil of Slade School in 
London under Legros; Julian Academy in Paris. 


PORTRAIT OF THE ARTIST. (Aged about twenty- 
five.) Life-size, seen to the waist; he has round spec- 
tacles and wears a soft black felt hat with high crown 
and turned-down brim, a heavy black cape, and red 
muffler; landscape background. 

H. 294 in. W. 244 in. Canvas. Initialed: W R 1900. 
Bulletin, 1909, p. 225. 

Gift of Mrs. T. L. Chadbourne, 19009. 


283 


ROUSSEAU 


ROUSSEAU, Tufopore. French (Barbizon); born 1812 at Paris; 


R76-1 
Gallery 
17 


R76-2 
Gallery 
17 


R76-3 
Gallery 
17 


R76-4 
Naek: 
Stairway 


died 1867 at Barbizon, in the forest of Fontainebleau. 
Pupil of Rémond and Lethiére. Landscapes. 


RIVER LANDSCAPE. On the left bank of a river there 
are large trees and under their shade is a man in a row- 
boat; a road and a thatched cottage are at the extreme 
left; beyond the river at the right are meadow lands with 
a few trees. 

H. 839; in. W.10, in. Canvas. Signed: TH. Rousseau. 
Bequest of Catharine Lorillard Wolfe, 1887. 


EDGE OF THE WOODS. To the right is a group of 
old oaks in full leafage; a footpath runs from the fore- 
ground over a low hill on the crest of which a figure is 
seen; at the left scraggly trees are silhouetted against a 
brilliant blue sky which is flecked with gray and white 
clouds. 

H. 317 in. W. 4875 in. Wood. Signed: TH. Rous- 
seau 1854. 

Purchase, Wolfe Fund, 1896. 


LANDSCAPE. Trees are in the foreground at the left 
and behind them is a cluster of white buildings; a hill, 
beyond, slopes to the plain at the right; the sky is gray 
with light pinkish clouds. 

Ex coll.: Marquand. ? 

H. 1o4in. W.1342in. Wood. Signed: TH. Rousseau. 
Purchase, Wolfe Fund, 1903. 


WINTERSUNSET; FOREST OF FONTAINEBLEAU. 
La Foret vD’Hiver. A _ rocky clearing with the 
sunset sky seen through bare trees; in the foreground a 
marshy pool reflects the trees and sky; in the middle dis- 


' tance are small figures of wood gatherers. 


R76-5 


R76-6 
Gallery 
21 


H.64in. W. 102%in. Canvas. Signed: TH. Rousseau. 
Bulletin, 1911, p. 40. 

Gift of P. A. B. Widener, 1911. 

MEADOW BORDERED BY TREES. Full summer 
foliage; cloudy sky with blue showing through. 

H. 163 in. W.2421n. Wood. Signed: TH. Rousseau. 
Bulletin, 1911, p. rot, ill. 

Bequest of Robert G. Dun, 1gr1. 

PATH AMONG THE ROCKS. A narrow footpath 
leads from the foreground across a rocky hill; a man 
follows a donkey toward the crest of the hill where there 
is a line of trees; blue sky with light clouds. 


284 


R76-7 


ROUSSEAU — RUBENS 


H.1442in. W.232in. Wood. Signed: TH. Rousseau. 
Bulletin, 1914, p. 253; ill. p. 254. 
Bequest of Benjamin Altman, 1913. 


TREES BY A POOL. In the foreground is a marshy 


Gallery pool; in the middle distance there are trees at right and 


20 


R76-8 


R76-9 


left; sunlight beyond. 

H. 6in. W. 9785 in. Wood. Signed: TH. Rousseau. 
Bequest of Maria De Witt Jesup, from the collection of 
her husband, Morris K. Jesup, 1915. 


FONTAINEBLEAU. The edge of the forest; trees 
against a late afternoon sky. 

H. 128 in. W. 16in. Wood. Signed: TH. Rousseau. 
Mr. and Mrs. Isaac D. Fletcher Collection. 

Bequest of Isaac D. Fletcher, 1917. 


LANDSCAPE. A country road beside a little pool sur- 
rounded by trees in late afternoon light. 

H. 183 in. W.273in. Canvas. Signed: TH. Rousseau. 
Bulletin, 1921, p. 121. 

Bequest of Eloise Lawrence Breese Norrie, 1921. 


ROYBET, FERDINAND. | French; born 1840 at Uzes; lives in Paris. 


R8I-1 


Pupil of Vibert. Figure subjects. 


’ THE GAME OF CARDS. An interior with two men 


Gallery playing cards; a third man watching the game stands 


17 


behind the table with his hand on a tall flagon; seven- 
teenth-century costumes. 

H. 183 in. W.21¢in. Wood. Signed: F. Roybet. 
Bequest of Catharine Lorillard Wolfe, 1887. 


RUBENS, Peter Pau. Flemish; born 1577 at Siegen in the 


R82-1 


Duchy of Nassau, near Cologne, although his parents 
were natives of Antwerp; died 1640 at Antwerp. Pupil of 
Adam van Noort and Otto van Veen; worked in Italy for 
eight years; settled at Antwerp. Portraits, figure subjects. 


RETURN OF THE HOLY FAMILY FROM EGYPT. 
Life-size, full-length figures of the Madonna and St. 
Joseph, standing behind the boy Jesus; the Virgin, 
wearing a red robe and gray cloak, is at the left and holds 
the hand of Jesus who is dressed in purple; St. Joseph 
wears a yellow garment; landscape background. In the 
upper part of the picture the Eternal Father appears in 
the clouds. Painted for the Church of the Jesuits, Ant- 
werp. 


285 


R82-2 
Gallery 
27 


R82-3 
Gallery 
27 


R82-4 
Gallery 
27 


RUBENS 


Ex coll.: Comte Cornet, Brussels; Danoot; Buchanan. 
H. 102 in. W. 693 in. Canvas, transferred from wood. 
Purchase, 1871. 


THE HOLY FAMILY.  Life-size, full-length figures. 
The Virgin, in a red dress and white underskirt, is seated 
in the center of the picture and holds the nude Infant, 
who stands on her knee; His right hand is extended 
toward the nude infant St. John, who stands at the left; 
beyond, at the extreme left, St. Francis, in the brown 
habit of his order, leans forward in adoration; behind the 
mother and Child stands St. Elizabeth; and at the extreme 
right is St. Joseph, wrapped in a brown mantle; land- 
scape background with ruined stonework back of the fig- 
ures; level country at the left, and brilliant clouds on the 
horizon. 

H. 682 in. W. 82 in. Canvas. 

Gift of James Henry Smith, 1902. 


WOLF AND FOX HUNT. Hunters and dogs are 
attacking a group of wolves and foxes; at the right, a 
cavalier, wearing a green jacket and mounted upon a 
gray horse, is seen partly from the back and beside him on 
a dark horse is a woman, who wears a red skirt and low- 
necked black bodice; at the left a mounted cavalier 
gallops toward the group and several men on foot are 
attacking the animals. The landscape was probably 
painted by Jan Wildens. Painted for General Legranes, 
Commander of artillery under Spinola. Rubens painted 
several similar compositions; one is in the Jussupoff Gal- 
lery in Petrograd, a smaller canvas belonged to Lord 
Methuen, and a larger one is known to have been 
painted but seems to have disappeared. 

Ex coll.: Alexander Baring, first Baron Ashburton; John 
Smith; Count Altimera. 

H.96in. W.1484in. Canvas. Bulletin, 1910, p. 120, 
ill. 

Purchase, Kennedy Fund, 1gro. 

PORTRAIT OF A MAN. Life-size figure of a smiling 
cavalier, seen to the waist; the body is inclined forward 
and the right hand partly hidden under the folds of a 
black cloak; he wears a black brocaded suit and a wide 
square white collar edged with lace; he has brown hair, 
moustache, and goatee. 

H. 23 in. W.19in. Wood. 

Gift of J. Pierpont Morgan, rort. 


286 


R82-5 
Gallery 
11 


R82-6 
Gallery 
27 


R82-7 
Gallery 
27 


R82-51 
Gallery 
II 


R82C-2 
Gallery 


27 


RUBENS 


SAINT THERESA PRAYING FOR THE SOULS IN 
PURGATORY. Christ stands in the middle of the 
picture holding a vermilion robe about His partly nude 
body; Saint Theresa, in the habit of a nun, kneels on 
clouds at the right; at the left two cherubs call attention 
to the figures amidst flames which are in the immediate 
foreground. This picture is a sketch (or replica) of 
the altarpiece now in the Antwerp Museum. . 
H. 247 in. W. 193 in. Wood. Bulletin, 1909, p. 154. 
Gift of J. Pierpont Morgan, 1917. 


PORTRAIT OF A MAN. Bust, life-size, three-quarters 
to the right; he is dark, about fifty years old, with thin, 
black hair streaked with gray and gray moustache and 
beard; he wears a white ruff and black doublet; brown 
background. 

H. 203 in. W. 162 in. Canvas. 

Mr. and Mrs. Isaac D. Fletcher Collection. 

Bequest of Isaac D. Fletcher, 1917. 


PORTRAIT OF AN OLD MAN. The head and shoul- 
ders of an old man turned three-quarters to the right. 
He has a long white beard and short reddish white hair. 
The painting of the eyes is unfinished. 

Ex. coll.: Martius, Kiel. 

H. 253 in. W. 203 in. Panel. Bulletin, 1923, p. 116. 
Purchase, Egleston Fund, 1922. 


VENUS AND ADONIS. Adonis tries to take leave of 
Venus, who clasps his arm. She is nude except for a thin 
white drapery; he wears a red tunic and holds a spear. 
Cupid tries to detain him by clutching his leg and kicking 
him. Two hounds and the landscape background were 
probably painted by Wildens. 

H. 77% in. W. 95% in. Canvas. 

Lent by Mrs. Harry Payne Bingham, 1920. 


Copy AFTER RUBENS. 


SUSANNAH AND THE ELDERS. Susannah, from 
whose nude figure a cloak has fallen, is seated on a marble 
terrace in front of a stone fountain; at the right one of the 
Elders, in a fur-trimmed cloak, is stepping over a low 
balustrade and the other, in a scarlet cloak, looks through 
the branches of a tree from the limbs of which hang black 
and yellow draperies; a white marble building and a 
landscape are at the right. An old copy of the picture by 
Rubens in the Pinakothek at Munich. 


287 


R82S-1 


R82S-2 
Gallery 


27 


RUBENS— RUISDAEL 


H. 183 in. W.252in. Wood. 
Gift of Henry G. Marquand, 1890. 


SCHOOL OF RUBENS. 


PYRAMUS AND THISBE. (According to classical 
legends Thisbe, a maiden of Babylon, and her lover, 
Pyramus, arranged a meeting near a mulberry tree. 
Thisbe, arriving first, became frightened by a lion and fled, 
dropping her cloak, which the lion tore; Pyramus, finding 
the torn cloak, believed Thisbe to be dead and killed him- 
self beneath the mulberry tree, the fruit of which was 
thenceforth red; when Thisbe returned and found the 
corpse of her lover, she threw herself on his sword.) The 
dead body of Pyramus lies upon a red cloak; at the right 
Thisbe, wearing a white dress, is falling upon the sword; 
Cupid is flying away and three Loves are in the branches 
of the mulberry tree; at the left is a monument with a 
sculptured lion. 

H. 512 in. W. 303°, in. Canvas. Signed: Rubens. P. 
Gift of Henry G. Marquand, 1888. 


CAMBYSES’ PUNISHMENT OF AN UNJUST 
JUDGE. (According to tradition, the Persian King 
Cambyses, who ruled about 530 B. C., caused an unjust 
judge to be skinned alive and then appointed his son to fill 
the office and obliged him to sit upon a cushion made of 
his father’s skin.) The King, accompanied by warriors 
and councilors, approaches from the right and extends 
his sceptre toward the judge who, in his red robe, is only 
partly seated in the judge’s chair; women and children 
kneel at the left. Study for decoration of Magistrates’ 
Hall, Brussels, destroyed in 1695. 

Ex coll.: Menke, Antwerp; Lorimer, The Hague. 
H.18in. W.1731n. Wood. 

Gift of William E. Dodge, 1900. 


RUISDAEL, Jacos IsAAcksz. vAN. Dutch; born 1628 (or 1629) 


R85-1 
Gallery 
26 


at Haarlem; died there 1682. Probably a pupil of his 
uncle, Salomon van Ruysdael. Became a citizen of 
Amsterdam in 1659 where he lived until 1681. Landscapes. 


LANDSCAPE. A stream with rocky banks flows over 
a dam of stones in the immediate foreground; there are 
trees in shadow at the left and at the right is a large oak; 
two figures are driving sheep; a wooded hill is beyond. 
H. 393 in. W. 50% in. Canvas. Signed: J Ruisdael. 
Gift of Henry G. Marquand, 1888. 


288 


R85-2 


RUISDAEL — RUYSDAEL 
WHEATFIELDS. A road between ripened wheatfields; 


Gallery beyond are a group of trees and some cottages and the 


3) 


sea is on the horizon at the left; along the road a man is 
walking away from the spectator and beyond, a woman 
and a little boy are approaching; the sky is filled with 
large clouds and the wheatfields are in strong sunlight. 
Ex coll.: Maurice Kann, Paris; Comte de Colbert La Pace. 
H. 393 in. W. 514 in. Canvas. Signed: JVRuisdael. 
Bequest of Benjamin Altman, 1913. 


RUYSCH, Racuer. Dutch; born 1664 or 1665 at Amsterdam; 


Ro94-2 


died there 1750. Pupil of Willem van Aelst; married, 
in 1695, the painter Jurriaan Pool but always signed with 
her maiden name. At Diisseldorf was painter to the 
Elector Palatine, John William. Flowers and fruit. 


PLANTS AND BUTTERFLIES. Butterflies hover 
over flowers, vines, and brilliant red mushrooms; in the 
foreground is a creeping snail. 

Ex. coll.: Comte Cornet, Brussels; Marquis de Rodes; 
Comte Van der Burch. 

H. I IPs in. W. 845 in. Wood. 

Purchase, 1871. 


RUYSDAEL, Satomon van. Dutch; born about 1600 probably 


Ro4I-! 
Gallery 
26 


Ro41-2 


Ro41-4 
Gallery 
26 


at Haarlem; died there 1670. Perhaps pupil of Esaias van 
de Velde and Jan van Goyen. Landscapes with figures. 


DRAWING THE EEL. (A Dutch game played in 
winter.) At the left is a frozen river with sleighs and 
skaters; at the right, in front of a row of buildings, nu- 
merous people are watching a man and a woman who are 
mounted on one horse and trying to catch an eel which 
hangs from a wire stretched across the road. 

H. 293 in. W.4144in. Canvas. Signed: S.VRvysDAEL 
1050. 

Purchase, 1871. 


MARINE. A few fishing-boats and, against the horizon, 
a long line of land with buildings. 

Ex coll.: Comte Cornet, Brussels; Maximilian I of Ba- 
varia. 

H. 138 in. W. 1748; in. Canvas. 

Purchase, 1871. 


A COUNTRY ROAD. At the left trees surround a 
farmhouse; in front of this is a road with two vehicles 
going over a bridge and two horsemen following at the 


289 


Ro41-5 


RUYSDAEL — RYDER 


left; the road divides in the foreground; at the right two 
herdsmen and cattle are coming toward a narrow stream 
at the extreme right; meadows beyond and a church in 
the distance. 

H. 383 in. W. 52% in. Canvas. Signed: S.VRvysDAEL 
1648. 

Purchase, Rogers Fund, 1906. 


HAARLEM, HOLLAND. In the foreground a river 
and two boats filled with people, from one of which a man 
mounts a ladder to the top of the bank where there are 
trees, a house, and people; against the horizon at the right 
a windmill, houses, and sail-boats, and in the center of 
the picture above the trees is a square tower; wide ex- 
panse of light sky. 

H. 417 in. W. 523%; in. Canvas. Signed: S VRuysdael 
1646. Bulletin, 1915, p. 88; ill. p. or. 

Bequest of Maria De Witt Jesup, from the collection of 
her husband, Morris K. Jesup, 1915. 


RYCKAERT, Davin, III. Flemish; born 1612 at Antwerp; died 


Ro6-1 
Gallery 
26 


there 1661. Pupil of his father, David Ryckaert II. 


FARMHOUSE. A man is carrying a basket into a 
shelter where there are pots and pans, baskets and barrels; 
a lamb precedes him and there is a litter of pigs at the 
left; landscape beyond with a residence. 

Ex coll.: W. Burger, Brussels. 

H. 358 in. W. 452 in. Canvas. Signed: D Ryckart. 
Purchase, 1871. 


RYDER, AtBert P. American; born 1847 at New Bedford, Mass.; 


Ro7-! 
Gallery 
12 


died 1917 in New York City. Pupil of National Academy 
of Design in New York and of William E. Marshall. Ro- 
mantic subjects. 


THE CURFEW HOUR. (The curfew was a twilight- 
hour bell rung in olden times as a police signal that all fires 
and lights should be put out. The word is derived from the 
French words “‘couvre feu.””) A landscape with two low 
thatched cottages at the left; two cows in the foreground; 
a hill is beyond at the right with the sea in the distance 
at the left; cloudy sky with the moon partly hidden. 

Ex coll.: Cottier. 

H. 7% in. W. 1033; in. Wood. Signed: A. P. Ryder. 
Bulletin, 1909, p. 88. 

Purchase, Rogers Fund, 1909. 


290 


Rg7-2 
Gallery 
16 


Ro97-3 
Gallery 
13 


Ro7-4 
Gallery 
12 


RYDER, 


Ro71-1 
Gallery 
IZ 


RYDER, 


Rg72-1 


RYDER—RYN 


THE SMUGGLERS’ COVE. Rocks are at the left 
with two huts in a cleft; a sail-boat is beached nearby 
and a horse and several figures are in the foreground; 
blue sea and yellowish cloudy sky are at the right. 
Eatcoils: Cottier. 

H. 1oin. W. 28in. Leather. Bulletin, 1900, p. 88. 
Purchase, Rogers Fund, 1909. 


THE BRIDGE. An arched stone bridge is in the 
center of the picture; there is a hill at the right and at the 
left the towers of a town are seen against a sunset sky. 
H. 117 in. W. 262 in. Leather. 

Gift of George A. Hearn, 19009. 


TOILERS OF THE SEA. A sail-boat manned by two 
fishermen is tossing in the rough sea and shows dark 
against the waves and clouds lit by a silvery moon. 

Ex coll.: I. T. Williams; Cottier. 

H. 112 in. W.12in. Wood. Signed ARyder. Bulle- 
tineO15, pool; ill.ip. 85. 

Purchase, Hearn Fund, 1915. 


CuHAuncy F. American; born 1869 at Danbury, Conn.; 
lives in New York. Pupil of the Art Institute of Chicago, 
Collin and Laurens in Paris. Landscapes. 


MOUNT MANSFIELD, VERMONT. In the fore- 
ground are gray rocky ledges covered with a short dark 
green growth; the mountain rises beyond in a pale green 
light. 

Hovdsain., W. 57 1n:. Canvas. Signed: Chauncy F. 
Ryder. 

Purchase, Hearn Fund, 1922. 


Piatr P. American; born 1821 at Brooklyn, N. Y.; 
died 1896. Pupil of Bonnat.in Paris. Portraits. 


GEORGE P. PUTNAM. (1814-1872; New York pub- 
lisher; Trustee of the Museum from its foundation.) 
Life-size, almost to the waist; he has gray hair and a full 
gray beard with a smooth upper lip. 

H. 274 1n. W. 2275 in. Canvas. Signed: P. P. Ryder, 72. 
Gift of Samuel P. Avery, 1893. 


RYN. See Rembrandt van Ryn. 


291 


S 


SALVI, G1IovANNI BaAtTisTA. See Sassoferrato. 


SANCHEZ-PERRIER, Emitio. Spanish; born 1853(?) at Seville; 


Sa5-1 


lives in Paris. Pupil of Cano. 


LAGOON NEAR VENICE. Beyond the water is a 
green terrace and in the distance are white buildings 
above which rises a round dome: at the left are several 
boats under a covered dock. 

H. 133 in. W. 21} 1n. Wood. Signed: E. Sanchez- 
Perrier. 85. 

Bequest of Thomas P. Salter, 1907. 


SANO DI PIETRO DI MENICO. Italian (Sienese); born 1406 


Sa5I-! 
Gallery 
3) 


Sa5 1-2 
Gallery 
31 


at Siena; died there 1481. Pupil of Sassetta. 


MADONNA AND CHILD. The Madonna, seen to the 
waist, holds the Child with both hands; she has a 
black mantle over her head and shoulders, and the Child, 
who is seated on her arm and seen to the knees, wears a 
gold brocaded dress; gold background with the Virgin’s 
halo incised. In the pediment of the frame there is a 
small figure of Christ rising from the tomb. 

H. 20 in. W. 133 in. Tempera on wood. 

Purchase, Rogers Fund, 1909. 


KING SOLOMON AND THE QUEEN OF SHEBA. 
Panel divided into two parts by a border. At the left, in 
the city of Sheba, men are carrying boxes and bales and 
loading them upon camels while the Queen and her ladies 
oversee the packing; in the center of this part the retinue 
passes out of the city gates with, in the foreground, two 
white horses drawing a chariot in which the Queen is 
seated under a dais while before her are two trumpeters 
and four musicians; in another chariot and on foot are 
soldiers and attendants preceded by the camels guided by 


292 


SANO DI PIETRO DI MENICO—SARGENT 


apes and negro boys perched on the bales. In the right- 
hand part the procession is entering the gates of Jerusa- 
lem. At the extreme right King Solomon stands in the 
loggia of his house and receives his guest; crowds look on 
from the square and balcony; landscape background. All 
wear costumes of the artist’s time. 

The border is in relief, gilded. At each side are armorial 
bearings; the shield at the left is blue with a bend, gold, 
between three gold vines, probably the device of the Luci 
family of Florence; that at the right is red with a counter- 
embattled fesse, likewise of gold, between three pairs of 
gold wheat ears, and belongs to the Sienese family of the 
Spannochi. At the base is the following inscription: 
QUESTA SIE LASTORIA QUANDO LAREINA SABA ANDO 
AUDIRE LA SAPIENTIA DELRE SALAMONE INGIERUSALEM. 
(This is the history [of the time] when the Queen of Sheba 
went to hear the wisdom of King Solomon in Jerusalem.) 
The panel was a decoration for furniture, probably a 
settle or marriage chest. 

Ex coll.: Palmieri Nuti, Siena. 

H. 203 in. W.7oin. Temperaonwood. Bulletin, 1914, 
p. 128, ill. 

Purchase, Rogers: Fund, 1914. 


SARGENT, Joun S. American; born 1856 at Florence, Italy, of 


Saz7el 
Gallery 
II 


27-2 
Gallery 
12 


American parents; lives in London. Pupil of Carolus- 
Duran in Paris. Chiefly portraits. 


HENRY G. MARQUAND. (1819-1902; a New York 
merchant and art collector; President of the Museum 
from 1890 to 1902.) Life-size, seated figure, seen to below 
the knees; his right arm is over the back of the white 
enameled caned chair on which he is seated and the left 
rests on a table with the hand raised and supporting his 
head; his thin hair, moustache, and side whiskers are 
gray; he wears a black frock coat; the background is dark 
with a gray curtain at the left. 

Hos can Wi 412 in: Canvas. Signed: John S: Sar- 
gent. Bulletin, 1911, p. 4, ill. 

Gift of the Trustees, 1897. 

WILLIAM M. CHASE. (American painter; see Chase.) 
Life-size, standing portrait, seen to below the knees; in 
his left hand are the palette, brushes, and mahlstick 
and a brush is held in his extended right hand. Dark 
background. 


203 


Sa7-3 
Gallery 
15 


Sa7-4 
Gallery 
12 


Sa7-5 
Gallery 
12 

Sa7-6 
Gallery 
15 


$a7-7 


Sa7-8 


Sa7-9 


SARGENT 


H. 623 in. W. 413 1n. Canvas. Inscribed by Mr. 
Chase: Copyright by John S. Sargent, 1902. Bulletin, 
1905, p. 9, ill. 

Gift of pupils of Mr. Chase, 1905. 

GITANA. _Life-size study of a gypsy woman, seen to the 
waist; she wears a red drapery and her black hair is 
tightly braided. 

H. 282 in. W. 233 in. Canvas. Signed: John S. Sargent. 
Gift of George A. Hearn, 1910. 


THE HERMIT. A woodland scene with the emaciated 
nude figure of an old man seated in the immediate fore- 
ground at the right; two deer are nearby; sunlight falls 
through the branches. 

H.372in. W.38in. Canvas. Signed: John S. Sargent. 
Bulletin, 1911, p. 100; 1912, p. 205, ill. 

Purchase, Rogers Fund, 1910. © 


PADRE SEBASTIANO. A disorderly bedroom with a 
young priest seated at a table at the right, botanizing. 
H.224in. W.28in. Canvas. Signed: John S. Sargent. 
Purchase, Rogers Fund, gro. 


TYROLESE INTERIOR. Three women and two men, 
with heads bent, are seated about a table set for a meal; 
strong sunlight comes from a window at the right falling 
across the figures and the table and striking the wall at 
the left; in the shadow above the group is a shrine with a 
large crucifix between two devotional figures. 

H. 28¢in. W.227/,1n. Canvas. Signed: John S Sargent 
1915. 

Purchase, Hearn Fund, 1915. 

MOUNTAIN STREAM. Thestony shore of a pool with 
a youth bathing; his flesh gleams in the sunlight. 

H. 133 in. W.21 in. Water color. Signed: John S 
Sargent. 

Purchase, Pulitzer Bequest, 1915. 


IDLE SAILS. A boat with lowered sails is anchored in 
the foreground; beyond 1s a hilly shore with distant moun- 
tains at the right. 

H. 134 in. W. 20% in. Water color. Signed: John S. 
Sargent. 

Purchase, Pulitzer Bequest, 1915. 


THE GIUDECCA. (One of the islands of Venice.) View 
of a canal spanned in the middle distance by a small 


204 


Sa7-10 


Sa7-1! 


Sa7-12 


Sa7-13 


Sa7-14_ 


SARGENT 


bridge; in the immediate foreground at the left is a build- 
ing before which a barge and a smaller boat are anchored; 
other buildings are-at the left beyond the bridge. 

H. 133 in. W. 202 in. Water color. Signed: John S. 
Sargent. 

Purchase, Pulitzer Bequest, 1915. 


SIRMIONE. A village on the point of a promontory at 


the southern end of the Lake of Garda, Italy. Marshy 


foreground with the end of the promontory dimly seen 
across the lake; dark clouds at the horizon. 

H. 153 1n. W. 21 in. Water color. Signed: John S. 
Sargent. 

Purchase, Pulitzer Bequest, 1915. 


SPANISH FOUNTAIN. In the foreground the stone 
basin of a fountain is upheld by three crouching female 
figures; a stream of water flows from the mouth of a 
grotesque and falls into the basin; a wall forms the back- 
ground with blue and white and green tiles at the base and 
a dull red wall above. 

H. 203 in. W. 133°, in. Water coor. Signed: John S. 
Sargent. Bulletin, 1916, ill. p. 37. 

Purchase, Pulitzer Bequest, 1915. 


TYROLESE CRUCIFIX. A wayside shrine with the 
crucifix protected by a small pointed roof; at left a gnarled 
tree trunk and at right the sky. 

H. 203 in. W. 153 1n. Water color. Signed: John S. 
Sargent. 

Purchase, Pulitzer Bequest, 1915. 


IN THE GENERALIFE. Garden of the Generalife 
Palace, Granada, Spain. Three ladies are seated in the 
garden with dense foliage back of them; the central one 
is sketching with a low easel before her; a younger woman, 
dressed in white, is at the left, and an older one, in black, at - 
the right. 

H. 142 in. W. 17% in. Water color. Signed: John S. 
Sargent. 

Purchase, Pulitzer Bequest, 1915. _ 


BOATS. A white boat with its sail spread, and a small 
dark boat are anchored in a cove; rocky shore at left with 
dark pines beyond. 

H. 1544¢ in. W. 20% in. Water color. Signed: John S. 
Sargent. Bulletin, 1916, ill. p. 38. 

Purchase, Pulitzer Bequest, 1915. 


295 


Sa7-15 


Sa7—-16 


Sa7-17 
Gallery 
15 


$a7-18 
Gallery 
12 


SARGENT —SARTAIN 


VENETIAN CANAL. In the foreground at right and 
left are houses, boats at anchor, and people; a single- 
span stone bridge is in the middle distance; beyond, in the 
center, rises a red church tower. 

H. 153 in. W. 203 in. Water color. Signed: John S. 
Sargent. 

Purchase, Pulitzer Bequest, 1915. 


ESCUTCHEON OF CHARLES V. (1500-1558; King of 
Spain as Charles I and later Emperor of the Holy Roman 
Empire.) A carved lunette in the upper part of the 
fountain in the garden of the Palace of Charles V at 
Granada, Spain. The tablet below is inscribed: IMPERA- 
TOR CAESAR I KAROLUS QVINTO. 

H. 11g in. W. 1721in. Water color. Signed: John S. 
Sargent. Bulletin, 1916, ill. p. 36. 

Purchase, Pulitzer Bequest, 1915. 


MADAME X; Portrait oF Mme. GAuTREAU. Full- 
length, standing figure with the head in profile to the 
right; her right hand rests upon a table and holds a closed 
fan; she wears a low-cut black velvet evening gown. 

H. 824 in. W. 433 in. Canvas. Signed: John S. Sar- 
gent 1884. Bulletin, 1916, p. 113; ill. p. 115. 

Purchase, Arthur Hoppock Hearn Fund, 1916. 


MARBLE QUARRY AT CARRARA. A view at the 
famous quarries which furnished and still furnish the 
finest of the Italian marbles for sculptors. Workmen 
are busy with ropes, by means of which the blocks are 
lowered from the heights to the plain. One seated at the 
right foreground has wound his rope round a post and 
pays it out slowly. 

H. 284 in. W. 36% 1n. Canvas. Signed: John S. Sargent. 
Purchase, Harris Brisbane Dick Fund, 1917. 


SARTAIN, WiLtiAm. American; born 1843 at Philadelphia, Pa.; 


Sa7I-1 
Gallery 
13 


lives in New York City. Pupil of Pennsylvania Academy 
of the Fine Arts at Philadelphia; Bonnat and Ecole 
des Beaux-Arts in Paris; studied also in Italy and Spain. 


A CHAPTER FROM THE KORAN. The courtyard 
of a stone house with an Arab, in a white robe, seated 
at the left, reading; three men are seated opposite to him, 
listening. 

H. 32,4, in. W. 40745 in. Canvas. Signed: W. Sartain. 
Purchase, Hearn Fund, 1900. 


296 


SARTO — SCHEFFER 


SARTO, ANDREA DEL; real name Andrea Agnolo. Italian; born 


$a72-4 
Gallery 
20. 


1486 at Florence; died there 1531. Pupil of Piero di 
Cosimo, influenced by da Vinci and Michelangelo. He 
visited Paris at the invitation of Francis I in 1518-19. 


HOLY FAMILY. The Child stands in the center sup- 
ported on the right by the Virgin; the young St. John 
at the left helps the Child hold an orb. The head of 
St. Joseph appears behind the group. The colors are 
vivid red, blue, yellow, and mauve. 

Ex coll.: Fairfax Murray; Borgherini. 

H. 533 in. W. 4oin. Panel. Bulletin, 1922, p. 123. 
Purchase, Maria DeWitt Jesup Fund, 1922. 


SASSOFERRATO; real name Giovanni Battista Salvi. Italian 


$a73-1 


(Bolognese); born 1605 at Sassoferrato; died 1685 at 
Rome. Pupil of his father, Tarquinio Salvi; follower 
and imitator of the Carracci. 


MADONNA. The figure is seen almost to the waist, 
with hands and eyes raised; she wears a dull red robe, 
white veil, and blue mantle. 

Ex coll.: Comte Cornet, Brussels; Castel Barco. 

Hy25¢ in. W. 20% in. Canvas. 

Purchase, 1871. 


SAVOLDO, GiovANNI GIROLAMO. Italian; born about 1480 at 


Sao-1 
Gallery 
29 


Brescia; died after 1548 perhaps in Venice. Influenced 
by Moretto and Titian. 


SAINT MATTHEW AND THE ANGEL. The life- 
size, seated figure of St. Matthew, wearing a loose claret- 
colored robe; he holds a quill pen in his right hand, which 
rests on a partly written sheet of paper near a lighted 
lamp; the angel in a mauve dress floats at the right and 
through an open door there is a view of three figures 
around a fire. 

H. 362 in. W. 4933; in. Canvas. Bulletin, 1912, p. 101. 
Purchase, Marquand Fund, 1912. 


SCHEFFER, Ary. French; born 1795 at Dordrecht, Meuse; died 


Sch2-1 


1858 at Argenteuil, near Paris. Pupil of Guérin in Paris. 
History and portrait painter. 

PETER’S REPENTANCE. | Life-size figures, seen to 
the knees; Christ, in a white habit, stands at the right 
with His hands bound and looks reproachfully toward 


207 


SCHEFFER —SCHONGAUER 


Peter who is fleeing at the left; a soldier in a steel helmet 
and the disciples are beyond. 

H. 594 in. W. 732 in. Canvas. Signed: Ary Scheffer, 
1855. | 

Gift of Edward Brandus, 1899. 


SCHENCK, Aucust F. A. French; born 1828 at Gliickstadt, 


Sch21-1 
Gallery 


17 


Duchy of Holstein; died 1901 at Ecouen, France. Pupil 
of Cogniet in Paris. 


LOST; SOUVENIR OF AUVERGNE. A flock of sheep 
huddled together-on a mountain side in a snow storm; 
two shepherd dogs are at the left, and in the distance the 
shepherd is seen clinging to a wayside cross. 

H. 58 in. W. 972 in. Canvas. Signed: Schenck. 
Bequest of Catharine Lorillard Wolfe, 1887. 


SCHOFIELD, W. Etmer. American; born 1867 at Philadelphia, 


Sch6-1 
Gallery 


15 


Pa.; lives there. Pupil of Pennsylvania Academy of the * 
Fine Arts in Philadelphia; Bouguereau, Doucet, and 
Aman-Jean in Paris. Landscapes. 


SAND DUNES NEAR LELANT, CORNWALL, ENG- 
LAND. The gray sands in the foreground are broken 
by coarse green growth and sparsely foliaged trees; across 
the middle distance flows a greenish river and on the far- 
ther bank is a village; rolling blue-green hills are beyond. 
H. 38 in. W. 48 in. Canvas. Signed: Schofield. 05. 
Bulletin, 1900, p. 57, ill. 

Purchase, Hearn Fund, 1909. 


SCHONGAUER, Martin. German; born about 1420 perhaps in 


Sch61-1 
Gallery 
D6, First 
Floor 


Augsburg; died 1488 in Colmar. Influenced by Roger 
van der Weyden. Painter of sacred subjects and the 
first great German engraver. 


THREE SAINTS: SAINT WALBURGA, SAINT 
CATHERINE, SAINT DOROTHEA. St. Walburga, 
Abbess of Eichstadt in Southern Germany, in a brown 
cloak and a white wimple, holds a triple crown. St. 
Catherine, in a jeweled crown and a blue and red robe 
trimmed with ermine, holds a sword in her right hand 
and turns the leaves of a book. with the left; she tramples 
under her feet the pagan king and the wheel. St. Doro- 
thea, in a yellow and red brocaded dress, holds a palm 
in her right hand and a white rose in her left. The three 
saints are seated in front of a rose hedge. 


298 


SCHONGAUER— SCHREYER 


Ex coll.: Baron de Rothschild; Butler. 
H. 173 in. W. 18} in. Panel. Bulletin, 1920, p. 188. 
Bequest of Michael Dreicer, 1921. 


SCHRADER, Jutrus. German; born 1815 at Berlin; died there 


Sch62-1 


1900. Pupil of the Berlin Academy and of Schadow in 
Diisseldorf. . 


BARON ALEXANDER VON HUMBOLDT. (1769- 
1859; German scientist and author; this portrait was 
painted when he was 89 years old.) Life-size figure, 
seated on a hillside with an open book on his lap and a 
pencil in his right hand; snow-capped mountains are 
in the distance. 

H.623in. W.542in. Canvas. Signed: Julius Schrader 
1850. 

Gift of H. O. Havemeyer, 1880. 


SCHREYER, Apotr. German; born 1828 at Frankfort-am-Main; 


Sch7-1 
Gallery 
18 


cs ed yo 
Gallery 
18 


Sch7-3 


died 1899 at Kronberg. Pupil of Stadel Institute in 
Frankfort; studied in Stuttgart, Munich, and Diissel- 
dorf. 


ABANDONED; MARSHES OF THE DANUBE. 
A single horse is attached to a dilapidated military 
wagon; the dead body of another horse and that of the 
driver lie on the ground. 

H.11¢in. W.224in. Watercolor. Signed: Ad. Schreyer. 
Bequest of Catharine Lorillard Wolfe, 1887. 


ARABS ON THE MARCH. Horsemen are going 
through a rocky region toward a walled city which 
appears at the left; the Arab in the foreground wears 
a white burnoose (hood) and rides a white horse; another, 
wearing a red cap and jacket, is mounted on a bay. 

H. 228 in. W. 373% in. Canvas. Signed: Ad. Schreyer. 
Bequest of Catharine Lorillard Wolfe, 1887. 


BATTLE SCENE; ARABS MAKING A. DETOUR. 
Mounted Arabs are galloping to the left across a plain; 
in the foreground a chief, wearing a white burnoose 
and rose-colored jacket and trousers, rides a gray 
horse that rears at a bursting shell; a standard bearer, 
in a white burnoose and blue jacket, is on a gray horse 
that rears at the right. | 

H. 592 in. W.o993in. Canvas. Signed: Ad. Schreyer. 
Gift of John Wolfe, 1893. 


299 


SCHREYER—SEBASTIANO DEL PIOMBO 


Sch7—4 


COSSACK HORSES IN A STORM. 
H. 203 in. W. 423 in. Canvas. Signed: Ad Schreyer. 
Bequest of Eliza W. Howland, 1917. 


SCHREYVOGEL, CuHARLEs. American; born 1861 at New York 


Sch71-1 


City; died 1912 at Hoboken, N. J. Pupil of H. August 
Schwabe in Newark, N. J.; Carl Marr and Frank Kirch- 
bach in Munich. 


MY BUNKIE (Bunk-mate). Three horses are gallop- 
ing across barren hills; the rider of the brown horse in the 
immediate foreground leans over to help a young man to 
the back of his moving horse; the riders of the other two 
horses are leveling their guns. This picture was awarded 
the Thomas B. Clarke prize at the National Academy 
of Design in 1900. 

H. 255°; in. W. 34 in. Canvas. Signed: Chas. Schreyvogel. 
Gift of friends of the artist, 1912. 


SCOTT, Emity M. American; born 1832 at Springwater, N. Y.; 


Sco8-1 


died 1915 in New York City. Pupil of National Academy 
of Design and Art Students’ League in New York; Collin 
in Paris. Flowers. 


YELLOW ROSES. Flowers in a glass bowl. 

H. 102 in. W. 144 in. Water color. Signed: E. M. 
Scott. 

Gift of friends of the artist, 1909. 


SEBASTIANO DEL’ PIOMBO; real name Sebastiano Luciani. 


Se2-1 
Gallery 
II 


Italian (Venetian); born about 1485, probably at 
Venice; died 1547 at Rome. Pupil of Giovanni Bel- 
lini; influenced by Giorgione and later, in Rome, by 
Michelangelo. 


CHRISTOPHER COLUMBUS.  (1446?-1506; the dis- 
coverer of America. This is a posthumous portrait.) 
The figure is larger than life and seen to the waist; he 
wears a black hat, a black coat with a gray collar, and a 
black doublet above which appears a gathered white 
shirt; the left hand is on his breast and the right is ex- 
tended... Inscribed: HAEC EST - EFFIGIES LIGURIS 
* MIRANDA: COLUMBI * ANTIPODUM * PRIMUS ~* 
RATE * QUI * PENETRAVIT * IN ORBEM © 1519 ~ 
(This is the admirable effigy of the Genoese Columbus, the 
first who entered in a ship into the world of the Antip- 
odes). 


300 


SEBASTIANO DEL PIOMBO—SHANNON 


Ex coll.: Duc de Talleyrand Valencey et Sagen. 

H. 4275 in. W. 348 in. Canvas. Signed: SEBAS- 
TIANVS VENETVS FACIT. 

Gift of J. Pierpont Morgan, 1900. 


SEITZ, Anton. German; born 1829 at Roth-am-Sand, near 


Se4—-1 
Gallery 
18 


Nuremberg; died 1900 at Munich. Pupil of Wagner 
and Reindel in Nuremberg and of Fliiggen in Munich. 


THE DISCUSSION. A courtyard with an old man 
seated smoking; before him stands a man, wearing a long 
green coat, who is gesticulating; back of them at the left 
stands a girl holding a jug; through an open door at the 
right is seen a team of horses. 

H. 113 in. W. 153 1n. Wood. Signed: Anton Seitz 
18609. 

Bequest of Catharine Lorillard Wolfe, 1887. ° 


SELLAIO, Jacopo DEL. Italian; born at Florence 1442; died 1493. 


Se4I-51 
Gallery 
30 


The son of a saddler, hence his name. Studied probably 
under Fra Filippo Lippi but imitated different contem- 
poraries—Botticelli, Ghirlandaio, Rosselli; his eclecticism 
is the excuse for the large number of works of various 
styles now ascribed to him. 


THE ANNUNCIATION. A _ tondo. The Virgin, 
dressed in the traditional red robe and blue mantle, 
stands at the right, her reading desk behind her. The 
angel, in white with an overdress of rose, kneels before 
her at the left, holding the lily. The angel’s wings are 
opalescent blue, the floor is of inlaid marble, and there 
is an architectural background with an arcade back of 
the angel, leading out to a landscape of plain and sea. 
Circular; diameter, 323 in. Tempera on wood. 

Lent by Mrs. George B. McClellan, 1917. 


SHANNON, CuHartes H._ British; born 1865; lives in London. 


Shi-51 
Gallery 
19 


Pupil of Charles Ricketts. Wood engraver and lithog- 
rapher as well as painter. 


LILAH McCARTHY. (As Dona Ana in Man and 
Superman by G. B. Shaw.) Full-length, life-size figure 
seated before a dressing table; she wears a low-necked, 
spangled gown, the voluminous pink skirt trimmed with 
rows of black and white ribbon; red feathers are in her 
black hair and a spangled black scarf hangs over her right 
shoulder; a fan and a lace handkerchief are held in her 
black-gloved hands. 


301 


SHANNON — SHARPLESS 


H. 7653, in. W. 47} in. Canvas. Signed: CHARLES 
SHANNON 1907. Bulletin, 1915, p. 75. 
Lent by John Quinn, 1915. 


SHANNON, Sir James J. American; born 1862 at Auburn, 


Shi1-1 
Gallery 


15 


Shi 1-2 
Gallery 


13 


N. Y.; died in London 1923. Studied at South Kensing- 
ton School of Art in London. Portraits and figure sub- 
jects. 


FAIRY TALES. A lady in a white dress trimmed with 
violet, is seated on a white chair with her back toward the 
spectator; she is reading to two little girls, dressed in 
white, who are seated on a couch facing her; a blue 
Japanese screen, with a design of golden wings and red 
flowers, forms the background. 

Ex coll.: McCulloch. 

H.34hin. W.44#in. Canvas. Signed: J. J. SHANNON 
1895. 

Purchase, Arthur Hoppock Hearn Fund, 1913. 
MAGNOLIA. Full-length, life-size figure of a young girl, 
coming down a step; she wears a white embroidered dress 
and a long black velvet cloak edged with ermine; a branch 
of magnolia is in her left hand; a green curtain with 
black figures forms the background. 

Ex coll.: McCulloch. - 

H. 712 in. W. 39% in. Canvas. Signed: J. J. SHAN- 
NON 1899. 

Purchase, Hearn Fund, 1913. 


SHARPLESS, James. American; born about 1750 in England; 


Sh2-1 


Sh2-2 


went to the United States in 1796 and died in 1811 at 
New York City. Pupil of Romney. Traveled, painting 
small portraits, chiefly in pastel. Sometimes signed 
Sharples. 


ALBERT GALLATIN. (1761-1849; American statesman; 
Secretary of the Treasury 1801-1813; Minister to France 
1816-1823; settled in New York City about 1826.) 
Seen almost to the waist with head and figure in profile 
to the left; he wears a black coat and striped waistcoat; 
blue background. A duplicate is in the Art Gallery at 
Bristol, England. 

H. 92 in. W. 7% in. Pastel. 

Gift of Josephine L. Stevens, 1908. 


JOSIAH INGERSOLL. (1763-1839; Warden of the 
Port of New York from 1820 to 1839.) Seen nearly to the 


302 


SHARPLESS —SHURTLEFF 


waist with the face almost front; he wears a blue coat and 
white stock; blue background. 

H. 942 in. W. 7% in. Pastel. 

Gift of Mrs. Caroline E. Lawrence Ingersoll, 1908. 


SHEE, Sir Martin A. British (Irish); born 1769 at Dublin, Ire- 


Sh3-1 


land; died 1850 at Brighton, England. Studied in Dub- 
lin and later at the Royal Academy Schools in London. 
Portraits. 


DANIEL O’CONNELL. (1775-1847; Irish lawyer and 
statesman.) Life-size figure, seated in a red chair and 
seen full-front almost to the knees; his left arm rests on a 
table and the right holds a quill pen. 

H. 354 in. W. 284in. Canvas. 

Gift of John D. Crimmins, 1899. 


SHILLING, ALEXANDER. American; contemporary. Born in 


Sh6-1 
Gallery 


13 


Chicago. 

WALCHEREN. An island in Holland. Low-lying 
fields with a row of trees at the horizon; a slight pink af- 
terglow low in the sky and silvery blue above. 

H. 184 in. W. 214 1n. Wood. Inscribed on back: 
Walcheren by. Alexander Shilling. 

Purchase, Hearn Fund, 1921. 


SHINN, Everetr. American; born 1873 at Woodstown, N. J. 


Sh61-1 
Gallery 
12 


Studied at the Pennsylvania Academy of the Fine Arts. 


LONDON MUSIC HALL. A tall, thin comedian in a 
long-tailed coat leans over the footlights with his hands 
behind him; his trick umbrella, which stands alone, and 
high hat are on the stage beside him. In the left fore- 
ground the heads of three musicians are seen. A green- 
ish light over the stage. 

Heiom.  W.121n-’ Canvas. Signed: E. SHINN 1918. 
Purchase, Hearn Fund, 1921. 


SHURTLEFF, Roswett M. American; born 1838 at Rindge, 


Sho-1 


N. H.; died 1915 in New York City. Pupil of Lowell 
Institute in Boston; National Academy of Design in New 
York. Landscapes. 


A MOUNTAIN STREAM. Pine trees are at the left; 
the water flows toward the foreground at the right; stony 
bank with trees beyond and mountains in the distance. 
H. 383 in. W.50%in. Canvas. Signed: R. M. Shurtleff. 
Gift of William F. Havemeyer, 1891. 


: 303 


SIBERECHTS — SLINGELAND 


SIBERECHTS, Jan. Flemish; born 1627 at Antwerp; died 1703 


SiI-I 


at London. 


LANDSCAPE. Through an open bridge is passing a 
house-boat filled above and below decks with a party of 
gayly dressed picnickers. To the left of the bridge, a 
mill and farm buildings; in the foreground, figures of 
peasants and cavaliers. A woman is washing clothes from 
a rowboat. 

Ex coll.: Alextis Schoenlanck, Berlin. 

H. 442 in. W. 73% in. Canvas. 

Purchase, Rogers Fund, 1921. 


SIMONETTI, Arttitio. Italian; born at Rome; lives there. 


Si4-1 
S. W. 
Stairway 


S14-2 
Gallery 
18 


Si4-3 
Gallery 
18 


Pupil of Fortuny. 


THE RENDEZVOUS. A woman, dressed in pale pink 
silk and holding a fan, stands near a light wall. 

H. 134 in. W. 931n. Water color. Signed: Attilio 
Simonetti-Roma 1874. . 

Bequest of Catharine Lorillard Wolfe, 1887. 


THE AMATEUR. An interior with the full-length 
standing figure of a man examining a small framed 
painting which he holds with both hands; he wears an 
eighteenth-century costume consisting of an old-rose 
coat and white satin breeches. 

H. 132 in. W. 92in. Water color. Signed: Attilio 
Simonetti, Roma 1872. 

Bequest of Catharine Lorillard Wolfe, 1887. 


THE MINIATURE. An interior with the full-length 
standing figure of a woman looking at a miniature which 
she holds in her right hand; she wears a yellow dress and 
a green scarf is over her head and shoulders. 

H. 132 in. W. 9%in. Water color. Signed: Attilio 
Simonetti, 1872. 

Bequest of Catharine Lorillard Wolfe, 1887. 


SLINGELAND, Pieter van. Dutch; born 1640 at Leyden; died 


S13-1 
Gallery 
26 


there 1691. Pupil of Gerard Dou. Portraits and figure 
subjects. 


PORTRAIT OF A DUTCH BURGOMASTER. A 
full-length, standing figure, wearing a black robe with a 
square yoke of Venetian lace; his right hand is on his 
hip and the left arm rests on a stone balustrade; beyond, 
at the right, is a formal garden with statuary. 


304 


SLINGELAND —SNYDERS 


H. 143 in. W. 112 in. Wood. Signed: P.v. Slingeland Fecit. 
Purchase, 1871. 


SLOAN, JoHn. American;born 1871 at Lock Haven, Pennsylvania. 


Sl5-1 
Gallery 
12 


THE DUST STORM, FIFTH AVENUE. At Madison 
Square with a heavy black cloud coming down over the 
Flatiron Building in the background; there is yellow dust 
in the air, the trees bend to the wind, and women and 
children in summer clothes scatter for shelter. 

H. 22in. W.271in. Canvas. Signed: John Sloan 1906. 
Purchase, Hearn Fund, 1921. 


SMILLIE, Georce H. American; born 1840 at New York City; 


Sm4I-1I 


died there 1921. Pupil of his father, James Smillie, 
and of James M. Hart. Landscapes. 


AUTUMN AFTERNOON. A stream is at the léft 
with a man in a rowboat in the foreground; a road is 
beyond and in the distance a hill. 

H. 363%; in. W.607,in. Canvas. Signed: G.H. Smillie 
N.A 


Gift of Charles F. Smillie, 1907. 


SMITH, JoHn Ruspens. British-American; born 1775 in England; 


Sm6-! 


died after 1844 at New York City. Pupil of his father, 
the engraver, John Raphael Smith; came to America 
about 1812 and worked in Boston, Philadelphia, and 
New York. Portraits. 


GABRIEL LUDLOW. (Born 1736 at New York City; 
entered the service of England during the Revolution 
and was banished.) A seated figure, seen to the waist 
with the right arm over the back of the chair; he wears 
a black coat, buff waistcoat, and high standing collar. 

H. 942 in. W.73in. Water color. 

Bequest of Mrs. Maria P. James, 1911. 


SNYDERS, Frans. Flemish; born 1579 at Antwerp; died there 


Sno-! 


1657. Pupil of Pieter Bruegel the Younger, and of 
Hendrick van Balen. Animals and still life. 


LIONS CHASING A DEER. Two lions are at the 
left; the one in front has its paw on the haunch of a 
roebuck which is springing forward at the right. At one 
time attributed to Rubens. 

H. 554 in. W. 833 1in. Canvas. 

Purchase, 1871. 


305. 


SN YDERS — SORGH 


SNYDERS, Frans, AND JAN VAN DEN HokEckE. See also Hoecke. 


Sno-2 


A GREENGROCER. A woman wearing a red bodice 
holds a bunch of grapes in her right hand and in the 
other a basket of grapes and apples; in the foreground 
there are vegetables on a stand at the right and fruit 
on a table at the left. 

Ex coll.: Comte Cornet, Brussels; van der Schrieck. 

H. 574 in. W. 782in. Canvas. 

Purchase, 1871. 


SNYERS, Pieter. Flemish; born 1681 at Antwerp; died there 


SngI-1 


1752. Pupil of Alexander van Bredael. 


FRUITS. A basket filled with grapes and apples is on 
a table where there are also fresh figs, pears, and quinces. 
Formerly attributed to Frans Snyders. 

Ex coll.: Comte Cornet, Brussels. 

H. 283 in. W. 359% in. Canvas. 

Purchase, 1871. 


SODOMA,; real name Giovanni Antonio Bazzi. Italian (Sienese); 


SoI-I 
Gallery 
30 


born 1477 at Vercelli; died 1549 at Siena. Worked in 
Milan; later influenced by Leonardo and Raphael. 


MARS AND VENUS TRAPPED BY VULCAN. At 
the right is a room with Hymen and Mercury standing at © 
the head of the couch of Mars and Venus; out of doors, at 
the left, Vulcan is at his forge, while Apollo stands beside 
him and another figure is partly seen at the extreme left. 
H. 11g in. W. 23¢1in. Canvas. Bulletin, 1911, p. 194. 
Purchase, Marquand Fund, ror. 


SONNTAG, WiLiiAmM Louis. American; born 1822 at Pitts- 


So5-1 


SORGH, 


So6-1 
Gallery 
26 


burgh, Pa.; died 1900 at New York City. Landscape 
painter. 


LANDSCAPE; VIEW IN THE WHITE MOUN- 
TAINS. A river with hills on either side. 

H. 203 in. W. 363 in. Canvas. 

Bequest of Mrs. William Combe, 1918. 


HeNpDRICK MAERTENSZ. Dutch; born about 1611 at 
Rotterdam; died there 1670. Pupil of Willem Buyte- 
wech; influenced by Brouwer. 


A KITCHEN. Neara large window at the left a woman, 
in a green dress and white kerchief, stands peeling apples; 
another woman, wearing a green bodice and purple 


306 


SORGH —SOROLLA 


skirt, kneels upon the floor cleaning fish, and turns to 
watch a cat which is eating from a stone crock of refuse 
at the right of the picture; fish and kitchen utensils are 
on the floor in the foreground; in the background two 
figures are in the chimney corner at the left and a winding 
staircase is at the right. 

H. 203 in. W.172 in. Wood. 

Gift of Henry G. Marquand, 1888. 


SOROLLA Y BASTIDA, Joaguin. Spanish; born 1863 at Valen- 


So61-1 
Gallery 
19 


S06 1-2 
Gallery 


I9 


So61-3 


So61-4 
Gallery 


19 


cia; died 1923 near Madrid. Pupil of San Carlos Acad- 
emy in Valencia. Portraits and genre. 


SWIMMERS. Full-length, nude figures of two boys, 
swimming toward the left through transparent dark green 
water; beyond are the head and shoulders of a man 
swimming in the same direction; strong sunlight. 

H. 542 in. W.842in. Canvas. Signed: J Sorolla Bas- 
tida 1905. 

Purchase, Wolfe Fund, 19009. 

THE BATH, JAVEA. Three little girls are bathing 
in the surf; the one in the foreground is nude and is seen 
from the back; beyond, the others, in pink and white 
bathing-suits, are waist deep in the water moving toward 
an opening in the rocks which form the background. 

H. 353 in. W.503 in. Canvas. Signed: J Sorolla Bas- 
tida 1905. 

Purchase, Wolfe Fund, 1909. 


SENORA DE SOROLLA IN BLACK. (A portrait of 
Clotilde de Sorolla, the artist’s wife.) Life-size, full- 
length figure, standing in a room with her right hand on the 
back of a red chair; she wears a black silk dress cut V- 
shape at the neck and a yellow rose is in her belt. In- 
scribed: Clotilde de Sorolla. 

H. 73 in. W. 463 in. Canvas. Signed: J. Sorolla Bas- 
tida 1906. 

Purchase, Wolfe Fund, 1900. 


CASTLE OF SAN SERVANDO, TOLEDO. A valley 
of broken rocks showing patches of green in the hollows; 
a corner of sky appears at the left and the round tower 
of a castle stands out in bright sunlight. . 

H. 263 in. W. 363 1n. Canvas. Signed: J Sorolla y 
Bastida 1906. 

Gift of Archer M. Huntington, 1922. 


307 


SPAGNOLETTO— SPENCER 


SPAGNOLETTO. See Ribera. 


SPANISH SCHOOL. 


Sp2o—1 


Sp2S-2 
Gallery 
D6, First 
Floor 


MADONNA AND SAINT ANNE. The choir of a 
church with St. Anne enthroned and the Virgin and Child 
seated on the floor at her feet; behind the throne are two 
angels, the one at the left playing on a harp and the one 
at the right on a violin. St. Anne wears a rose-colored 
cloak and that of the Virgin is blue. Probably Spanish 
school. 

H. 59 in. W.321in. Wood. 

Gift of Frederic Coudert, 1888. 


MADONNA AND CHILD WITH ANGELS. The 
Madonna in a blue robe lined with yellow, holding the 
Child, is enthroned against a red and gold brocade. On 
each side are two adoring angels richly attired. Cata- 
lonian school, middle fifteenth century. 

H: 329 in W368 In Pannen 

Bequest of Michael Dreicer, 1921. 


SPEICHER, Eucene. American; born 1883 at Buffalo, N. Y.; 


Sp3-1 
Gallery 


15 


lives in New York City. Studied in Buffalo and Europe. 
Portraits and landscapes. 


MORNING LIGHT. A spring landscape with level 
fields in the foreground and rolling hills beyond. 

H. 27; in. W. 34§ in. Canvas. Signed: Eugene 
Speicher. Bulletin, 1912, p. 137, ill. 

Purchase, Hearn Fund, 1912. 


SPENCER, Ropert. American; born 1879 at Harvard, Neb.; 


Sp3i-! 
Gallery 


15 


lives at New Hope, Pa. Studied in New York and 
Philadelphia under Chase, Du Mond, Henri, and Garber. 


REPAIRING THE BRIDGE. A stone bridge is at the 
right over a stream that fills the foreground; workmen are 
standing on a raft and going up a ladder that leans against 
a stone retaining wall on top of which are other men; 
beyond is a gray, four-story, factory building with two 
figures in the doorway; another building is partly seen at 
the extreme left and between them is a vista of fields; at 
the extreme right, beyond the bridge, are tall trees. 

H. 2948 in. W. 3542 in. Canvas. Signed: Robert Spen- 
cer 1913. Bulletin, 1914, ill. p. 70. 

Purchase, Hearn Fund, ro14. 


308 


SPINELLO—STEEN 


SPINELLO DI LUCA SPINELLI; usually called Spinello 


Sp4-1 
Gallery 


33 


Aretino. Italian (Florentine); born 1333 (?) at Arezzo; 
died 1410, supposedly at Arezzo. Apprenticed to Jacopo 
del Casentino. 


SAINT MARY MAGDALEN. Mary Magdalen, wear- 
ing a scarlet robe over a gray-green tunic, is enthroned on 
a carved and inlaid seat; she holds a large crucifix in her 
left hand and the pot of ointment in her right; against the 
gold background are eight angels with green and gold 
wings and green and rose draperies, who are playing on 
various instruments and form a glory about the Magdalen; 
in the immediate foreground, in pairs at right and left, 
are diminutive kneeling figures of brothers of the Miseri- 
cordia Fraternity with their bare backs showing between 
the hood and the shirt, while the pot of ointment, symbol 
of the order, is outlined on each shoulder. This was 


originally a processional banner, one of the earliest which 


has come down to us, and on the other side of the canvas, 
now covered by the lining, is painted the Flagellation of 
Christ. The banner was executed for the Brotherhood 
of San Sepolcro at Gubbio. 

Ex coll.: Francis M. Bacon. 
H. 69% in. W. 47% in. Tempera on canvas. Bulletin, 


IQI4, p. 43, ill. 
Gift from the estate of Francis M. Bacon, 1914. 


STARK, James. British (Norwich); born 1794 at Norwich; died 


St2-1 
Gallery 
14 


St2-2 


1859 at London. Pupil of Old Crome at Norwich; 
Royal Academy Schools in London. Landscapes. 


WILLOWS BY THE WATER COURSES. A group 
of willows beneath which sheep are grazing. 

H. 172 in. W.241n. Canvas. 

Gift of George A. Hearn, 1806. 


THE MILL. A stream in the foreground with several 
figures and cows beneath the trees on the shore at the 
right; in the middle distance is the mill, partly hidden by 
trees; above the mill-dam are fields and hills. 

H. 293 in. W. 4142 in. Canvas. Bulletin, 1915, ill. p. 90. 
Bequest of Maria De Witt Jesup, from the collection of 
her husband, Morris K. Jesup, 1915. 


STEEN, Jan. Dutch; born about 1626 at Leyden; died there 1670. 


Pupil of Nicholas Knupfer and of his father-in-law 
Jan van Goyen. Peasant subjects and portraits. 


309 


St3-1 
Gallery 
26 


STEEN —STEICHEN 
A DUTCH KERMESSE. Peasants merrymaking in 
front of a tavern near a stream. 
Ex coll.: Comte Cornet, Brussels; J. A. van Dam, Dor- 
drecht; A. Meynts, Amsterdam; G. Copius, The Hague. 
H. 242 in. W. 30% in. Canvas. Signed: JSteen. 
Purchase, 1871. 


STEER, P. Witson. British (English); born 1860 at Birkenhead, 


St31-1 
Gallery 
18 


Cheshire; lives in London. Pupil of the Gloucester 
School of Art; Julian Academy of Ecole des Beaux-Arts 
in Paris. Landscapes and portraits. 


RICHMOND CASTLE; YORKSHIRE. The stony bed 
of a shallow stream is in the foreground and at the right 
is a high cliff with shrubbery; on the far bank at the left 
are a village and the castle; heavy cumulous clouds. 

H. 293%; in. W. 343 in. Canvas. Signed: P. W. Steer 
1903. Bulletin, 1900, p. 46. 

Purchase, Wolfe Fund, 1908. 


STEFANO, FRANCESCO DI. See Pesellino. 


STEFANO, Tommaso pi. Italian; born about 1496 at Florence; 


St32-1 


died 1564. Pupil of Lorenzo di Credi. Also architect 
and illuminator. 


PORTRAIT OF A MAN. He is about forty, clean 
shaven, with brown hair hanging over his ears, and 1s seat- 
ed to the right in a Florentine chair, on the arm of which 
his right hand rests, while with the other he points in 
front of him. His hat is black as is also his low-cut, 
puffed-sleeved doublet, which shows his white shirt at the 
shoulders and neck, and at the wrists. Gray stone back- 
ground. 

H. 324 in. W. 24 in. Wood. Signed on a paper at 
left: OPVS THOML FLORETINI. -A-S:M D-XXI. 
MA II. , 

Gift of J. Pierpont Morgan, 1917. 


STEICHEN, Epuarp J. American; born 1879 at Milwaukee, 


St33-1 


Wis.; lives in New York City and Paris. Landscapes and 
figure subjects. 
NOCTURNE; TEMPLE OF LOVE. View of a river 
with an island on which are a formal garden and a small 
temple; in the foreground at the left a nude woman 
gathers flowers. 


310 3 


STEICHEN —STONE 


H. 2545 in. W.24}in. Canvas. Signed: STEICHEN 
MDCCCCX. | 
Gift of Watson B. Dickerman, 1911. 


STERNER, ALBerT Epwarp. American; born 1863 at London; 
lives in New York City. Pupil of Boulanger, Lefebvre, 
and Géréme in Paris. Contemporary subjects, portraits. 


St4-I THE BLUE STOCKING. A slim young lady seated 
on a blue upholstered couch is darning a blue stocking. 
H. 23¢1n. W.2951in. Pastel. Signed: Albert Sterner, 
IQI5. 
Gift of Adolph Lewisohn, 1919. 


STEVENS, AtFrep. Belgian; born 1828 at Brussels; died 1906 

at Paris. Pupil of Navez in Brussels; Ecole des Beaux- 
Arts under Ingres and of Roqueplan in Paris. Interiors 
with figures. 


St41-1 THE JAPANESE ROBE. Standing figure of a young 
Gallery woman, seen to the knees from the back with her face 
uF) reflected in a mirror; she wears a light blue figured kimono 
and holds a Japanese fan in her right hand. 
H. 363 in. W. 254% in. Canvas. Signed: A Stevens. 
Bequest of Catharine Lorillard Wolfe, 1887. 


St41-2. PREPARING FOR THE BALL. Full-length, standing 
figure of a lady in a yellow. evening dress; she is drawing 
a long white glove on her left arm and her fan and flowers 
are on a chair beside her; a lacquered cabinet is at the 
right against a brown wall. 
H. 124% in. W. 83 in. Wood. Signed: A Stevens. 
Gift of Mrs. Mary Goldenberg, 1899. 


/ 
/ 


STEVENS, Epouarp JosepPH. Belgian; born 1822 at Brussels; 
died there 1892. He was a brother of Alfred Stevens. 


St42-1 SURPRISE. A brown and white dog is looking at his 
S. W. reflection in a mirror which is on the floor and rests 
Stairway against a chair; gloves and a cane are in the foreground. 
H. 28in. W. 364 in. Canvas. Signed: J. Stevens- 
Brux. 1853. 
Bequest of Catharine Lorillard Wolfe, 1887. 


STONE, WitiiaAM OLiver. American; born 1830 at Derby, Conn.; 
died 1875 at Newport, R. I. Pupil of N. Jocelyn; lived 
in New York City after 1851. : 


311 


St6-51 
Gallery 
16 


STONE—STRIGEL 


MISS RAWLE. Small figure, seen to the waist with 
elbows on the arm of her chair and head resting on her 
clasped hands. 

H. 12 in. W. 1o¢ in. Canvas; oval. 

Lent by Beatrix Cadwalader Jones, 1910. 


STORK, ABRAHAM. Dutch; born about 1635 at Amsterdam; died 


St7-1 


there after 1704. 


A SEAPORT. Water in the focercnee with shipping 
at the left; on the far shore at the right is an arcaded 
palace with several gondolas at the foot of the steps; a 
galleon and other vessels are beyond. 

H. 267°, in. W. 263 in. Canvas. 

Purchase, 1871. 


STORY, Georce H. American; born 1835 at New Haven, Conn.; 


St7I-] 


St71-2 
Gallery 
12 


died 1923 at New York City. Pupil of Charles Hine in 
New Haven; studied in Europe; settled in New York City 
in 1863. Curator of Paintings, Metropolitan Museum 
of Art, 1889 to 1906. 


ALEXANDER S. MURRAY. (1841-1904; British 
archaeologist ; Keeper of Department of Greek and Roman 
Antiquities in the British Museum 1887-1904.) Life- 
size, seated portrait, seen to below the waist, with the right 
hand on the arm of the chair; he has brown hair, mous- 
tache, and full beard. Through an open window at the 
right there is a view of the Acropolis at Athens. 

H. 30in. W.24 in. Canvas. 

Gift of the artist, 1890. 


PORTRAIT OF THE ARTIST. Life-size, aro to 
the waist; a palette and brushes are held in his left hand; 
the hair is light brown and the moustache and pointed 
beard are white; he wears a broad-brimmed black felt 
hat and a black velvet coat; a red curtain at the right and 
sky at the left form the background. 

H.24in. W.20in. Canvas. Signed: G. H. Story Dec. 
1902. 

Gift of Mrs. George H. Story, 1906. 


STRIGEL, BERNHARD. German; born 1461 at Memmingen; died 


St8-1 


there before 1528. 


PORTRAIT OF A GERMAN LADY. Seated figure, seen 
almost to the knees, with her hands folded in her lap; she 
wears a headdress embroidered with pearls and a bodice 


312 


STRIGEL—STUART 


of reddish brown brocade; the wall back of the figure 
is hung with red brocade and through a window at the 
left there is a view of a landscape with a river. Formerly 
ascribed to Lucas Cranach the Younger. 

H. 154 in. W. 103 in. Wood. 

Purchase, 1871. 


STUART, GitBert. American; born 1755 at Narragansett, R. I.; 


Sto-I 
Gallery 
160 


Sto-2 
Gallery 
16 


Sto-3 
Gallery 


16 


Sto-4 
Gallery 


16 


died 1828 at Boston, Mass. Pupil of Cosmo Alexander 
in America and in Scotland; and of Benjamin West in 
London. Portraits. 


DAVID SEARS. (Lived in Boston.) Life-size portrait, 
seen almost to the waist, with the face and figure turned to 
the left; he has curly light brown hair and wears a black 
coat, a full white neck-cloth, and ruffled shirt. Stuart 
painted several portraits of David Sears, and Sully in 1830 
“did drapery, etc., to Stuart’s head’’; C. H. Hart believes 
that this is the picture on which Sully worked. 

H. 274 in. W.2341in. Canvas. 

Gift of several gentlemen, 1881. 


GEORGE WASHINGTON. (1732-1799; President of 
the United States 1789-1797; this replica was painted at 
Washington, D. C., in 1803, for Daniel Carroll of Dud- 
dington Manor, D. C., and was purchased from the 
Carroll family by Mr. Havemeyer.) Life-size figure, 
seen almost to the waist and turned to the left; his hair 
is powdered and he wears a black coat and a ruffled shirt 
with full neck-cloth; the background is grayish brown. 
H. 294 in. W. 24% in. Canvas. 

Gift of H. O. Havemeyer, 1888. 


CAPTAIN HENRY RICE. (Served in the War of 
1812.) Life-size portrait, seen almost to the waist, with 
the face and figure turned to the left; he has curly brown 
hair and wears a black coat and full white neck-cloth. 
H. 263 in. W. 213 in. Wood. 

Purchase, 1897. 


JUDGE JOSEPH ANTHONY, JR. (1762-1814; born 
at Newport, R. I.; first cousin of the artist.) Life-size fig- 
ure, seen to the waist and turned to the left; he has gray 
hair and wears a dark blue coat with brass buttons and a 
white neck-cloth tied in a bow; a red curtain is draped in 
the background showing the sky at the lower left corner. 
H. 30 in. W. 244 in. Canvas. Bulletin, 1907, p. 129. 
Purchase, Rogers Fund, 1905. 


313 


Sto-5 
Gallery 
16 


Sto-6 
Gallery 
16 


Sto-7 
Gallery 


16 


Sto-8 
Gallery 
16 


STUART 


MRS. JOSEPH ANTHONY, JR. (1766-1812; Hen- 
rietta Hillegas was the daughter of Michael Hillegas, 
the first Treasurer of the United States, and wife 
of Judge Anthony.) Life-size, seated figure, seen to 
the waist and turned to the right; she has powdered 
blond hair with a blue ribbon through it and wears a low- 
necked white silk dress with a light blue sash; a red 
curtain is draped in the background showing deep blue 
sky at the lower right corner. Painted within an oval. 
H. 297 in. W. 243 in. Canvas. Bulletin, 1906, p. 135, ill.; 
1907, p. 120. 

Purchase, Rogers Fund, 1905. 

JOSEF DE JAUDENES Y NEBOT. (Born 1764; died 
before 1819; Chargé d’Affaires ad interim of Spain to 
the United States, 1791-1796.) Life-size, seated figure, 
facing to the left, and seen to below the knees, which 
are crossed; his right hand is on a letter that lies on a 
table covered with a green cloth; his hair is powdered and 
he wears a dark blue velvet coat lined with scarlet and 
embroidered in silver, and scarlet waistcoat and breeches; 
a green curtain is draped in the background showing 
shelves of books at the left. The inscription, coat of arms, 
and the artist’s name are not by Stuart. 

H. 503 in. W.393 in. Canvas. Bulletin, 1907, p. 64, ill. 
Purchase, Rogers Fund, 1907. 


MATILDE STOUGHTON DE JAUDENES. (Born 
1778; died after 1822; she was a daughter of Juan Stough- 
ton, Spanish Consul in Boston for thirty years; in 1794 
she married, in New York, the Spanish Chargé d’Affaires, 
Josef de Jaudenes.) Life-size, seated figure, facing to the 
right and seen to below the knees; she wears a white silk 
dress with a flowered design and a headdress of white fea- 
thers with jewels; at the right is a table with a red velvet 
cover; a brown curtain is draped in the background show- 
ing deep blue sky at the right. As in the previous picture, 
the inscription, the coat of arms, and the artist’s name 
are not by Stuart. . 

H. 50% in. W. 393 in. Canvas. Bulletin, 1907, p. 64, ill. 
Purchase, Rogers Fund, 1907. | 

GEORGE WASHINGTON. (1732-1799; President of 
the United States, 1789-1797. This portrait was painted 
at Philadelphia in 1795 and later sold by Stuart to his 
friend, Col. George Gibbs, who disposed of it to his 
sister, Mrs. William Ellery Channing, from whose son 


314 


St9-9 
Gallery 


16 


Sto-51 
Gallery 
16 


Sto-52 
Gallery 
16 


St9-53 


STUART 


it was purchased by Samuel P. Avery and from him by 
the Museum.) Life-size figure, seen almost to the waist 
and turned slightly to the right; his hair is powdered and 
tied with black ribbon and he wears a black velvet coat, 
ruffled shirt, and full neck-cloth; a green curtain is draped 
in the background showing the sky at the lower right 
corner. 

H. 307 in. W. 252 in. Canvas. Bulletin, 1907, pp. 11 
and 118, ill. 

Purchase, Rogers Fund, 1907. 


ALBERT GALLATIN. (1761-1849; American states- 
man; Secretary of the Treasury 1801-1813; Minister to 
France 1816-1823; settled in New York City about 1826.) 
Life-size, seated figure, seen to the waist with the left 
hand holding a letter; he wears a black coat and a white 
neck-cloth tied in a bow; the back of the chair showing 
above his shoulders is upholstered in red; red background. 
H. 29% in. W. 237 1n. Canvas. 

Gift of Frederick W. Stevens, 1908. 


GENERAL STEPHEN VAN RENSSELAER. — (1764- 
1839; son of Stephen van Rensselaer and Catherine Liv- 
ingston, whose father, Philip Livingston, was one of the 
signers of the Declaration of Independence.) Life-size 
figure, seen to the waist; his hair is powdered and he 
wears a black coat and white neck-cloth; brown back- 
ground. 

H. 303 in. W.241n. Canvas. 

Lent by the Trustees of the Estate of Stephen V. R. 
Townsend, 1913. 


GENERAL PETER GANSEVOORT. (1749-1812; 
American Colonel in the Revolutionary War.) Head 
and shoulders turned to the left; his hair is powdered 
and arranged in a queue; he wears a military coat with 
gold epaulette and yellow facings; a medal hangs from 
his buttonhole on a blue and white ribbon. 

H. 30 in. W. 25 1n. Canvas. 

Lent by Roland N. Moore in memory of Mrs. Abraham, 
Lansing of Albany, 1919. 


LEONARD GANSEVOORT. (1751-1810; brother of 
General Peter Gansevoort.) Head and shoulders turned 
to the left; his hair is powdered and arranged in a queue; 
his black coat shows a white lace ruffle at the neck. 
Heo inv WwW. 254 in. Canvas. 


315 


STUART SSU Diy 


Lent by Roland N. Moore in memory of Mrs. Abraham 
Lansing of Albany, !1919. 


SUARDI, BarToLomMeEo. See Bramantino. 


SUESS, Hans. See Kulmbach. 


SULLY, Tuomas. American; born 1783 at Horncastle, Lincoln- 


Su5-1 
Gallery 
16 


Su5-2 
Gallery 
16 


Su5-3 
Gallery 
16 


Su5~4 
Gallery 
16 


Su5-5 
Gallery 
16 


shire, England; died 1872 at Philadelphia, Pa. Taken 
to Charleston, S. C., in 1792; pupil of Belzons, a French 
miniature painter, at Richmond, Va.; studied with Stuart 
in Boston, and West in London. Settled in Philadel- 
phia in 1808. Portraits. 


WILLIAM GWYNN. (1779-1846; Baltimore lawyer 
who was editor of the Federal Gazette, 1813 to 1839.) 
Life-size figure, seen full-face almost to the waist; he has 
dark curly hair, and wears a black coat and vest. Painted 
for H. Robinson. 

H. 24 in. W.20in. Canvas. 

Gift of Mrs. Rosa C. Stanfield, 1894. 


JOHN FINLEY. Life-size head and shoulders; he 
has dark, curly hair and wears a black coat and full white 
neck-cloth. This picture was at one time attributed to 
Rembrandt Peale. Painted for H. Robinson. 

H. 184 in. W. 14,°5 in. Canvas. Mongrammed: TS 1821. 
Gift of Mrs. Rosa C. Stanfield, 1894. 


PORTRAIT OF THE ARTIST. Life-size head and 
shoulders with the body in profile to the right and face 
front; he wears a brown coat with velvet collar; a paint 
brush is held in the right hand. Painted for H. Robinson. 
H.171in. W. 14% 1n. Canvas. Monogrammed: TS 1821. 
Gift of Mrs. Rosa C. Stanfield, 1894. 


PORTRAIT OF A MAN. Life-size, seated figure, seen 
to the waist; a framed miniature is in his left hand ele 
the eh is held inside his black coat. 

H. 30% in. W. 254 in. Canvas. 

Gift of George H. Story, 1906. 


MRS. KATHERINE MATTHEWS. (In Sully’s register 
this is No. 1159, Sister to Mrs. Mallon, 1812.)  Life- 
size figure, turned to the left and seen to below the waist; 
she wears a close-fitting white hood edged with lace, a 
brown-green dress, and a brownish fur cape which she 
holds at the neck with her right hand. 


3106 


Su5-6 
Gallery 
16 


Su5—-7 
Gallery 
16 


Su5-8 
Gallery 
16 


SULLY: 


H. 272 in. W. 232 in. Canvas. 
Purchase, Rogers Fund, 1906. 


THE ARTIST’S WIFE. (1770-1867; Sarah Annis was 
born at Annapolis and first married Lawrence Sully, also 
a painter; after his death she became the wife of the 
younger brother.) Bust portrait seen full-face; she wears 
a reddish brown dress, and a cream-colored scarf is over 
her dark brown hair and held about her shoulders with the 
left hand. Inscribed on the back: For my daughter Jane 
Darley TS 1851. (Replica of the portrait painted 1832.) 
H. 295 in. W. 223 in. Canvas, oval. Monogrammed: 
TS. 1832. Bulletin, 1914, p. 250; ill. p. 251. 

Bequest of Francis T. S. Darley, 1914. 


QUEEN VICTORIA. (1819-1901; Queen of Great Bri- 
tain and IJreland and in 1877 Empress of India; she suc- 
ceeded to the throne in 1837 and her coronation took place 
June 28, 1838; in 1840 she married Albert, prince of Saxe- 
Coburg and Gotha.) Bust portrait in vignette on a 
stained canvas; she is looking over her right shoulder 
with the face turned three-quarters front; a jeweled crown 
rests on her parted brown hair and she wears a jeweled 
necklace and pendent earrings; there is light drapery 
about her bare shoulders with a touch of red at the left; 
brown background behind the head; two studies for 
jewelry are at the right. 

This is the original study, begun March 22 and finished 
May 15, 1838, according to Sully’s own register, for the 
half-length portrait now in the Wallace Collection in 
London, for the full-length painted for the St. George’s 
Society in Philadelphia, where it still hangs, and for 
the full-length given by the artist to the St. Andrew’s 
Society in Charleston, S. C. This sketch is considered 
to be the first portrait of the Queen made after her acces- 
sion to the throne; it was painted before her coronation. 
H. 3542 in. W. 28,8, in. Canvas. Inscribed: TS. Lon- 
don May 15th 1838. My original study of the Queen 
of England Victoria I Painted from life—Buckingham 
House. Bulletin, 1914, p. 250; ill. p. 247. 

Bequest of Francis T. S. Darley, 1914. 

THE ARTIST’S DAUGHTER ROSALIE. (1818- 
1847; she was the seventh child.) Head and shoulders of 
a young girl resting her crossed hands on a portfolio and 
holding a pencil; a lamp shade, used as an eye shade, 
throws the upper part of the face into deep shadow; a 


317 


Su5-9 
Gallery 
16 


Su5-10 


Su5-I1 
Gallery 
16 


ve HB IB t's 


curl of dark brown hair falls over each shoulder; she wears 
a brown dress with red turned-over collar. Inscribed on 
the back: The Student TS. 1839. The picture is some- 
times known as The Fair Student. 

H. 234 in. W. 197 in. Canvas. Monogrammed: TS 
1839. Bulletin, 1914, p. 250. 

Bequest of Francis T. S. Darley, 1914. 


MOTHER AND SON. (Jane Sully, 1807-1877, married 
1833 William Henry Westray Darley, brother of the illus- 
trator, F. O. C. Darley. The boy is her son, Francis 
Thomas Sully Darley, the one who bequeathed the pic- 
ture.) Full-length portrait, three-quarters of life size, 
seated in profile to the left; she supports her chin in her 
right hand and rests the elbow on a low stone wall over 
which hangs a red-bordered shawl; her dark brown hair 
is knotted at the back and curled over the temples; she 
wears a white satin skirt and a low-cut brown bodice with 
a blue bow. The boy stands beside her and leans his 
right hand on her knee; he has curled brown hair and 
wears a green frock, open at the neck, where it is finished 
with a white frill; a brown spaniel lies at his feet. At the 
right a tall urn is back of the figures, and at the left a strip 
of beach with breaking waves and a wide expanse of sky. 
H. 57in. W. 45% in. Canvas. Monogrammed: TS 
1840. Jan. Bulletin, 1914, p. 250, ill. p. 240. 

Bequest of Francis T. S. Darley, 1914. 


THE ROSEBUD. A sleeping child with golden hair lies 
in a crib half covered with a yellow coverlet; a red curtain 
forms the background; a pink rosebud is on the pillow 
near the baby’s hand. 

H. 234 in. W. 363 in. Canvas. Mongrammed: TS. 
1841.° Bulletin, 1914, p. 250. 

Bequest of Francis T. S. Darley, 1914. 


MUSIDORA. A young woman who has undressed at 
the foot of a tree beside a pool, has one foot in the water 
and turns around to listen to some sound. Her black 
slippers and white and rose-colored clothes are on the 
ground beside her. Dark forest background with patches 
of sunlight. 

H. 283 in. : W. 224 1n. Wood. Signed: TS 1835. Bul- 
letin, 1921, p. 83. 

Gift of Louis Allston Gillet in memory of his uncles, Sully 
Gillet and Lorenzo M. Gillet, 1921. 


318 


SUNDER—SYMONS 


SUNDER, Lucas. See Cranach, Lucas, the Elder. 


SYMONS, Garpner. American; born at Chicago; lives in New 


Sy6-1 
Gallery 
12 


York City. Pupil of the Art Institute of Chicago; 
studied in Paris, Munich, and London. Landscapes. 


THE OPALESCENT RIVER; NEW ENGLAND. 
Bright sunlight shines on the snow and floating ice in the 
river; shore and tree trunks are in the immediate fore- 
ground at the left; on the farther shore at the right there 
are groups of trees with farm buildings beyond; hills are 
in the distance. Awarded Carnegie Prize, National 
Academy of Design, 1909. | 
H. 503 in. W. 60;/¢ in. Canvas. Signed: Gardner Sy- 
mons. 

Gift of Emerson McMillin, 1909. 


319 


i 


TABER, Epwarp Martin. American; born 1863 on Staten 


Ti-5! 


Island, N. Y.; died 1896 at Washington, Conn. Pupil 
of Abbott Thayer; traveled extensively in Europe. Land- 
scapes. 


MOUNT MANSFIELD IN WINTER. Rolling hills 
with a few evergreens which cast blue shadows on the 
snow; the mountain range in the distance is in shad- 
ow; in the foreground is a laden sled drawn by two 
horses. 

H. 24 in. W.30in. Canvas. 

Lent by Mrs. C. C. Taber, 1913. 


TACK, Aucustus Vincent. American; born 1870 at Pittsburgh, 


TrI-! 
Gallery 
12 


Pa.; lives in New York. Pupil of Mowbray and La 
Farge in New York; Merson in Paris. Figure subjects, 
landscapes, and portraits. 


IN THE HOUSE OF MATTHEW. A high gray-walled 
room in which Christ sits at the center of a long trestle- 
table. Five men are seated with Him and three more 
stand behind listening. 

H. 36% in. W. 36; in. Canvas on panel. Signed: 
TAGE: . 
Gift of the Phillips Memorial Gallery, 1922. 


TALCOTT, ALLEN B. American; born 1867 at Hartford, Conn.; 


T14-1 


died 1908 at Lyme, Conn. Pupil of Art Students’ 
League of New York; Laurens and Benjamin-Constant 
in Paris. Lived chiefly in New York City. Landscapes. 


RETURN OF THE REDWING. A spring landscape; 
in the foreground is a pool and birds are alighting nearby 
on aes branches; there is a low hill beyond. 

H. 23 in. W. 321n. Wood. Signed: Allen B. Talcott. 
Gift of Mrs. Allen B. Talcott, 1909. 


320 


TENIERS 


TENIERS, Davin, THE ELper. Flemish; born 1582 at Antwerp; 


T25-1 
Gallery 
27 


died there 1649. Pupil of his elder brother, Juliaen 
Teniers, of Rubens in Antwerp, and Adam Elsheimer in 
Rome. Peasant subjects. 


A DUTCH KITCHEN. At the left a woman, in a red 
jacket, white apron, and dark skirt, stands beside a vat 
on the edge of which she holds a jug; a carcass of beef 
hangs from a beam; beyond, a man holding a bowl is 
stepping out of an open doorway; in the background at 
the right a man and a woman are in conversation; 
kitchen utensils and vegetables are strewn about and a 
brown and white dog stands in the foreground watching 
the maid. 

H,31gin. W.45 in. Canvas. Signed: D. Tenrers F. 
Gift of William H. Webb, 1874. 


5 TENIERS, Davin, THE ELDER, AND PIETER NEEFFS THE ELDER. 


INTERIOR OF ANTWERP CATHEDRAL. Figures 
by Teniers. See Neeffs, N29-1. 


TENIERS, Davip, THE YouNGER. Flemish; born 1610 at Ant- 


T251I-1 
Gallery 
27 


T251-2 
Gallery 
27 


werp, died 1690 at Perck near Brussels. Pupil of his 
father, David Teniers the Elder; influenced by Rubens 
and Brouwer. Peasant subjects and landscapes. 


TEMPTATION OF SAINT ANTHONY. A cave; 
near the entrance at the left, St. Anthony is seated at a 
table with an open Bible resting on a skull; a cross and a 
jar of water are beside him; behind him a fiend in the garb 
of a monk points to a young woman dressed in light blue, 
who is led toward the Saint by a horned man; at the 
right, monsters surround a sleeping woman; others, in 
the foreground at the left, are in the forms of bats, 
frogs, and flying fish. 

Ex coll.: Comte Cornet, Brussels; Comtesse de Verrne; 
Morny; Salamanca. 

H. 222 in. W. 27% in. Copper. Signed: D. TENIERsS. 
Purchase, 1871. 


A MARRIAGE FESTIVAL. Numerous peasants are 
assembled near a cottage; some are seated at a table in 
front of a board fence; couples are dancing, while a man 
seated on a tub plays the bagpipes; in the immediate 
foreground at the right a few are seated at a table; at 
the left a woman is trying to raise a drunken man; 
landscape beyond. ; 


321 


T251-3 


T251-4 
Gallery 
27 


T251-5 
Gallery 
27 


T251-6 
Gallery 
27 


T251-7 
Gallery 
27 


TENIERS — TERBORCH 


H.252in. W.201in. Canvas. Signed: D. TentgErs FEc. 
Purchase, 1871. 


JUDITH WITH THE HEAD OF HOLOFERNES. 
Judith, wearing a dark green dress, is seen to the knees, 
standing with the severed head of Holofernes held in her 
left hand in the act of dropping it into a bag held by an 
old woman who stands behind her; in the tent, beyond, 
the headless body is lying on a couch. 

H. 142 in. W. 10q% in. Copper. 

Gift of Gouverneur Kemble, 1872. 


LANDSCAPE. At the right two men stand near a 
rocky ledge at the edge of a wood; trees are at the left and 
a church spire is in the distance. 

H. 63 in. W.9in. Wood. 

Gift of Henry G. Marquand, 1888. 


THE GOOD SAMARITAN. A landscape with a 
wounded man lying in the foreground; a kneeling figure 
is bandaging his leg. Copy of a painting by Bassano 
(Jacopo da Ponte), now in the Belvedere Gallery at 
Vienna. 

H. 62 in. W.gin. Wood. 

Gift of Henry G. Marquand, 1888. 


LANDSCAPE. Hilly country with a flock of sheep in 
the foreground; a boy in a red dress is at the right; a man 
and a dog are resting at the left. Copy of a painting by 
Bassano (Jacopo da Ponte), now in the Belvedere 
Gallery 1 in Vienna. 

H. 62 in. W.gin. Wood. 

Gift of Henry G. Marquand, 1888. 


LANDSCAPE. A man in a red coat walks through a 
farm-yard with a bundle of straw under his arm. 

H. 52 in. W. 73m. Panel. Signed: Dat, 

Bequest of John Henry Abegg, 1921. 


TERBORCH, Gerarp. Dutch; born 1617 at Zwolle; died 1681 


T27-2 
Gallery 
26 


at Deventer. Pupil of his father, Gerard Terborch the 
Elder, at Zwolle and of Pieter Molyn at Haarlem. 
Interiors with figures, and portraits. 


PORTRAIT OF A GENTLEMAN. Seated figure, seen 
to below the knees; at the right is a table with a red cover 
on which is a high-crowned black felt hat; his right arm 
is in a sling and the left rests on his knee; he has long 


322 


T27-3 
Gallery 
39 


T27-4 
Gallery 
26 


Ta7e1 


TERBORCH — THAYER 


brown hair and wears a flat square collar over a black 
suit and gray cape. 

H. 144 in. W.121in. Wood. 

Gift of Henry G. Marquand, 1888. 


EADY PLAYING THE THEORBO. The lady, in a 
blue velvet jacket trimmed with ermine, is seated at the 
left beside a table, covered with a rug, on which are a 
music book and a watch; at the right a gentleman is seated . 
on the table; he has long brown hair, wears a brown jacket 
with braided sleeve, and holds a tall black hat on his knee; 
a high mantelpiece is back of the lady and a map hangs 
on the wall. 

Ex coll.: Lord Ashburton. 

H. 143 mn. W. 122 in. Wood. 

Bequest of Benjamin Altman, 1913. 


THE TOILET. An interior with a full-length figure of a 
young woman wearing a reddish skirt and yellow bodice, 
who stands before a dressing table; behind her at the left 
is a maid with a tray and pitcher; a bed, enclosed with red 
drapery, is in the background. 

H. 183 in. W. 132 1n. Wood. 

Gift of J. Pierpont Morgan, 1917. 


Copy AFTER ITERBORCH. 


THE COURTYARD OF A BLACKSMITH’S SHOP. 
Within a shed a man is sharpening a tool on a grind- 
stone and a young man stands watching him; turrets 
show above the slant roof. Old copy of a picture by 
Terborch in the Kaiser Friedrich Museum in Berlin. 
Healing W..252 in. ‘Canvas. 

Purchase, Marquand Fund, 1908. 


TERBORCH and DE LORME. 


INTERIOR OF A PROTESTANT CHURCH. Figures 
by Terborch. See Lorme, L89-1. 


THAYER, Assotr HAnperson. American; born 1849 at Boston; 


33-1 
Gallery 
13 


died 1921 at Monadnock, N. H. Pupil of Ecole des 
Beaux-Arts in Paris under Lehmann and Géréme. 
YOUNG WOMAN. Life-size, seated figure, seen to the 
knees; her right arm crosses her body and the hands meet 
on a rock in the immediate foreground at the right; she 
wears a classic white drapery. 


-H.392in. W.313in. Canvas. Bulletin, 1906, p. 55, ill. 


Gift of George A. Hearn, 1906. 
323 


THAYER— THOMAS 


T33-2 ®* MONADNOCK. A view from the artist’s house in 
Gallery New Hampshire. The blue-purple mountain fills al- 


15 


133-3 
Gallery 
13 


133-4 


most the entire picture; snow patches on the summit 
show orange in the rising sun, and its base is hidden 
by a grove of hemlock trees. Snow in the foreground. 
H.541in. W. 634 in. Canvas. Signed: Abbott H. Thayer. 
Purchase, Hearn Fund, 1917. 


HEAD OF A CHILD. (Raphael Pumpelly.) A young 
boy facing toward the right with his head turned almost 
to the front; he has long yellow locks and blue eyes. 

H. 153 in. W. 133 1n. Canvas transferred from wood. 
Signed: Abbott H Thayer. 

Purchase, Hearn Fund, 1921. 


MRS. WILLIAM F. MILTON. _Life-size seated figure 
seen to the waist, turned three-quarters to the right. Her 
hands are crossed in her lap holding a tortoise-shell fan. 
The neck of her waist is cut square, edged with lace. 

H. 32in. W.24in. Canvas. Signed: Abbot H. Thayer 
1881. 

Gift of Mrs. William F. Milton, 1923. 


THEOTOCOPULI, Domenico. See Greco. 
THOMA, Hans. German; born 1839 at Bernau, in the Black 


T36-1 
Gallery 
19 


T36-2 
Gallery 
19 


Forest; lives at Karlsruhe. Pupil of Karlsruhe Academy 
under Schirmer. Landscapes with figures. 


AT LAKE OF GARDA (Northern Italy). A green 
hillside with sheep grazing in the foreground and two wo- 
men seated on the ground in a grove of olive trees; in 
the distance at the right snow-capped mountains are 
seen against a deep blue sky. 

H. 33 in. W. 262 in. Millboard. Monogrammed: H T 
1907. Bulletin, 1909, p. 60. 

Gift of Hugo Reisinger, 1909. 


EVENTIDE; HILL WITH CATTLE. A herd of cows 
on the brow of a hill and in the foreground, among the 
bushes and wild flowers, the figure of an old woman. 

H. 4575 in. W. 614% in. Canvas. Signed: Hans Thoma 
1871. 

Purchase, Reisinger Fund, 1916. 


THOMAS, S. Seymour. American; born 1868 at San Antonio, 


Tex.; lives in New York and Paris. Pupil of Chase in | 
New York; Lefebvre and Benjamin-Constant in Paris. 


324 


T361-1 


THOMAS — TIEPOLO 


MRS. S. SEYMOUR THOMAS. Life-size, full-length, 
standing figure turned three-quarters to the right with the 
head nearly front; her right hand rests on the head of a 
greyhound; she wears a dark gray cloth suit trimmed with 
fur, a wide-brimmed hat with gray feather, and a veil over 
her face; a brown wall forms the background. 

H. 734 in. W.352%in. Canvas. Signed:S. SEYMOUR 
THOMAS. 

Gift of William A. Read, 1915. 


THOMPSON, A. WorpswortH. American; born 1840 at Balti- 


137-1 
Gallery 
16 


more, Md.; died 1896 at Summit, N. J. Pupil of Ecole 
des Beaux-Arts in Paris. 


OLD BRUTON CHURCH, VA., IN THE TIME OF 
LORD DUNMORE. (Lord Dunmore was the last 
Colonial Governor of Virginia; appointed 1771.) A small 
church and its churchyard form the background; in the 
foreground is a road with figures in coaches, on horse- 
back, and on foot. 

H. 18in. W. 274in. Canvas. Signed: Wordsworth 
Thompson. 

Gift of Mrs. A. Wordsworth Thompson, 1899. 


TIEPOLO, Giovanni Battista. Italian (Venetian); born 1696 


TAASI 
Gallery 


29 


T44-2 
Gallery 
11 


at Venice; died 1770 at Madrid, Spain. Pupil of Gregorio 
Lazzarini; influenced by Veronese. Mural decorations 
and figure subjects. 


THE CROWNING WITH THORNS. Christ, almost 
nude, is seated on a round platform and the crown is 
being pressed on His forehead; richly dressed soldiers, 
courtiers, and women stand at the right and left. A simi- 
lar composition is in the Seeger Collection in Berlin. 

Ex coll.: Duchesse de Berry. 

H. 303 in. W. 3432; in. Canvas. 

Purchase, 1871. 


INVESTITURE OF BISHOP HAROLD AS DUKE 
OF FRANCONIA. (Emperor Frederick I [Barbarossa] 
conferred the Duchy of Franconia upon Bishop Harold de 
Hochheim in 1165. This picture is a study for a mural 
decoration in the Palace at Wirzburg, executed by 
Tiepolo in 1752.) The Emperor is seated on a throne 
beneath an archway; on the steps in front of him kneels 
the Bishop dressed in black; a page bears a red cloak 
and other insignia of ducal honors; at the right and 


325 


144-3 
Gallery 
29 


144-5 
Gallery 
29 


T44-6 

Wing F 

Gallery 
17 


TIEPOERO 


left are soldiers, nobles, and ecclesiastics. Formerly 
erroneously called Triumph of Ferdinand III. 

H. 28°, in. W. 203°5 in. Canvas. 

Purchase, 1871. 


THE SACRIFICE OF ABRAHAM. Isaac, _blind- 
folded, is kneeling on a pile of fagots; Abraham kneels 
back of him with a knife in his raised right hand; at the 
left an angel appears on a cloud. 

H. 152 in. W. 20% 1n. Canvas. 

Purchase, 1871. 


ALLEGORICAL SKETCH FORA CEILING. Numer- 
ous figures are grouped with architectural features in 
sharp perspective against the sky. The picture represents 
the glorification of some maritime city, probably Genoa, 
as the coat of arms of that city appears near the central 
female figure who is attended by Justice, Fame, Force, 
and a kneeling knight who offers her his sword. There 
are various inscriptions whose reference to the subject is 
undetermined. 

Ex coll.: Osnaga, Padua. 

H. 45% in. W. 322 in. Canvas. Bulletin, 1913, p. 70, ill. 
Purchase, Kennedy Fund, 1913. . 


THE GLORIFICATION OF FRANCESCO BARBARO. 
(Francesco Barbaro [1398-1454], famous particularly 
for the defense of Brescia, besieged by the Milanese army 
under Piccinino.) The hero, dressed in classic costume 
—yellow cuirass with white skirt, and a crimson and gold 
brocaded mantle—is seated on a ruined cornice amidst 
the clouds. He holds a general’s baton and one arm 
rests on a lion beside him. Round about are female 
figures representing the Virtues—a winged Fame blowing 
a trumpet, a winged Victory in white holding a laurel 
crown, Plenty in pale blue, with a cornucopia, and others 
of uncertain significance. On the clouds at the lower 
part are seated Prudence in a dark blue dress, a mask at 
the back of her head and a serpent coiled about her arm, 
and Art ina robe of plum color holding a statuette. Cu- 
pids flit among the balmy sunset clouds. It was painted 
as a decoration for the Palazzo Barbaro, Venice, and re- 
mained there until about 1870. 

Ex. coll.: Oliver H. Payne; Stanford White; de Yturbe; 
Prince Camondo, Paris. 

H.95 in. W. 183 in. Canvas. Bulletin, 1924, p. 14, ill. 
Anonymous gift, in memory of Oliver H. Payne, 1923. 


320 | 


144-51 
Gallery 


29 


TIEPOLO— TINTORETTO 


MADONNA AND CHILD. A young Madonna in a red 
robe and a blue cloak holds up the Child in her arms. He 
is wrapped in a white cloth and holds a cross in His hand. 
Fip22s in. ~W. 162 in. ‘Canvas. 

Lent by C. C. Stillman in memory of his father, James 
Stillman, 1921. 


TIFFANY, Louis Comrort. American; born 1848 at New York. 


T44I-1 


Pupil of George Inness and Samuel Colman, and of Leon 
Bailey in Paris. 


SNAKE CHARMER AT TANGIERS. A native stands 
on a rug in a courtyard holding up a coiling snake in his 
left hand; beside him, seated on the ground, are three 
musicians playing a flute and drums. Various men and 
children are grouped around the court watching. 

H. 273 in. W. 383 in. Canvas. Signed: Louis C. Tif- 
fany 15 (P). 

Gift of Louis C. Tiffany Foundation, 1921 


TILBORCH, Gites van. Flemish; born about 1625 at Brussels; 


T45-1 


died there about 1678. Probably a pupil of David 
Teniers the Younger. 


VISIT OF A LANDLORD TO HIS TENANT. Men 
and women, in costumes of the day, are standing or seated 
about a table set dut of doors; a house is beyond at the 
right. 

H. 454 in. W. 63% in. Canvas. 

Purchase, 1871. 


TINTORETTO; real name Jacopo Robusti. Italian (Venetian); 


T49-1 
Gallery 


29 


born 1518 at Venice; died there 1594. Pupil of Titian; 
influenced by Michelangelo. Mural decorations and 
portraits. 


A DOGE IN PRAYER BEFORE THE REDEEMER. 
(Supposed to be Luigi Mocenigo, 1507-1577, who was 
elected Doge of Venice in 1570. This picture is a pre- 
liminary study for a mural painting in the Collegio of the 
Ducal Palace, Venice.) The Doge, wearing a brown bro- 
caded robe, kneels in an open porch facing toward the left, 
where the floating figure of Christ, clothed in light blue, 
is attended by child angels; at the right stand St. John 
the Baptist with the lamb, St. Augustine in a yellow cope, 
St. John the Evangelist in white with violet drapery, and 
St. Gregory with an open book on his knees; in the imme- 


327 


T49-2 
Gallery 
28 


T49-3 


T49S-1 


TINTORETTO 


diate foreground at the left, the lion of St. Mark crouches 
in the shadow; in the distance, between the columns of 
the porch, there is a view of the Piazzetta. 

Ex coll.: Mrs. Arthur Severn; John Ruskin, Denmark 
Hill; Baron Rumohr; Signor Nerly. 

H. 383 in. W.784in. Canvas. Bulletin, 1911, p. 6, ill. 
Purchase, Kennedy Fund, glo. 


MIRACLE OF THE LOAVES AND FISHES. (See St. 
John, chapter VI, v. 11 and other references.) Christ, ina 
red robe and blue cloak, stands in the middle of the picture 
on high ground in front of a narrow stream; He is taking 
one of the five loaves from a boy and handing it to St. 
Andrew; on the ground before Him is a platter with the 
two fishes. The picture is crowded with figures. Numer- 
ous ladies, richly dressed in red, orange, brown, or opales- 
cent gray, are seated in the foreground and on the hills 
at the right and left, fondling babies or helping old men. 
In the distance at the left a throng of people, in long 
white robes, stand as though awaiting the marvel. The 
same subject, though quite different in composition, was 
painted by Tintoretto in the Scuola di San Rocco, Venice. 
H.61¢in. W. 1617 in. Canvas. Bulletin, 1913, p. 100, ill. 
Purchase, Leland Fund, 1913. 


TWO BROTHERS. _Life-size figures of two boys. The 
older one, who is dressed in black, is seen to the knees; 
he is standing with his right arm about his brother’s shoul- 
ders. The younger boy, who is seen only to the waist, 
wears a brown coat with ermine collar and puffed sleeves; 
at the right is a landscape with stormy sunset sky. 

H. 40g in. W.32741n. Canvas. Bulletin, 1913, p. 264. 
Purchase, Kennedy Fund, 1913. 


SCHOOL OF TINTORETTO. 


THE LAST SUPPER. Christ and the disciples are 
seated about a table in a dark room that opens on a 
colonnaded terrace; Christ is at the far side of the 
table with His left hand on the shoulder of John, who 
bends over the table; a disciple, holding a tray, stands in 
the background at the right, and Judas is seated beyond; 
there is an overturned chair in the immediate foreground; 
a Staircase is in the shadow at the left. An old copy of 
the picture by Tintoretto in the Church of San Trovaso, 
Venice. 

Ex coll.: Lord Methuen, Gresham House. 


328 


TINTORETTO— TOULMOUCHE 


H.25%in. W.382in. Canvas. Bulletin, 1907, p. 172, ill. 
Purchase, Rogers Fund, 1907. 


TISIO, BENVENUTO. See Garofalo. 


TITIAN; real name Tiziano Vecelli. Italian (Venetian); born 1477 
(1489?) at Pieve di Cadore in the Venetian district; died 
1576 at Venice. Pupil of Giovanni Bellini; influenced 
by Giorgione. Portraits and mural decorations. 


T53-I FILIPPO ARCHINTO, BISHOP OF MILAN. (About 
Gallery 1500-1558; at first a lawyer, he entered the Church, was 
37 Governor of Rome for a time and legate to Venice 1554—- 
1556, during which period this portrait may have been 
painted.) Life-size, seated figure, seen to the knees; his 
right arm rests on the arm of the chair and the middle 
finger of the left hand is held between the leaves of a red- 
bound breviary; he is bareheaded and has thin white hair 
and beard; he wears a dark red velvet cape over a white 
surplice. In the John G. Johnson Collection in Philadel- 
phia there is a similar portrait, over a part of which a veil 
has been painted; Bernhard Berenson considers that the 
Altman picture is the earlier one by a few years. 
H. 463 in. W. 3542 1n. Canvas. 
Bequest of Benjamin Altman, 1913. 


TORBIDO, FRANcEsco; known as II Moro. Italian; born about 
1486 at Verona; died there about 1546. Pupil of Liberale 
da Verona and of Bonifazio I; influenced by Veronese. 
Portraits. 


T63-1 PORTRAIT OF A MAN. Life-size, standing figure, 
seen almost to the knees; he wears a black coat trimmed 
with brown fur; in his gloved left hand is an open letter. 

This picture was attributed to Moroni until Fry in 
1906 changed it to Torbido; Berenson in 1897 ascribed 
it to Savoldo. . 

H. 383 in. W. 293 in. Canvas. 
Gift of Henry G. Marquand, 1890. 


TOULMOUCHE, Aucuste. French; born 1829 at Nantes; died 
1890 at Paris. Pupil of Gleyre in Paris. 


T64-1 HOMAGE TO BEAUTY. A room with a full-length 

ees figure of a lady in a pink flounced dress, looking at a 

Stairway bouquet on the floor at her feet; at the left is an open 
window with a balcony; a garden beyond. 


329 


TOULMOUCHE — TROYON 


H.2531in. W.2143;in. Canvas. Signed: A. Toulmouche 
16 


1874. 
Bequest of Catharine Lorillard Wolfe, 1887. 


TRAUT, Wotr. German; died about 1520 in Nuremberg. Pupil 


T69-1 


and assistant of Albrecht Diirer. Also wood-engraver. 


GIRL MAKING A GARLAND. A window casement 
within the left half of which a young girl in a yellow 
dress is seated making a wreath; on the ledge of the right 
half of the window sits a white cat; above the girl’s 
head is a scroll inscribed: ICH PINT MIT, VERGIS 
MEIN NIT. 

H.7in. W.54 in. Wood. Spurious monogram of 
Direr: A D 1508. 

Gift of J. Pierpont Morgan, 1917. 


TRAYER, JEAN Baptiste JuLEs. French; born 1824 at Paris; 


T691I-1 
Ws 


died 1908 or 1909. Pupil of his father and of Le- 
quien. 


RIBBON PEDDLER. A kitchen with three girls in 
Dutch costumes, examining a pink ribbon. 


Stairway H. 293 in. W. 233 in. Canvas. Signed: J’les Trayer— 


1873. 
Bequest of Catharine Lorillard Wolfe, 1887. 


TROYON, Constant. French (Barbizon); born 1810 at Sévres; 


T75-1 
Gallery 
17 


T75-2 
Gallery 
17 


died 1865 at Paris. Pupil of Riocreux and Poupart; 
influenced by Roqueplan and the seventeenth-century 
Dutch painters. Landscapes with cattle. 


HOLLAND CATTLE. In the foreground cattle are 
on the flat shore of a river or standing in the water and - 
a black dog is at the right; in the middle distance at the 
left is a group of trees with meadow land beyond and at 
the right a sail-boat; windmills and a town are seen on 
the horizon. 

Ex coll.: James Sanford; John Wolfe; E. Gambart. 

H. 40 in. W. 59% in. Canvas. Signed: C. TROYON. 
Bequest of Catharine Lorillard Wolfe, 1887. 


STUDY OF A WHITE COW. In the foreground a 
white cow is walking up a steep hill; bright sunlight falls 
on her left flank throwing strong shadows. 

H. 2371n. W.283in. Canvas. Stamped: Vente TROYON. 
Bequest of Catharine Lorillard Wolfe, 1887. 


Ze 


753 
Gallery 
21 


175-4 


175-5 
Gallery 
oA 


TROYON — TRUMBULL 


SHEPHERD WITH SHEEP. A flock of sheep and 
two cows, followed by a man on horseback and a woman, 
are approaching along a road; other cattle are seen through 
the dust beyond. 

H. 1331n. W.194in. Canvas. Signed: C. TROYON. 
Bulletin, 1911, p. 98, ill. 

Bequest of Robert G. Dun, 1911. 


LANDSCAPE. A road with trees on either side. 
H.5in. W.7in. Watercolor. Signed: C. T. 
Mr. and Mrs. Isaac D. Fletcher Collection. 
Bequest of Isaac D. Fletcher, 1917. 


GOING TO MARKET. A young peasant woman riding 
a donkey with panniers toward the spectator; sheep and 
a cow follow; the road is bordered with tall trees and 
behind them the sun is rising through mist. 

H. 16¢in. W.123in. Canvas. Signed: C. Troyon 1860. 
Mr. and Mrs. Isaac D. Fletcher Collection. 

Bequest of Isaac D. Fletcher, 1917. 


TRUBNER, WitHetm. German; born 1851 at Heidelberg; lives 


T76-1 
Gallery 
19 


in Karlsruhe. Pupil of Leibl in Munich. 


LANDSCAPE. A roadway with a wooden fence at 
the left over which red roses are trailing; beyond are a 
pine and a row of trees in full leaf; bright sunlight. 
H.297in. W.244in. Canvas. Signed: W. Trubner: 1g1o. 
Purchase, Reisinger Fund, 1916. 


TRUMBULL, Joun. American; born 1756 at Lebanon, Conn.; 


T77-1 
Gallery 
16 


4S yaa, 
Gallery 
16") 


died 1843 at New York City. He served in the War of 
Independence, 1775-77, and later held diplomatic posts in 
Europe. Pupil of Benjamin Westin London. Historical 
subjects and portraits. 


ALEXANDER HAMILTON. (1757-1804; American 
statesman, a delegate from New York to the First Con- 
tinental Congress, and one of the signers of the Declara- 
tion of Independence.) Life-size, almost to the waist with 
the face toward the left; his hair is powdered and he wears 
a dark coat with a white stock. 

H. 30% in. W. 243 1n. Canvas. 

Gift of Henry G. Marquand, 1881. 
ROBERT MURRAY. Half-length seated figure turned 
three-quarters to the right, looking at the spectator. He 
has a ruddy complexion and thin gray hair, and wears a 
brown suit. His hands are clasped in front. 


331 


177-4 
Gallery 
16 


TRYON; 


T78-1 
Gallery 
13 


T78-2 
Gallery 
13 


178-3 


T78-4 


TRUMBULL— TUCKER 


H,)301n)) We2qin- ‘Canvas; 
Purchase, Morris K. Jesup Fund, 1922. 


MRS. ROBERT MURRAY. Half-length seated figure 
turned three-quarters tothe right, looking at the spectator. 
She is a thin-faced, pleasant lady wearing a brown silk 
dress, white cap and ruffles, and a brown fur piece around 
her shoulders. Her hands are folded in her lap. 

H. 301n. W.241n. Canvas. 

Purchase, Morris K. Jesup Fund, 1922. 


DwicHTtT WILLIAM. American; born 1849 at Hartford, 
Conn., lives in New York City. Pupil of Jacquesson de 
la Chevreuse and of Daubigny in Paris. Landscapes. 


MOONLIGHT. A farmhouse and bare trees are silhou- 
etted against the sky; the moon is near the horizon and a 
ray of light falls on the marshy foreground. 

H. 132in. W. 214% in. Wood. Signed: D. W. TRYON— 
87. Bulletin, 1906, p. 58. 

Gift of George A. Hearn, 1906. 


MOONRISE AT SUNSET. Flat marshy land with a 
hayrick in the foreground at the right; the last rays of 
the sun light the gable ends of distant farmhouses; near 
the horizon is the pinkish disk of the harvest moon; 
across the light blue sky float pale pink clouds. 

H. 24 in. W. 29% in. Wood. Signed: D. W. TRYON 
1890. 

Gift of George A. Hearn, 1910. 

EARLY SPRING. 

H. 203 in. W. 364 in. Wood. Signed: D. W. TRYON 
1894. 

Gift of Mrs. George Langdon Jewett, 1917. 

EVENING, NEW BEDFORD HARBOR. 

H. 20% in. W. 312 in. Wood. Signed: D. W. TRYON 


1899. 
Gift of Mrs. George Langdon Jewett, 1917. 


TUCKER, Atten. American; born 1866 at Brooklyn. Pupil of 


T79-1 
Gallery 
12 


the Art Students’ League, New York. 


BLUE AND GOLD. The green bank of a river and a 
tree in the foreground; blue hills are reflected in the water 
and the yellow light from the sky. 

H. 20in. W.24 in. Canvas. Signed: Allen Tucker. 
Gift of Mrs. John S. Sheppard, 1921. 


332 


TURA — TURNER 


TURA, Cosimo; also known as Cosmé de Ferrara or Cosmé Ferra- 


T84-1 
Gallery 
37 


rese. Italian (Ferrarese); born about 1432 at Ferrara; 
died there 1495. Probably a pupil of Galasso Golassi in 
Ferrara; influenced by the school of Squarcione. In 1458 
he became official painter to the Ferrarese court. 


BORSO D’ESTE (?). (1413-1471; first Duke of Ferrara 
and Mantua.) Bust portrait, in profile to the left, of a 
youth who has bushy light brown hair; he wears a red cap 
and a black doublet fastened close at the neck and orna- 
mented with two straps down the sleeve; dark blue back- 
ground. The sitter and artist are uncertain; at various 
times the picture has been called Portrait of a Youth by 
Piero della Francesca, Sigismundo Malatesta by the same 
artist and also by Tura, also one of the Este family, either 
Borso or Ercole, by Francesco Cossa. The attributions of 
artist and sitter as here given are those of Bernhard 
Berenson. 

Ex coll.: William Drury Lowe. 

H. 1142 1n. W.83in. Tempera on wood. 

Bequest of Benjamin Altman, 1913. 


TURNER, CuHar_es YARDLEY. American; born 1850 at Baltimore, 


T85-1 


Md.; died at New York City 1919. Pupil of National 
Academy of Design and Art Students’ League in New 
York; Laurens, Munkdcsy, and Bonnat in Paris. Direc- 
tor, Maryland Institute School of Art and Design. Chiefly 
mural paintings. 


THE BRIDAL PROCESSION. A Puritan maiden is 
seated on a white cow and the bridegroom stands at the 
far side; they are followed at the right by several couples 
in Colonial costumes; flat country in the distance. 
Hoo in. WV. 00 ino Canvas. . SigsnediyC. Y. TUR- 
NER Copyrighted 1886. 

Gift of William T. Evans, 1891. 


TURNER, JosepH Mattorp WiL.iAM. British (English); born 


T851-1 
Gallery 
of 


1775 at London; died there 1851. Pupil of the Royal 
Academy Schools; influenced at first by Girtin and the 
seventeenth-century Dutch landscapists, then by Claude 
Lorraine. 

SALTASH. (Saltash is an English seaport on the river 
Tamar.) In the foreground, at the left, are barges with 
reddish sails; on the bank are sailors, soldiers, fishermen, 
women, a white horse, etc.; beyond is a row of old brick 


Bh, 


T851-2 
Gallery 
24 


T85 1-3 
Gallery 
24 


T851-51 
Gallery 
24 


T85 1-52 
Gallery 
o4 


T85 1-53 
Gallery 
24 


TURNER 


houses with a large archway through which the street 
is continued; in the immediate foreground at the right is a 
large dark building on the wall of which is the half-effaced 
inscription, “England expects every man to do his duty.” 
H. 352 in. W. 474 in. Canvas. 

Gift of Henry G. Marquand, 1888. 


THE WHALE SHIP. A ship under full sail is seen | 
through the mist; in the foreground, at the left, a large 
whale, which has just been harpooned, rears its head and 
spouts water stained with blood; with its tail the whale has 
overturned one of several small boats put out for its cap- 
ture. 

Ex coll.: Seymour Haden. 

H. 363 in. W. 48,8 in. Canvas. 

Purchase, Wolfe Fund, 1896. 


THE GRAND CANAL, VENICE? The canal 
crowded with gondolas and fishing-boats decorated with 
brilliant sails and banners; at the right is the church of 
Santa Maria della Salute with a procession mounting the 
white marble terrace from the canal; beyond is the 
Dogana; at the left is a row of palaces above which rises 
the Campanile; the Doge’s Palace is in the distance. 
Ex coll.: Lord Dudley; Sam Manley. 

H. 36 in. W. 484 in. Canvas. : 

Gift of Cornelius Vanderbilt, 1890. 


AN ALPINE VALLEY. A gorge between steep moun- 
tains whose tops are partly hidden by clouds; a footpath 
follows the side of the mountain which is in the foreground 
at the right. 

H. 738; in. W. 104 in. Water color. 

Lent by Mrs. Willard Straight, 1913. 


ANDERNACH. | In the foreground is a road and at the 
left are steep cliffs; beyond, a river winds through the 
valley; in the distance are mountain ranges with their 
peaks lost among the clouds. 

H. 93 in. W. 112 in. Water color. 

Lent by Mrs. Willard Straight, 1913. 


AOSTA. Level foreground with figures walking toward 
a town which is on the shore of a river in the middle 
distance; on the far shore of the river tall snow-capped 
cliffs rise precipitously from the valley. 

H. 942 in. W. 104%in. Water color. 

Lent by Mrs. Willard Straight, 1913. 


334 


851-54 
Gallery 
24 


T851-55 
Gallery 
24 


T85 1-56 
Gallery 
24 


1851-57 
Gallery 
24 


T851-58 


Gallery 
24 


TURNER — TWACHTMAN 


THE CASTLE OF ELTZ, MOSELLE. The castle, 
with many turrets, is at the top of a hill in the fore- 
ground; mountain ranges beyond. 

H. 6; in. W. 934, in. Water color. 

Lent by Mrs. Willard Straight, 1913. 


LAUSANNE. A road winds from the hilly foreground 
to a town which is in a valley in the middle distance; 
beyond are mountains whose crests are almost hidden 
by clouds. 

H. 94% in. W. 1042 in. Water color. 

Lent by Mrs. Willard Straight, 1913. 


LLANTHONY ABBEY, MONMOUTHSHIRE. Wild 
country with a torrent rushing toward the foreground at 
the left; three figures are seated on a boulder at the right 
and a fishing pole lies near them; in the middle distance a 
ruined wall of the abbey is silhouetted against a mountain 
side; beyond, mountain tops are partly hidden by clouds. 
H. r12in. W. 162 in. Water color. 

Lent by Mrs. Willard Straight, 1913. 


A MOUNTAIN GORGE. Through a narrow opening 
between steep cliffs, there is a view of snow-capped 
mountain tops partly hidden by clouds. 

H. gin. W. 114% in. Water color. 

Lent by Mrs. Willard Straight, 1913. 


A PATH TO THE VILLAGE. In the foreground at the 
right is a path bordered by trees; at the left is a valley 
through which winds a river on whose far shore is a 
village; blue hills are beyond. 

H. 63°, in. W. 93°, in. Water color. 

Lent by Mrs. Willard Straight, 1913. 


TWACHTMAN, Joun H. American; born 1853 at Cincinnati, 


Tol-! 
Gallery 
15 


O.; died 1902 at Gloucester, Mass. Pupil of Cincinnati 
School of Design under Duveneck; the Academy at Mu- 
nich under Loefftz. Landscapes. 

THE WATERFALL. The water flows over a double 
ledge of rock and falls into a pool which forms the fore- 
ground of the picture at the right; the general tone is 


pale blue-gray. : 
H. 30% in. W. 2544, in. Canvas. Signed: J. H. Twacht- 


man. Bulletin, 1909, p. 53, ill. 
Gift of George A. Hearn, 1900. 


ao) 


U 


UHDE, Kart HERMANN FRITZ von. German; born 1848; died 


Uh2-1 
Gallery 
19 


IQII. 
GOING HOME. A Dutch woman with a basket on her 
back leads a little child along a sandy road by the sea; 
floating mist and evening sky. 

H. 307 in. W. 39% in. Wood. | 

Mr. and Mrs. Isaac D. Fletcher, Collection. 

Beauest of Isaac D. Fletcher, 1917. 


ULRICH, CuHartes Freperick. American; born 1858 at New 


Ul7-1 
Gallery 
16 


York City; died 1908 at Berlin, Germany. Pupil of 
National Academy of Design in New York; Loefftz 
and Lindenschmit in Munich. Genre. 

GLASS BLOWERS OF MURANO. A furnace, With 
flames at white heat, throws its glow on five workmen; 


three women are seated at the right. 
H. 263 in. W. 214 1n. Canvas. Signed: Ulrich 86. 


Gift of several gentlemen, 1886. 


"336 


V 


VANDERLYN, Joun. American; born 1775 at Kingston, N. Y.; 


V278-1 


V278-2 
Gallery 
160 


V278-3 
Gallery 
160 


° 


died there 1852. Pupil of Gilbert Stuart; studied in 
Paris. Greater. part of his life spent in New York City. 
Portraits. © 


JOHN A. SIDELL. (1794-1850; a New York lawyer.) 
Life-size, seated figure, seen to the waist: his left hand 
rests On papers on a table beside him; he wears a black 
coat of the period and knotted white neck-cloth; the 
background consists of a white paneled wall and a red 
curtain draped at the right. 

H. 303 in. W. 24;% in. Canvas. 

Bequest of C. V. Sidell, 1902. 

PORTRAIT OF THE ARTIST.  Life-size, almost to the 
waist; the figure is turned to the right and the face is 
seen three-quarters front; he wears a brown coat with a 
gray velvet Byron collar and full white neck-cloth. 

Ex coll.: Aaron Burr. 

H. 253 1n. W.21 in. Canvas. Signed: Vanderlyn— 
by himself Pinxit. 7 
Bequest of Ann S. Stephens, in memory of her mother, 
Mrs. Ann S. Stephens, 1918. 


ARIADNE. The original by Vanderlyn is in the col- 
lection of the Pennsylvania Academy of the Fine Arts 
in Philadelphia. The Museum’s picture is a copy by 
Durand. See Do3-1. 


POonuRAV?S OF THE WIFE* AND“GHILD OF 
COLONEL MARINUS WILLETT. The lady is seated, 
profile to right, her head turned three-quarters; her 
child, dressed in a white slip, is in her lap; she wears a 
dark brown, tight-sleeved dress with gauze at the throat 
and a yellow shawl. 

H. 367 in. W. 283 in. Canvas. 

Bequest of George Willett van Nest, 1917. 


537 


V278-4 


VANDERLYN—VAN DYCK 


FRANK WADDELL. Head and shoulders of a young 
man, with waving black hair. He wears a loose black 
tie and open collar. Red curtain in the background; pen 
and ink and paper on the table beside him. 

H. 252 in. W. 212 in. Canvas. 

Gift of Mrs. M. Howard Hoopes and Miss Grace H. 
Patterson in memory of Ann S. Stephens, 19109. 


VAN DYCK, Sir AntHony. -Flemish; born 1599 at Antwerp; 


V28-1 
Gallery 
11 


V28-2 
Gallery 
27 


V28-3 
Gallery 


27 


died 1641 at London. Pupil of Rubens at Antwerp; 
traveled for five years in Italy, and on his return went 
to Antwerp; settled in London in 1632 and was made 
court painter to Charles I. Chiefly portraits. Also etcher. 


JAMES STUART, DUKE OF’LENNOX. (1612-1655; 
son of Esmé Stuart; James was fourth Duke of Lennox 
and in 1641 was created first Duke of Richmond by 
his cousin, Charles I of England.) Life-size, full-length, 
standing figure; he is dressed in black with a white lace 
collar; about his neck hangs the Jewel of the Garter 
known as “‘the George,’ pendent from a light blue rib- 
bon, the star of the Order is embroidered on the left 
shoulder of his cloak, and the garter itself is below his 
left knee; his right hand rests on the head of a greyhound; 
a wall and a draped brownish curtain form the back- 
ground. Several repetitions of this picture exist. 

Ex coll.: Lord Methuen. 

H. 85 in, W. 50% in. Canvas; 

Gift of Henry G. Marquand, 1888. 


PORTRAIT OF A LADY. Life-size, standing, seen 
to below the knees; in her left hand she holds a black 
feather fan and the right hand rests on the arm of a 
chair upholstered with red velvet; she wears a brocaded 
black satin gown and fluted white ruffs at neck and 
wrists. : 

H. 49 in. W. 38 in. Wood. 

Gift of Henry G. Marquand, 1888. 


PORTRAIT OF A MAN. Life-size, standing, seen to 
the knees; his left hand rests on the back of a chair and 
in the right he holds a pair of gloves; he wears an em- 
broidered black silk doublet and fluted white neck 
ruff. 

Ex coll.: Lord Methuen. 

H. 413 1n. W,282in. Wood. 

Gift.of Henry G. Marquand, 1888. 


338: 


V28-4 
Gallery 


14 


V28-5 
Gallery 
14 


V28-6 
Gallery 


37 


V28-7 
Gallery 
ay 


VAN DYCK 


BARON ARNOLD LE ROY OF ZUYDER WYN. 
Life-size, full-length, standing figure; his right hand rests 
on the back of a chair and holds a broad-brimmed hat; 
he is dressed in black with soft white ruff and cuffs; 
a red curtain is draped at the right across an open door 
through which there is a glimpse of a distant landscape. 
H2767 in. W. 48% in. Canvas. 

Gift of George A. Hearn, 1905. 


THE EARL OF ARUNDEL AND HIS GRANDSON. 
(Thomas Howard, Earl of Arundel, was born in 1585 
and died in 1666. He was Earl Marshal and was made 
Commander of the Army in Scotland in 1639; a collector 
of works of art and a close friend of Van Dyck. The 
boy may be Thomas, eldest son of Henry Howard, Lord 
Maltravers, or perhaps the second son, Henry, afterwards 
Duke of Norfolk.) Life-size, full-length, standing figure 
in armor; his left arm encircles the boy with the hand 
resting on his shoulder; a baton is in his right hand. The 
boy wears an orange-colored:suit and holds a letter in 
his right hand. A yellow and black brocaded curtain is 
draped at the right. Inscribed: Earl of Arundel by 
Vandyck. ; 

H.96z1n. W.5541in. Canvas. 

Gift of George A. Hearn, 1909. 

THE MARCHESA DURAZZO. (The-Durazzi were a 
noble family of Genoa.) Life-size figure of a lady seen 
to the knees, seated facing three-quarters to the right; 
her right arm rests on the arm of the chair and the index 
finger of the left hand is between the leaves of a breviary 
that rests on her lap; her brown hair is tightly drawn back 
with a jeweled comb; she wears a black silk dress buttoned 
down the front, a cape held by a jeweled chain, and white 
lace collar and cuffs; a draped red curtain forms the back- 
ground, showing, through a window at the left, a land- 
scape with sunset sky. 

Ex coll.: Rodolphe Kann, Paris; Marchese Gropallo, 
Genoa. 

H. 444 in. W. 37% in. Canvas. 

Bequest of Benjamin Altman, 1913. 

LUCAS VAN UFFEL. (Merchant and patron of the 
arts; a native of Antwerp who had settled at Genqga. He 
was a friend of Van Dyck, who dedicated to him the etch- 
ing of Titian and his Mistress.) Life-size figure of a 
gentleman, seen to the knees, who rises from an arm-chair 


ca letleee, 


V28-8 
Gallery 
27 


V28-9 
Gallery 


27 


V28S-1 


VAN DYCK 


facing toward the right and turns his head toward the 
spectator; his right hand rests on the arm of the chair and 
his left holds a pair of compasses with the points touching 
the rug-covered table before him, on which are a globe, a 
head of Homer, and papers; he wears a black cloak be- 
neath which appears a black brocaded sleeve, and white 
lace collar and cuffs; the background consists of a wall 
with a yellow curtain at the left. 

Ex coll.: Duke of Sutherland, Stafford House. 

H. 49 in. W. 397% in. Canvas. 

Bequest of Benjamin Altman, 1913. 


PORTRAIT OF AGENTLEMAN. _Life-size, standing, 
three-quarters-length; he has long brown hair that falls 
over his wide collar, and a small moustache and goatee; 
in his right hand he holds a sheet of paper, and with his 
left gesticulates as if making a speech or report. He 
wears an ample black cloak over a black robe; dark back- 
ground with a brown brocaded hanging at the left and a 
garnet chair back of him. 

H. 49% in. W. 403 in. Canvas. 

Gift of Mrs. Walter Rathbone Bacon, in memory of her 
brother-in-law, Edward R. Bacon, 1917. 


MADEMOISELLE DE GOTTIGNIES. Three-quar- 
ters-length standing figure, turned partly to the left; she 
wears a black gown with a white and gold brocaded front 
panel and large puffed sleeves. She has curly reddish 
hair and wears pearls around her neck and wrists. 

Ex coll.: Vilain XIV. 

H. 454 in. W. 309% in. Canvas. Bulletin, 1922, p. 28. 
Bequest of Edmund C. Converse, 1921. 


SCHOOL OF VAN Dyck. 


MISS DE CHRISTYN. Life-size, standing portrait 
of a young woman, seen almost to the knees; she wears 
a black velvet gown opening over a white satin skirt, 
bodice, and full slashed sleeves; her wide, flaring white 
collar is edged with lace as are also the broad cuffs; a 
white feather fan is in her right hand and her gloves 
are held in the left; a red curtain is draped back of her 
and a column is at the left. Inscribed: Etatis sui 15 
A. 1630. 

Ex coll.: Comte Cornet, Brussels. 

H. 382 in. W. 32% in. Canvas. 

Purchase, 1871. 


340 


V28S-2 


V28S-3 


VAN DYCK—VAN EYCK 


SAINT MARTHA INTERCEDING WITH GOD FOR 
A CESSATION OF THE PLAGUE AT TARASCON. 
The Saint is carried on a white cloud by a group of 
cherubs; the plague-stricken city appears in the valley 
far below. 

Ex coll.: Comte Cornet, Brussels; David McIntosh Farrer, 
London; Jerome Bonaparte; Royal Museum, Madrid. 
H. 393 in. W. 29; in. Canvas. 

Purchase, 1871. 


NEPTUNE. A life-size, nude male figure is seen to the 
waist, eee in the water and holding with both hands 
a pile of crabS, eels, and other fish; at the right is a cave 
at the entrance of which another powerful old man is seen 
in the shadow; beyond, at the entrance to another cave, 
a number of figures are seated at a table. 

H. 622 in. W.453in. Canvas. Bulletin, 1906, p. 153. 
Purchase, Marquand Fund, 1906. 


VAN ELTEN, Kruseman. See Kruseman Van Elten. 
VAN EYCK, Jan. Flemish; born about 1380 to 1390 at Maas- 


ad 


y 


f V20S-1 
\ 34 


Gallery 


Eyck; died 1440 at Bruges. Pupil of his brother, Hubert 
Van Eyck, to whom is attributed the method of painting 
in oil. The Van Eycks resided chiefly at Ghent and 
Bruges. Religious subjects and portraits. 


THOMAS A BECKET. (1119-1170; Archbishop of 
Canterbury and Lord Chancellor of England.) A frag- 
ment showing the head; a hand rests on the hair at 
the side of the head; a blue neck-band and a little of the 
white surplice show. 

Ex coll.: Howard; Arundel. 

H. 32 in. W. 33 in. Wood. 

Gift of J. Pierpont Morgan, 1917. 


ScHOOL OF VAN Eyck; probably Petrus Cristus. 


VIRGIN AND CHILD. The Virgin stands in an ornate 
Gothic niche and holds the nude Child against her 
breast; she wears a long scarlet robe and her light brown 
hair falls over her shoulders. There are inscriptions on 
the base of the throne and on the front of the canopy; a 
blue brocaded cloth hangs back of the Virgin. The fig- 
ures closely resemble Our Lady and Child near a Foun- 
tain in the Antwerp Museum, an authenticated work 
painted by Jan Van Eyck in 1439; another similar pic- 
ture is in the Kaiser Friedrich Museum, Berlin. 


341 


VAN EYCK—VELAZOUEZ 


H. 2244 in. W. 1237/5 in. Wood. 
Gift of Henry G. Marquand, 1888. 


VANNUCCI, Pietro. See Perugino. 
VECELLI, Tiztano. See Titian. 
VEDDER, E.tinu. American; born 1836 at New York City; died 


Gallery 
16 


V51-2 
Gallery 
13 


V5I-3 
Gallery 
16 


1923 at Rome. Pupil of T. H. Mattison at Sherburne, 
NooY.s Picot im: Paris: 


THE AFRICAN SENTINEL. A stony hillside near 
the foot of which, in the foreground, stands a negro with a 
pistol in his right hand and a musket over his left shoulder; 
a white cloth oe covers his figure. 

H. 144 in. W. 8°, in. Canvas. Initialed: 18 V 65. 
Bequest of Stachen Whitney Phoenix, 1881. 


PLEIADES. (According to Greek mythology, the 
Pleiades were the seven daughters of Atlas and Pleione. 
Orion became enamored of them, and in their distress 
they appealed to Jupiter who turned them, as well 
as Orion and his dog Sirius, into stars.) There are 
seven standing female figures wearing gray draperies 
of various shades; each holds a cord that swirls about her 
head and ends in a star. 

H. 244 in. W. 373% 1n. Canvas. Signed: Elihu Vedder 
Roma 1885. 
Gift of George A. Hearn, 1910. 


THE LOST MIND. A girl in a dark brown robe wan- 
ders barefoot in a desert country. Her blue-green cloak 
and white scarf slip from her head allowing some strands 
of yellow hair to escape. 

H. 393 in. W. 234 1n. Canvas. Signed: 18 V 64-5. 
Bulletin, 1922, p. 246. 

Bequest of Helen L. Bullard in memory of Mrs. Laura 
Curtis Bullard, 1921. 


VEEN, MartTIN vAN. See Heemskerck. 
VELAZQUEZ, DieEGoO RODRIGUEZ DE SILVA y. Spanish; born 


V54-1 
Gallery 
a7 


toward the right; He has long hair and wears a re 


1599 at Seville; died 1660 at Madrid. Pupil of Herrera 
and Pacheco at Seville. Court painter to Philip IV, 
King of Spain. Chiefly portraits. 


CHRIST AND THE PILGRIMS OF EMMAUS. 
Christ is seated at the left with raised head pra ort: 
robe 


342 


V54-2 
Gallery 
37 


V54-5! 
Gallery 
II 


V54S-I 


VELAZQUEZ 


with a gray-blue cloak over His shoulder and falling on 
His knee; His right hand, showing the wound, rests on 
the table and holds the bread. The pilgrim seated in 
front of the table with his back toward the spectator, has 
his left arm extended in surprise and looks toward the 
Christ; he wears a dark blue blouse and a brown cloak is 
over his knee. The other figure, an older man, seated on 
the far side of the table and looking toward the right, has 
a full beard and is dressed in dark brown. A gray. wall 
forms the background. This is an early work. 

Ex coll.: Don Manuel de Soto, Munich; Sefiora Viuda 
de Garzon, Spain; Sefiora Cafiaveral, Spain. 

H. 4844 in. W.524in. Canvas. Bulletin, 1913, ill. p. 237. 
Bequest of Benjamin Altman, 1913. 


PHILIP IV OF SPAIN. (1605-1665; King of Spain; as- 
cended the throne 1621. Friend and patronof Velazquez.) 
Life-size, full-length figure, standing with feet apart, the 
left hand resting on the hilt of a sword and the right hold- 
ing a letter; he is dressed in black with white lawn collar 
and turned-over cuffs; from the heavy gold chain which is 
over his right shoulder hangs the Order of the Golden 
Fleece; part of a coffer covered with red velvet is at the 
right and a gray wall forms the background. This picture 
was purchased by Dofia Antonia de Ypenarrieta and the 
Museum has the receipt, dated December 4, 1624, which 
Velazquez gave her for 800 reales (about $40), the pur- 
chase price of this work and portraits of Count Olivares 
and Sefior Garciperez. Known as the Villahermosa 
portrait because it was for many years in the Villaher- 
mosa Palace in Madrid. 

H. 79 in. W. 403 in. Canvas. 

Bequest of Benjamin Altman, 1913. 


QUEEN MARIANA OF AUSTRIA. The head seen to 
the shoulders, turned slightly to the left. Her color is 
high and her expression more pleasing than in some por- 
traits. She wears a big brown wig decorated with white 
artificial butterflies. 

H. 143 in. W.171n. Canvas. 

Lent by Harry Payne Bingham, 1920. 


SCHOOL OF VELAZQUEZ. 


BALTASAR CARLOS. (1629-1646; eldest son of Philip 
IV of Spain and his first wife, Isabella of Bourbon; he 
was betrothed to Mariana of Austria.) Life-size portrait 


343 


V549-2 
Gallery 
28 


V549-3 


V54S-4 
Gallery 
28 


VELAZQUEZ—VELDE 


of a boy about ten years of age, seen to the waist; his 
hair falls over his ears; his black coat is richly embroidered 
with gold and silver and he wears a stiff turned-over 
white collar. This picture is similar to the full-length 
in the Belvedere Gallery, Vienna. 

H. 202 in. W. 162 in. Canvas. 

Gift of Henry G. Marquand, 1888. 


VELAZQUEZ. Life-size portrait almost to the waist, 
with the face turned to the left and the eyes looking 
front; he has black hair falling over the ears, a moustache, 
and goatee; his cloak is black and he wears a stiff turned- 
over white collar. Listed by Curtis under works by 
Velazquez. 

H. 274 in. W. 224 in. Canvas. 

Gift of Henry G. Marquand, 1888. 


MARIANA OF AUSTRIA, QUEEN OF SPAIN. (Wife 
of Philip IV of Spain, whom she married in 1649 at the 
age of fourteen; she had previously been betrothed 
to his son, Baltasar Carlos. This portrait shows her a 
couple of years after her marriage.) Life-size, standing 
figure, seen to below the waist; her headdress is ar- 
ranged in an enormous semicircle of false hair, red 
bows, and red and white feathers; she wears a black 
silk dress with silver embroidery designed in stripes 
and the skirt held out with hoops; a red curtain is draped 
at the left. This picture is similar to the full-length 
in the Prado in Madrid, of which there are numerous 
replicas. 

H. 3232; in. W. 413 in. Canvas. 

Gift of Henry G. Marquand, 1888. 


COUNT OLIVARES. (1587-1645; Gaspero de Guz- 
man, Count Olivares and Duke of Lucar, was the chief 
adviser of Philip IV and Prime Minister of Spain from 
1621 to 1643.) Life-size portrait, seen almost to the 
waist; he has heavy dark eyebrows, moustache, and 
goatee, and is dressed in black with a stiff turned-over 
collar. This is probably a copy of the picture in the 
Hermitage at Petrograd. 


 Hitayda ne Waa anv 


VECDE; 


Gift of Henry G. Marquand, 1888. 


ESAIAS VAN DE. Dutch; born about 1590 at Amsterdam; 
died 1630 at The Hague. Perhaps pupil of G. van 
Coninxloo. Genre. 


344 


VED EV ERGOS 


V541-1 THE INN. In the foreground is a road with a man on 
horseback; at the left is a one-story inn with figures near 
the door. 

H. 217-in. W. 454 in. Wood. Signed: E. V. Velde. 
Purchase, Rogers Fund, 1909. 


VELDE, WILLEM VAN DE, THE YOUNGER. Dutch; born 1633 at 
Leyden; died 1707 at Greenwich. Became court painter 
of Charles II. Marine painter. 


V542-1 ENTRANCE TO A DUTCH PORT. The shore beside 
Gallery a pier where small boats are letting down their sails; out 
26 in the harbor a fleet of high-prowed ships are at anchor. 
Blue sky above with clouds. 
Ex coll.: Clieve Manor; Nieuwenhuys. 
H. 254 1n. W. 30% in. Canvas. Signed: W. V. V. 
Bequest of William K. Vanderbilt, 1920. 


VELTEN, WILHELM. German; born 1847 at Petrograd, Russia; 
lives ‘in Munich. Pupil of St. Petersburg and Munich 
Academies. 


V543-1 HALT OF CAVALIERS. At the right is a thatched 
inn; near the entrance is a covered wagon with three 
horses and several men; nts horses are being watered 
‘at a wooden eure 
H. ot in. W. 123 in. Wood. Signed: W. Velten Munich. 
Bequest of Thomas P. Salter, 1907. 


VERBOECKHOVEN, EucEne. Belgian; born 1799 at Warneton, 
West Flanders; died 1881 at Brussels. Pupil of his 
father, the sculptor, Barthelémy Verboeckhoven, and 
of Ommeganck. Chiefly sheep. 


V58-1 INTERIOR OF A STABLE WITH SHEEP AND 
S. W. POULTRY. Three sheep, a lamb, and some chickens 
Stairway on the straw-covered floor. 

H. 234 in. W. 323 in. Wood. Signed: Eugéne Ver- 

boeckhoven F. 1860. 

Bequest of Catharine Lorillard Wolfe, 1887. 


VERGOS, Jaime, II. Spanish (Catalan); was working in 1459; 
died after 1503. He was one of a family of painters 
active in Catalonia throughout the fifteenth century. 


V582-1 ALTARPIECE; SIX SCENES FROM THE PASSION. 
Gallery Each panel has a Gothic frame; in each lower section is 
33 a single head with an inscribed ribbon held by a hand. 


345 


VERGOS — VERMEER 


The subjects of the principal panels from left to right 
are: the Agony in the Garden, the Kiss of Judas, Christ 
before Pilate, Crowning with Thorns, the Flagellation, 
and Ecce Homo. Gold ground throughout. 

Ex coll.: Antokolsky. 

H. 56 in. W. 123; in. Wood. Bulletin, 1910, pp. 45. 
76, ill. 

Gift of William M. Laffan, 1907. 


VERMEER, JoHANNEs; known as Jan Vermeer van Delft. Dutch; 


V50-1 
Gallery © 
20; 


V50-2 
Gallery 


39 


born 1632 at Delft; died there about 1675. Probably a 
pupil of Karel Fabritius. Interiors with figures. 


YOUNG WOMAN WITH A WATER JUG. A woman 
stands in the corner of a room back of a table covered 


‘with an oriental rug; she opens a window casement with 


her right hand and with the left holdsa brass jug in a basin 
of the same metal; at the right is an open jewel box, behind 
which a blue drapery falls over a leather-covered chair; 
a map, only partly visible at the right, hangs on the 
gray wall which forms the background. The woman 
wears a dark blue skirt, light yellow bodice trimmed with 
bands of dark blue, and a white linen collar which extends 
to the elbows; a folded white linen kerchief is over her 
head. | 

Ex coll.: Lord Powerscourt. 

H.18in. W.16in. Canvas. Bulletin, 1900, p. 168, ill. 
Gift of Henry G. Marquand, 1888. 


A GIRL ASLEEP. A young woman, seated behind a 
table covered with a rug, supports her head against her 
right hand, with the elbow on the table; she wears a dark 
red bodice, open at the neck, and a white kerchief lies 
over her shoulders; on the table are a blue and white 
dish with fruit, a napkin, and a jug; at the right the backs - 
of two chairs are in the foreground and beyond, a half- 
open door leads to another room where a table is seen 
with a picture above it; on the wall back of the figure part 
ofapictureappears. Of the thirty-eight known paintings 
by Vermeer twenty-one were sold at auction in Amster- 
dam in 1696 and this painting was No. 8 in the cat- 
alogue under the title A Drunken Maid Servant Asleep 
Behind a Table. 

Ex coll.: Rodolphe Kann, Paris; John W. Wilson, Paris. 
H. 347’, in. W. 30% in. Canvas. Signed: J. VMeer. 
Bequest of Benjamin Altman, 1913. 


340 


VERNET — VERONESE 


7 VERNET, ANTOINE CHARLES Horace, known as Carle Vernet. 


V59I-1 


French; born 1758 at Bordeaux; died 1836 at Paris. Pupil 
of his father, Claude Joseph Vernet, and later of Lépicié. 
Historical scenes and genre. Also lithographer. 


A ROMAN TRIUMPH. (That of Amilius Paulus 
after his successful campaign against Perseus, King of 
Macedonia, 168 B. C.) A procession headed by men- 
at-arms passes across the Via Sacra through the monu- 
mental arches to the Capitol. At the right is the General 
wearing a brilliant red toga and seated in a golden chariot 
drawn by four white horses; following him are the van- 
quished, including Perseus with folded arms and bent 
head, his daughter dressed in white, and her two young 
sons; in the background are classic buildings including 
the temple of Jupiter Capitolinus with its approach of 
one hundred steps; in the distance is a range of hills. 
Ex coll.: Heber Bishop. 

H. 513 in. W. 1723 in. Canvas. Signed: CARLE VER- 
NET 1780. 

Gift of Darius O. Mills, 1906. 


VERNET, Emite JEAN Horace; knownas Horace Vernet. French; 


V5092-1 
Gallery 
17 


born 1789 at Paris; died there 1863. Pupil of his father, 
Carle Vernet, and of Moreau and Vincent. Historical 
subjects and genre. 


PREPARING FOR THE RACE. A rearing white horse 
and a sorrel are being led away by several grooms, to pre- 
vent injury to a man who has been thrown by a dark gray 
horse; other horses are at the left; in the background is a 
spectators’ stand with red drapery; people are leaning 
over a gray wall at the right. 

H. 18% in. W. 214% in. Canvas. Monogrammed: HV. 
Bequest of Catharine Lorillard Wolfe, 1887. 


VERONESE, Pao to; real name Paolo Caliari. Italian (Venetian) ; 


~V6-1 
Gallery 
II 


born 1528 at Verona; died 1588 at Venice, where most 
of his life was spent. He was apprenticed to his uncle, 
Antonio Badile; early work influenced by Cavazzola, 
Caroto, and Brusasorci. Mural decorations and por- 
traits. 


MARS AND VENUS UNITED BY LOVE. _Life-size, 
full-length figures; Venus stands at the left with her left 


_hand resting on the shoulder of Mars, who is seated on an 


architectural fragment; a cupid in the foreground binds 


347 


VERONESE — VERSCHUUR 


together with a pink ribbon the left leg of Mars and the 
left leg of Venus; in the background at the right another 
cupid holds the god’s sword in front of his white horse 
which is tied to a tree; Mars wears golden armor and a 
red-violet cloak hangs from his right shoulder and is 
held by his left hand; in his right hand he holds the end 
of a dark blue drapery before the nude figure of Venus. 
Behind Venus is a wall over which hangs a white gown; 
beyond are’ ruins with a faun caryatid and a landscape 
in the distance at the right. 

Ex coll.: Asher Wertheimer; Lord Wimborne; Campbell; 
Hastings Elwyn; J. J. Laborde de Méréville; Walkners, 
Brussels; Philippe, Duc d’Orléans (1792); Livio Odaleschi, 
Duke of Bracciano; Cardinal Dezio Azzolino (1654); 
Queen Christina of Sweden (1648); Emperor Rudolphe 
13 

H. 81 in. W. 6321in. Canvas. Signed: PAVLVS 
VERONENSIS. F. Bulletin, 1910, p. 287, ill. 
Purchase, Kennedy Fund, rgro. 


VERROCCHIO, ANDREA DEL; real name Andrea di Michele di 


Voi-1 
Gallery 
37 


Francesco de’ Cioni. Italian (Florentine); born 1435 at 
Florence; died 1488 at Venice. Pupil of the goldsmith 
Giulio de’ Verrocchi, of the sculptor Donatello, and of the 
painter Alesso Baldovinetti; influenced by Pesellino. 
Noted as sculptor as well as painter. 


MADONNA AND CHILD. The Madonna, seen to the 
waist, is back of a ledge on which the nude Christ Child 
stands between a rose at the left and three cherries toward 
the right; He has curly yellow hair; the Madonna holds a 
transparent cloth about His loins; she wears a dark blue 
cloak with the border embroidered in gold and held by a 
cord over a red and gold brocaded robe; a transparent 
veil is draped on her yellow hair; painted halos are back 
of both heads; landscape background. The work is at- 
tributed to Verrocchio. 

Ex coll.: Butler, London; Sir Walter R. Farquhar; 
Bromley Davenport. 

H. 2542 in. W.1gin. Tempera, transferred from wood 
to canvas. 

Bequest of Benjamin Altman, 1913. 


VERSCHUUR, Wouterus. Dutch; born 1812 at Amsterdam; 


died 1874 at Vorden. Pupil of P. G. van Os. 
348 


V62-1 


VERKRSCHUUR— VIBERT 


HORSES IN A STABLE. 
H. 16; in. W. 122 in. Wood. Signed: W. Verschuur. 
Bequest of Henry H. Cook, 1905. 


VESTIER, ANTOINE. French; born 1740 at Avallon; died 1825 


V63-51 
Gallery 
20 


at Paris (?). 


PORTRAIT OF A LADY. Three-quarters-length figure, 
front view, in a landscape of rocks and trees. She wears 
a white satin-striped dress with a dark blue sash; a band 
of the same ribbon is in her curly powdered hair. Her 
head is tilted pensively to the left and she holds a blue- 
covered book in her right hand. 

H. 51z in. W. 384 in. Canvas. 

Lent by C. C. Stillman in memory of his father, James 
Stillman, 1921. 


VIBERT, JEHAN GEorcEs. French; born 1840 in Paris; died there 


V65-1 
S. W. 


1902. Pupil of Picot and Barrias. Genre. 


THE FIRST BABE. An interior with a baby lying 
on a yellow sofa with pink cushions and covered with a 


Stairway blue quilt; a man sits on the sofa at the left anda woman _ 


V65-2 
SW. 


in blue and pink stands near the child’s head at the right. 
H. 144 in. W.17% in. Water color. Signed: J. G. 
Vibert—1872. 

Bequest of Catharine Lorillard Wolfe, 1887. 

PALM SUNDAY IN SPAIN. A young woman in a 
green, yellow, and red Spanish costume, leans against 


Stairway a newel post; with both hands she holds a shaped palm 


V65-3 
Gallery 
17 


V65-4 
S.W. 


leaf and others are in the baskets that are on the step and 
hang over the post. 

H. 20,55 in. W.1321in. Water color. Signed: J. G. 
Vibert—73. | 

Bequest of Catharine Lorillard Wolfe, 1887. 


THE STARTLED CONFESSOR. A _ young priest 
in a black habit is seated at a table in an inner court; 
leaning forward he listens to the confession of a young 
woman standing at his side; she wears a bright red dress 
elaborately trimmed with white Spanish lace and a large 
red flower is in her dark hair. 

H. 337°, in. W.2541in. Canvas. Signed: J.G. Vibert. 
Bequest of Catharine Lorillard Wolfe, 1887. 


THE REPRIMAND. A garden with a stone bench at 
the left on which are seated a young woman wearing a pink 


Stairway skirt and green velvet bodice and an older woman in 


349 


VIBERT — VINCKBOONS 


black; the mother appeals to a priest seated in an arm- 
chair at the right; he wears a black habit and is taking a 
pinch of snuff; on the table behind him are the remains of 
a meal. 

H. 20% in.- W. 33 in. ‘Canvas. Signed?" JG yipers, 


1874. 
Bequest of Catharine Lorillard Wolfe, 1887. 


VILLEGAS, José. Spanish; born 1848 at Seville; lives in Rome. 


V7I-1 
Gallery 
18 


Studied in Madrid, Seville, and Rome. Genre. 


EXAMINING ARMS. In a guard-room hung with 
armor are five men in seventeenth-century costumes; 
the two central ones are standing; a man is seated at the 
right cleaning a sword. 

H.152in. W. 1234, in. Wood. Signed: Villegas 1870. 
Bequest of Catharine Lorillard Wolfe, 1887. | 


VINCENT, Georce. British (Norwich); born 1796 at Norwich; 


Mee 
Gallery 
14 


died there 1831. Pupil of Old Crome and of the British 
Institution in London. Landscapes. 


WHITLINGHAM NEAR NORWICH. At the left 
a hill with ruins is silhouetted against the sky and on the © 
slope in the foreground cattle are grazing; at the right 
a flock of sheep is approaching and beyond there is an 
extended view of the Norfolk Broads with the winding 
river. 

H. 254 in. W.36in. Canvas. Signed: G. Vincent. 
Gift of George A. Hearn, 1906. 


FARM BY THE BROOK. The stream is in the fore- 
ground at the left and two boys on the bank are fishing; a 
large tree and farm buildings are in full sunlight in the 
middle distance at the left, and trees and another cottage 
are in shadow at the right. 

H. 222 in. W. 262 in. Canvas. 

Bequest of Maria De Witt Jesup, from the collection of 
her husband, Morris K. Jesup, 1915. 


VINCKBOONS, Davip. Flemish; born 1578 at Mechlin; died 


V74I-1 
Gallery 
27 


1629 at Amsterdam. _ 
SUMMER. A copy with changes of The Harvesters by 


Pieter Bruegel the Elder (B832-1), beside which it hangs. 
The position of the boy carrying the water jug and the 


-mowers has been altered, and the arrangement of the 


350 


VINCKBOONS — VOLLON 


landscape is different. It was probably copied from 
memory a generation after the original was painted. 
H.8in. W. 104% in. Oil on copper. 

Purchase, 1871. 


_VLIEGER, Simon pe. Dutch; born 1601 at Rotterdam; died 


V84-1 
Gallery 
26 


1653 at Weesp. Pupil of Willem van de Velde the . 
Elder. Lived at Delft and Amsterdam and settled at 
Weesp about 1650. Marines and landscapes. 


CALM SEA. At the right is a group of fishing-boats; 
the foreground is in shadow while a streak of light falls 
across the water beyond; low horizon with masses of 
cumulous clouds. 

H. 142 in. W. 173 in. Wood. 

Purchase, Rogers Fund, 1906. 


VOLK, Douc Las. American; born 1856 at Pittsfield, Mass.; 


V88-1 
Gallery 
13 


V88-2 


lives in New York City. Pupil of Ecole des Beaux-Arts 
in Paris under Géréme. Figure subjects. 


LITTLE MILDRED. Figure of a little girl turned 
three-quarters to the left and seen to the waist; she has 
short light brown hair and with both hands holds an 
orange-colored drapery over her bare chest; dark back- 
ground with a glimpse of blue sky at the left. 

H. 1942 in. W. 167, in. Canvas. Signed: Douglas 
Volk, ’11. 

Purchase, Hearn Fund, 1914. 


FELIX ADLER. (Born 1851 in Germany; lives in New 
York City. Lecturer; founder of the Society for Ethical 
Culture.) Life-size head and shoulders with the body 
turned slightly to the right and the eyes full-front; he has 
thin grayish beard, moustache, and chin-tuft, and wears 
the conventional black coat and a black tie; dark back- 
ground. Received the Maynard Prize at the National 
Academy of Design, 1915. 

H. 293 in. W. 22 in. Canvas. Signed: Douglas Volk. 
Purchase, Hearn Fund, 1o15. 


VOLLON, Antoine. French; born 1833 at Lyons; died 1900 at 


V88 1-1 
Gallery 


17 


Paris. Pupil of Lyons Academy; Ribot in Paris. Chiefly 
still life. 

A FARM YARD. Two sides of a court are occupied 
by irregular low buildings with roofs partly of brown 
thatch and partly of gray slate and red tiles; three horses 


351 


V881-2 


VOLLON — VOS 


stand near the stable door and a wagon is at the right; 
chickens are feeding in the foreground. 

H. 377 in. W. 46% in. Canvas. Signed: A. Vollon. 
Bequest of Catharine Lorillard Wolfe, 1887. 


THE BIG WHITE CHEESE. A table on which are a 
crockery bowl filled with milk, a cream cheese resting on 
straw, and green and red peppers. On the stone-colored 
wall back of these articles hang a bunch of onions and 
some Swiss chard. Two shadowy animal heads are 
suggested in the background at the right. 

H. 332 in. W. 35% in. Canvas. Signed: A. Vollon. 
Bequest of William H. Walker, 1918. 


VOLTERRANO; - real name. Baldassare Franceschini. Italian 


V882-1 


VOLTZ, 


V883-1 
Gallery 
18 


(Florentine); born 1611 at Volterra; died 1689 at Florence. 
Influenced by Matteo Rosselli. 


HEAD OF AN ANGEL. A colossal head: of a child 
with open mouth and upturned eyes. 

H. 203 in. W.181in. Fresco. 

Gift of Cornelius Vanderbilt, 1880. 


FRIEDRICH JOHANN. German (Munich); born 1817 at 
Nordlingen; died 1886 at Munich. Pupil of his father, 
Johann Michael Voltz. 


LANDSCAPE AND CATTLE. In the foreground two 
cows stand at the edge of a pool in the shadow of rocks and 
trees; beyond stands a girl who pulls the branches of a 
tree; distant landscape with a cottage. 

H. ro2 in. W. 132 in. Wood. Signed: Fr. Voltz—68. 
Bequest of Catharine Lorillard Wolfe, 1887. 


VONNOH, Rosert. American; born 1858 at Hartford, Conn.; 


V89-1 
Gallery 
12 


lives in New York. Pupil of Boulanger and Lefebvre. 
Landscapes and portraits. 


LA MERE ADELE (RuBAN BLEU). The blue ribbon 
is a degree given in Paris to chefs and cooks; originally the 
mark of one who was eminent in any profession. Half- 
length seated figure, full-front. A characterful old woman 
wearing a black cape and hood. 

H. 30 in. W. 24 in. Canvas. Signed: Vonnoh. 
Purchase, Hearn Fund, 1923. 


VOS, CorRNELIS DE, THE ELpER. Flemish; born about 1585 at 


Hulst; died 1651 at Antwerp. Pupil of David Renee? 
influenced by Van Dyck. Portraits. 


352 


Vo2-I 
Gallery 
27 


Vo2-2 
Gallery 
27 


VOS—VRIES 


PORTRAIT OF A YOUNG LADY. Life-size, full- 
length, seated figure, turned to the left; she has brown hair 
and wears a golden brown dress trimmed with brilliantly 
colored rosettes; her broad white collar and cuffs are 
edged with lace; both hands are in her lap and in the right 
one she holds a white feather fan; strings of pearls encircle 
her neck and wrists. 

Ex coll.: Comte Cornet, Brussels; De la Becque. 

H. 467 in. W. 3738; in. Canvas. 

Purchase, 1871. 

MOTHER AND CHILDREN. Life-size, standing figure 
of a lady, holding a baby in her arms with a child standing 
on each side of her; the three figures are seen to the 
knees. The mother wears a black dress and a broad white 
lace and linen fichu; the baby, dressed in white and with a 
pink feather in its cap, holds a rattle in its right hand and 
the left is outstretched toward a red apple held by the 
little girl at the right; the older girl at the left carries a 
basket of fruit. Landscape background. 

H. 514%, in. W. 40% in. Canvas. Bulletin, 1910, p. 33, ill. 
Purchase, Marquand Fund, aided by Thatcher M. Adams, 
George A. Hearn, and Hugo Reisinger, 1909. 


VOSMAER, JaAcos; also known as Jacob Wouter. Dutch; born 


Vo2I-1 


1584(?) at Delft; died there 1641. Chiefly fruit and 
flowers. 


A VASE WITH FLOWERS. Flowers loosely arranged, 
chiefly red, yellow, and white tulips; there are also roses, 
irises, and peonies. 

Ex coll.: Comte Cornet, Brussels; Jan Pieter Bischop. 
H. 333 in. W.242 in. Wood. Signed: Vosmaer—1615. 
Purchase, 1871. 


VRIENDT, Jutien DE. Belgian; born 1842 at Ghent; lives in 


Vo5-I 


Antwerp. Has been Director of the Royal Antwerp 
Academy since 1901. 


A CHAPEL SCENE; OLD ANTWERP. A priest and 
several figures at the arched entrance to a chapel. The 
costumes are in the style of the fifteenth century. 

H. 222 in. W. 332 in. Wood. Signed: JULIEN DE 
VRIENDT. 1868. 

Bequest of Stephen Whitney Phoenix, 1881. 


VRIES, ApRIAEN DE. Dutch; seventeenth century; was working 


at The Hague in 1643; died after 1650. Portraits. 
353 


Vo6-1 
Gallery 
26 


ViChis 


A DUTCH GENTLEMAN. Life-size figure, almost to 
the waist, with the face in full light and turned to the 
left; his hair is brown with lighter moustache and pointed 
beard; he is dressed in black with a square white turned- 
over neckband and tassels. 

Ex coll.: Bosschaert; Beby. 

H. 254 1n. W.211in. Wood. Inscribed: Fecit Hage 
Comitis A. de Vries anno 1643. 

Purchase, 1871. 


354 


W 


WAHLBERG, ALFRED. Swedish; born 1834 at Stockholm; 


W12-1 
Gallery 
18 


W 12-2 
Gallery 
18 


WALDO, 


Wi4-! 
Gallery 
16 


W14-2 
Gallery 
16 


died 1906. Pupil of Diisseldorf Academy. Landscapes. 


MOONLIGHT; PORT OF WAXHOLM, NEAR 
STOCKHOLM, SWEDEN. At the right are houses and 
fishing-boats at anchor; near the center of the picture 
in the moonlight is a rowboat with people; sail-boats are 
at the left near the low horizon; broken clouds partly 
hide the full moon. 

H. 344 in. W. 57% in. Canvas. Signed: Alfr. -Wahl- 
berg—73. 

Bequest of Catharine Lorillard Wolfe, 1887. 

A DAY IN OCTOBER; NEAR WAXHOLM,SWEDEN. 
In the foreground are a garden and cottage; at the right a 
muddy road leads to a mill which forms the center of the 
picture; in the distance at the left is a lake that feflects 
the dull gray sky. 

H. 41445 in. W. 643 in. Canvas. Signed: Alf. Wahl- 
berg—-73. 

Bequest of Catharine Lorillard Wolfe, 1887. 


SAMUEL L. American; born 1783 at Windham, Conn., 
died 1861 at New York City. Studied in Connecticut; 
painted for some time in Charleston, S.C.; went to London 
in 1806 and settled in New York in 1809. Portraits. 


OLD PAT, THE INDEPENDENT BEGGAR. Life- 
size head and shoulders, with the body turned to the left 
and the face front; florid complexion and brown hair; 
the head is unusually long; he wears a brown overcoat. 
H. 19g in. W. 14% in. Wood. 

Gift of Samuel P. Avery, 1904. 

GENERAL ANDREW JACKSON. (1767-1845; 
seventh President of the United States. Served in the 
Indian Wars and War of 1812.) Life-size head and 


355 


W14-3 
Gallery 
16 


W14-4 
Gallery 
16 


WALDO 


shoulders, with the face and body turned slightly to the 
left; he has a long narrow head with gray hair brushed up; 
he wears a dark blue military coat with gold epaulettes 
and gold embroidery on the standing collar. Inscribed 
on back: Gen’! Andrew Jackson AE 54, original sketch 
from life by S. L. Waldo, New York, 1817. 

H. 25¢1in. W.211n. Canvas. 

Purchase, Rogers Fund, 1906. 


PORTRAIT OF THE ARTIST. Half-length figure fac- 
ing front with the head turned three-quarters to the left; 
he holds his palette and brushes in his hands. . 

Ex coll.: Charles Frank Sullivan, the artist’s grandson. 
H. 33 in. W. 253 in. Panel. Bulletingiog2epas: 
Purchase, Lazarus Fund, 1922. 


DELIVERANCE MAPES WALDO. An _ unfinished 
sketch of the head of the artist’s wife. A sweet, round 
young face surrounded by dark curls. 

Ex coll.: Charles Frank Sullivan, the artist’s grandson. 
H. 303 in. W. 25% in. Panel. Bulletin, 1922, p. 64. 
Purchase, Lazarus Fund, 1922. 


WALDO and JEWETT. Samuel L. Waldo and William Jewett 


Wi4I-I 
Gallery 
16 


WI4I-2 


Wi4I-3 


(see each) painted portraits together in New York City for 
eighteen consecutive years. 


REVEREND GARDNER SPRING. (1785-1873; 
pastor of the Old Brick Presbyterian Church, New York 
City, 1810 to 1873.) Life-size figure, seen to the waist 
with his right hand resting on a book; he has dark hair 
and wears a black coat and soft white tie; a draped red 
curtain forms the background, and sky shows at the left. 
H. 334 in. W.2521in. Wood. Stamped on back; 
WALDO & JEWETT 1831 NEW YORK. 

Gift of Samuel P. Avery, 1895. 


EDWARD KELLOGG. (1790-1858; born at Northfield, 
Conn.; died at Brooklyn, N. Y.; author of A New Mone- 
tary System.) Life-size, seated figure, seen to the waist, 
with a glove in his right hand; he has dark brown hair and 
wears a black coat and full white neck-cloth with a stand- 
ing collar. 

H. 332 in. W. 252% in. Wood. 

Gift of Mrs. Mary E. Kellogg Putnam, 1899. 


MRS. EDWARD KELLOGG. (1794-1872; Esther 
Fenn Warner; born at Plymouth, Conn.) Life-size, seated 


356 


WALDO — WALKER 


figure, seen to the waist with hands folded in her lap 
and holding a closed book; she has brown hair arranged in 
two puffs over each ear and wears a white lace cap tied 
under her chin, a full neck-ruff, and a black silk dress. 
H. 33¢ in. = W. 25% in. Wood. 

Gift of Mrs. Mary E. Kellogg Putnam, 1899. 


Wi41-5 PORTRAIT OF ANN RANKIN. (1779-1849; wife of 
Wing H Henry Rankin.) Half-length, seated figure with hands 
Basement clasped in her lap. She wears a ruffled cap and lace 

collar. 

fieaa- in... W.2521n,. Panel, 

Bequest of Dr. Egbert Guernsey Rankin, 1923. 


WALKER, Henry Otiver. American; born 1843 in Boston; lives 
at Lakewood, N. J. Pupil of Bonnat in) Parts. 


Wi5-1 AMORNINGVISION. The nude figure of a young boy 
Gallery standing on a pedestal with his left arm about his mother’s 
13 neck and his right hand extended toward three winged 
female figures which are at the left; the mother, standing 
at the extreme right and seen to the knees, wears a 
reddish gown; a garden forms the background. 
- Ex coll.: William T. Evans. 
H. 284 in. W.30¢in. Canvas. Signed: H. O. WALKER 
1895. 
Purchase, Hearn Fund, 1913. 


WALKER, Horatio. American; born 1858 in Canada; lives in 
New York City. Peasant subjects. 


Wi51-1 THE SHEEPFOLD. At the right is a low thatched 
Gallery building with the shepherd taking down the bars for a 
13 flock of sheep to enter; a large tree is in the foreground; 
at the left are meadows with a haystack silhouetted 
against the sunset sky. 
H. 203 in. W. 284in. Canvas. Signed: Horatio 
Walker, 1890. Bulletin, 1906, p. 55. 
Gift of George A. Hearn, 1906. 


Wi51-2 TURNING, THE HARROW. A white horse stands on 
Gallery the freshly turned earth and at the left a man bends down 
13 to release the harrow; there are level fields beyond and 
the rays of the rising sun strike on a distant hill and also 
light the man’s red shirt and the edge of the horse’s mane. 
H. 28in. W.38in. Canvas. Signed: Horatio Walker, 
copyright 1898. Bulletin, 1911, p. 149, ill. 
Gift of George A. Hearn, 1910. 


SPY) 


WI51-3 
Gallery 
12 


WALKER—WARD 


THE HARROWER—MORNING. Inthe foreground an 
ox is pulling a harrow guided by a man who wears a blue 
shirt; a small dog is nearby; rain clouds are at the right, 
but in the distance at the left the sun shines on green 
fields and trees in blossom. 

H. 24in. W.352in. Canvas. Signed: Horatio Walker. 
Bulletin, 1911, p. 159, ill. : 

Gift of George A. Hearn in memory of Arthur Hoppock 
Hearn, I9QI1. 


WALKER, Rosert. British; date of birth unknown; died about 


W 152-1 


1658. Was official portrait painter during the Com- 
monwealth. 


GENERAL IRETON (?). (1611-1651; Henry Ireton mar- 
ried Cromwell’s daughter; he accompanied Cromwell to 
Ireland, captured Limerick, and died there of a pesti- 
lence.) Life-size head and shoulders, with the face turned 
to the left; he has brown hair and a slight moustache; 
he wears a black coat and a broad collar. 

H. 2275 in. W. 18% 1n. Canvas. 

Gift of Samuel P. Avery, 1894. 


WAPPERS, GustaF. Belgian; born 1803 at Antwerp; died 1874 


Wio-! 
3. W. 
Stairway 


at Paris. Pupil of Antwerp Academy, M. I. van Bree, 
and G. J. Herreyns. Director of the Antwerp Academy 
1840 to 1853. 


CONFIDENCES. (Portraits of the artist’s daughters.) 
Life-size figures of two young women, seated on a garden 
wall and seen to below the knees; the one at the right 
holds a daisy and whispers in the other’s ear; they wear 
blue and red, and pink and white gowns respectively and 
their shoulders are bare. | 

H. 454 in. W. 382 in. Canvas. Signed: Gustaf Wap- 
pers 1853. 

Bequest of Catharine Lorillard Wolfe, 1887. 


WARD, Epcar M. American; born 1849 at Urbana, O.; died 1915 


W2i-! 


at New York City. Pupil of the National Academy of 
Design in New York City; Ecole des Beaux-Arts and 
Cabanel in Paris. Genre. 

THE COPPERSMITH. A _ gray-haired workman, in 
shirt-sleeves and leather apron, stands at his bench in 
front of a window and examines a copper kettle. 

H. 233in. W.21in. Canvas. Signed: Edgar M. Ward. 
Gift of several gentlemen, 1900. 


358 


WARREN — WAUGH 


WARREN, A. W. American; born at Coventry, N. Y., date un- 


W25-1 


known; died 1873, probably in New York City. Pupil 
of T. H. Mattison at Sherburne, N. Y. 


THE OLD JIGGER; MOUNT DESERT ISLAND. 
A two-masted sailing-vessel lies on the beach; a hut is 
on the bank at the left. 

H.16in. W.12%in. Canvas. Signed: A.W. Warren, 1856. 
Gift of Samuel P. Avery, 1905. 


WATROUS, Harry W. American; born 1857 at San Francisco, 


W32-1 
Gallery 
13 


Cal.; lives in New York City. Pupil of Bonnat, Bou- 
langer, and Lefebvre in Paris. Figure subjects. 


PASSING OF SUMMER. Life-size, seated figure 
of a young woman, seen to below the knees; she wears 
a thin black dress and an iridescent black and green 
feather hat; at the left is a small round green restaurant 
table on which is a glass with red cherries; several darning 
needles are seen against the gray background. 

H. 3633; in. W.30in. Canvas. - Signed: Watrous. 
Bulletin, 1912, p. 134, ill. 

Purchase, Hearn Fund, 1912. 


WATTS, Georce Freperick. British (English); born 1817 at 


W34-1 
Gallery 
24 


London; died there 1904. Pupil of the Royal Academy 
Schools for a short time, then of the English sculptor, 
William Behnes. Portraits and allegorical compositions. 


ARIADNE IN NAXOS. (According to Greek my- 
thology, Ariadne, the daughter of Neptune, was deserted 
by Theseus after he had carried her off to the island of 
Naxos; she was rescued by Bacchus.) Full-length figure 
of a young woman, seated on rocks and looking toward 
the sea at the left; she wears an orange drapery over a 
white robe which has slipped from her shoulders; in the 
foreground at the right is a young satyr playing with a 
panther; there are mountains in the distance with sun- 
light breaking through heavy clouds. 

Ho24-in, W.20 in. Canvas. Signed: G.-F, Watts 


Pioad.. Bulletin, 1906, p..'27. 


Purchase, Rogers Fund, 1905. 


WAUGH, Freperick J. American; born 1861 at Bordentown, 


N. J.; lives at Montclair, N. J. Pupil of Pennsylvania 
Academy of the Fine Arts in Philadelphia; Julian Acad- 
emy in Paris. Chiefly marines. 


359 


W35-I 
Gallery 
13 


W35-51 
Gallery 
I2 


WAUGH — WEEKS 


ROARING FORTIES. A view of the ocean with a 
line of surf in the foreground and white crests of waves 
beyond; the general color is dull blue-green. 

H. 477 in. W. 60745 in. Canvas. Signed: F Waugh. 
Gift of George A. Hearn, 1900. 


THE GREAT DEEP. Dark blue rolling waves, with 
white caps near the horizon where they meet a greenish 
sky; the clouds above are edged with pink. 

H. 60 in. W. 712 in. Canvas. Signed on back: F. 
J. Waugh 19009. 

Lent by Adolph Lewisohn, gro. 


WEBSTER, Tuomas. British (English); born 1800 in Pimlico, 


W39-1 


WEEKS, 


W4I-I 


W4I-2 


London; died 1886 at Cransbrook, Kent. Pupil of the 
Royal Academy in London. Genre subjects. 


THE FAIR. A village street with thatched cottages and 
trees at right and left and numerous people promenading; 
in the immediate foreground at the left an old man in 
his shirt-sleeves is seated at the foot of a large tree, with 
an officer, an old woman, and several children near him; 
an old man and two children are entering a gate at the 
right. 

H. 93 in. W. 14 1n. Wood. 

Bequest of Maria De Witt Jesup, from the collection of 
her husband, Morris K. Jesup, 1915. 


Epwin Lorp. American; born 1849 at Boston, Mass.; 
died 1903 at Paris. Pupil of the Ecole des Beaux- 
Arts under Bonnat and Géréme. Chiefly oriental scenes. 


THE LAST VOYAGE; SOUVENIR OF THE GANGES, 
BENARES. (There is a superstition among the Hindus 
that the souls of the faithful who die on the left bank of 
the Ganges River enter direct into Paradise.) A dying 
Hindu Fakir is being rowed toward the left bank of the 
Ganges; on the temple steps the devout sit in meditation 
and toward the center is the burning ghat where, after 
death, the bodies of the better class are burned. 

H. 792 in. W. 118% in. Canvas. Signed: E. L. WEEKS. 
Bulletin, 1905, p. 8, ill. 

Gift of Mrs. Edwin Lord Weeks, 1905. 


THE RAJAH STARTING ON A HUNT. A Moorish 
court with the lower floor arcaded and elaborate bay- 
windows above; there are two richly caparisoned Arabian 


360 


WEEKS—WEIR. 


horses with a man astride one and the other held by an 
attendant; in the foreground a barebacked servant holds 
a panther in leash and another lies at his feet; pigeons are 
feeding at the left. 

H. 307%, in. W. 32 1n. Canvas. Signed: E L Weeks. 
Bequest of Maria De Witt Jesup, from the collection of 
her husband, Morris K. Jesup, 1915. 


WEENIX, Jan. Dutch; born 1640 (or 1644) at Amsterdam; died 


W42I-1 
Gallery 
27 


there 1719. Pupil of his father, Jan Baptist Weenix. 
Still life. 


FRUIT. Grapes, peaches, a cocoanut, and other fruit 
lie on the ground and on a stone step in the foreground 
at the right; in the background at the left is a formal 
garden. 

H. 22% in. W.19%in. Canvas. Signed: J. Weenix. 
Purchase, 1871. 


WEENIX, Jan Baptist. Dutch; born 1621 at Amsterdam; 


W 422-1 


died 1660 at Huys Termeyen, near Utrecht. Son of 
Jan Weenix, the architect; pupil of Abraham Bloemaert 
and Nicolaes Moeyaert. 


ITALIAN SEAPORT. Vessels are at anchor near a 


point: of land on which there are ruined arches; in the 
immediate foreground at the left, two men are seated with 
a chest and barrels near them; other figures are beyond. 
Ex coll.: Comte Cornet, Brussels; Rochart. 

H.15745in. W.2131n. Wood. Initialed: J B W. 1648(?). 
Purchase, 1871. 


WEIR, Joun F. American; born 1841 at West Point, N. Y.; 


W43-1 


WEIR, J. 


lives at New Haven, Conn. Pupil of his father, Robert 
W. Weir, and of the National Academy of Design in 
New York City. Director of Yale School of the Fine 
Arts, 1869 to 1913. 


FORGING THE SHAFT. In a foundry with ian 
oaken beams and a skylight roof, a shaft at white heat 
is being withdrawn from the furnace by workmen who are 
pulling the heavy chains and shielding their faces with 
their leather aprons. 

H. 52745 in. W.73+in. Canvas. Signed: John F. Weir. 
Gift of Lyman G. Bloomingdale, 1901. 


Atpen. American; born 1852 at West Point, N. Y.; died 
1919 at New York City. Pupil of his father, Robert W. 


361 


W43I-1 
Gallery 
16 


W43 1-2 
Gallery 
15 


W431-3 
Gallery 
12 


WEIR 


Weir; of the National Academy of Design in New York; 
and Ecole des Beaux-Arts in Paris under Gér6éme. Figure 
subjects and landscapes. 


IDLE HOURS. Life-size figures of a young woman 
and alittle girl, both with blond hair and dressed in white; 
they are seated on a couch which 1s covered with cushions 
of various colors; a double window with thin white cur- 
tains forms the background. 

H. 514, in. W.7141in. Canvas. Signed: J. Alden 
Weir 1888. 

Gift of several gentlemen, 1888. 


THE GREEN BODICE. Life-size figure of a young 
woman in profile, seen to below the waist; she stands 
at the right with her left hand on her hip and is reflected, 
full-face, in a gilt-framed mirror in the center of the pic- 
ture; she wears a greenish bodice, a black hat with a touch 
of red against her hair, and a black feather boa. 

H. 332in. W.24$1n. Canvas. Bulletin, 1906, p. 55, 
ill. 

Gift of George A. Hearn, 1906. 

THE RED BRIDGE. (The Shetucket River, near 
Windham, Conn.) Beneath an iron bridge, painted red, 
which is supported by a stone pier, flows a quiet river that 
reflects trees and the red bridge; a tree trunk stretches 
across the immediate foreground. 

H. 245; in. W.332in. Canvas. Signed: J. Alden Weir. 
Bulletin, 1915, p. 12, ill. 

Gift of Mrs. John A. Rutherfurd, 1914. 


WEIR, Rosert W. American; born 1803 at New York City; died 


W432-1 


there 1889. -Studied in New York City and in Rome, 
Italy; in 1834 became instructor at United States Military 
Academy at West Point where he was professor of drawing 
from 1846 to 1876. Portraits. 


GENERAL WINFIELD SCOTT. (1786-1866; Ameri- 
can General who served in the War of 1812 and in the 
Mexican War; was Commander-in-Chief of the United 
States Army and later Secretary of War.) Life-size 
figure, seen to the waist; he wears a-dark blue military 
coat with gold epaulettes; his gloved right hand is thrust 
into the coat at the breast. . 

H. 332 in. W. 263 in. Canvas. 

Gift of the heirs of William B. Isham, 1910. 


362 


WEISSENBRUCH — WEST 


WEISSENBRUCH, Jan Henprick. Dutch; born 1824; died 


W433-1 


1903. 

DUTCH LANDSCAPE. Level, sandy country with a 
windmill and a house in the distance; sea beyond. 

H. 842 in. W. 13 in. Water color. 

Mr. and Mrs. Isaac D. Fletcher Collection. 

Bequest of Isaac D. Fletcher, 1917. 


WENTWORTH, CEcILE pE. American; born in New York 


W48- I 


City; lives in Paris. Pupil of Cabanel and Detaille. 


MAJOR-GENERAL GEORGE B. McCLELLAN. 
(1826-1885; served in Mexican and Civil Wars; was 


- defeated for the Presidency in 1864 by Lincoln.) Life-size 


WERFF, 


W40-! 


head and shoulders, facing to the right; he has gray hair, 
moustache, and chin tuft. 

H.21¢in. W. 1841n. Canvas. Signed: C. E. Wentworth. 
Gift of several gentlemen, 1887. 


ADRIAEN VAN DER. Dutch; born 1659 at Kralinger- 
Ambacht; died 1722 at Rotterdam. Pupil of Cornelius 
Picolet and of Eglon Hendrik van der Neer. 


LEDA. (According to Greek tradition, Leda was the 
mother of Helen, Clytemnestra, Castor, and Pollux by 
Zeus, who wooed her, disguised as a swan.) Leda stands 
at the water’s edge with a cloak held about her and shrinks 
from the swan who approaches from the left; an arbor 
with a statue forms the background. 

Ex coll.: Delessert. 

H. 183 in. W. 132 1n. Wood; arched top. 

Purchase, 1871. 


WEST, BENJAMIN. American; born 1738 at Springfield, Pa.; died 


W52-1 


1820 at London, England. At eighteen was painting por- 
traits in Philadelphia; went to New York, then to Italy, 
and settled in London in 1763. Became historical painter 
to the King of England, George III; was President of the 
Royal Academy from 1792 until his death. 


TRIUMPH OF LOVE. A youth, nude except for a 
yellow drapery, stands amid clouds; he holds a torch in his 
right hand and guides a pair of horses; a lion is at his feet; 
he’is followed by Venus in a white robe; there are several 
cupids; the sea appears in the distance at the right and 
clouds form the background. This picture was exhibited 
at the Royal Academy in London, in 1811, with the title 


363 


W52-2 
Gallery 
16 


W 52-3 


W52-4 

Wing H 

Gallery 
22 


W52-9 


WES Tie ME ODEN 


Omnia Vincit Amor, or The Power of Love in the Three 
Elements. 

H. 70% in. W. 803 in. Canvas. 

Purchase, Maria De Witt Jesup Fund, 1923. 


HAGAR AND ISHMAEL. (Genesis XXI, v. ,17.) 
Hagar, wearing a red cloak over a brown robe, is seated 
with Ishmael on the ground beside her; his left arm is in 
her lap; an angel, wearing a blue robe and a brown scarf, 
is in the clouds at the upper right; landscape background. 
West painted this subject several times. 

H. 743 in. W. 523 1n. Canyas. 

Purchase, Maria De Witt Jesup Fund, 1923. 


PORTRAIT OF THE ARTIST. Life-size, full-length, 
standing figure; with his left hand he lifts the pages of a 
manuscript that lies on a table at his side. 

H. 46 in. W. 36in. Canvas. 

Purchase, Maria De Witt Jesup Fund, 1923. 


RETURN OF THE PRODIGAL SON. A terrace at 
the entrance to a house with a youth kneeling before an 
old man, who wears a yellow mantle over a white robe; 
a man and a woman stand near the door at the left and a 
young girl, carrying a water jar, approaches at the right; 
landscape background with palm trees. West painted 
this subject several times. 

H. 544 in. W. 603 in. Canvas. 

Purchase, Maria De Witt Jesup Fund, 1923. 


HISTORICAL SUBJECT. A young woman, in a white 
gown and yellow cloak, kneels at the left and offers her 
jewels to a seated man; at the extreme right a saddled 
horse is at the stable door; an old man in a red cloak 
stands back of the woman; at the extreme left two chil- 
dren are playing with a suit of armor; sea, rocks, and 
stormy sky form the background. 

H.352in. W.27%1n. Canvas. 

Purchase, Maria De Witt Jesup Fund, 1923. 


WEYDEN, RoceErR VAN pDER; also known as Rogelet de la Pasture 


W54-1 
Gallery 
34 


or Roget van Brugge. Flemish (Brabant); born about 
1400 at Tournay; died 1464 at Brussels. Was apprenticed 
to Robert Campin at Tournay. 


THE ANNUNCIATION. A bedroom with the Virgin 
in a crimson robe and blue mantle, kneeling at her 
devotions in the foreground at the right;.back of her 


364 


W54-2 
Gallery 
D6, First 
Floor 


W54-3 
Gallery 
D6, First 
Floor 


W54C-3 


WEYDEN 


at the left is a winged angel in a white robe with red and 
yellow brocaded alb; at the back of the room is a bed with 
red draperies and an open window through which an 
enclosed garden is seen. The lighted taper in the Virgin’s 
hand indicates that it is night. 

Ex coll.: Rodolphe Kann, Paris; Earl of Ashburnham. 
H. 73 in. W. 453%s in. Wood. Bulletin, 1911, p. 194. 
Gift of J. Pierpont Morgan, 1917. 


CHRIST APPEARING TOHIS MOTHER. ‘The figure 
of Christ, wearing a red mantle and showing the wounds 
of the Crucifixion, stands beside Mary, who is seated ina 
late Gothic doorway before a bench on which rests her 
book of hours. She wears a voluminous dark blue 
mantle and has a white wimple about her head and neck. 
Through a window in the porch behind them one sees the 
Resurrection taking placein thelandscape beyond. Near 
the keystone of the arch is a tiny angel holding a crown 
and a scroll with an inscription (Mvlier h[aJec p[er]cever- 
avit . .. ideo data e[st] ei corona . . . This woman 
was preserved |from every stain,] therefore is given her a 
crown.) Sculptured figures of St. Mark and St. Paul are 
on the recess of the doorway and above them are groups in 
high relief illustrating the last events of the Virgin’s life; 
the capitals of the outer arch are sculptured with the story 
of David and Goliath, right, and the carrying off of the 
gates of Gaza, left. 

This is the right-hand shutter of a triptych, the other 
parts of which are in the Cathedral of Granada, to which 
they were bequeathed by Queen Isabella the Catholic; the 
work was given to her father by Pope Martin V. 
hiea5e  WV.15:in.. Panel. . Bulletin, 1920, p. 185; 
1922, p. 100. 

Bequest of Michael Dreicer, 1921. 


PORTRAIT OF A MONK. Head and shoulders of a 
Benedictine monk, turned three-quarters to the left. 
He has the face of a scholar; the nose thin and straight, 
the eyes deep sunk, looking down in thought. 

Ex coll.: John Linnell, Sr. 

H.ozin. W.7zin. Panel. Bulletin, 1922, p. 100. 
Bequest of Michael Dreicer, 1921. 


Copy AFTER VAN DER WEYDEN. 


DESCENT FROM THE CROSS. A triptych. The 
center panel, showing the Virgin and Joseph of Arimathea 


365 


WEY DEN — WHISTLER 


supporting the dead body of Christ with St. John, is one 
of numerous works of the same composition perhaps 
copied after a lost original by Roger van der Weyden. 
On the side panels are Nicodemus and Mary Magdalen. 
The work is Flemish of the early sixteenth century. 

H. 36 in. W.541n. Wood. 

Gift of Clyde Fitch and Ferdinand Gottschalk, 1917. 


WHEATLEY, Francis. British (English); born 1747 at London; 


Ws56-1 
Gallery 
24 


W 56-2 


W 56-3 


died there 1801. Studied at Shipley’s Drawing School 
and was assistant to the mural painter, John Mortimer. 


VIEW IN WALES. Steep mountains form the back- 
ground with their wooded slopes descending to the shore 
of a stream which flows at the left; sheep and a shepherd 
are at the right and in the immediate foreground women 
and children are carrying fagots. 

H. 12 in.» W..13% in. » Canvas. 

Gift of Dowdeswell and Dowdeswell, 1903. 


LANDSCAPE IN WALES. Wooded, hilly country with 
a lake at the right; on the bank in the foreground are 
several figures and three cows. 

H.121n. W.141n. Canvas. 

Gift of Dowdeswell and Dowdeswell, 1903. 


TAKING HOME THE BRIDE. A country road with 
a young woman, wearing a pink dress and white poke 
bonnet, mounted on a white palfrey on whose side hangs 
a cage-like basket; she is accompanied by a young man 
in brown coat and red waistcoat astride a brown horse; a 
single tree at the right spreads its branches above the 
couple. 

H. 22 in. W.18in. Canvas. Signed: FWheatly. 
Bequest of Maria De Witt Jesup, from the collection of 
her husband, Morris K. Jesup, 1915. 


WHISTLER, James A. McNEIL_. American; born 1834 at Lowell, 


W57-1 
Gallery 
ba12 


Mass.; died 1903 at London, England. Student at United 
States Military Academy, West Point, N. Y., from 1851 
to 1854; pupil of Gleyre in Paris the following year; set- 
tled in London in 1859. His signature of a butterfly 
is a development from his monogram. Portraits, figure 
subjects, and landscapes. Also etcher. 


NOCTURNE IN GREEN AND GOLD; CREMORNE 
GARDENS, LONDON, AT NIGHT. In the distance 
there are dancers on a platform which is decorated by 


366 


W57-2 
Gallery 
12 


W57-3 
Gallery 
12 


W57-4 


Gallery 


I2 


W57-5 


Gallery 
15 


WHISTLER 


strings of dimly seen lights; in the middle distance groups 
of figures are seated at tables beneath the trees; a lighted 
booth is at the right in the immediate foreground. 

Ex coll.: William Heinemann, London. 

H.25zin. W.30gin. Canvas. Bulletin, 1906, pp. 105, 109. 
Gift of Harris C. Fahnestock, 1906. 


LADY IN GRAY. A small, full-length, standing figure, 
wearing a close-fitting dark gray dress and carrying in 
her right hand a large dark hat with a light feather. 

H. 104 in. W. 53 in. Gouache. Signed with the but- 
terfly. 

Purchase, Rogers Fund, 1906. 


EDWARD G. KENNEDY. (New York connoisseur of 
prints and friend of Whistler.) Small, full-length, stand- 
ing figure, wearing a black coat and gray trousers; in his 
right hand he holds a high silk hat. 
H. 113 in. W.71n. Wood. Bulletin, rg1o, p. 46, ill. 
Gift of Edward G. Kennedy, ‘1909. 


ARRANGEMENT IN BLACK, No. 3; SIR HENRY 
IRVING AS PHILIP II OF SPAIN. (In 1874 Irving 


played the part of Philip II in Tennyson’s drama Queen 


Mary.) Life-size, full-length, standing figure; he 
wears a black hat with a white feather; the doublet, 
hose, and cloak are black with bands of dull gold braid; 
the hose are slashed with white and the trunks and shoes 
are white; the Order of the Garter is on the left knee; 
his hand rests on a gold chain which hangs about his 
neck. 

Ex coll.: Thomas, Philadelphia; Sir Henry Irving. 
H.842 in. W.422in. Canvas. Bulletin, 1910, p. 152, ill. 
Purchase, Rogers Fund, 1910. 


HARMONY IN YELLOW AND GOLD; THE GOLD 
GIRL, CONNIE GILCHRIST. (Born 1865; a popular 
dancer of the early eighties who became Countess of 
Orkney.) Life-size, full-length figure of a young girl; she 
is skipping, with the rope poised above her head and a red 
handle held in each hand; she wears a close-fitting yellow 
bodice with puffed yellow silk sleeves, white stockings, 
and gilt shoes; a yellow curtain forms the background. 


Inscribed: CONNIE GILCHRIST. 
~H.852in. W.43¢in. Canvas. Signea with the butter- 


fly. Bulletin, 1910, p. 152; 1911, p. 66, ill. 
Gift of George A. Hearn, 1911. 


367 


W57-6 
Gallery 
12 


NY Seat 
Gallery 
12 


t 


WHISTLER — WHITTREDGE 


CREMORNE GARDENS, No. 2. An evening scene. 
Fashionably dressed ladies and gentlemen stroll or sit at 
tables under the trees which are decorated with strings of 
colored lamps; booths are at right and left; in the back- 
ground the river shows beyond a lawn and tree trunks. 

Ex coll.: T. R. Way. 

H.27in. W.53%in. Canvas. Bulletin, 1912, p. 74, ill. 
Purchase, Kennedy Fund, 1912. 


ARRANGEMENT IN FLESH COLOR AND BLACK; 
THEODORE DURET. (Born 1838; a Paris art critic 
and writer who was a friend and early admirer of 
Whistler.) Full-length, life-size, standing figure in 
evening dress; a pink domino hangs over his left arm and 
a red fan is in his gloved left hand; the right hand hangs 
at his side and holds an opera hat. 
Ex coll.: Théodore Duret. 

H. 764 in. W.354+%1in. Canvas. Signed with the but- 
terfly. Bulletin, 1913, p. 44, ill. 
Purchase, Wolfe Fund, 1913. 


WHITE, Epwin. American; born 1817 at South Hadley, Mass.; 


W58-1 


died 1877 at Saratoga Springs, N. Y. Studied in Europe; 
worked chiefly in New York City. Genre. 


THE ANTIQUARY. An interior with a man in Flor- 
entine costume; he is seated at the right examining a 
coin and leans upon a chest on which are a book and a 
silver casket; a tapestry curtain is draped at the left. 
H. 223 in. W.272 in. Canvas. Signed: Edwin White 
1855 Paris. 

Gift of Mrs. Edwin White, 1877. 


WHITTREDGE, WortTHINGTON. American; born 1820 near 


WO6I-I 
Gallery 
16 


WO6I-2 
Gallery 
16 


Springfield, Ohio; died 1910 at Summit, N. J. Pupil 
of James Beard in New York City and Andreas Achen- 
bach in Diisseldorf. Spent the greater part of his life 
near New York City. Landscapes. 


EVENING IN THE WOODS. A brook flowing through 
the woods reflects the trees and the evening light which 
comes through a clearing. 

H. 42;°, in. W.36¢in. Canvas. Signed: W. Whittredge. 
Bequest of Henry H. Cook, 1905. 


CAMP MEETING. In the foreground is a quiet stream 
in shadow; beneath the trees in the middle distance a 
speaker stands on a platform at the left, facing numerous 


368 


W61-3 


WHITTREDGE — WILES 


people who are moving about in a clearing where the 
sun is shining. From the Borden Collection where the 
picture was entitled Scene in Central Park. 

H. 16 in. W. 4044 in. Canvas. Signed: W. Whittredge 
1874. Bulletin, 1913, p. 87, ill. 

Purchase, Lazarus Fund, 1913. 


THE TROUT POOL. Sunlight shines through the 
thick woods where a brook flows into a pool over a small 
waterfall. A log has fallen across the outlet of the pool 
in the foreground. 

H.36in. W.27#in. Canvas. Signed: W. Whittredge. 
Gift of Colonel C. A. Fowler, 1921. 


WIGGINS, CarLeton. American; born 1848 at Turners, N. Y.; 


lives in New York City. Pupil of National Academy of 
Design and of George Inness in New York; studied in 
France. Landscapes with cattle. 


A YOUNG HOLSTEIN BULL. 

H. 54 in. W. 463 in. Canvas. Signed: CARLETON 
WIGGINS, A. N. A. 

Gift of Joseph Grafton, 1895. 


WIGGINS, Guy C. American; born 1883 at Brooklyn, N. Y.; 


W631I-1 
Gallery 
15 


WILES, 


W64-1 
Gallery 
12 


lives in New York City. Pupil of his father, Carleton 
Wiggins, and of the National Academy of Design. 


METROPOLITAN TOWER. (Madison Avenue and 
Twenty-third Street, New York.) <A view of roofs with 
melting snow and smoke; in the center of the picture 
rises the tower of the Metropolitan Life Building. 

H. 3477/5 in. W. 40% in. Canvas. Signed: Guy C. 
Wiggins. Bulletin, 1912, p. 137, ill. 

Purchase, Hearn Fund, 1912. 


Irvinc R. American; born 1861 at Utica, N. Y.; lives in 
New York City. Pupil of his father, L. M. Wiles; Art Stu- 
dents’ League in New York under Chase and Beckwith; 
Lefebvre and Carolus-Duran in Paris. Chiefly portraits. 


LEMUEL MAYNARD WILES. (1826-1905; a painter; 
father of the artist.) Life-size head and shoulders, 
facing to the left; he has white hair and moustache and 
wears glasses. 

H. 224 in. W. 183 in. Canvas. Signed: Irving R. 
Wiles, 1904. 

Purchase, Rogers Fund, 1912. 


309 


W064-2 
Gallery 
13 


WILES — WILLEMS 


GEORGE ARNOLD HEARN. (1835-1913; merchant, 
art collector, and Trustee of the Museum from 1903 until 
his death. He gave many paintings to the Museum and 
an endowment fund for the purchase of pictures by con- 
temporary American artists.) Life-size, standing figure, 
turned slightly to the right and seen to the knees;-his left 
hand rests on a table beside an ivory figure, and his right 
hangs at his side holding his spectacles; he has white hair, 
chin beard, and moustache, and wears a black coat; a . 
dark wall forms the background. 

H.57in. W.38%in. Canvas. Signed: Irving R. Wiles 
1914. Bulletin, 1914, ill. p. 157. 

Gift of the Trustees, 1914. 


WILKIE, Sir Davin. British (Scotch); born 1785 at Cults in 


W65-1 
Gallery 
24 


Fifeshire; died 1841 at sea near Gibraltar. Studied at the 
Trustees’ Academy in Edinburgh and later at the Royal 
Academy Schools in London. Genre subjects. 


RETURN OF THE HIGHLAND WARRIOR. Interior 
of a cottage; a man in Highland costume is seated at the 
right while a woman holds their baby toward him; a little 
girl stands at the left near a partly open door; there are 
two dogs and numerous kitchen utensils. 

H. 24in. W.36in. Wood. Signed: Davip WILKIE p. 
BaRT. 

Bequest of Maria De Witt Jesup, from the collection of 
her husband, Morris K. Jesup, 1915. 


WILLAERTS, Apam. Flemish; born 1577 at Antwerp; died 


W66-1 
Gallery 


14 


1664 at Utrecht. 


RIVER SCENE WITH BOATS. In the immediate 
foreground at the left is a path with several figures; 
houses are near the shore beyond; two rowboats are 
ferrying passengers towards an inclined landing on the 
farther shore; numerous sail-boats in the middle distance. 
H. 182 in. W. 333 in. Wood. Initialed: A. W. 1643. 
Gift of George A. Hearn, 1906. 


WILLEMS, FLorentT. Belgian; born 1823 at Liége; died 1905 at 


Wo661-1 
Gallery 
18 


Neuilly, near Paris, France. Pupil of Mechlin Academy. 


PREPARING FOR THE PROMENADE. A hall 
with tiled floor and walls hung with dark green tapestries; 
at the right a page, dressed in red, holds back a brown 
curtain from a doorway before which stands a young 


379 


WILLIAMS, F. BALLARD. 


W67-1 
Gallery 
13 


W67-2 
Gallery 
13 


WILSON, RIcHARD. 


W6o0-1 
Gallery 
14 


W609-2 
Gallery 
i 


WILLEMS — WILSON 


woman who wears a gray hat and cape and is drawing 
on a long white glove. 

H. 254 in. W. 29746 in. Wood. Signed: F. Willems. 
Bequest of Catharine Lorillard Wolfe, 1887. 


American; born 1871 at Brooklyn, 
N. Y.; lives in New York City. Pupil of Cooper Union 
Night School under John Ward Stimson and of the 
National Academy of Design. Landscapes and figures. 


L’ALLEGRO. Three women in light classic draperies 
are dancing near the seashore. 


H. 112 1n. W. 144 in. Canvas. Signed: Fred’k Bal- 
lard Williams 03. 
Purchase, Hearn Fund, 1907. 


HAPPY VALLEY. Four women in richly colored low- 
necked gowns are seated on a rocky shore; blue sea be- 
yond. 

H, 284 in. W.35241in. Canvas. 
Williams 05. 

Purchase, Hearn Fund, 1909. 


Signed: Fred’k Ballard 


British (English); born 1713 at Pinegas; died 
1782 at Llanberis, North Wales. Studied portrait 
painting with Thomas Wright in London; his landscapes 
influenced by Claude Lorraine and Joseph Vernet. Land- 
scapes. 


THESTORM. Intheimmediate foreground at the right 
is a large tree which has been struck by lightning; a 
shepherd and his flock are fighting their way toward a 
house at the base of a wooded hill which is crowned by 
a castle; at the left is a plain with ruins; beyond are a 
winding river and a distant town; heavy clouds with 
forked lightning. 

H.4igin. W.5324in. Canvas. 

Gift of George A. Hearn, 1895. 


LAKE OF NEMI. In the foreground at the right, on a 
terrace that overlooks the lake, are several people; a grove 
of tall trees is beyond; in the distance is a castle on a cliff; 
from the far shore of the lake stretches a broad expanse 
of rolling country. At one time catalogued as Landscape 
with Figures. 

H. 163 in. W.2141n. Canvas. 

Gift of George A. Hearn, 1906. 


371 


W69-3 
Gallery 


14 


W69-4 


W69-5 


WILSON — WINTERHALTER 


ITALIAN LANDSCAPE. In the center of the picture 
is a body of still water which reflects the trees along its 
banks; in the distance at the left a ruined castle crowns a 
hill and is silhouetted against the glowing sunset sky; 
rocky foreground with two men fishing and at the right a 
tall tree with sparse foliage at the top. 

H. 344 in. W. 51 in. Canvas. 

Gift of George A. Hearn, 1906. 


VIEW ON THE ARNO. At theleft a steep cliff crowned 
by a castle with a round tower; in the immediate fore- 
ground are several figures, including a man fishing and a 
lady seated near him; at the right a broken tree trunk and 
a tall tree with its branches outlined against the sky; on 
the far shore is a town; hills in the distance at the right. 
This picture is similar, except for the tree at the right, to 
one entitled View on the Tiber which is in the collection 
of Lady Wantage. 

H. 403 in. W.50in. Canvas. Bulletin, 1915, ill. p. 92. 
Bequest of Maria De Witt Jesup, from the collection of 
her husband, Morris K. Jesup, 1915. 


AFTERNOON. At the right a mass of trees and in the 
foreground a road with a woman leaning against a tree 
trunk and a man fishing; at the left is the river, which 
broadens as it extends into the distance. 

H.171n. W. 21} in. Canvas. 

Bequest of Maria De Witt Jesup, from the collection of 
her husband, Morris K. Jesup, 1915. 


WINTERHALTER, Francois XAviER. French; born 1806 at 


W73-1 


Baden-Baden, Germany; died 1873 at Frankfort, Ger- 
many. Pupil of Munich Academy and of Stiegler; 


* in 1834 settled in Paris. Portraits. 


FLORINDA. (According to legend, Roderick, King 
of the Spanish Visigoths about 700 A. D., wishing to 
determine which of the Maids of Honor was the fairest, 
watched them bathing and awarded the prize of beauty to 
Florinda, with whom he afterwards fell in love. Her | 
father, in revenge, called the Arabs into Spain and brought 
about the Arab conquest. The Empress Eugénie, wife 
of Napoleon III of France, and her Maids of Honor, were 
said to have been the models for this picture.) A thickly 
wooded glen with eleven young women in a semicircle 
preparatory to bathing in a pool; the King is looking 


372 


WINTERHALTER— WOUWERMAN 


through the trees at the left; a castle is seen on a cliff in 
the distance. 

H. 703 in. W. 962 in. Canvas. Signed: F. X. Winterhalter. 
Bequest of William H. Webb, 1oo1. 


WOOD, Tuomas W. American; born 1823 at Montpelier, Vt.; 


W85-1 


died 1903 at New York City. Pupil of Chester Harding 
in Boston; settled in New York in 1867. President of the 
National Academy of Design 1891 to 1899. Genre. 


WAR EPISODES: a. THE CONTRABAND; b. THE 
VOLUNTEER; c. THE VETERAN. Three pictures 
in one frame, each a full-length figure of a negro soldier. 
H. 283 in. W. 20} in. (each). Canvas. Signed: T. W. 
WOOD. 1866. ; 

Gift of Charles Stewart Smith, 1884. 


WORMS, JuLes. French; born 1832 at Paris; lives there. Pupil 


W8o-! 
Gallery 
17 


W8o-2 
Gallery 
17 


of Lafosse. Genre. 


LETTER OF RECOMMENDATION. A _ Spanish 
courtyard with an old man seated reading a letter which 
a young woman, standing in front, has given him; beyond 
are other figures. 

H. ro in. W. 29 in. Canvas. Signed: J. Worms. 
Bequest of Catharine Lorillard Wolfe, 1887. 


THE FOUNTAIN OF THE BULLS; GRANADA. A 
courtyard with a carved stone fountain about which are 
gathered a man on horseback, several women, and chil- 
dren; in the background are shops with figures in the 
doorways. 

H. 234 in. W. 312 in. Canvas. Signed: J. Worms. 
Bequest of Catharine Lorillard Wolfe, 1887. 


WOUTER, Jacos. See Vosmaer. 


WOUWERMAN, Puities. Dutch; born 1619 at Haarlem; died 


Wol-! 
Gallery 
26 


there 1668. Pupil of his father, Paulus Joosten Wouwer- 
man, and of Frans Hals. Landscapes with horses. 


THE HALT. A stream with stony banks and an 
arched bridge in the middle distance; at the right a road 
and in the foreground a man leading a white horse; in 
the distance a man and a horse are seen on the crest of 
the hilly road. 

Ex coll.: Comte Cornet, Brussels. 


213 


WOUWERMAN — WYANT 


H. 232 in. W. 30$ in. Wood. Initialed: PH W (almost 
indecipherable). 
Purchase, 1871. 


WYANT, ALEXANDER H. American; born 1836 at Port Washington, 


Wo7-! 
Gallery 
16 


Wo7-2 
Gallery 
13 


Wo7-3 
Gallery 
13 


Wo7-4 
Gallery 
13 


Wo97-5 
Gallery 
13 


Ohio; died 1892 at New York City. Pupil of Hans 
Gude at Karlsruhe, Germany. Landscapes. 


VIEW IN COUNTY KERRY, IRELAND. A pool of 
water occupies the center of a gray landscape; at the 
right against a rocky ledge is a whitewashed cabin from 
which a footpath leads to the immediate foreground; 
mountains are in the distance. 

H. 26,38 in. W. 40745 in. Canvas. Signed: A. H. 
Wyant. 

Gift of George I. Seney, 1887. 


A GLIMPSE OF THE SEA. A narrow inlet with 
marshy banks; groups of trees in the middle distance on 
each side; cloudy sky. 

H. 184 in. W. 303 in. Canvas. Signed: A. H. WYANT. 
Gift of George A. Hearn, 1906. 


LANDSCAPE IN THE ADIRONDACKS. In the 
center of the foreground is a pool of water and at the 
left a group of trees; beyond is a broad valley with rolling 
hills. 

H. 20,55 in. W. 303 in. Canvas. Signed: A. H. 
WYANT. 

Gift of George A. Hearn, 1906. 


BROAD SILENT VALLEY. At the left is a group of 
trees; a pool is beyond and in the distance at the right is 
a rocky hill; the foreground is in deep shadow while the 
valley in the distance is in full sunlight. 

H. 603 in. W. 50% in. Canvas. Signed: A. H. WYANT. 
Bulletin, 1914, p. 6, ill. 

Gift of George A. Hearn, 1906. 


FORENOON IN THE ADIRONDACKS. A clump of 
trees is at the right with a single gray birch trunk standing 
in the center near a winding stream; the foreground is in 
shadow and the sunlight strikes the wooded hills in the 
distance. 

H. 33346 in. W.422in. Canvas. Signed: A. H. 
Wyant, 84. Bulletin, 1910, p. 106, ill. 

Gift of George A. Hearn, 1910. 


374 


Wo97-6 
Gallery 
16 


Wo7-7 
Gallery 


13 


Wo7-8 


Wo97-9 


Wo7-10_. 


WYLIE, 


Wo7!I-!I 


WYANT — WYLIE 


AN OLD CLEARING. At the left is a group of birches 
which throw their shadows across the foreground where 
there is a narrow brook; the clearing beyond is in sunlight. 
H. 493 in. W. 37 in. Canvas. Signed: A. H. Wyant 
1881. 

Gift of Robert Gordon, 1912. 


MOHAWK VALLEY. The river winds between low 
hills to the foreground where it forms a whirlpool 
over the rocks at the right; in the foreground at the left 
is a rocky ledge with a tall pine; low trees are beyond 
and ranges of hills extend into the distance; cloudy sky 

with rain at the left. 
Pees ine) Woe532 in. Canvas. ‘Signed: A. — H. 
Wyant 1866. 

Gift of Mrs. George E. Schanck in memory of Arthur 
Hoppock Hearn, 1913. 


LANDSCAPE WITH DISTANT MOUNTAINS. A 
view evidently in the Catskills; trees at the left and a 


shrubbery-edged foreground; mountains beyond. 


H. 262 in. W. 403 in. Canvas. Signed: A. H. Wyant. 
Mr. and Mrs. Isaac D. Fletcher Collection. 
Bequest of Isaac D. Fletcher, 1917. 


CLEARING AFTER RAIN. 
H. 141n. W.20in. Canvas. Signed: A. H. Wyant. 
Gift of Mrs. George Langdon Jewett, 1917. 


EVENING. No. 39, Wyant sale, 1894. 
H. 167 in. W.22in. Canvas. Signed: A. H. Wyant. 
Gift of Mrs. George Langdon Jewett, 1917. 


RopertT. American; born 1839 at the Isle of Man, 
England; died 1877 at Pont-Aven, Brittany, France. 
Studied at the Pennsylvania Academy of the Fine Arts, 
Philadelphia, and later in Paris; settled in Brittany in 
1865. Genre. 


DEATH OF A VENDEAN CHIEF. (An incident in the 
insurrection of the inhabitants of La Vendée, 1793 to 
1796.) The chief, fatally wounded, is lying upon a 
litter of straw in a crypt; about him are his family and 
followers. 

H. 78 in. W. 863 in. Canvas. 

Gift of Goupil & Co., 1880. 


375 


Ne 


YEWELL, Georce H. American; born 1830 at Havre de Grace, 


Y4-1 


Md.; died 1923 at Lake George, New York. Pupil of 
Thomas Hicks in New York; Couture in Paris. Genre. 


INTERIOR OF ST. MARK’S, VENICE. The pulpit 
forms the center of the picture. 

H. 214 1n. W.1271n. Canvas. Signed: Geo. H. Yewell. 
Gift of the artist, 1890. 


376 


L 


ZAMACOIS, Epuarpo. Spanish; born 1842 at Bilbao; died 1871 


Zi-1 
Gallery 
18 


Zi-2 


at Madrid. Pupil of Balaca at Bilbao; Madrid Acad- 
emy under Federico de Madrazo; Meissonier in Paris. 
Genre. 


SLEEPING HUNTER. A man, asleep, is seated on 
a rustic bench with his feet up and his back against a 
tree, 

H. 43 in. W. 633; in. Wood. Initialed: E. Z. 

Bequest of Catharine Lorillard Wolfe, 1887. 


DOOR OF A MOSQUE. In the center of the foreground 
stands a woman who carries a pitcher in her right hand and 
a dish in the other; several figures are seated on the steps 
within the archway of the door and others sit or stand 
against the wall. 

H. 173 in. W. 144 in. Canvas. Signed: Ed ZAmAcois. 69. 
Bequest of Maria De Witt Jesup, from the collection of 
her husband, Morris K. Jesup, 1915. 


ZIEM, Fétix. French; born 1821 at Beaune; died 1911 at Paris. 


Z6-1 
Gallery 
18 


Z6-2 


Pupil of Dijon Art School. Landscapes. 


INUNDATION OF THE PIAZZA OF ST. MARK’S, 
VENICE. A view of the Church of San Marco and the 
Campanile in bright sunlight against a deep blue sky; 
gondolas are being rowed across the flooded Piazza. 

H. 322 in. W.26%in. Canvas. Signed: Ziem. 
Bequest of Catharine Lorillard Wolfe, 1887. 


VENICE. After-sunset effect with yellow sky and gray 
clouds; the city is at the left and a gondola passes up a 
shallow stream with marshy banks at the right. 

H. 8 in. W.122in. Water color. Signed: Ziem. 

Mr. and Mrs. Isaac D. Fletcher Collection. 

Bequest of Isaac D. Fletcher, 1917. 


377 


Z6-3 


ZORN, 

Z7-1 

Gallery 
19 


Z7-2 
Gallery 
19 


ZUGEL, 


Z8-1 
Gallery 


19 


ZIEM—ZURBARAN 


VENETIAN FISHING BOAT. Low horizon with 
water reflecting the sun and flats in the foreground; 
Venice is seen at the right. 7 

H. 8in. W.114in. Water color. Signed: Ziem. 

Mr. and Mrs. Isaac D. Fletcher Collection. 

Bequest of Isaac D. Fletcher, 1917. 


ANDERS. Swedish; born 1860; died 1920 at Stockholm. 


MRS. WALTER RATHBONE BACON. 

Life-size figure seen somewhat from above; she is seated 
in a chair, her right arm caressing a collie; she wears a 
white low-necked dress. 

H..673 in. W. 423 in. Canvas. Signed?)Zor 1897. 
Gift of Mrs. Walter Rathbone Bacon in memory of her 
husband, Walter Rathbone Bacon, 1917. 


EDWARD R. BACON. (1846-1915.) Standing figure, 
life-size, seen to the knees. He has black hair, moustache, 
and side whiskers, and wears a black frock coat; his right 
hand rests on his hip and his left is in his trouser pocket. 
H. 48; in. W.3524 in. Canvas. Signed: Zorn. 
Bequest of Mrs. Virginia Purdy Bacon, 1919. 


HEINRICH. German; born 1850 at Murrhardt; lives in 
Munich. Pupil of von Holden and of Stuttgart Academy; 
studied in Vienna, Paris, and Holland. Chiefly animals. 


OXEN FORDING ASTREAM. Black and white cattle 
are knee deep in the water; a young boy is astride one of 
the foremost pair; flat meadows beyond and in the dis- 
tance a line of low hills. 

H.55¢1n. W. 793 in. Canvas. Signed: H v Ziigel 1908. - 
Gift of Adolphus Busch, 1909. 


ZURBARAN, Francisco pe. Spanish; born 1598 at Fuente de 


Z82-1 


Cantos; died 1662 at Madrid. Pupil of Juan de las 
Reales; influenced by Caravaggio. 


ST. MICHAEL, THE ARCHANGEL. A full-length 
figure with spread wings, holding in his right hand a 
flaming sword and in his left a palm branch; his left foot 
rests upon the shoulder of a prostrate, winged demon. 
He wears a blue cuirass over a pale purple robe and a red - 
mantle floats behind him; a plumed helmet is on his 
head; a golden yh forms the background. 

H. 642 in. W. 433 in. Canvas. 

Gift of Henry G. Marquand, 1888. 


378 


Z82-2 
Gallery 
28 


ZURBARAN 


BATTLE WITH THE MOORS. The Virgin sits among 
golden clouds with the Child on her knee, looking down 
upon an opening in the forest in which a battle is in prog- 
ress between Moorish horsemen wearing turbans and Span- 
ish soldiers in half-armor. In the close foreground life-sized 
pikemen are about to enter the battle and one cavalier 
faces the beholder and points with his right hand at the 
battle. Painted for the Carthusian Monastery at Xeres 
de la Frontera. 

Ex coll.: King Louis Philippe. 

H. 1313 in. W. 75% in. Canvas; round top. Bulletin, 
1920, p. 242. 

Purchase, Kretschmar Fund, 1920. 


379 











Peo ls REPRESENTED 


ARRANGED BY. SCHOOLS 


AMERICAN SCHOOL 


ABBEY, Edwin A., 1852-1911 

ALEXANDER, John W., 1856-1915 

ALLSTON, Washington, 1779-1843 

Ames, Ezra, 1768-1836 

Ames, Joseph, 1816-1872 

BAKER, George A., 1821-1880 

BEAL, Gifford, 1879- 

Beaux, Cecilia, Contemporary 

BELLOws, George, 1882— 

BENSON, Frank W., 1862- 

Brerstapt, Albert, 1830-1902 

BLACKBURN, Joseph, 1700°— after 
1765 

BLAKELOCK, Ralph Albert, 1847-1919 

BLASHFIELD, Edwin Howland, 1848- 


Bium, Robert F., 1857-1903 
BocERT, George H., 1864-1923 
Bocecs, Frank M., 1855- 


Boum, Max, 1868-1923 

BROWN, George Loring, eso taee) 
Brown, J. G., 1831-1913 
Brush, George De Forest, 1855— 
BUNCE, W. Gedney, 1840-1916 
Bunker, Dennis M., 1861—1890 
Burrouaus, Bryson, 1869- 
BuT er, George B., 1838-1907 
CARLSEN, Emil, 1853- 
CASILEAR, John W., 1811-1893 
Cassatt, Mary, Contemporary 
CHAPMAN, Charles S., 1879- 
CHASE, WILLIAM M., 1849-1916 
CuurcH, Frederic E., 1826-1900 
CuurcH, F. S., 1842-1924 
CorFINn, William A., 1855— 
CouEN, Lewis, 1858-1915 

Coe, Thomas, 1801-1848 
Couns, Alfred Q., 1855-1903 
CoLMAN, Samuel, 1832-1920 
ComaNn, Charlotte B., 1833- 


ConanT, Alban Jasper, 1821-1915 
CopLey, John Singleton, 1737-1815 
CousgE, E. Irving, 1866— 
Cox, Kenyon, 1856-1919 
CRANE, Bruce, 1857-— 
CropsEy, Jasper F., 1823-1900 
CusHiING, Howard Gardiner, 1869— 
1916 
Daso, Leon, 1868— 
DAINGERFIELD, Elliott, 1859- 
Dana, William P. W., 1833- 
DannatT, William T., 1853- 
Davies, Arthur B., 1862— 
Davis, Charles H., 1856— 
DEARTH, Henry Golden, 1864-1918 
DEssArR, Louis Paul, 1867— 
Dewey, Charles Melville, 1849- 
DewInc, Thomas W., 185 1— 
Donouo, Ruger, 1857-1916 
DouGHERTY, Paul, 1877— 
Doucuty, Thomas, 1793-1856 
Du Bois, Guy Péne, 1884—- 
Dunvap, William, 1766-1839 
Duranp, Asher B., 1796-1886 
DuveENEcK, Frank, 1848-1919 
Eakins, Thomas, 1844-1916 
Ear.e, Ralph, 1751-1801 
E.uiott, Charles L., 1812-1868 
Emmet, Ellen G., 1876- 
Fitz, R. Benjamin, 1855-1891 
Fiacc, Charles Noél, 1848-1916 
Fiacc, Montague, 1842-1915 
FLORIAN, Walter, 1878-1909 
FosTER, Ben, 1852— 
FRIESEKE, Frederick C., 1874- 
FULLER, George, 1822-1884 
GAUGENGIGL, I. M., 1855- 
Gay, Edward, 1837— 
Gay, Walter, 1856— 
GENTH, Lillian, Contemporary 
GIFFORD, R. Swain, 1840-1905 


383 


APPENDIX 


GIFFORD, Sandford R., 1823-1880 
GLACKENS, William J., 1870— 
Gray, Henry Peters, 1819-1877 
Gro _t, Albert, 1866— 
Guy, Seymour J., 1824-1910 
HA.t, George H., 1825-1913 
HAMILTON, James, 1819-1878 
HARDING, Chester, 1'792—1866 
Harrison, T. Alexander, 1853-— 
Hart, James McDougal, 1828-1901 
Hart, William, 1823-1894 
Hassam, Childe, 1859- 
HAWTHORNE, Charles W., 1872- 
HEALY, G. P. A., 1813-1894 
HENRI, Robert, 1865— 
Henry, E. L., 1841-1919 
HERTER, Albert, 1871- 
HEssE_Ltus, Gustavus, 1682-1755 
Hicks, Thomas, 1823-1890 
HitcHcock, George, 1850-1913 
Homer, Winslow, 1836-1910 
HovENDEN, Thomas, 1840-1895 
HuBBARD, Richard W., 1816-1888 
Hunt, William Morris, 1824-1879 
HuntTincTon, Daniel, 1816—1906 
INGHAM, Charles C., 1'796—1863 
INMAN, Henry, 1801°?-1846 
INNEss, George, 1825-1894 
INNEss, George, Jr., 1853- 
Irwin, Benoni, 1840-1896 
IsHAM, Samuel, 1855-1914 
Jarvis, John W., 1780-1834 
JEFFERSON, Joseph, 1829-1905 
Jewett, William, 1795-1873 
Joxunson, David, 1827-1908 
Jounson, Eastman, 1824-1906 
Jones, H. Bolton, 1848- 
Joncers, Alphonse, 1872- 
Jouett, Matthew H., 1783-1827 
KENDALL, W. Sergeant, 1869—- 
KENSETT, John F., 1818-1872 
KENT, Rockwell, 1882— 
Kost, Frederick W., 1861-— 
KRONBERG, Louis, 1872— 
KRUSEMAN VAN ELTEN, H. D., 
1829-1904 
Ky Le, Joseph, 1815-1863 
La Farce, John, 1835-1910 
LatHrop, William L., 1859— 
Lawson, Ernest, 1873- 
Lazarus, Jacob H., 1822-1891 
Leutz£, Emanuel, 1816-1868 
Lig, Jonas, 1880— 
LINEN, George, 1802-1888 
Lockwoop, Wilton, 1861-1914 
Logs, Louis, 1866-1909 


Loop, Henry A., 1831-1895 
Low, Will H., 1853- 
Luks, George Benjamin, 1867- 
MacCameEron, Robert, 1866-1912 
McENTEE, Jervis, 1828-1891 
MacratH, William, 1838-1918 
Marr, Carl, 1858— 
MarsHALL, William Edgar, 1837- 
1907 
Martin, Homer D., 1836-1897 
Matuews, Arthur F., 1860— 
May, Edward H., 1824-1887 
MAyNnarD, George W., 1843- 
ME LcHuERs, Gari, 1860— 
Micnot, Louis R., 1831-1871 
MILLER, Charles H., 1842— 
Micter, Richard E., 1875- 
MiL.tet, Francis D., 1846-1912 
Moran, Edward, 1829-1901 
Morsg, S. F. B., 1791-1872 
Mos er, Henry, 1841-1920 
Mount, William S., 1807-1868 
Murpny, J. Francis, 1853-1921 
Myers, Jerome, 1867— 
Nast, Thomas, 1840-1902 
NEAGLE, John, 1799-1865 
Newman, Robert Loftin, 1827-1912 
Nico tt, J. C., 1846-1918 
OcHTMAN, Leonard, 1854—- 
OciLvigE, Clinton, 1838-1900 
PALMER, Walter Launt, 1854— 
PARSHALL, DeWitt, 1864—- 
ParTON, Arthur, 1842-1914 
PaxTon, William M., 1869- 
PEALE, Charles Willson, 1741-1827 
PEALE, Rembrandt, 1778-1860 
PEARCE, Charles Sprague, 1851-1914 
PICKNELL, William L., 1854-1897 
Pine, Robert Edge, British-Amer- 
ican, 1742-1790 
Pratt, Matthew, 1734-1805 
PRENDERGAST, Maurice B., 1862-1924 
RanceER, Henry W., 1858-1916 
REDFIELD, Edward W., 1868— 
Reip, Robert, 1862— 
REMINGTON, Frederic, 1861-1909 
RicHarps, William T., 1833-1905 
Rosinson, Theodore, 1852-1896 
RossiTER, Thomas P., 1818-1871 
Ryper, Albert P., 1847-1917 
Ryper, Chauncy F., 1869- 
Ryper, Platt P., 1821-1896 
SARGENT, John S., 1856— 
SARTAIN, William, 1843- 
SCHOFIELD, W. Elmer, 1867— 
SCHREYVOGEL, Charles, 1861-1912 


384 


ARTISTS ARRANGED BY SCHOOLS 


Scott, E. M., 1832-1915 
SHANNON, James J., 1862-1923 
SHARPLESS, James, 1'750-1811 
SHILLING, Alexander, Contemporary 
SHINN, Everett, 1873— 
SHURTLEFF, R. M., 1838-1915 
Stoan, John, 1871— 
SMIBERT, John, 1684?-1751 
SMILLIE, George H., 1840— 
SONNTAG, William L., 1822-1900 
SPEICHER, Eugene, 1883- 
SPENCER, Robert, 1879- 
STEICHEN, Eduard J., 1879- 
STERNER, Albert Edward, 1863- 
Stone, William Oliver, 1830-1875 
Story, George H., 1835-1923 
Stuart, Gilbert, 1755-1828 
SuLLy, Thomas, 1783-1872 
Symons, Gardner, Contemporary 
TABER, Edward. M., 1863-1896 
Tack, Augustus Vincent, 1870- 
Tatcott, Allen B., 1867-1908 
THAYER, Abbott H., 1849-1921 
Tuomas, S. Seymour, 1868- 
THompson, A. Wordsworth, 1840- 
1896 
TIFFANY, Louis Comfort, 1848— 
TRUMBULL, John, 1756-1843 
Tryon, Dwight, 1849- 
Tucker, Allen, 1866— 
Turner, C. Y., 1850-1919 
TwacHTMAN, John H., 1853-1902 
Uxricu, Charles, 1858-1908 
VANDERLYN, John, 1776-1852 
VeppER, Elihu, 1836-1923 
VoLk, Douglas, 1856— 
VonNoH, Robert, 1858— 
WALpo, Samuel L., 1783-1861 
Wacker, H. O., 1843- 
WALKER, Horatio, 1858—- 
Warp, Edgar M., 1849-1915 
Warren, A. W., ?-1873 
Watrous, Harry W., 1857- 
Wauceh, Frederick J., 1861- 
Weeks, Edwin Lord, 1849-1903 
Weir, John F., 1841- 
Weir, J. Alden, 1852-1919 
Weir, Robert W., 1803-1889 
WENtTWoRTH, Cecile de, Contempo- 
rary 
West, Benjamin, 1738-1820 
WHISTLER, James A. McNeill, 1834- 


1903 
White, Edwin, 1817-1877 
WHITTREDGE, Worthington, 1820- 
1910 ; 


Wiaains, Carleton, 1848— 
Wiaains, Guy C., 1883— 

WILEs, Irving R., 1861— 
WI.iAMs, F. Ballard, 1871- 
Woop, Thomas W., 1823-1903 
Wyant, Alexander H., 1836-1892 
Wy tig, Robert, 1839-1877 
YEWELL, George H., 1830-1923 


BELGIAN SCHOOL 


Ciays, Paul Jean, 1819-1900 
Cock, Cesar De, 1823-1904 
Cock, Xavier de, 1818-1896 
DEFRANCE, Leonard, 1735-1805 
GALLAIT, Louis, 1810-1887 
HaGHE, Louis, 1806-1885 
Ko ter, Guillaume, 1829-1884 
Stevens, Alfred, 1828-1906 
Stevens, Edouard J., 1822-1892 
VERBOECKHOVEN, Eugéne, 1799- 
1881 
VRIENDT, Julien De, 1842— 
Wappers, Gustaf, 1803-1874 
WIL_LEMs, Florent, 1823-1905 


BRITISH SCHOOL 


BARKER, Thomas, 1'769-1847 
BEECHEY, Sir William, 1753-1839 
BoNINGTON, Richard Parkes, 1801- 
1828 
BouGHTON, George 
American, 1833-1905 
Ca.tcoTT, Sir Augustus W., 1779- 
1844 
CAMERON, D. Y., 1865— 
ConpeER, Charles, 1868-1909 
ConsTABLE, John, 1776-1837 
CotMaN, John Sell, 1782-1842 
Crome, John, 1768-1821 
DRUMMOND, Samuel, 1763-1844 
Etty, William, 1787-1849 
GAINSBOROUGH, Thomas, 1727-1788 
Har.ow, George H., 1787-1819 
Haypon, Benjamin R., 1786-1846 
Hocartu, William, 1697-1764 
Hoppner, John, 1758-1810 
KNELLER, Sir Godfrey, Dutch- 
English, 1646-1723 
LAawRrENCcE, Sir Thomas, 1769-1830 
Lawson, Cecil G., 1851-1882 
LEIGHTON, Frederick, Lord, 1830- 


H., British- 


1896 

Lety, Sir Peter, Dutch-English, 
1618-1680 

Lestiz, Charles R.,  British- 


American, 1'794-1859 


385 


APPENDIX 


Lucy, Charles, 1814-1873 
MELVILLE, Arthur, 1858-1904 


Mittais, Sir John Everett, 1829- 


1896 
Mor.anp, George, 1763-1804 
Mor.anp, Henry Robert, 1730-1797 
NasMyTH, Patrick, Scotch, 1787-183 1 
NewrTon, Gilbert Stuart, British- 
American, 1795-1835 
Orig, John, 1761-1807 
Orpen, Sir William, 1878- 
PEELE, John T., British-American, 
1822-1897 
Puixie, John, Scotch, 1817-1867 
RAEBuRN, Sir Henry, Scotch, 1756- 
1823 
REYNOLDs, Sir Joshua, 1723-1792 
Romney, George, 1'734—1802 
Rossetti, Dante Gabriel, 1828-1882 
ROTHENSTEIN, William, 1872- 
SHANNON, Charles H., 1865- 
SHEE, Sir Martin A., Irish, 1769-1850 
SmITH, John Rubens, British-Amer- 
ican, 1775-1844 
STARK, James, 1794-1859 
STEER, P. Wilson, 1860— 
Turner, J. M. W., 1775-1851 
VINCENT, George, 1796-1831 
WALKER, Robert, ?—1658? 
Watts, George F., 1817-1904 
WEBSTER, Thomas, 1800-1886 
WHEATLEY, Francis, 1747-1801 
Wiki, David, 1785-1841 
WILson, Richard, 1713-1782 


DUTCH SCHOOL 
Ascu, Pieter Jansz. van, 1603-1678 


BAKKER-KorFF, Alexander H., 1824- - 


1882 
BEERSTRAATEN, Jan 
1622-1666 
BERCHEM, Claes, 1620-1683 
BEYEREN, Abraham _ Hendricksz. 
van, 1620?—after 1674 
BisscuHop, Christoffel, 1828-1904 
Bot, Andries, 1609?—1650° 
Botu, Jan, 1610°-1652 
BRAMER, Leonard, 1595-1674 
CAPPELLE, Jan van de, 1624?-1679 
Cuyp, Aelbert, 1620-1691 
DeWIrT, Jacob, 1695-1754 
Dou, Gerard, 1613-1675 
EeckuHouT, Gerbrandt 
1621-1674 


Abrahamsz., 


van den, 


. ENGELBRECHTSEN, Cornelis, 1468?-_ 


1533 


, OUWATER, 


GELDER, Aert de, 1645-1727 
GoyeENn, Jan van, 1596-1656 

Hats, Dirck, 1591-1656 

Hats, Frans, the Elder, 1584°-1666 
Hats, Frans, the Younger, 1617?— 

after 1669. 

HAvERMAN, Margareta, 18th century 
Hee, Jan Davidsz. De, 1606-1683? 


-HEEMSKERCK, Marten van, 1498- 


1574 
Hest, Bartholomeus van der, 
1613-1670 


- Hopsema, Meindert, 1638-1709 


HONDECOETER, Melchior d’, 163 
1695 

Hoocn, Pieter de, 1629-after 1677 

HoocsTRATEN, Samuel van, 1627- 


1678 
HUGHTENBURGH, Jan van, 1646- 


1733 
IsRAELS, Jozef, 1824-1911 
Joncu, Ludolf de, 1616-1679 
JONGKIND, Barthold, 1819-1891 
KAEMMERER, Frederik Hendrik, 
1839-1902 
Kar, Willem, 1621°—1693 
KessEL, Johan van, 1641?°-1680 
KoEKKOEK, Barend Cornelis, 1803- 
1862 
KonINcK, Philips, 1619-1688 
LINGELBACH, Johannes, 1622-1674 
Lore, Anton de, 17th century 


» Lucas VAN LEYDEN, 1494-1533 


Maes, Nicolaes, 1632-1693 


~ Maris, Jacob, 1837-1899 


Maris, Matthys, 1839-1917 

Mauve, Anton, 1838-1888 

MeMLING, Hans, about 1430-1494 

Metsu, Gabriel, 1630?—1667 

MieEREVELD, M., 1567-1641 

Mo yn, Pieter de, the Elder, 1595- 
1661 

Moor, Karel van, 1656-1738 


Murant, Emmanuel, 1622—about 
1'700 

Myrtens, Daniel, about 1590-after 
1658 


Nason, Pieter, 1612—after 1680 
Neer, Aert van der, 1603-1677 
NETSCHER, Caspar, 1639-1684 
Neuuuys, Albert, 1844-1914 
OsTApE, Adriaen van, 1610-1685 
OstTabeE, Isaac van, 1621-1649 
Aelbert van, worked 
1430-1460 
Ovens, Jurriaen, 1623-1678 


386 


4 


ARTISTS ARRANGED BY SCHOOLS 


PoELENBURGH, Cornelis van, 1586-— 
1667 
RAVESTEYN, Jan van, 1572°-1657 


“ REMBRANDT VAN Ryn, 1606-1669 


ROESTRATEN, Pieter, 1630-1698 

RuISDAEL, Jacob van, 1628?—1682 

Ruyscu, Rachel, 1664°—1750 

RuyspAEL, Salomon van, 
1600-1670 

SLINGELAND, Pieter van, 1640-1691 

Sorcu, H. M., 16112-1670 

STEEN, Jan, 1626?—1679 

Stork, Abraham, about 1635—after 
1'704 

Tersorcu, Gerard, 1617-1681 

VELpDE, Esaias van de, about 1590- 
1630 

VELDE, Willem van de, the Younger, 
1633-1707 

VERMEER, Johannes, 1632-1675? 

VERSCHUUR, Wouterus, 1812-1874 

VLIEGER, Simon de, 1601-1653 

VosMAER, Jacob, 1584°-1641 

Vries, Adriaen de, 17th century 

WEENIX, Jan, 1640°-1719 

WEENIX, Jan Baptist, 1621-1660 

WEIsSENBRUCH, Jan Hendrick, 
1824-1903 

Werer, Adriaen van der, 1659-1722 

WouweERMAN, Philips, 1619-1668 


FLEMISH SCHOOL 


about 


> Bres, Herri met de, c. 1480-? 


BLOEMEN, Peeter van, 1657-1720 
Boscu, Hieronymus, 1462°-1516 


» Bouts, Dirk, about 1410-1475 


BoyYERMANS, Theodor, 1620-1677 


» BRUEGEL, Jan, the Elder, 1568-1625 


BRUEGEL, Jan, the Younger, 1601— 
after 1677 


* BruEGEL, Pieter, the Elder, 1525- 


1569 
BRUEGEL, Pieter, the Younger, 
1564-1638 


~»Bruces Master of the Legend of 


Saint Ursula, late 15th century 
-Campin, Robert (Maitre de Flé- 

malle), 15th century 

Cristus, Petrus, about 1400-after 
1472 

Davip, Gerard, 1460?—1523 

Fyt, Jan, 1611-1661 

HeeErE, Lucas de, 1534-1584 

HoeckeE, Jan van den, 1611-1651 

HonpEcoETER, Gijsbert Gillesz. d’, 
1604-1653 


Horemans, Jan Jozef; the Younger, 
1714-after 1'790 

HuysMans, Cornelis, 1648-1727 

IsENBRANT, Adrian, °-1557 

JANSSENS VAN CEULEN, Cornelis, 
1593-1664? 

Jorpaens, Jacob, 1593-1678 

KOFFERMANS, Marcellius, °—1579° 


*Masuse, Jan van, 1470°-1541 


Mattre DE FLEMALLE (Robert Cam- 
pin), 15th century 

Massys, Quentin, 1460°—-1530 

Meire, Gerard van der, about 
1427—after 1474 


‘MeEMLING, Hans, about 1430-1494 


Meu.ten, Adam Frans van der, 


163 1?—1690 

Neerrs, Pieter, the Elder, about 
1577-1657? 

NEErFFs, Pieter, the Younger, 1620- 
atter 1675 


NieuLanpt, Adriaen van, 1587-1658 
Oost, Jakob van, the Elder, about 
1600-1671 


-Or EY, Bernard van, 1493°-1542 


Rusens, Peter Paul, 1577-1640 

Ryckaert, David, III, 1612-1661 

SIBERECHTS, Jan, 1627-1703 

SNYDERS, Frans, 1579-1057 

SnyeErs, Pieter, 1681-1752 

Teniers, David, the Elder, 1582- 
1649 

TeNIERS, David, the Younger, 1610- 
1690 

Ti_sorcu, Gilles van, about 1625- 
1678? 

Van Dyck, Sir Anthony, 1599-1641 


.Van Eyck, Jan, about 1380-1440 


VincKBoons, David, 1578-1629 
Vos, Cornelis de, the Elder, about 
1585-1051 


-WEYDEN, Roger van der, about 


1400-1464 
WILLagrts, Adam, 1577-1664 


FRENCH SCHOOL 


Avep, Jacques André Joseph, 1702- 
1766 

BaAcA-FLor, Carlos, 
vian, 1869—- 

BARGUE, Charles, ?—1883 

BASTIEN-LEPAGE, Jules, 1848-1884 

BENJAMIN-ConsTANT, J. J., 1845- 
1902 

BERNE-BELLECOUR, E. P., 1838-1910 

Bipa, Alexander, 1813-1895 


French-Peru- 


387 


APPENDIX 


BLANCHARD, Jacques, 1600-1638 

BLARENBERGHE, Henri Joseph van, 
1741-1826 

BoNHEUR, Francois Auguste, 1824— 
1884 

BONHEUR, Rosa, 1822-1899 

BoNnNAT, Léon, 1833-1922 

BONVIN, Francois, 1817-1888 

BOUCHER, Frangois, 1'703—1770 

Boupin, Eugéne, 1824-1898 

BOUGUEREAU, W. A., 1825-1905 

BRETON, Jules, 1827-1906 

BRION, Gustave, 1824-1877 

Brown, John Lewis, 1829-1890 

CABANEL, Alexandre, 1823-1889 

Cazin, Jean Charles, 1841-1901 

C£zANNE, Paul, 1839-1906 

Cuapin, Charles, 1825-1891 

CHARDIN, Jean Baptiste Siméon, 
1699-1779 

CHAVET, Victor, 1822-1906 

CLAIRIN, Jules, 1843— 

CLAUDE LORRAINE, 1600-1682 

ComTE, Pierre Charles, 1823-1895 

Coninck, Pierre de, 1828-1910 

CoRNEILLE DE Lyon, P—after 1576 

Corot, J. B. C., 1796-1875 

Cor, P. A., 1837-1883 

CourBeET, Gustave, 1819-1877 

Couture, Thomas, 1815-1879 

CoypeL, Noél Nicholas, 1692-1734 

A 


DAGNAN-BOUVERET, P. aie PP 
1852- 

Dausicny, Charles Frangois, 1817—- 
1878 


DaumieER, Honoré, 1808-1879 

Davib, Jacques Louis, 1748-1825 

Dawant, A. P., about 1860— 

Decamps, Alexandre, 1803-1860 

DELACROIX, Eugéne, 1798-1863 

DE ort, C., 1841-1895 

DEscoFrFE, Blaise, 1830-1901 

DETAILLE, Edouard, 1848-1912 © 

DEVEDEUxX, Louis, 1820~-1875 

Diaz DE LA PENA, N. V., 1807- 
1876 

DorE, Gustave, 1833-1883 

Drouats, Frangois Hubert, 1727- 
1775 

Dusots, Paul Elie, Contemporary 

Duez, Ernest Ange, 1843-1896 

DUuGHET, Gaspard, 1613-1675 

Duptessis, Joseph Silfréde, 1725- 
1802 

Dupré, Jules, 1811-1889 

Dupré, Julien, 1851-1910 


_EKSERGIAN, 


DuverRGER, Théophile, 1821-1901? 

Carnig (Armenian), 
1859- 

EscALLIER, Eléonore, ?—1888 

FANTIN-LATourR, Henri, 1836-1904 

FICHEL, Eugéne, 1826-1895 

FIRMIN-GERARD, Marie Francois, 


1838— 

FrAnN¢AIS, Francois Louis, 1814- 
1897 

FRERE, Charles Théodore, 1815- 


1888 

FRERE, Pierre Edouard, 1819-1886 

FROMENTIN, Eugéne, 1820-1876 

GERICAULT, Jean Louis André Théo- 
dore, 1791-1824 

GEr6ME, Jean Léon, 1824-1904 

GLAIzE, Léon, 1842- 

GRANET, Francois Marius, 
1849 

GREUZE, Jean Baptiste, 1725-1805 

GROLLERON, Paul, 1848-1901 

Hamon, Jean Louis, 1821-1874 

Harpicnigs, Henri, 1819-1916 

HEsertT, Ernest, 1817-1908 

HENNER, Jean Jacques, 1829-1905 

INGrEs, Jean Auguste Dominique, 
1780-1867 

IsABEY, Eugéne, 1803-1886 

Jacque, Charles, 1813-1894 

JAcgueT, Gustave, 1846-1909 

LAMBERT, Eugéne, 1825-1900 

LAMBINET, Emile, 1815-1878 

Lami, Eugéne, 1800-18 

LARGILLIERE, Nicholas de, 1656— 
1746 

LeEcLAIRE, Victor, 1830-1885 

Le Cierc, Jacques Sebastian, 1734— 
1785 

LEFEBVRE, Jules, 1834-1912 

Lecros, Alphonse, 1837-1911 

Le.orr, Louis, 1843-1884 

Letorr, Maurice, 1853— 

LEMORDANT, Jean-Julien, Contempo- 
rary 


1775- 


“Le Nain, Antoine, 1588?-1648 


Le Nain, Louis, 1593?—1648 

Le Nain, Mathieu, 16077-1677 
LEROLLE, Henry, 1851?— 

Le Roux, Hector, 1829-1900 
LHERMITTE, Léon, 1844- 
Maicnan, Albert, 1846-1908 
Manet, Edouard, 1832-1883 
Marcuat, Charles, 1825-1877 
Marcke, Emile van, 1827-1890 


» Marmion, Simon, 1425-1489 


388 


ARTISTS ARRANGED BY SCHOOLS 


MEISSONIER, Jean Louis Ernest, 
1815-1891 
Merte, Hugues, 1823-1881 
MescriGny, Frank de, 1836-1884 
MIcHEL, Georges, 1763-1843 
Mitet, Jean Francois, 1814-1875 
MOoNCHABLON, Jan, 1854-1904 
Monet, Claude, 1840- 
MontIicELL!, Adolphe, 1824-1886 
MorEAu, Gustave, 1826-1898 
~-Nattier, Jean Marc, 1685-1766 
NevuviLLe, Alphonse de, 1836-1885 
Oupry, Jacques Charles, 1720-1778 
Oupry, Jean Baptiste, 1686-1755 
Pater, Jean Baptiste, 1695-1736 
Pe.Louse, Léon, 1838-1891 
- Poussin, Nicolas, 1593-1665 
PrupuHon, Pierre, 1758-1823 
Puvis DE CHAVANNES, Pierre, 1824- 
1898 
RAFFAELLI, Jean Frang¢ois, 1850-1924 
REGNAULT, Henri, 1843-1871 
Renoir, Auguste, 1841-1919 
RenouF, Emile, 1845-1804 
Ricarb, Louis Gustave, 1824-1873 
Rospert, Hubert, 1733-1808 
RosBerT-FLeuryY, Tony, 1838-1911 
RoussEAu, Théodore, 1812-1867 
Royset, Ferdinand, 1840- 
ScHEFFER, Ary, 1795-1858 
ScHENCK, August F. A., 1828-1901 
TouLmoucHE, Auguste, 1829-1890 
TRAYER, Jules, 1824-1908? 
Troyon, Constant, 1810-1865 
VERNET, Carle, 1758-1836 
VERNET, Horace, 1789-1863 
VesTIER, Antoine, 1740-1825 
ViBERT, J. G., 1840-1902 
VoLton, Antoine, 1833-1900 
WINTERHALTER, Fran¢ois, 1806-1873 
Worms, Jules, 1832- 
ZieM, Félix, 1821-1911 


GERMAN SCHOOL 


AcHENBACH, Andreas, Diisseldorf, 
1815-1910 
AcHENBACH, Oswald, Diisseldorf, 


1827-1905 
Apt, Ulrich, the Elder, 15th and 16th 
centuries 
BECKER, Carl, 1820-1900 
BeuaM, Barthel, 1502-1540 
Brozik, Vacslav, Bohemian, 1851- 


1901 
CERMAK, Jaroslav, Bohemian, 183 1- 
1878 


Cranacu, Lucas, the Elder, Saxon, 
1472-1553 


CraANACH, Lucas, the Younger, 
1515-1586 

DEFREGGER, Franz von, Bavarian, 
1835-1921 


DietricH, Christian W. E., 1712- 


1774 

Dotrer, Albrecht, 1471-1528 

FABER, Conrad, 16th century 

GRAEB, Carl, 1816-1884 

Gysis, Nicolas, Greek, 1842-1901 

HABERMANN, Hugo von, 1849- 

Hans MAtcer zu Scuwaz, Austrian, 
early 16th century. 

HeENNINGS, Johann Friedrich, Mu- 
nich, 1839-1899 

HoLsEIN, Hans, the Younger, 1497- 
1543 

JeTTEL, Eugéne, Austrian, 1845-1901 

KAULBACH, Friedrich August von, 
1850— 

KauLBacu, Wilhelm von, 1805-1874 

Knaus, Ludwig, 1829-1910 

KutmBacu, Hans, 1476°-1522 

Lers_, Wilhelm, 1844-1900 

LeENBACH, Franz von, 1836-1904 

LIEBERMANN, Max, 1849- 

LinpENscuMiIT, Wilhelm, 1829-1895 

Maxanrt, Hans, Austrian, 1840-1884 

Max, GABRIEL, Austrian, 1840—- 

MEIsTER VON CAPPENBERG, early 
16th century 

Meyer, J. G. (Meyer von Bremen), 


1813-1886 
MunkAcsy, Mihaly de, Hungarian, 
1844-1900 


Pitoty, Carl von, 1826-1886 

PreYER, Emilie, 1849- 

Preyer, Johann Wilhelm, 1803-1889 

RamBerc, A. G. von, Austrian, 
1819-1875 

RIcHTER, Gustav, 1823-1884 

RIEFSTAHL, Wilhelm, 1827-1888 

Rinc, Ludger tom, the Younger, 
about 1530-1583? 

ScHONGAUER, Martin, 1420-1488 

SCHRADER, Julius, 1815-1900 

ScHREYER, Adolf, 1828-1899 

Seitz, Anton, 1829-1900 

STRIGEL, Bernhard, 
1528 

THoma, Hans, 1839- 

Traut, Wolf, ?—1520 

TrUsNeErR, Wilhelm, 1851- 

Unpe, Fritz von, 1848-1911 


1461—before 


389 


APPENDIX 


VELTEN, Wilhelm, 1847— 
Vo.tz, Friedrich, 1817-1886 
ZUGEL, Heinrich, 1850— 


ITALIAN SCHOOL 


ANGELIco, Fra Giovanni, Floren- 


tine, 1387-1455 
ANTONELLO DA MessINA, Venetian, 


1430°-1479 

Baroccio, Federigo, Umbrian, 1528? 
—1612 

BarRoNnz1I0, Giovanni of Rimini, 
P—1362? 

BARTOLO DI FREDI, Sienese, 1330—- 
1410 

BASSANO, Jacopo, Venetian, 1510—- 
1592 

BELLINI, Giovanni, Venetian, 1428? 
—1516 


BENVENUTO DI GIOVANNI, Sienese, 
1436—after 1517 

Bicci pi LorENzo, Florentine, 1373- 
1452 

Boccaccino, Boccaccio, Lombard, 
1460°—1518 

Bo.Lpin1, Giovanni, 1844— 

BoTTICcELLI, Florentine, 1447°-1510 

Botticini, Francesco, Florentine, 
1446-1497 

BRAMANTINO, Milanese, 1450°—1530 

BRONZINO, Agnolo, Florentine, 1502? 
—1572 

BUGIARDINI, 
1475-1554 ie 

BUONAVENTURA, Segna di, Sienese, 
early 14th century 


Giuliano, Florentine, 


BuTINONE, Bernardino, Lombard, 
before 1436—after 1507 

Cauiari, Carlo, Venetian, 1570- 
1596 


CANALETTO, Venetian, 1697-1768 

CaRIANI, Venetian, about 1485—after 
1547 

CARPACCIO, Vittore, Venetian, 1455? 
—1526? 

CaTENA, Vincenzo, Venetian, 1470?— 
1531P 

CimA, Giovanni Battista, Venetian, 
1460r—after 1517° 

Correccio, Emelian, 1494-1534 

Costa, Lorenzo, Ferrarese—Bologn- 
ese, 1460°—-1535 

CrepI, Lorenzo di, Florentine, 1459— 
1537 

CRIVELLI, Carlo, Venetian, 1430?- 
after 1493 


CRIVELLI, Vittorio, Venetian, late 
15th century 

Duccio pi BUONINSEGNA, Sienese, 
active 1279-1319 

FIORENZO bi LorENzo, Umbrian, 
rafter 1521 

FRANCIA, Bolognese, 1448°-1517 

Gappi, Taddeo, Florentine, about 
1300—after 1366 

GAROFALO, Ferrarese, 1481-1559 

G1AMBONO, Michele, Venetian, 15th 
century 

GIANPIETRINO, Milan, early 16th 
century 

G1orpDANO, Luca, Neapolitan, 1632- 
1705 

Grorcio, Francesco di, Sienese, 1439 
—1502 

G1orGIONE, Venetian, 1478?P—1510? 

Giotro pi BOoONDONE, Florentine, 
1266?—1336 

GIOVANNI DA MILANO, Florentine, 
14th century 

GIOVANNI DI PAOLo, Sienese, about 
1403—after 1482 

GIROLAMO DAI Lisri, Verona, 1474- 
1556 

Gozzout, Benozzo, Florentine, 1420—- 
1498 

GRANACCI, 
1477-1543 

Guarpl, Francesco, Venetian, 1712- 
1793 

Joris, Pio, 1843- 

Lippi, Filippino, Florentine, 1457?— 


Francesco, Florentine, 


1504 

Lippi, Fra Filippo, Florentine, 1406? 
—1499 

Loneut, Alessandro, Venetian, 1733—- 
1813 


Loncui, Pietro, Venetian, 1702- 
after 1762 

LoreENzETTI, Pietro, Sienese, ?— 
1348? 

Lorenzo pi Nicco.6, Florentine, 
1370-1440 


Lorenzo 11 Monaco, Florentine, 
about 1370-1425 

Lotto, Lorenzo, Venetian, 1480?— 
1556 

Mainarp1, Sebastiano, Florentine, 
about 1450-1513? 

MancIinIi, Antonio, 1852— 

Mantecna, Andrea, Paduan, 1431— 
1506 

Maratta, Carlo, Roman, 1625-1713 


390 


ARTISTS ARRANGED BY SCHOOLS 


MartTINI, Simone, Sienese, about 
1283—after 1344 

MatTrEo pi GIOVANNI,  Sienese, 
1430°-1495 

Montacna, Bartolomeo, Vicenzan, 
1440°-1523 


MoreETTOo DA BRESCIA, 1498?-1554? 

Moronge, Domenico, Veronese, 1442- 
1508 

Moront, Giovanni Battista, Bres- 
cian, about 1525-1578 

PANNINI, Giovanni Paolo, Piacen- 
zan, 1691°-1768? 

Pasini, Alberto, 1826-1899 

PELLEGRINO DA SAN DANIELE, 
Venetian, 1473°-1547 

Perucino, Umbrian, 1446-1523 

PEsELLINO, Florentine, 1422-1457 

Piero pi Cosimo, Florentine, 1462— 
1521? 

PieTRO DI DoMENICO DA MoNTEPUL- 
CIANO, early 15th century 

PieETRO DI DOMENICO DI 
Sienese, 1457-1501 

PinturiccH1o, Umbrian, 1454-1513 

PoLLaIluoLo, Antonio, Florentine, 
1432°—1498 

PoNTORMO, Jacopo, 1494-1557 

Prepis, Ambrogio de, Miailanese, 
about 1450-after 1506 

RAPHAEL, 1483-1520 

Recco, Giuseppe, Neapolitan, 1634- 
1695 

RENI, 
1642 

Ricci, Sebastiano, Venetian, 1659?— 


PIETRO, 


Guido, Bolognese, 1575- 


1734 
Rosa, Salvator, 1615-1673 
SANO DI PreETRO DI MENICO, Sienese, 


1406-1481 

Sarto, Andrea del, Florentine, 1486— 
1531 

SASSOFERRATO, Bolognese, 1605- 
1685 


SAVoLpo, Giovanni Girolamo, Bres- 
cian, about 1480—after 1548 

SEBASTIANO DEL PioMso, Venetian— 
Roman, about 1485-1547 

SELLAIO, Jacopo del, Florentine, 
1442-1493 

SIMONETTI, Attilio, Contemporary 

Sopoma, Sienese, 1477-1549 


SPINELLO ARETINO, Florentine, 
1333-1410 

STEFANO, Tommaso di, Florentine, 
1496?—-1564 

TIEPOLO, Giovanni 
netian, 1696-1770 

TINTORETTO, Venetian, 1518-1594 

T1TIAN, Venetian, 1477°-1576 

Torsipo, Francesco, Veronese, 1486? 
—1546 

Tura, Cosimo, Lombard, 
1495 

VERONESE, Paolo, Venetian, 1528- 
1588 

VerRrRocCcHIO, Andrea del, Florentine, 
1435-1488 

VOLTERRANO, Florentine, 1611-1698 


Battista, Ve- 


1432! 


SPANISH SCHOOL 


BAIXERAS-VERDAGUER, Dionisio, 
1862— 

BorrassA, Luis, Catalonian, worked 
1390-1434 


Cerezo, Mateo, 1635-1675 

DominGo, Francisco, 1843— 

Escosura, Leon Y, 1834-1901 

FALERO, Luis, 1851-1896 

Fortuny, Mariano, 1838-1874 

Goya, Francisco José, 1746-1828 

Greco, El, about 1548-1614 

Maprazo, Raymundo de, 1841-1920 

Muri Lo, Bartolomé Estéban, 1617— 
1682 

RIBERA, Jusepe de, 1588-1652? 

Rico, Martin, about 1850-1908 

SANCHEZ-PERRIER, Emilio, Contem- 
porary 

SOROLLA Y BastipA, Joaquin, 1863— 
1923 

VELAZQUEZ, Diego, 1599-1660 

VerGcos, Jaime, II, Catalan, 15th 
century 

VILLEGAS, José, 1848— 

ZAMACOis, Eduardo, 1842-1871 


ZURBARAN, Francisco de, 1598- 
1662 
SWEDISH SCHOOL 
HeE.Ltouist, Carl Gustav, 1851- 
890 


I 
WAHLBERG, Alfred, 1834-1906 
ZorN, Anders, 1860-1920 


39! 


A LIST OF PORTRAITS 
ARRANGED BY SUBJECTS 


Apier, Felix:cby Volk... i 5 oo «ie +o oe PT ey 2 


ALTMAN, Benjamin; by Emmet. . 


ANDERSON, Alexander; by Jarvis. . error he - 


ANGELO, Mrs.; by Reynolds...... 


ANGERSTEIN, John Julius; by Lawrence........... a! 
ANTHONY, Judge Joseph, Jr.; by Stuart........-5. 42.05 055 


AntTHOoNY, Mrs. Joseph; by Stuart. . 
ARCHINTO, Filippo; by Titian. . 
ARNOLD, Mrs.; by Reynolds. . 


ARUNDEL, Earl of, and his Grandson; ; by V Van an Dyck... re eee 


AVERY, Samuel P.; by Madrazo. 

BABBE, Hille; by Hals, the Younger. . 
BacHe, Mrs.; by Hoppner.. Nee 
Bacon, Edward R.; by Zorn. 

Bacon, Mrs. Walter Rathbone; by Zorn. . 
BALDWIN, Mrs.; by Reynolds. . 

BALTASAR CARLOS; by School of Velazquez. 
BARING, Miss; by Lawrence. . : 
BARLOW, Francis C.; by Homer 

BARNARD, Mrs.; by Reynolds. . 


BECKET, Thomas a: by Van Eyck, Jamie e eee erererees 


BERKELEY, Lady Mary; by Kneller. . 
Binkes, Admiral Jacob; by Maes..... 
BisHop, Heber R.; by Bonnat. . 

Biack, Dr. Joseph; by Raeburn. . 
BLair, Charles, with Fane; by Reynolds. . 


Bonco, Bartolomeo; by Moroni. ...... 23.56 22 see 


Bowers, Mrs. Mary Sherburne; by Senet 
Brapy, James Topham; by Ames....... 

Brapy, M. B.; by Elliott.. : 

Bunker, Mrs. Dennis M.; by Bunker. . 
BurrouGus, Rev. Humphrey; by Gainsborough... 
CARMENCITA; by Chase. . = « cia 
CHARLEs I of England; by Mytens. . 


CHARPENTIER, Madame, and her Children; ‘by Renoir. on ae 


CuaseE, William M.; by Sargent. . 

CHEESBOROUGH, Margaret Sylvester by ‘Blackburn. . 
CHILD, Theodore; by Dannat.. 10. eae 
Cray, Henry; by Morse. 


CLEMENT IX, Pope; by a 


Catalogue 
Numbers 


A LIST OF PORTRAITS 


eerevann, Duchess Of; by Lely: a ear cei ols ei ieee ae. 


CLINTON, De Witt; by Morse. . 

COLLEsS, Christopher; American School. . 
Couns, Mrs. Alfred Q.; by Collins. . 
Co_umBus, Christopher; by Sebastiano. . 
Conant, John A.; by Dunlap.. 

Conant, Mrs. John A.; by Dunlap. . 

ConpE, Princesse de, as Diana; by Nattier. 
Coo.ipcE, Mrs. Thomas Brewster; by Harding. . 
CoussMAKER, Col. George; by Reynolds. . 


Cranmer, (?) Archbishop; School of Hans Holbein. z Se) nr OG 


Carew, Lady; by Reynolds. . 
Crucer, Mrs. John Church; by ‘Healy... 


CUMBERLAND, William Augustus, Duke of; ‘by, Reynolds. : 


CusHING, Mrs. Ethel; by Cushing. . 

DaRLeEy, Jane Sully, and son Francis; by Sully.. 
De Curistyn, Miss; School of Van Dyck. . 

D’ Eon, Marquise; by Aved. 

DERING, Mary Sylvester; by Blackburn. . 
DERING, Nicoll Havens; by Pe in 
DerRING, Thomas; by Blackburn. 

DERING, Virginia; by Huntington. . 
D’Ocnes, Mile. Charlotte du Val; byl David. . 
Dou, Gerard; by Dou.. 
DREXEL, Joseph W.; by Lazarus. . 

DvuRAZZO, Marchesa: by Van Dyck. . 

DuretT, Théodore; by Whistler....... 
Eakins, Mrs. Thomas; by Eakins....... 


Ece, Leonardt von; by Beham...$:2....... “ ; : : . i a 


ELEANOR OF AusTRIA; attr. to Mabuse. . 
ELIZABETH, Queen of England (?); by Heere... 
ELLENBOROUGH, Lady; by Lawrence.... 
E.iiott, Charles Loring; by Elliott. 

E..iott, Charles Loring; by Guy 


EL.ioTtT, Georgiana Augusta Etaticas by er Ke 


E.uiott, Mrs. Grace Dalrymple; uy RE aa 
Emerson, Edwin; by Lenbach.. RA eas 
Este, Borso d’(?); by Tura(?).. 

Evans, Joe; by Collins. . 

Fane, Hon. Henry; by Reynolds. 

FARNHAM, Charles H.; by Irwin. . 

FAvART, Mme.; by Drouais. ocr 

FINLEY, John; by Sully.. 

FITZHERBERT, Mrs.; by Romney. . 


Fiacc, Mrs. Montague; by Montague F Flagg. . ea ie hale: 


FLETCHER, Isaac D.; by Eksergian. . 


Foote, Miss; American Benoa LOO Ae. eee es eee 


ForsyTH, William; by Raeburn... . 
Foster, Charles; by Flagg. . 

Francis I; French School. . 

FRANCIS, Dr. John Wakefield; by Leslie. . 
Francis, Rebecca Mifflin; by Peale. . 


FRANKLIN, Benjamin; by Duplessis............. Leama Aave: 
FUGGER, Ulrich; byiHans Maler zu Schwazi 2s S64). Wacs. 3 
GAGNY, Mile. Blondel de; by Wattiorienanstce te yt ay ents 


393 


Catalogue 
Numbers 


APPENDIX 


Catalogue 

Numbers 

GatnsBorouGH, Margaret; by Gainsborough. .................0- Gi2-5 
GALLATIN, Albert; by Sharpless. 2. 2... .. 2. .st,'sliy ee eee Sh2-1 
Gavuatin, Albert; by Stuart. 2.2... but. + Sto-9 
Ga.Lioway, Ann; by Hesselius. .. 2... 0.0 00: 1.0% colate ene een 
GANSEVOORT, Leonard; by Stuart) s.5.0% 3: . 0. . Svan eee 
GaNsEvoort, Gen. Peter; by Stuart. .........2,/).0)2) ee 
GarcinI, Dojia Josefa de; by Goya.’. wo nse oie Sle accu 6 ERAS ee nee 
Garcinl1, Don Ignacio; by Goy a. «a bole late, SRE te kane anne 
GARDINER, Mrs., and her children; by Hoppner . once SRE a ee H77-3 
GAsPER, Caleb; by Elliott. . wae ELS hs, Oe 
GAUTREAU, Mme.; by Sargent. . L) aes eee er 
GEORGE, Henry: by Brush. . : woe eo Oy a ere 
GIFFORD, Sandford R.; by Eastman Johnson. os beta a eee, SRCRE, oi eeteee eae 
GILCHRIST, Connie; by Whistler... 0s. ...i0) Se 
GONZAGA, Federigo: by Francia. . ue Fo eee 
GottTicniges, Mlle. de; by Van Dyck. . oi Secs aCe ONS Rae ee 
GREEN, Mary Storer; by Copley. . . 2. wl ee eee 
GREENLEAF, Mrs. Mary Brown; by Blackburn .) Rae B56-51 
GREENLEAF, Priscilla Brown; by Blackburn. . ..s:. . ) 22S einen eens 
GREENLEAF, William; by Blackburn: 3.2 s<4ace Ae ee . B56—-52 
Grey, Lady Jane(?); British School. .....2..029neu Br771S-6 
GriMEs, John; by Jouett. . whol deren ops | ae eee 
GriswoLp, Mrs. James Clinton; by | Elliott /.; .45.:0ene ae . El5—4 
GuILDForD, FA tate oie all I 
Gwynn, William; by Sully.. ey wetter cesses SUS 
Gwynne, Nell; by Lely.. ME Sy 
HAMILTON, Alexander; by Trumbull. ......9250sto oe .. 177-1 
HamiLton, Lady; by Opie. . otk. do SR oe ee 
HaMILTon, Lady, as Daphne: by ‘Romney. wo wie aah ba ate SUR. Eee RE Rs 
HARE, Master (Infancy); by Reynolds: .. ) 22. 20) See 
HARING, Thomas Jacobz(?); by Rembrandt . cous ob tele g ou EEE a ee 
Har.ow, George H.; by Harlow. . Jd ol Se ee ee 
HawkswortH, John; copy after Reynolds. wo oe hy 4 elehiy ee eng en oae 
Heary, G. P.A:; by Healy.” a 
HEARN, Arthur Hoppock; by Jongers. . US OP ee 
HEARN, George A.; by Wiles. . 104 DUNE Da Dae ae 
HERTENSTEIN, Benedikt von (?); by Holbein... 6). 4 ae .. H69-1 
Hicks, Mrs. Angie King; by Hicks........ i Vsenene vee Oe H52-1 
Hucues, Sir Edward; by Reynolds. . ba nn ekg eRe ana eave 
Humsotot, Baron Alexander von; by ‘Schrader wah ee ee ee Sch62-1 
HunrTINGTON, William Henry; a Walter ree ba S0 a ae 
INGERSOLL, Josiah; by Sharpless... .... : cca» te § ements nena 
INMAN, Henry; by Lazarus. . wae coli bce 
IRETON, General (?); by Robert Walker... :4.00Uens jane oe W152-1 
IRVING, Sir Henry, as Philip II of Sra ve Whistlersc3k wa geen eee W57-4 
IsRAELS, Jozef; by Florian. ; seat nites eee ees 
JACKSON, General Andrew; by ‘Waldo. . wos Cie Sat aw ea on 
James VI of Scotland as a child; British School. ,kilegeeneneneste Br771S-5 
JAUDENES, Josef de; by Stuart. i, bn PS OO 
JAUDENEs, Matilde ‘Stoughton de; by Stuart. . ile) ARR oes 
JEFFREYS FAmity; by Hogarth. ....../) 0.1.0). eee H67—51 
JOHNSTON, John Taylor; by Bonnat.... 6.0... 50), ea cee ee 
ONES, Inigo, with Fane; by Reynolds. .. . :2 2). .)v pte ene ees 

OsEPH II, Emperor of Austria; by Drouais......................D83I-1 

ELLOGG, Edward; by Waldoand Jewett...............-..:----- W141-2 


394 


A LIST OF PORTRAITS 


KeE.toce, Mrs. Edward; by Waldo and sake na'os 
KENNEDY, Edward G.; by Whistler. . ; 
KenseTT, John F.; by Baker. . 

KYLE, Joseph; by Ferrets cise 

PeeAVeTIE: by sreale........ 

Lesianc, M.; by Ingres. . 

LEBLANC, Mme.; by Ingres. . 

Lee, Lady (Margaret Wyatt); by Holbein. 

LENNOX, James Stuart, Duke of; by Van Dyck. 

Le Roy, Arnold; by Van Dyck.. : 

Li:BuRNE, John (?); Flemish School. . 

Lincoitn, Abraham; by Hunt.. 

Lup.ow, Gabriel; by J. R. Smith. 

McCartTny, Lilah; by Charles Shannon. 
McCLELLAN, Major-General George B.; iby V Wentworth. . 
McCosu, Dr. James; by Conant. . : 
Macreapby, William C.; by Inman. 

Mate, Jean Van; by Helst. . 

MarIANA OF AUSTRIA; by Velazquez. . 

MarIANA OF AUSTRIA; School of Velazquez. . 


MarQuanD, Henry G.; by Sargent. . 
MarsHALL, Mrs.; by ‘Marshall. . 

MarTINEz, Don Sebastian; by Goya. . 

Mary, Queen of Scots; British School. . 
Mattuews, Mrs. Katherine; by Sully. . 
Mazarin, Duchesse de; French School. . 
Meopic1, Cosimo de’; by Bronzino. . 

MIFFLIN, Mrs. Rebecca Edgehill; by Peale. ... 
MiFFLin, Samuel; by Peale. . ee 
Mitton, Mrs. W illiam F.; by ‘Thayer. 
Moran, J. Pierpont; by Baca-Flor. . 
Murray, Alexander S.; by Story.. 

Murray, Robert; by Trumbull. . 

Murray, Mrs. Robert; by Trumbull. . 
O’Conne_ELL, Daniel; by Shee. . 

OLIVARES, Count; School of Velazquez. .. 
OrPEN, Sir William; by Orpen.. 


PENNICOTT, Reverend William; by iewicics ai ae A: Wee 


Puitip IV of Spain; by Velazquez. . 


PoLiGNAc, Vicomtesse de; by Nattier. AE ee, es. woe taicutets 


PorpHaM, Colonel William; by Linen..... 


Pormmari, Marie; by Memling....... 0.6... cede eee nees 
Porrmani. thomas; by Memling. .. ..6 6.0 ec ee eee ee ee meals 
Poemourn Duchess of by Lely... 2.02... ccc ewe ceeeee 
PEeANoins, baron de; by Largilliére.... 2... ces eee ee nes 


PRANGINS, Baronne de; by aaa 
Price FAMILY; by Hogarth. . . 
Prime, William C.; by Huntington. . 


PutyaM, Mrs.; by Constabler nie y.arcle. TRAD Shh Var ae: jah 
PUMPELLY, Raphael: PIV THA VET Pent dle ince 1 diate cre lace alee ae oes 
Putnam, George P.; by Platt Ryder............6...0-05- 


RANKIN, Ann; by Waldo and Jewett. . 
RAWLE, Miss; by Stone. . 


Rea, Alexander; by Samuel Taare BV ieee cate 


395 


Catalogue 
Numbers 


... WI4I-3 
...W57-3 


.. BIZ—1 


ieee . K98-2 
: ge P31T 
...Ingi-i 


..Ingi-2 


ee _.. H609-3 
el ev Bes 


.. V28—4 


Sth. ElGsS26 
Tih 52 


..sm6-1 
..Shi-51 
..W48-1 
..C74-1 
7. .In5-3 


. .H364-3 


..V54-51 


PE. seks NA Des 
Mark Twain (Samuel L. Clemens) ; a Charles N. . Flagg. MAS. 2 


-F59=1 
say 
. .M35-1 

.G74-3 


are D Br771S—5 


.SU5—5 


_. . Fr88S-1 
shiek Zereel 


we P36 
a ae ond 
yr baa 
2¢Bi2-1 


a) -otyi=i 


oo L773 


eae Fen 


. .oh3-1 


APPENDIX 


Catalogue 

Numbers 
Rep, Mrs., in the Character of a Sultana; by Pine................ P65-1 
REMBRANDT; by. Rembrandt. !.......2. 4.5/4 0y45 aoe R28-12 
REYNOLDs, Elizabeth; by ee vn pe oe oe alll bons) Seka nee pial an ena 
Rice, Captain Henry; by Stuart. ........0... 4. aoe 
Ricu, Lady; by Holbein. . é taesy tens de 0k gq are! 
Ropn, Auguste; by MacCameron. . vase one 0 6 Eilat iohy Die ey eee eae ea 
RoMNEY, George; by Romney. . I 
Rosa, Salvator; by Rosa . Me 
ROTHENSTEIN, William; by Rothenstein . Lia. RZ4HI 
ROTTERDAM, Eugenie, Betrothed of Admiral Binkes; by “Maes... .M26 I3 
ROWSE, Samuel W.,; by Eastman Johnson: ee en oy eee J63 1-2 
RUTHERFURD, Robert W.; by Eastman Johnson................-J631-2 
SAINT GAUDENS, Augustus; by Cox... .... 2.5. 5 os a eee ee 
SAINT GAUDENS, Augustus; by Emmet. «a je wile okOk ghee eee 
Scott, General Winfield; by Robert W. Weir: nets he0eae eee W432-1 
SEARS, David; by Stuart. . , «od vai ok dhe a 
SHERBURNE, Joseph; by Copley. - tires C193 
SIDELL, John A.; by Vanderlyn. . wat es aed tke 9 Beever 
SOROLLA, Clotilde de; by Sorolla;  avii.idu sane ids ROOT 
SMITH, Rev. William; by Copley. . Me ee 
SPARROW, Miss; by Gainsborough. . «ela Bille Ohi Sa ee eke 
SPRING, Rev. Gardner; by Waldo and Jewett. . Pe 
STOFFELS, Hendrickje; by Rembrandt.. jonalig) v's Laid all eS cape ea 
Story, George H.; by Story... .... s+ «ssa ss ct an eileen 
Stuart, James; by Van Dyck... .. sc. << 70sec 
Sutty, Mrs. Thomas; by Sully. ....... 07.3). o)e peepee ie 
SuLLY; Rosalie; by Sully... ... 2... 0s 0. gee eis eet 
SuLLy, Thomas; by Sully... .........<. c/o cee eee 
SUMNER, Charles; by Hunt..... Moos! 
TEMPLE, Sir William; by Lely. . eee + inl sp ene 
TERRY, Ellen, as Portia: by Millais. . . slo a od pes OE 
THomas, Mrs. S. Seymour; by S. Seymour Thomas! . ice tne . 1361-1 
Tuou; Augustin de; Roman School. .... 2.5.0.5 7 ie se 
TICKELL, Hon. Mrs.; by Romney. . OE 
Titus, son of Rembrandt; by Rembrandt. Sila ucwbid el ge eae 
Titus, son of Rembrandt; by Rembrandt. ..../ih2 ssf eae R28-52 
TOowNSHEND, Lady; by Janssens van Ceulen. 22.5.9 woenee er ee 
Urret, Lucas van; by Van Dyck. ........ 2, (ee ee V28-7 
Van Buren, Martin; by Inman....... 44. .2e In5-1 
VANDERLYN, John; by Vanderlyn. . ey ee es 
VAN RENSSELAER, Gen. Stephen; by Stuart. . 2 ogee .St9o-51 
VAN ScHAICK, Catherine; by Ames...... ee re 
VEEN, Jacob ‘Willemz van; by Heemskerck. .; scsahe al eee H361-1 
VELAZQUEZ: School of Velazquez. . Pe re 
VicroriA, Queen; ‘by Sully... ..: 02... 1:22 Su5—-7 
WavpELL, Frank; by Vanderlyn......:.c c)egpleeie See V278-4 
WaALDo, Mrs. Deliverance Mapes; oe Waldo.. «i dihia 4 pees a ee 
WALpo, Samuel L.; by Waldo. . ; 1 1 Aaah ree 
WALsH, Captain John; by Neagle. . Peers eee eee 
WASHINGTON, George; ‘by Peale... ....\). .:. sehen aie ees nee P31-4 
WASHINGTON, George; by Stuart. . MP 
WASHINGTON, George (Gibbs-Channing-Avery) ; by Stuatt «seeeteaee Sto-8 
WHISTLER, James A. McNeill; by, Chase... <2) Semana eee C38-6 
WHITMAN, Walt; by Alexander. . ; MP 
WHITTREDGE, Worthington; by Leutzé. si.) bale eee .L57-2 


ae 


A LIST OF PORTRAITS 


Catalogue 


Numbers 
WIDMANN, Count Carlo Aurelis; by Alessandro os eta ny se LGAet 
WILEs, Lemuel Maynard; by Irving R. Wiles. . {hin Geli tact hen OAS 
WILLETT, Colonel Marinus; American School. .Am3S-2 
WitLett, Wife and Child of Colonel Marinus Willett; iby Vanderlyn V278-3 
WILLIAMS, Badveoy Earle, c.....s- ..Ea7-1 
WoFFINGTON, Peg: by Hogarth. . Pita od aienue ae Je POE 
WOLFE, Catharine Lorillard; by Cahanela. Pies ile s Shin oes a QT Fol 
WotrE, John David; by Huntington... sere idess it ys ae + ie SEADOO 1 
Wyatt, Margaret, Lady Lee; by Dibenae ce eke H69-3 
WynbHaM, Lady Elizabeth; by EG Ten SoA dee Ace eR een Pee L43-5 
York, H. R. H., Duke of; by BEECHEV AR et. 4 S.Wa Ctr brs sc 7 BAQmt 


397 


CLASSIFICATION OF PAINTINGS 
BY GALLERIES 


GIVING THE GENERAL CHARACTER OF EACH 


Floor | 

6. Dreicer Collection. 

Floor II 

Te The Marquand Gallery, important works of various 
schools. 

12. American paintings, modern. 

13, 15. American paintings, The George A. Hearn Collection. 

14. European paintings, chiefly eighteenth-century British. 
The George A. Hearn Collection. 

16. American paintings, early. 

Dye, European paintings, nineteenth century. The Cath- 
arine Lorillard Wolfe Collection. 

19. European paintings, modern. 

20st French paintings, eighteenth century. 

21: French paintings, modern. she 

24. British paintings, eighteenth century. 

25. Drawings. 

26. Dutch paintings, seventeenth century. 

27. Flemish paintings, seventeenth century. 

28. Spanish paintings, seventeenth and eighteenth centuries. 

20, 30. Italian paintings, sixteenth to eighteenth century. 

31 & 33. ‘Italian paintings, fourteenth to sixteenth century. 

32: Pinturicchio ceiling paintings. 

34. Flemish and German paintings, fifteenth and sixteenth 
centuries. 


37, 38,39. Altman Collection. 


398 


SAIMATIVD Ad SONILNIVd AO NOILVOIAISSVIO FHL OL ATA 
NV1d YooTd 





399 


OF THIS CATALOGUE 
TEN THOUSAND COPIES WERE PRINTED 
JANUARY, I914 


A SEVENTH EDITION OF TEN THOUSAND COPIES 
WITH ADDITIONS, CORRECTIONS, AND ILLUSTRATIONS 
WAS: PRINTED MARCH, 1924 





400 








il 





